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TRAFFIC

Eclectic Prog • United Kingdom


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Traffic picture
Traffic biography
Formed in Birmingham, UK, in 1967 - Disbanded in 1975 - Partial reunion, with Winwood and Capaldi, in 1994.

TRAFFIC were formed in 1967 by Steve Winwood, Chris Wood, Jim Capaldi and Dave Mason. Winwood had previously found fame in the SPENCER DAVIS GROUP whose biggest hit single was "Keep on running". While Traffic's sound then was very much of its time, the emphasis on Winwood's keyboards and Wood's wind instruments set them apart from their guitar driven peers.

The band's first single "Paper Sun", gave them instant chart success, reaching No. 5 in the UK. The follow up, Mason's "Hole In My Shoe", is probably their best know single, being a mildly amusing piece of psychedelia. Winwood was reportedly unimpressed with the song's success though, feeling it misrepresented his vision for the band.

The first album, "Mr Fantasy" followed the same year, but before it had even been released, Mason had left. Winwood's position as the dominant member of the band was already well established, his (and also Wood and Capaldi's) jazz orientation appearing at odds with Mason's lighter melodic style. Mason quickly returned however for the recording of the band's second album "Traffic" in 1968, writing or co-writing many of the tracks including his often covered "Feelin' Alright". It appears the band realised at that time that without Mason they would struggle to write sufficient material to meet their contractual obligations.

Mason was subsequently ejected from the band in 1969, Winwood later announcing that the band had run its course. Island records released what appeared to be a posthumous album of b-sides, singles, studio outtakes and live recordings in the form of the appropriately named "Last Exit". Winwood though was still contracted to Island for 2 more albums, so the following year he started work on a solo album, calling in Wood and Capaldi to assist. The TRAFFIC name was quickly resurrected, and the album, "John Barleycorn Must Die", was released. For many, this is Traffic's best album. While the title is taken from a traditional folk song, the music is a wonderful blend of prog, jazz, rock, and folk.

Following that album's release, Rick Grech (ex-FAMILY) joined, to ease the pressure on the multi-instrumental Winwood. Various subsequent line up additions and changes took place, including another return by Mason. The live album "Welcome To The Canteen" (strangely not credited to TRAFFIC, but to the band members individuall...
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The Low Spark Of High Heeled Boys (Remastered)The Low Spark Of High Heeled Boys (Remastered)
Extra tracks · Reissued · Remastered
Island 2002
$5.39
$3.48 (used)
Traffic GoldTraffic Gold
Remastered
Island 2005
$6.84
$6.83 (used)
Mr. FantasyMr. Fantasy
Remastered
Island Uk 1999
$5.61
$4.35 (used)
The Studio Recordings 1967-74 [6 LP]The Studio Recordings 1967-74 [6 LP]
Box set
Island 2019
$160.87
Shootout At The Fantasy FactoryShootout At The Fantasy Factory
Remastered
Island 2003
$4.90
$3.93 (used)
Traffic - 5 Classic AlbumsTraffic - 5 Classic Albums
Box set
Universal 2017
$13.65
$18.63 (used)
TrafficTraffic
Remastered
Island Uk 1999
$5.61
$8.98 (used)
John Barleycorn Must Die (Remastered)John Barleycorn Must Die (Remastered)
Extra tracks · Reissued · Remastered
Island 2001
$13.75
$3.08 (used)
The Definitive CollectionThe Definitive Collection
Remastered
Island 2000
$13.11
$4.89 (used)
Santa Monica ShakedownSanta Monica Shakedown
Unicorn 2019
$10.46
$13.13 (used)
Right Now on Ebay (logo)
Lot of 25 8-track tapes Aerosmith Zepplin Hendrix Lee lewis Traffic Dylan + USD $11.50 [3 bids]
The '60s Original NBC Soundtrack SEALED CD Rare Bob Dylan Cream Traffic Byrds USD $19.99 Buy It Now
Best of Traffic Snapcase Stereo Cassette Tape K-0175 Untested Liberty UA EFR USD $15.00 [0 bids]
USD $22.50 Buy It Now
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STEVE WINWOOD Roll with It 1988 vinyl LP no bar code TRAFFIC Blind Faith VIRGIN USD $9.99 Buy It Now
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Tim McGraw-Emotional Traffic (UK IMPORT) CD NEW USD $16.23 Buy It Now
Bennie Maupin LP MERCURY stereo 'Slow Traffic to the Right' near mint USD $8.49 [4 bids]
Traffic Last Exit 2 X Promo Obi PAPER STRIP DISK UNION JAPAN USD $18.19 Buy It Now
LULU NEW ROUTES ORIG 1970 ATCO LP w/DUANE ALLMAN~DYLAN~TRAFFIC~BEE GEES USD $12.00 Buy It Now 7m 29s
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JIM CAPALDI - WHALE MEET AGAIN - US ISLAND 1ST PRESS STERLING 1974 TRAFFIC USD $6.00 Buy It Now 8m 42s
TRAFFIC - TRAFFIC [BONUS TRACKS] [REMASTER] NEW CD USD $11.00 Buy It Now 17m 55s
TRAFFIC - THE COLLECTION NEW CD USD $8.54 Buy It Now 18m 25s
Traffic, When The Eagle Flies, 1974 VINYL LP (VG) cover VG+, Steve Winwood USD $4.95 Buy It Now 33m 22s
CROSS TOWN TRAFFIC summer funnin ( r&b ) 12" VERY RARE USD $40.00 [0 bids]
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Traffic When The Eagle Flies Record Asylum Records 7E-1020 USD $5.99 Buy It Now 1h 25m
Criminal Minded [Bonus Track] by Boogie Down Productions (CD, 1987, Traffic... USD $1.54 [3 bids]
1h 50m
Traffic - Welcome to the Canteen (Cassette Tape, 1990, Island Records) USD $7.00 Buy It Now 1h 59m
AIR TRAFFIC - FRACTURED LIFE * NEW CD USD $9.02 Buy It Now 1h 59m
TRAFFIC - JOHN BARLEYCORN MUST DIE - VINTAGE VINYL LP USD $2.89 [0 bids]
2h 14m
TRAFFIC - ON THE ROAD NEW CD USD $11.57 Buy It Now 2h 29m
STEVE WINWOOD __Back In The High Life Again__ 12" LP 1986 Island Go, Traffic EX USD $7.51 Buy It Now 2h 36m
JIM CAPALDI (EX-TRAFFIC) -FIERCE HEART- 1983 MEXICAN LP STILL SEALED CLASSIC ROC USD $10.79 Buy It Now 2h 37m
JIM CAPALDI (EX TRAFFIC) -ELECTRIC NIGHTS- MEXICAN LP STILL SEALED CLASSIC ROCK USD $10.79 Buy It Now 2h 37m
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3h 14m
TRAFFIC "Last Exit" UAS6702 Vinyl 1st Ed Vinyl LP-33 Rock Album VG+ Stereo 1969 USD $12.00 Buy It Now 3h 21m
John Barleycorn Must Die Traffic English Rock Steve Winwood Classic 1970 CD T1 USD $9.99 Buy It Now 3h 37m
Traffic - Welcome to the Canteen - LP (8-6-71) United Artists Records UAS-5550 USD $20.00 Buy It Now 3h 37m
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TRAFFIC LOW SPARK HIGH HEELED BOYS RARE CASSETTE TAPE TESTED LATE NITE BARGAIN! USD $7.50 Buy It Now 4h 8m
TIM MCGRAW - EMOTIONAL TRAFFIC NEW CD USD $6.25 Buy It Now 4h 30m
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Traffic Quintet Plays Alexandre Desplat Brand New CD USD $7.59 Buy It Now 6h 5m
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Heavy Traffic CD NEW USD $11.72 Buy It Now 7h 30m
TRAFFIC 2 Original Press AUSTRALIA 1967 RARE!! Festival LP (Steve Winwood) PSYCH USD $89.99 Buy It Now 7h 47m
TRAFFIC BEST OF TRAFFIC ORIG. 1969 UNITED ARTIST UAS 5500 STEREO EX USD $14.00 Buy It Now 7h 59m
TRAFFIC Vinyl EP 4 Tracks ISLANDIEP 71978 Reissue of 1967 tracks. VG USD $3.81 [0 bids]
8h 2m
F29 NEWSPAPER ADVERT 7X11" TRAFFIC : HOLE IN MY SHOE SINGLE USD $13.96 Buy It Now 8h 11m
Traffic - Far from Home (1994) USD $10.14 Buy It Now 8h 18m
Traffic - Low Spark Of High Heeled Boys Remaster (CD Used Very Good) Remastered USD $13.29 Buy It Now 8h 19m
Traffic - John Barleycorn Must Die Remastered (CD Used Very Good) Remastered USD $13.61 Buy It Now 8h 19m
Traffic - Heaven Is in Your Mind [New CD] USD $13.99 Buy It Now 8h 32m
THE RUMOUR 'EMOTIONAL TRAFFIC' UK 7" SINGLE ON GREEN VINYL #2 USD $2.53 Buy It Now 8h 37m
Heavy Traffic Plastic Surgery 12" NEW sealed USD $33.19 Buy It Now 8h 56m
Traffic ?John Barleycorn Must Die Reissue Lp Shrink Vinyl 1983 Island 90058-1 EX USD $10.00 Buy It Now 9h 12m
No Tenshun - Traffic EP (Vinyl) USD $17.12 Buy It Now 10h 7m
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Traffic On The Road Live CD NEW SEALED Low Spark Of The High-Heeled Boys+ USD $6.33 Buy It Now 10h 32m
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Heavy Traffic by Status Quo (UK) (CD, Feb-2003, Hip-O) USD $6.20 [0 bids]
12h
Jim Capaldi - Oh How We Danced - Island Records (1972) LP Vinyl - Traffic USD $8.49 Buy It Now 12h 19m
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Low Spark of High Heeled Boys, Traffic, Good Extra tracks, Original recording USD $7.47 Buy It Now 12h 25m
REDUCED The Who 1967 UK tour Programme with Traffic, The Herd, Tremeloes USD $165.00 Buy It Now 12h 31m
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Cyclops 4000 / Sir Menelik - The Einstein Rosen Bridge CD 2005 Traffic NM- / NM- USD $15.55 Buy It Now 13h 12m
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TRAFFIC-WHEN THE EAGLE FLIES (UK IMPORT) CD NEW USD $6.95 Buy It Now 14h 26m
U2 "Rock & Roll Stops The Traffic" Rare 1CD #U28788-2 . USD $18.59 Buy It Now 14h 29m
TRAFFIC-WHEN THE EAGLE FLIES (UK IMPORT) CD NEW USD $7.95 Buy It Now 14h 34m
SWEET APPLE-WISH YOU COULD STAY A LITTLE LONGER/TRAFFIC (UK IMPORT) VINYL NEW USD $10.57 Buy It Now 14h 34m
TRAFFIC SOUND - S/T - CD - PERUVIAN PROG/PSYCH - 1970 USD $8.87 [0 bids]
15h 6m
Emotional Traffic by Tim McGraw (CD, 2012, Curb) USD $0.99 [0 bids]
15h 19m
DAVE MASON ~ LET IT FLOW ~ PROMO LP/1977 ~ EX/VG+ ~ TRAFFIC USD $11.99 Buy It Now 15h 40m
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Various - Riot and Traffic Music Journal Vol.6 - Various CD 7QVG The Fast Free USD $23.48 Buy It Now 16h 27m
The Marks Brothers & Miranda - She stops traffic - Macola Records - 12" USD $12.68 [0 bids]
16h 38m
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TRAFFIC~WHEN EAGLE FLIES~RARE ORIG '74 ASYLUM/ISLAND NM-/EX+ LP ORIGINAL LINER USD $18.99 Buy It Now 16h 47m
Zvuki Mu - Zima - Traffic Policeman - Vinyl Record 12" Single - 1989 USD $16.49 Buy It Now 16h 47m
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Traffic - The Low Spark Of High Heeled BRAZIL 1st press LP 1972 STEVE WINWOOD USD $49.99 Buy It Now 16h 54m
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TRAFFIC discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

TRAFFIC top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.69 | 171 ratings
Mr. Fantasy
1967
3.39 | 50 ratings
Heaven Is In Your Mind
1968
3.43 | 131 ratings
Traffic
1968
2.73 | 79 ratings
Last Exit
1969
3.90 | 331 ratings
John Barleycorn Must Die
1970
4.05 | 295 ratings
The Low Spark Of High Heeled Boys
1971
3.80 | 167 ratings
Shoot Out At The Fantasy Factory
1973
3.30 | 110 ratings
When The Eagle Flies
1974
3.07 | 52 ratings
Far From Home
1994

TRAFFIC Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.40 | 59 ratings
Welcome to the Canteen
1971
4.10 | 77 ratings
On The Road
1973

TRAFFIC Videos (DVD, Blu-ray, VHS etc)

3.77 | 11 ratings
Live at Santa Monica
1991
3.77 | 9 ratings
The Last Great Traffic Jam
2005

TRAFFIC Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.85 | 16 ratings
The Best Of Traffic
1969
3.00 | 1 ratings
Heavy Traffic
1975
2.82 | 2 ratings
More Heavy Traffic
1975
4.06 | 12 ratings
Smiling Phases
1991
3.91 | 4 ratings
Heaven Is In Your Mind. An Introduction To Traffic
1998
4.00 | 2 ratings
Feelin' Alright: The Very Best of Traffic
2000
3.38 | 4 ratings
The Collection
2002
2.09 | 2 ratings
20th Century Masters - The Millennium Collection: The Best of Traffic
2003
4.22 | 10 ratings
Traffic Gold
2005

TRAFFIC Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

TRAFFIC Reviews


Showing last 10 reviews only
 John Barleycorn Must Die by TRAFFIC album cover Studio Album, 1970
3.90 | 331 ratings

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John Barleycorn Must Die
Traffic Eclectic Prog

Review by patrickq

4 stars I'll bet that there are plenty of serious prog-rock fans who haven't heard John Barleycorn Must Die in its entirety. I'm guessing this because there are so many "classic" albums I've never listened to closely. Plus, while Traffic is respected by many, it has quite a few degrees of separation from the big names - - Pink Floyd, Genesis, Jethro Tull, etc. There really isn't an obvious "gateway band" leading to Traffic. Stomu Yamash'ta, maybe?

I got this cassette around 1990 from a radio contest. I was the correct caller, and maybe had to answer a question. The winner got to stop by the station offices and choose a couple of cassettes. (My other choice was an Elton John tape: Goodbye Yellow Brick Road, I think.) The version of John Barleycorn Must Die I'm reviewing is the first US CD issue (Island, 1990). I would describe the sound as flat, or compressed in its dynamic range, compared to what remastered CDs from the 1970s usually sound like. Nonetheless I'd say the production is good (most of the album is remastered on a box set I have, and these tracks sound good).

Traffic is listed under the "eclectic" subgenre, but of course that doesn't describe the music. In terms of progressiveness, John Barleycorn Must Die is roughly equal parts progressive folk and jazz rock. And given that Steve Winwood is the bandleader and main vocalist - - drummer Jim Capaldi provides harmony vocals on two songs - - there's some soulfulness as well. Guitarist/bassist/singer Dave Mason, who had appeared on the group's previous albums, is not on John Barleycorn Must Die.

Winwood plays all of the keyboard, guitar, and bass parts on the album except for the some of the organ parts on "Empty Pages," played by Chris Wood. Wood also plays all of the wind and reed instruments. Capaldi plays the drums on every song but "Stranger to Himself," on which Winwood is the drummer. The playing is solid throughout, with Winwood and Wood displaying some virtuosity, especially on "Glad."

The only weakness, in my opinion, is with the quality of some of the songs themselves. Side one of the original vinyl, the jazzier side, is made up of excellent compositions: "Glad," "Freedom Rider," and "Empty Pages." The centerpiece of the second side, "John Barleycorn," is a centuries-old English folk song arranged by Winwood to good effect. But the remaining songs, "Stranger to Himself" and "Every Mother's Son," are relatively bland. I'm reminded of the title of a 1972 Winwood-Capaldi composition: "(Sometimes I Feel So) Uninspired."

But while they are certainly the weakest songs on John Barleycorn Must Die, "Stranger to Himself" and "Every Mother's Son" nonetheless are each a good fit, a logical part of a cohesive album.

Overall, a very good album, and one I would recommend to any fan of progressive rock.

 Far From Home by TRAFFIC album cover Studio Album, 1994
3.07 | 52 ratings

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Far From Home
Traffic Eclectic Prog

Review by aglasshouse

3 stars Traffic is by far one of my favorite bands of all time. The innovative music they cranked out in such an early stage of progressive rock was nigh unparalleled by many other bands. Traffic split up rather early in the seventies (in '74), but at the same time had released a studio album practically every year up to that point since their debut in 1967. The split couldn't be more appropriate. Traffic was releasing great material seemingly effortlessly, until that year with When The Eagle Flies, debatably their weakest album of the period. They went quiet for three decades until in 1994, they released a sudden comeback album out of the blue. This was none other than Far From Home, a haphazard assemblage of 90's pop rock and very vague progressive undertones. Was it as great as any of the classics?

No, not really. Now you could say that with such an old band as Traffic, thinking that an album released thirty years after their golden era would be as great as when the band was young is wishful thinking. I don't believe that Far From Home should match any of their old albums in the slightest. To me, a comeback album is one that is more of a callback to old material, replicating it slightly but with other sounds and gadgets to make up for weak points. This is especially the case when an album is such a flash-fire like Far From Home was (the band released and nothing subsequently). But this didn't happen. FFH was a complete overhaul of Traffic's sound, demolishing the eclectic folk influence, the progressive construction, and any semblance of what made Traffic Traffic. If every element of the band was removed, then what exactly was left? Nothing particularly remarkable.

Far From Home, in layman's terms, is a glorified Steve Winwood solo album, the only difference being that drummer Jim Capaldi from the original lineup joined him on it. The album is over-saturated, much like Winwood's albums, with harmonized synth keyboards, slow echoing drumming, and soul backing vocals. To call Far From Home a prog record would be a stretch, but you could make a case for it. The album does have many Latin and salsa jazz influences, no matter how badly used they may be. Funnily enough this album features some of Traffic's longest tracks, which have little-to-no experimentation in them; this may be a trap for you if you're going into the album looking for some hardened progressive rock, so it's better to be aware. Winwood's vocals in their early stages were quiet, yet when required were able to belt out power notes. However after spending the 80's successful with just using the latter, Winwood's over-enthusiastic yell became the centerpiece of the vocal arrangements. Capaldi, who I know is a great drummer, is restricted within this genre with slow, linear drum patterns that rarely shift from their solid mold. Mick Dolan and Davy Spillane appear as newcomers to the band, on rhythm guitar and Uilleann pipes (a type of Irish bagpipe) respectively. Even with their presence though, it's undoubtedly primarily Capaldi and Winwood doing the work.

The album has some pretty good moments, the title track is stand-able and features one of those super-filtered guitar solos from Winwood at the end of the song. The tracks that I always come back to are that of 'Nowhere Is Their Freedom', a punchy film-score esque epic, and the wonderful closing instrumental 'Mozambique'. The other tracks are forgettable, but I wouldn't necessarily go so far as to say they wouldn't appeal to anybody because this music definitely still has an audience.

Far From Home is not a fantastic record. It has more ups than downs, and unfortunately isn't that great of a resurrection of such a classic band. Yet if you are open minded I'm sure this album would have it's fans. My two- cents don't mean anything in the wider picture. Happy listening.

2.5 rounded to a 3.

To think of it, maybe Traffic needed a little more Mason after all. If anyone can do campy right, it's him.

 Welcome to the Canteen by TRAFFIC album cover Live, 1971
3.40 | 59 ratings

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Welcome to the Canteen
Traffic Eclectic Prog

Review by thwok

4 stars Welcome to the Canteen demonstrates what an entertaining live band TRAFFIC must have been! The band's instrumental skills are well-known, and probably don't need to be discussed by this reviewer. There aren't many bands, in my opinion, who can make a 10 minute song, or longer, consistently interesting. One of the best things about this album is the fact that they play a variety of songs from different albums.

I only have two relatively minor complaints. The first is that Reebop's contributions, as skilled as he is, are not essential IMO. I much prefer the original "Gimme Some Lovin" to this rearrangement. The other is regarding the order of the album. It's unbalanced, with all the longer songs at the end. It must have been a frustrating problem in the early 70's. These days, of course, it's easily fixed. On the whole, Welcome to the Canteen is an excellent live album by one of the most unique and skillful bands of the 1970's.

 On The Road by TRAFFIC album cover Live, 1973
4.10 | 77 ratings

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On The Road
Traffic Eclectic Prog

Review by aglasshouse

5 stars On The Road is the second and last live album from Traffic not too long before they broke up. '73 was undeniably a big year for rock, with Pink Floyd's Dark Side of the Moon, Selling England by the Pound by Genesis, and to a lesser extent Shoot Out At the Fantasy Factory was released in that year. Like any progressive rock band Traffic has to live up to other amazing live performances by other bands of it's caliber. Welcome to the Canteen wasn't terrible two years prior but it's undoubtedly pushed aside by the fantastic jam that this is.

With a very small track-list of only four songs, The performance does lack slightly on the variety they could have had if they had played from their earlier albums. But the epics are the ones to come first which is always pleasant. 'Low Spark' is obviously the main event here; the icing on the cake if you will. With a run time that goes about five minutes or so over the studio version, Traffic really does play their hearts out over this one. Their playing on it is unbroken and contrasts very well with the original, albeit with some more jazz and psychedelic tidbits in the longer time-span. The band does rock pretty hard as well with 'Shoot Out' where the tempo's quickened to a beating pace. Again, flawless performance with Winwood's fantastic playing. '(Sometimes I Feel So) Uninspired' was spiced up a little to the point where it seemed more like 'Sometimes I feel so inspired'. Even 'Light Up or Leave Me Alone', perhaps my least favorite track on Low Spark was made great with a longer run time for more experimentation and rocking capabilities. Truly marvelous.

A great staple on the progressive live performance scene if I've ever seen one.

 Traffic by TRAFFIC album cover Studio Album, 1968
3.43 | 131 ratings

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Traffic
Traffic Eclectic Prog

Review by aglasshouse

4 stars While 1967's Mr. Fantasy was inspired by the psychedelic bands of the time, Traffic evolved rapidly and suddenly with the release of their second album the coming year. Folk rock entered the stage in a much more prominent role, mostly carried by Mason's song writing. What came from the self titled was doubtlessly more structured than the prior, and acclaimed similar positive critical reception.

Traffic takes a different approach on the composition, with a theme of split sides; one being the bouncy, folk Mason end where all songs are catchy and sing-song. The opposite end is led by the haunting Winwood, whose writing I've always preferred due to it's stylistic nature of more prominent coinciding elements. The music especially from Winwood ages much better than the 60's-born folk that Mason wrote. I won't deny that Mason struck gold a few times, although songs like the slightly annoying 'You Can All Join In', mostly meant as a sort of sing-a-long (living truly up to it's name) tone, can get degrading the more times you cycle through the album.

As for instrumentation, consistency is something the album does best. Sometimes vocals from Mason, Winwood and Capaldi can get a little strained to match the pitch of the song, but the actually instruments maintain the beat steadily and don't find much issue in jumping back and forth across the different styles presented each track.

This self titled from the late 60s is of course emblazoned with the stamp of the decade, but is less of a product of the times as Mr. Fantasy unduly was. Unique variation is something that is found in large amount with all of the tracks. Anyone, prog fan or not, could find this enjoyable in some way. Fun for the whole family!

 Shoot Out At The Fantasy Factory by TRAFFIC album cover Studio Album, 1973
3.80 | 167 ratings

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Shoot Out At The Fantasy Factory
Traffic Eclectic Prog

Review by Guillermo
Prog Reviewer

4 stars In December 1971, Ric Grech and Jim Gordon left TRAFFIC, and Jim Capaldi went to record a solo album to Muscle Shoals Studios in Alabama with the famous musicians from The Muscle Shoals Rhythm Section (drummer Roger Hawkins, bassist David Hood, keyboard player Barry Beckett, and guitarist Jimmy Johnson), plus The Muscle Shoals Horns. That first solo album was titled "Oh How We Danced", and six of the eight songs from that album were recorded in Alabama, while two other songs were recorded in London, one of which ("Open Your Heart") was recorded with TRAFFIC`s line-up of their previous album titled "The Low Spark of High Heeled Boys". Some of the eight songs from that album also have appearances from Steve Winwood, Chris Wood, Reebop and Dave Mason. The album was released in April 1972, and at least in my country, Capaldi had a Hit Single with "Eve", the first song from that album which was (and still is) played in some FM Radio stations in my city. It seems that by that time Steve Winwood became ill with peritonitis, but when he recovered from that illness, Capaldi suggested to invite Roger Hawkins and David Hood to join TRAFFIC. They joined the band and started playing concerts, one of which was filmed and released as "Live at Santa Monica" in 1972. Later the band went to Jamaica to record a new studio album, titled "Shoot Out at the Fantasy Factory". which was released in February 1973.

This album is less inspired by Folk music and most songs are more inspired by Rock music in general, with Winwood playing some distorted guitars in several parts. This can be listened more clearly in the title track of the album which also has some very good Latin music influenced percussion playing from Capaldi and Reebop. "Roll Right Stones" has a very good electric sax solo played by Chris Wood (with some "wah-wah" sound effects) in the extended final instrumental section of this song. "In "Evening Blue" Winwood plays acoustic guitars and maybe this is the most "relaxed" song in this album. The next song, "Tragic Magic", was composed by Chris Wood (all the other songs from this album were composed by Winwood and Capaldi), and this instrumental song has a lot of influences from Jazz Rock music with very good saxophones played by Wood. The final song in this album, and maybe the best from this album, is "(Sometimes I Feel So) Uninspired", a song with somewhat sad lyrics. Maybe Capaldi (the lyricist) was a bit tired of being working in the music bussiness, so he wrote the lyrics of this song. The music in this song is particularly very good, and this song includes very good lead guitar parts played by Winwood. In this album Capaldi did not sing lead vocals on any song, but his backing vocals are listened more clearly in "Roll Right Stones". Jimmy Johnson and Barry Beckett are mentioned with a "thanks to" in the credits section in the album s cover, but it is not clear at least for me if they also played in some parts of this album.

For their 1973 tours the band also invited Barry Beckett to join the band on keyboards, giving more freedom to Winwood to play guitar or keyboards as he wanted apart from singing lead vocals on most songs, and also giving freedom to Chris Wood who previously sometimes also played keyboards in some songs while Winwood played guitar or other keyboards. I think that this line-up of the band was one of the best they had, with the three members of The Muscle Shoals Rhythm Section being very good and experienced musicians, playing very well. This line-up recorded the very good live album titled "On the Road" in Germany in April 1973. Jimmy Johnson also joined the band but as sound engineer for the concerts. Unfortunately, all these very good musicians from The Muscle Shoals Rhythm Section left the band in September 1973 (but they carried on working with Capaldi in some of his solo albums from the mid seventies). Capaldi then returned to play drums with the band, while their new bass player was Rosko Gee, from Jamaica. Reebop stayed with the band until mid 1974, with him apparently appearing uncredited in two songs from TRAFFIC`s next and then last album (titled "When the Eagle Flies", which was released in September 1974) before they split in December 1974.

This album, "Shoot at the Fantasy Factory" is very good. It also has a vey good recording and mixing, and like their previous album from 1971 ("The Low Spark of High Heeled Boys") it also has a very original cover design done by Tony Wright.

After a long time of not listening to some of TRAFFIC`s albums, it really was very good and enjoyable for me to listen to them again recently. TRAFFIC was a very good band, in my opinion, despite all the changes in personnel they had.

 The Low Spark Of High Heeled Boys by TRAFFIC album cover Studio Album, 1971
4.05 | 295 ratings

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The Low Spark Of High Heeled Boys
Traffic Eclectic Prog

Review by Guillermo
Prog Reviewer

4 stars In 1971, the line-up of the band was expanded to include Reebop Kwaku Baah (congas, timbales, bongos) and Jim Gordon (drums). At that time, Jim Capaldi wanted to have a more prominent role in the band as lead and backing singer. So, maybe that was the main reason to have Gordon as drummer. Anyway, with Capaldi and Reebop the band had a more percussive sound, with both of them contributing very good things to the band. And in this album Capaldi sang lead vocals in two songs, a thing that only happened in this album while he was in the band.

This album is very well played, recorded and mixed. Maybe more than "John Barleycorn Must Die". Maybe they had more time to rehearse and to record this album in 1971, which was recorded after their "Welcome to the Canteen" live album wihich had Dave Mason as guest (he was guest in six dates that the band played during July 1971, but he left the band again after this happened). This new studio album was recorded in September 1971 and was released in November 1971. By December 1971, both Ric Grech and Jim Gordon have left the band.

In this album, the band again showed the influences from Jazz and Folk music.

"Hidden Treasure" (Winwood /Capaldi) is a slow acoustic song with good flute arrangements with Folk influences.

"The Low Spark of High Heeled Boys" (Winwood /Capaldi) is a very good song with Jazz influences with good piano and organ solos by Steve Winwood and good sax solos by Chris Wood.

"Rock and Roll Stew" (Ric Grech / Jim Gordon) is a rocker with good guitars by Steve Winwood and sung by Capaldi. This song was played in concert by the band even after Grech and Gordon (the composers of this song) left the band.

"Many a Mile to Freedom" (Winwood / Anna Capaldi) is also a good slow song with very good arrangements.

"Light Up or Leave Me Alone" (Capaldi) is a very good Pop Rock song, sung by Capaldi. This song maybe was played better in concert, like the title song of this album. Having two songs to sing in this album maybe gave Capaldi more confidence to compose more songs alone and to record his first solo album titled "Oh How We Danced", which he recorded in December 1971 and was released in April 1972.

"Rainmaker" (Winwood / Capaldi) is mostly a Folk music influenced song with very good flute and sax arrangements by Wood. It shows how great was his influence as musician in TRAFFIC despite not writing songs for this album. It also has a very good final part with a very good violin solo played by Grech and some very good percussion arrangements by Capaldi and Reebop. Steve Winwood`s official website says that in this song the drums were played by Mike Kellie, member of SPOOKY TOOTH.

This album is very good. Also the cover design is very good and original. The same happened with the cover design of their next album, "Shoot Out at the Fantasy Factory", which was designed by the same person (Tony Wright).

 John Barleycorn Must Die by TRAFFIC album cover Studio Album, 1970
3.90 | 331 ratings

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John Barleycorn Must Die
Traffic Eclectic Prog

Review by Guillermo
Prog Reviewer

4 stars After the release of their second album titled "Traffic" in 1968, Dave Mason was again "out of the band", and the remaining trio toured for a time unitl late 1968, when Steve Winwood left the band, and the band was over for a time. But Jim Capaldi and Chris Wood, with Dave Mason and organist Mick Weaver (AKA "Wynder K. Frog") started playing together as a new band called MASON, CAPALDI, WOOD AND FROG (AKA "WOODEN FROG") until March 1969, when they split, only leaving a few BBC recordings. This band mainly played songs composed by Mason (which he also recorded later as a soloist) plus covers of a few Blues songs. Winwood left TRAFFIC to form a "Super-Group" with Eric Clapton, Ginger Baker and Ric Grech, called BLIND FAITH, which only lasted for an album and a tour, a band which never left the members very satisfied musically and personally despite the success of their album and tour. By September 1969, Eric Clapton was out of BLIND FAITH, and the remaining members of that band went to play for some months in GINGER BAKER`s AIRFORCE, a band which also included other musicians. After recording one album with them, Winwood left that band in early 1970 and started to recod a solo album with Guy Stevens as producer, using "Mad Shadows" as the working title for that planned album. Anyway, it seems that Winwood was not very happy working with Stevens as producer, and after recording a few songs / demos, he contacted Capaldi and Wood and started playing and recording with them again. So good were the results that finally they decided to reform TRAFFIC and to record this album titled "John Barleycorn Must Die", which was released in mid 1970.

The band had some changes in sound and style, but they still sounded as the "old" TRAFFIC, as Capaldi, Winwood and Wood were always (at least unitl 1974) the main members of the band, with only some changes in the other members of the band. Another change was that Wood, while in 1967-68 he was one of the main composers in the band with Capaldi and Winwood, from 1970 to 1974 he did not participate very much in the songwriting, leaving it mainly to Capaldi and Winwood.

This album from 1970 also shows new musical influences, like some Jazz influences in "Glad" and "Empty Pages", and some Folk music influences in "John Barleycorn", a traditional song which Wood brought to the band to record for this album. And one as a listener really can listen to this album as really being a half Winwood solo album / half TRAFFIC album, because Wood only appears in four of the six songs from the original release (he does not appear in "Stranger to Himself" and in "Every Mother`s Son"). Capaldi appears in all songs, but he only sang backing vocals in "Stranger to Himself", with all the instruments and lead vocals in that song being played by Winwood. The remastered CD released in 1999 also included two bonus studio tracks ("I Just Want to Know" and "Sittin`Here Thinkin`of my Love") with both entirely played and sung by Winwood, and they sound more as demos from his then solo album than as TRAFFIC`s songs (but with both being credited as songs composed by Winwood and Capaldi). Anyway, the album is very enjoyable as a whole, with all songs (except "Glad", which was composed by Winwood alone) being credited as composed by Winwood / Capaldi.

The remastered CD released in 1999 also included two songs (plus an humorous stage introduction done by promoter Bill Graham) recorded for a then planned but never released live album, recorded at the Fillmore East in New York in 18-November-1970. By April 1970 the trio was playing all the songs of the new album in concerts, but by August 1970 Ric Grech was a new member of the band, giving some freedom to Winwood (who played bass pedals in concert most of the time with the band, sometimes helped a bit by Wood while Winwood played guitar), and Grech appears playing guitar in "Who Knows What Tommorrow May Bring" and bass guitar in "Glad". "Glad" was originally followed in concert, as in the album, by "Freedom Rider", but in this bonus track the song is faded out before "Freedom Rider" starts.

 The Low Spark Of High Heeled Boys by TRAFFIC album cover Studio Album, 1971
4.05 | 295 ratings

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The Low Spark Of High Heeled Boys
Traffic Eclectic Prog

Review by aglasshouse

5 stars Traffic's 1971 release of the oddly named The Low Spark of High-Heeled Boys gives off an air of great stylistic qualities, and has deservingly been noted as the band's greatest achievement. Unlike Gentle Giant, another well known band of the eclectic progressive genre, Traffic's music tends to slow-dance over the line of folk rock, jazz, and of course eclectic rock. ,Low Spark b has many odd structures, which become very prominent as the album progresses. I found myself loving the album despite its thorough lack of tracks.

Medieval sounding bard music slips in (much like Gentle Giant did) quite often. In the opening track 'Hidden Treasure', with soothing sounds that bring you sights of far off places and a subtle air of adventure. Although I found the track to be the only one I can't particularly listen to over again, mostly due to being so bland in light of the rest of its brethren. However, the track's slow tell-tale lyrics and minor progression is simply a lead into the eleven minute eponymous piece that is described as the center of the entire album. 'The Low Spark of High-Heeled Boys' is a track that seems much shorter than it actually is, mostly due to it's enjoyable yet sometimes repetitive nature. But smooth jazz it is so I won't delve too deep into it.

One small, mostly unnoticeable problem I had with Low Spark was the seemingly indecisive way Traffic chose the structure of the tracks. With every song there is a different listen, aside from a small similarity between the title track's climax and the straight up rocker of 'Rock & Roll Stew', but even then the latter being much more aggressive takes away any prior similarities that you'd hear while scrolling through the tracks. In my opinion, a variegated line up of tracks qualifies as an album that never gives you a dull moment.

On the point of the rockier tracks, the most distinguished being 'Rock & Roll Stew' and 'Light Up Or Leave Me Alone'. Having never been a fan of soft rock pretending to be greater than it is, the former of the two I've found to enjoy much more often. 'Light Up', especially during the later parts however does bring to the table alot of Who-like rocking, but because of this seems like a song stuck in the 60's. Enjoyable, yes of course, but not something I come back to very often. 'Rock & Roll Stew', living up to it's name, brings a great deal of mixed rock soup including some excellent funk. Combine that with the great vocals from Winwood and you have quite the delicious stew!

The slower tracks that the album retains are 'Many a Mile to Freedom' and 'Rainmaker'. The former sort of takes elements from the rest of the album, combining 'Hidden Treasure'-like softness and the subtle yet quietened rocking of 'Rock & Roll Stew'. This makes up for quite an adventure, especially one that I can sit through for seven and a half minutes and not complain about. 'Rainmaker' is perhaps my favorite song off of the album, being the one that first appealed to me while scrolling through the tracks. It bears a haunting melody and lyrics of a farmer reminiscing of his crops' unfortunate fate from drought. The theme of the song most likely derives to the tale of John Barleycorn told in the prior album, but I feel like this song takes the cake for most complex and best-sounding.

In an overall sense, The Low Spark of High-Heeled Boys is an album that goes very under appreciated in the world of the general music population, and unjustly so. If you haven't thoroughly heard or never heard this album at all, then I think you should find the vinyl and give it a spin. It is quite enjoyable. 4/5 rounded to 5.

 John Barleycorn Must Die by TRAFFIC album cover Studio Album, 1970
3.90 | 331 ratings

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John Barleycorn Must Die
Traffic Eclectic Prog

Review by Memo_anathemo

4 stars Jim Capaldi, Steve Winwood and Chris Wood created with 'John Barleycorn Must Die' a jewel in the crown of music. An album full of excellent songs full of progressive folk rock, and jazz passages. 'Glad' seems to me a bit full of jazz and soul, with good use of saxophone. 'Freedom rider' is a different song with more folk and proto progressive elements. "I Just Want You To Know" is a short piece included in the remastered version, acceptable. 'Stranger to Himself' is a rock piece combined with a bit of rhythm and blues. The title track 'John Barleycorn' is a folk piece full of acoustic guitars and a blend of high pitch voice with a low pitch voice. The last song 'Every Mother's Son' also contains good rock and jazzy sound. To summarize, a very good album.
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