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Eclectic Prog • United Kingdom

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Traffic picture
Traffic biography
Formed in Birmingham, UK, in 1967 - Disbanded in 1975 - Partial reunion, with Winwood and Capaldi, in 1994.

TRAFFIC were formed in 1967 by Steve Winwood, Chris Wood, Jim Capaldi and Dave Mason. Winwood had previously found fame in the SPENCER DAVIS GROUP whose biggest hit single was "Keep on running". While Traffic's sound then was very much of its time, the emphasis on Winwood's keyboards and Wood's wind instruments set them apart from their guitar driven peers.

The band's first single "Paper Sun", gave them instant chart success, reaching No. 5 in the UK. The follow up, Mason's "Hole In My Shoe", is probably their best know single, being a mildly amusing piece of psychedelia. Winwood was reportedly unimpressed with the song's success though, feeling it misrepresented his vision for the band.

The first album, "Mr Fantasy" followed the same year, but before it had even been released, Mason had left. Winwood's position as the dominant member of the band was already well established, his (and also Wood and Capaldi's) jazz orientation appearing at odds with Mason's lighter melodic style. Mason quickly returned however for the recording of the band's second album "Traffic" in 1968, writing or co-writing many of the tracks including his often covered "Feelin' Alright". It appears the band realised at that time that without Mason they would struggle to write sufficient material to meet their contractual obligations.

Mason was subsequently ejected from the band in 1969, Winwood later announcing that the band had run its course. Island records released what appeared to be a posthumous album of b-sides, singles, studio outtakes and live recordings in the form of the appropriately named "Last Exit". Winwood though was still contracted to Island for 2 more albums, so the following year he started work on a solo album, calling in Wood and Capaldi to assist. The TRAFFIC name was quickly resurrected, and the album, "John Barleycorn Must Die", was released. For many, this is Traffic's best album. While the title is taken from a traditional folk song, the music is a wonderful blend of prog, jazz, rock, and folk.

Following that album's release, Rick Grech (ex-FAMILY) joined, to ease the pressure on the multi-instrumental Winwood. Various subsequent line up additions and changes took place, including another return by Mason. The live album "Welcome To The Canteen" (strangely not credited to TRAFFIC, but to the band members individuall...
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The Low Spark Of High Heeled Boys (Remastered)The Low Spark Of High Heeled Boys (Remastered)
Extra tracks · Remastered
Island 2002
Audio CD$4.95
$3.99 (used)
Traffic - 5 Classic AlbumsTraffic - 5 Classic Albums
Box set · Import
Imports 2017
Audio CD$11.93
$12.84 (used)
The Definitive CollectionThe Definitive Collection
Island 2000
Audio CD$5.99
$3.40 (used)
John Barleycorn Must Die (Remastered)John Barleycorn Must Die (Remastered)
Extra tracks · Remastered
Island 2001
Audio CD$6.31
$3.79 (used)
Traffic (Remastered)Traffic (Remastered)
Extra tracks · Remastered
Island 2001
Audio CD$6.31
$7.34 (used)
On The Road (Remastered)On The Road (Remastered)
Island 2003
Audio CD$10.99
$10.29 (used)
Welcome To The Canteen (Remastered)Welcome To The Canteen (Remastered)
Island 2002
Audio CD$4.95
$5.99 (used)
Last Exit (Remastered)Last Exit (Remastered)
Island 2001
Audio CD$5.74
$6.27 (used)
Heaven Is In Your Mind (Remastered U.S. Vers.)Heaven Is In Your Mind (Remastered U.S. Vers.)
Extra tracks · Remastered
Island 2000
Audio CD$10.97
$10.00 (used)
Shootout At The Fantasy FactoryShootout At The Fantasy Factory
Island 2003
Audio CD$4.73
$4.79 (used)
Right Now on Ebay (logo)
Traffic - Low Spark of High Heeled Boys [New Vinyl] Ltd Ed, 180 Gram USD $35.15 Buy It Now
Stomu Yamashta: Listen to Future Japan CD+Obi (jewel case not mini-lp traffic Q USD $30.00 Buy It Now
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Smiling Phases Traffic Steve Winwood 1992 2 CD box set Island I2 10553 new USD $27.95 Buy It Now
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TRAFFIC John Barleycorn Must Die LP 1972 Island Italy VG+ USD $11.99 Buy It Now
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Memory Lane Traffic Jam by Ice Cream Hands (CD 1997 Not Lame NL-0041, OOP, Rare) USD $19.99 Buy It Now
Traffic in Paradise - Jennifer Small (CD 2002) - SALES GO TO CHARITY! USD $5.00 [0 bids]
The Low Spark of High Heeled Boys [Limited Edition] by Traffic (Vinyl,... USD $32.95 Buy It Now
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The Low Spark of High Heeled Boys by Traffic (CD, Jun-1990, Island (Label)) USD $3.49 [0 bids]
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2m 30s
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TRAFFIC: Welcome To The Canteen LP (cut corner, tiny tears on spine) USD $15.00 Buy It Now 16m 58s
TRAFFIC-john barleycorn must die-polydor-CANADA ORIG 1st GF- EX+ co toc USD $13.10 [0 bids]
23m 47s
traffic ON THE ROAD-live germany-USA orig INSERT GF- 1973 EX USD $6.68 [0 bids]
26m 2s
John Barleycorn Must Die by Traffic (CD) HTF OOP USD $5.00 Buy It Now 29m 18s
Traffic - John Barleycorn Must Die - "STERLING" - LP USD $9.99 Buy It Now 30m 28s
TRAFFIC LAST EXIT 1976 UK ILPS 9097 Blue Palm Tree label LP NM/EX USD $23.99 Buy It Now 37m 21s
EDAN Echo Party (CD, 2009, Traffic Entertainment Group) FACTORY SEALED USD $7.50 Buy It Now 57m 23s
21Cassette Box-The Who,The Rolling Stones,Traffic,Joe Cocker,Rod Stewart,Dr.Hook USD $49.99 Buy It Now 1h
(FV371) The Unisex, Watching Traffic EP - 2004 DJ CD USD $2.76 Buy It Now 1h 14m
NEW Highway Music: Stuck in Traffic (Audio CD) USD $17.53 Buy It Now 1h 28m
TRAFFIC Heavy Traffic UALA421G LP Vinyl VG++ Cover VG+ USD $8.79 Buy It Now 1h 34m
Traffic - Low Spark of High Heeled Boys [CD] Bonus Tracks, Remastered, BRAND NEW USD $6.99 Buy It Now 1h 37m
NEW A Strange Traffic of Dreams [Explicit] (Audio CD) USD $15.14 Buy It Now 1h 58m
4 CD Hot Rocks: 1964-1971 Rolling Stones-Byrds Greatest Hits-Traffic Collection USD $8.99 Buy It Now 2h 13m
Urban Traffic USD $3.47 Buy It Now 2h 23m
Human Traffic-1999-Original Movie Soundtrack-40 Track-2 CD USD $39.90 Buy It Now 2h 32m
TRAFFIC "Best Of Traffic" Island LP (cat 30) USD $12.48 [0 bids]
2h 38m
33rpm TRAFFIC when the eagle flies ASYLUM 7E-1020 nice SEE PICS USD $6.00 Buy It Now 2h 56m
TRAFFIC: John Barleycorn Msut Die LP ISLAND RECORDS 900581 US 1983 VG++ USD $6.29 Buy It Now 3h 9m
Traffic-Shoot Out At Fantasy Japan Import LP Promo WLP RARE Excellent Copy USD $69.98 Buy It Now 3h 40m
Unknown Artist : Traffic Jam Jazz CD USD $5.98 Buy It Now 3h 50m
Air Traffic Controller - Black Box [CD New] USD $16.86 Buy It Now 3h 53m
ROD MACDONALD - No Commercial Traffic [Vinyl LP,1983] USA Import HR-8007 *EXC USD $6.91 Buy It Now 4h 19m
Traffic - The Low Spark Of High-Heeled Boys GER LP 1971 + Innerbag /4* USD $18.49 Buy It Now 4h 33m
Traffic Mr. Fantasy, , Acceptable USD $6.99 Buy It Now 4h 37m
Air Traffic Controller - Black Box [New CD] USD $26.93 Buy It Now 4h 37m
The Lulls In Traffic Rabbit In The Snare Vinyl LP Copeland Sold Out OOP USD $14.99 Buy It Now 4h 50m
yes focus jethro tull rush camel kansas traffic hawkwind peter gabriel 2 cd set USD $4.86 [0 bids]
5h 14m
TRAFFIC Last Exit CD Island 1969/1988 First US Pressing USD $16.18 Buy It Now 5h 21m
TRAFFIC The Low Spark Of High Heeled Boys - Cassette USA Reissue 198 USD $5.99 Buy It Now 5h 22m
Traffic and Weather by Fountains of Wayne_PROMO Advance (Virgin 2007) 14 tracks USD $3.75 Buy It Now 5h 33m
LOT OF 3 LP's: Traffic - Last Exit - When The Eagle Flies - LP Vinyl USD $9.99 [0 bids]
5h 44m
Traffic - The Low Spark Of High Heeled Boys GER LP /4* USD $17.99 Buy It Now 6h 28m
TRAFFIC 'On The Road' US Press Island 90028 Still SEALED 2-LP set USD $34.99 Buy It Now 7h 6m
Local Traffic-The Covers CD NEW USD $11.10 Buy It Now 7h 19m
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Air Traffic - Air Traffic - Japan CD+2+VIDEO - NEW USD $14.95 Buy It Now 8h 26m
9h 50m
Let The House Fall Down - House Traffic Featuring Michelle Weeks - Used USD $9.42 Buy It Now 9h 55m
Stephen Malkmus And The Jicks - Mirror Traffic [Vinyl,LP] USD $22.34 Buy It Now 10h 30m
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TIM MCGRAW Emotional Traffic CD NEW USD $10.34 Buy It Now 11h 4m
The Spencer Davis Group/Traffic - Here We Go Round The Mulberry Bush GER LP /4* USD $25.99 Buy It Now 11h 14m
TRAFFIC The Low Spark LP 1971 ISLAND MINT - UNPLAYED USD $1.37 [0 bids]
11h 18m
Doctor Structure - Godot Stuck in Traffic - Doctor Structure CD JOVG The Fast USD $12.29 Buy It Now 11h 49m
Traffic ?- Traffic USD $15.97 Buy It Now 11h 49m
KID ACNE ~ Rap Traffic ~ VINYL LP USD $16.65 Buy It Now 11h 49m
TRAFFIC STEVE WINWOOD DIE CUT FANTASY Prog Rock Jazz 33rpm Record Vinyl LP USD $39.93 Buy It Now 11h 59m
TRAFFIC Low Spark of High-Heeled Boys Japan SHM-CD Mini LP OBI Mint Winwood USD $20.83 Buy It Now 12h 15m
Traffic Mr. Fantasy Canadian Release ILPS-9061 Rare Record VG. Psychedelic Rock USD $19.99 Buy It Now 12h 52m
Traffic - Here We Go Round The Mulberry Bush / Coloured Rain WIP 6026 UK 7" 1967 USD $5.54 Buy It Now 13h 52m
Beardfish - Sleeping in Traffic: Part One [New CD] Holland - Import USD $17.72 Buy It Now 13h 53m
Traffic-John Barleycorn Must Die CD NEW USD $26.78 Buy It Now 13h 58m
JIMI HENDRIX crosstown traffic*voodoo chile (slight return) 1990 UK POLYDOR 45 USD $9.71 Buy It Now 14h 15m
Traffic self-titled CD 1968 Steve Winwood Dava Mason Feelin' Alright USD $0.99 [0 bids]
USD $1.39 Buy It Now
14h 17m
Notenshun - Traffic (CD 2005) SEALED DIGIPAK -11 TRACKS USD $6.94 Buy It Now 14h 27m
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SAILOR - TRAFFIC JAM CD+DVD NEW+ USD $26.35 Buy It Now 14h 41m
THE RUMOUR - Emotional Traffic (Promo) USD $7.00 Buy It Now 15h 34m
STEVE WINWOOD Roll With It UK VINYL LP Virgin V2532 EX/EX 1988 + Inner TRAFFIC USD $6.93 Buy It Now 15h 56m
STEREOPHONICS Traffic CD UK V2 1997 4 Track Live Festival EP Part 2 Digi Pack USD $5.96 Buy It Now 16h
STEREOPHONICS Traffic CD UK V2 1997 4 Track Part 1 Radio Edit B/W Tie Me Up Tie USD $5.54 Buy It Now 16h 16m
16h 58m
traffic lp USD $8.99 Buy It Now 17h
Steve Windwood Album Roll With It Former Lead Singer Of Traffic Virgin 90946 USD $6.99 Buy It Now 17h 11m
AIR TRAFFIC CD Never Even Told Me Her Name 4 Track EP. Get In Line GATEFOLD New USD $6.87 Buy It Now 17h 16m
Fractured Life * by Air Traffic (CD, Feb-2008, Astralwerks) USD $5.95 Buy It Now 17h 23m

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TRAFFIC discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

TRAFFIC top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.69 | 154 ratings
Mr. Fantasy
3.40 | 47 ratings
Heaven Is In Your Mind
3.43 | 117 ratings
2.73 | 72 ratings
Last Exit
3.90 | 305 ratings
John Barleycorn Must Die
4.04 | 274 ratings
The Low Spark Of High Heeled Boys
3.83 | 150 ratings
Shoot Out At The Fantasy Factory
3.32 | 98 ratings
When The Eagle Flies
3.08 | 51 ratings
Far From Home

TRAFFIC Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.40 | 56 ratings
Welcome to the Canteen
4.09 | 74 ratings
On The Road

TRAFFIC Videos (DVD, Blu-ray, VHS etc)

3.76 | 9 ratings
Live at Santa Monica
3.76 | 7 ratings
The Last Great Traffic Jam

TRAFFIC Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.75 | 15 ratings
The Best Of Traffic
3.00 | 1 ratings
Heavy Traffic
2.82 | 2 ratings
More Heavy Traffic
4.07 | 10 ratings
Smiling Phases
3.91 | 3 ratings
Heaven Is In Your Mind. An Introduction To Traffic
4.00 | 1 ratings
Feelin' Alright: The Very Best of Traffic
3.38 | 4 ratings
The Collection
2.09 | 2 ratings
20th Century Masters - The Millennium Collection: The Best of Traffic
4.10 | 10 ratings
Traffic Gold

TRAFFIC Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)


Showing last 10 reviews only
 Far From Home by TRAFFIC album cover Studio Album, 1994
3.08 | 51 ratings

Far From Home
Traffic Eclectic Prog

Review by aglasshouse

3 stars Traffic is by far one of my favorite bands of all time. The innovative music they cranked out in such an early stage of progressive rock was nigh unparalleled by many other bands. Traffic split up rather early in the seventies (in '74), but at the same time had released a studio album practically every year up to that point since their debut in 1967. The split couldn't be more appropriate. Traffic was releasing great material seemingly effortlessly, until that year with When The Eagle Flies, debatably their weakest album of the period. They went quiet for three decades until in 1994, they released a sudden comeback album out of the blue. This was none other than Far From Home, a haphazard assemblage of 90's pop rock and very vague progressive undertones. Was it as great as any of the classics?

No, not really. Now you could say that with such an old band as Traffic, thinking that an album released thirty years after their golden era would be as great as when the band was young is wishful thinking. I don't believe that Far From Home should match any of their old albums in the slightest. To me, a comeback album is one that is more of a callback to old material, replicating it slightly but with other sounds and gadgets to make up for weak points. This is especially the case when an album is such a flash-fire like Far From Home was (the band released and nothing subsequently). But this didn't happen. FFH was a complete overhaul of Traffic's sound, demolishing the eclectic folk influence, the progressive construction, and any semblance of what made Traffic Traffic. If every element of the band was removed, then what exactly was left? Nothing particularly remarkable.

Far From Home, in layman's terms, is a glorified Steve Winwood solo album, the only difference being that drummer Jim Capaldi from the original lineup joined him on it. The album is over-saturated, much like Winwood's albums, with harmonized synth keyboards, slow echoing drumming, and soul backing vocals. To call Far From Home a prog record would be a stretch, but you could make a case for it. The album does have many Latin and salsa jazz influences, no matter how badly used they may be. Funnily enough this album features some of Traffic's longest tracks, which have little-to-no experimentation in them; this may be a trap for you if you're going into the album looking for some hardened progressive rock, so it's better to be aware. Winwood's vocals in their early stages were quiet, yet when required were able to belt out power notes. However after spending the 80's successful with just using the latter, Winwood's over-enthusiastic yell became the centerpiece of the vocal arrangements. Capaldi, who I know is a great drummer, is restricted within this genre with slow, linear drum patterns that rarely shift from their solid mold. Mick Dolan and Davy Spillane appear as newcomers to the band, on rhythm guitar and Uilleann pipes (a type of Irish bagpipe) respectively. Even with their presence though, it's undoubtedly primarily Capaldi and Winwood doing the work.

The album has some pretty good moments, the title track is stand-able and features one of those super-filtered guitar solos from Winwood at the end of the song. The tracks that I always come back to are that of 'Nowhere Is Their Freedom', a punchy film-score esque epic, and the wonderful closing instrumental 'Mozambique'. The other tracks are forgettable, but I wouldn't necessarily go so far as to say they wouldn't appeal to anybody because this music definitely still has an audience.

Far From Home is not a fantastic record. It has more ups than downs, and unfortunately isn't that great of a resurrection of such a classic band. Yet if you are open minded I'm sure this album would have it's fans. My two- cents don't mean anything in the wider picture. Happy listening.

2.5 rounded to a 3.

To think of it, maybe Traffic needed a little more Mason after all. If anyone can do campy right, it's him.

 Welcome to the Canteen by TRAFFIC album cover Live, 1971
3.40 | 56 ratings

Welcome to the Canteen
Traffic Eclectic Prog

Review by thwok

4 stars Welcome to the Canteen demonstrates what an entertaining live band TRAFFIC must have been! The band's instrumental skills are well-known, and probably don't need to discussed by this reviewer. There aren't many bands who can make a 10 minute song, or longer, consistently interesting. One of the best things about this album is the fact that they play a variety of songs from different albums.

I only have two relatively minor complaints. The first is that Reebop's contributions, as skilled as he is, are not essential IMO. I much prefer the original "Gimme Some Lovin" to this rearrangement. The other is regarding the order of the album. It's unbalanced, with all the longer songs at the end. It must have been a frustrating problem in the early 70's. These days, of course, it's easily fixed. On the whole, Welcome to the Canteen in an excellent live album.

 On The Road by TRAFFIC album cover Live, 1973
4.09 | 74 ratings

On The Road
Traffic Eclectic Prog

Review by aglasshouse

5 stars On The Road is the second and last live album from Traffic not too long before they broke up. '73 was undeniably a big year for rock, with Pink Floyd's Dark Side of the Moon, Selling England by the Pound by Genesis, and to a lesser extent Shoot Out At the Fantasy Factory was released in that year. Like any progressive rock band Traffic has to live up to other amazing live performances by other bands of it's caliber. Welcome to the Canteen wasn't terrible two years prior but it's undoubtedly pushed aside by the fantastic jam that this is.

With a very small track-list of only four songs, The performance does lack slightly on the variety they could have had if they had played from their earlier albums. But the epics are the ones to come first which is always pleasant. 'Low Spark' is obviously the main event here; the icing on the cake if you will. With a run time that goes about five minutes or so over the studio version, Traffic really does play their hearts out over this one. Their playing on it is unbroken and contrasts very well with the original, albeit with some more jazz and psychedelic tidbits in the longer time-span. The band does rock pretty hard as well with 'Shoot Out' where the tempo's quickened to a beating pace. Again, flawless performance with Winwood's fantastic playing. '(Sometimes I Feel So) Uninspired' was spiced up a little to the point where it seemed more like 'Sometimes I feel so inspired'. Even 'Light Up or Leave Me Alone', perhaps my least favorite track on Low Spark was made great with a longer run time for more experimentation and rocking capabilities. Truly marvelous.

A great staple on the progressive live performance scene if I've ever seen one.

 Traffic by TRAFFIC album cover Studio Album, 1968
3.43 | 117 ratings

Traffic Eclectic Prog

Review by aglasshouse

4 stars While 1967's Mr. Fantasy was inspired by the psychedelic bands of the time, Traffic evolved rapidly and suddenly with the release of their second album the coming year. Folk rock entered the stage in a much more prominent role, mostly carried by Mason's song writing. What came from the self titled was doubtlessly more structured than the prior, and acclaimed similar positive critical reception.

Traffic takes a different approach on the composition, with a theme of split sides; one being the bouncy, folk Mason end where all songs are catchy and sing-song. The opposite end is led by the haunting Winwood, whose writing I've always preferred due to it's stylistic nature of more prominent coinciding elements. The music especially from Winwood ages much better than the 60's-born folk that Mason wrote. I won't deny that Mason struck gold a few times, although songs like the slightly annoying 'You Can All Join In', mostly meant as a sort of sing-a-long (living truly up to it's name) tone, can get degrading the more times you cycle through the album.

As for instrumentation, consistency is something the album does best. Sometimes vocals from Mason, Winwood and Capaldi can get a little strained to match the pitch of the song, but the actually instruments maintain the beat steadily and don't find much issue in jumping back and forth across the different styles presented each track.

This self titled from the late 60s is of course emblazoned with the stamp of the decade, but is less of a product of the times as Mr. Fantasy unduly was. Unique variation is something that is found in large amount with all of the tracks. Anyone, prog fan or not, could find this enjoyable in some way. Fun for the whole family!

 Shoot Out At The Fantasy Factory by TRAFFIC album cover Studio Album, 1973
3.83 | 150 ratings

Shoot Out At The Fantasy Factory
Traffic Eclectic Prog

Review by Guillermo
Prog Reviewer

4 stars In December 1971, Ric Grech and Jim Gordon left TRAFFIC, and Jim Capaldi went to record a solo album to Muscle Shoals Studios in Alabama with the famous musicians from The Muscle Shoals Rhythm Section (drummer Roger Hawkins, bassist David Hood, keyboard player Barry Beckett, and guitarist Jimmy Johnson), plus The Muscle Shoals Horns. That first solo album was titled "Oh How We Danced", and six of the eight songs from that album were recorded in Alabama, while two other songs were recorded in London, one of which ("Open Your Heart") was recorded with TRAFFIC`s line-up of their previous album titled "The Low Spark of High Heeled Boys". Some of the eight songs from that album also have appearances from Steve Winwood, Chris Wood, Reebop and Dave Mason. The album was released in April 1972, and at least in my country, Capaldi had a Hit Single with "Eve", the first song from that album which was (and still is) played in some FM Radio stations in my city. It seems that by that time Steve Winwood became ill with peritonitis, but when he recovered from that illness, Capaldi suggested to invite Roger Hawkins and David Hood to join TRAFFIC. They joined the band and started playing concerts, one of which was filmed and released as "Live at Santa Monica" in 1972. Later the band went to Jamaica to record a new studio album, titled "Shoot Out at the Fantasy Factory". which was released in February 1973.

This album is less inspired by Folk music and most songs are more inspired by Rock music in general, with Winwood playing some distorted guitars in several parts. This can be listened more clearly in the title track of the album which also has some very good Latin music influenced percussion playing from Capaldi and Reebop. "Roll Right Stones" has a very good electric sax solo played by Chris Wood (with some "wah-wah" sound effects) in the extended final instrumental section of this song. "In "Evening Blue" Winwood plays acoustic guitars and maybe this is the most "relaxed" song in this album. The next song, "Tragic Magic", was composed by Chris Wood (all the other songs from this album were composed by Winwood and Capaldi), and this instrumental song has a lot of influences from Jazz Rock music with very good saxophones played by Wood. The final song in this album, and maybe the best from this album, is "(Sometimes I Feel So) Uninspired", a song with somewhat sad lyrics. Maybe Capaldi (the lyricist) was a bit tired of being working in the music bussiness, so he wrote the lyrics of this song. The music in this song is particularly very good, and this song includes very good lead guitar parts played by Winwood. In this album Capaldi did not sing lead vocals on any song, but his backing vocals are listened more clearly in "Roll Right Stones". Jimmy Johnson and Barry Beckett are mentioned with a "thanks to" in the credits section in the album s cover, but it is not clear at least for me if they also played in some parts of this album.

For their 1973 tours the band also invited Barry Beckett to join the band on keyboards, giving more freedom to Winwood to play guitar or keyboards as he wanted apart from singing lead vocals on most songs, and also giving freedom to Chris Wood who previously sometimes also played keyboards in some songs while Winwood played guitar or other keyboards. I think that this line-up of the band was one of the best they had, with the three members of The Muscle Shoals Rhythm Section being very good and experienced musicians, playing very well. This line-up recorded the very good live album titled "On the Road" in Germany in April 1973. Jimmy Johnson also joined the band but as sound engineer for the concerts. Unfortunately, all these very good musicians from The Muscle Shoals Rhythm Section left the band in September 1973 (but they carried on working with Capaldi in some of his solo albums from the mid seventies). Capaldi then returned to play drums with the band, while their new bass player was Rosko Gee, from Jamaica. Reebop stayed with the band until mid 1974, with him apparently appearing uncredited in two songs from TRAFFIC`s next and then last album (titled "When the Eagle Flies", which was released in September 1974) before they split in December 1974.

This album, "Shoot at the Fantasy Factory" is very good. It also has a vey good recording and mixing, and like their previous album from 1971 ("The Low Spark of High Heeled Boys") it also has a very original cover design done by Tony Wright.

After a long time of not listening to some of TRAFFIC`s albums, it really was very good and enjoyable for me to listen to them again recently. TRAFFIC was a very good band, in my opinion, despite all the changes in personnel they had.

 The Low Spark Of High Heeled Boys by TRAFFIC album cover Studio Album, 1971
4.04 | 274 ratings

The Low Spark Of High Heeled Boys
Traffic Eclectic Prog

Review by Guillermo
Prog Reviewer

4 stars In 1971, the line-up of the band was expanded to include Reebop Kwaku Baah (congas, timbales, bongos) and Jim Gordon (drums). At that time, Jim Capaldi wanted to have a more prominent role in the band as lead and backing singer. So, maybe that was the main reason to have Gordon as drummer. Anyway, with Capaldi and Reebop the band had a more percussive sound, with both of them contributing very good things to the band. And in this album Capaldi sang lead vocals in two songs, a thing that only happened in this album while he was in the band.

This album is very well played, recorded and mixed. Maybe more than "John Barleycorn Must Die". Maybe they had more time to rehearse and to record this album in 1971, which was recorded after their "Welcome to the Canteen" live album wihich had Dave Mason as guest (he was guest in six dates that the band played during July 1971, but he left the band again after this happened). This new studio album was recorded in September 1971 and was released in November 1971. By December 1971, both Ric Grech and Jim Gordon have left the band.

In this album, the band again showed the influences from Jazz and Folk music.

"Hidden Treasure" (Winwood /Capaldi) is a slow acoustic song with good flute arrangements with Folk influences.

"The Low Spark of High Heeled Boys" (Winwood /Capaldi) is a very good song with Jazz influences with good piano and organ solos by Steve Winwood and good sax solos by Chris Wood.

"Rock and Roll Stew" (Ric Grech / Jim Gordon) is a rocker with good guitars by Steve Winwood and sung by Capaldi. This song was played in concert by the band even after Grech and Gordon (the composers of this song) left the band.

"Many a Mile to Freedom" (Winwood / Anna Capaldi) is also a good slow song with very good arrangements.

"Light Up or Leave Me Alone" (Capaldi) is a very good Pop Rock song, sung by Capaldi. This song maybe was played better in concert, like the title song of this album. Having two songs to sing in this album maybe gave Capaldi more confidence to compose more songs alone and to record his first solo album titled "Oh How We Danced", which he recorded in December 1971 and was released in April 1972.

"Rainmaker" (Winwood / Capaldi) is mostly a Folk music influenced song with very good flute and sax arrangements by Wood. It shows how great was his influence as musician in TRAFFIC despite not writing songs for this album. It also has a very good final part with a very good violin solo played by Grech and some very good percussion arrangements by Capaldi and Reebop. Steve Winwood`s official website says that in this song the drums were played by Mike Kellie, member of SPOOKY TOOTH.

This album is very good. Also the cover design is very good and original. The same happened with the cover design of their next album, "Shoot Out at the Fantasy Factory", which was designed by the same person (Tony Wright).

 John Barleycorn Must Die by TRAFFIC album cover Studio Album, 1970
3.90 | 305 ratings

John Barleycorn Must Die
Traffic Eclectic Prog

Review by Guillermo
Prog Reviewer

4 stars After the release of their second album titled "Traffic" in 1968, Dave Mason was again "out of the band", and the remaining trio toured for a time unitl late 1968, when Steve Winwood left the band, and the band was over for a time. But Jim Capaldi and Chris Wood, with Dave Mason and organist Mick Weaver (AKA "Wynder K. Frog") started playing together as a new band called MASON, CAPALDI, WOOD AND FROG (AKA "WOODEN FROG") until March 1969, when they split, only leaving a few BBC recordings. This band mainly played songs composed by Mason (which he also recorded later as a soloist) plus covers of a few Blues songs. Winwood left TRAFFIC to form a "Super-Group" with Eric Clapton, Ginger Baker and Ric Grech, called BLIND FAITH, which only lasted for an album and a tour, a band which never left the members very satisfied musically and personally despite the success of their album and tour. By September 1969, Eric Clapton was out of BLIND FAITH, and the remaining members of that band went to play for some months in GINGER BAKER`s AIRFORCE, a band which also included other musicians. After recording one album with them, Winwood left that band in early 1970 and started to recod a solo album with Guy Stevens as producer, using "Mad Shadows" as the working title for that planned album. Anyway, it seems that Winwood was not very happy working with Stevens as producer, and after recording a few songs / demos, he contacted Capaldi and Wood and started playing and recording with them again. So good were the results that finally they decided to reform TRAFFIC and to record this album titled "John Barleycorn Must Die", which was released in mid 1970.

The band had some changes in sound and style, but they still sounded as the "old" TRAFFIC, as Capaldi, Winwood and Wood were always (at least unitl 1974) the main members of the band, with only some changes in the other members of the band. Another change was that Wood, while in 1967-68 he was one of the main composers in the band with Capaldi and Winwood, from 1970 to 1974 he did not participate very much in the songwriting, leaving it mainly to Capaldi and Winwood.

This album from 1970 also shows new musical influences, like some Jazz influences in "Glad" and "Empty Pages", and some Folk music influences in "John Barleycorn", a traditional song which Wood brought to the band to record for this album. And one as a listener really can listen to this album as really being a half Winwood solo album / half TRAFFIC album, because Wood only appears in four of the six songs from the original release (he does not appear in "Stranger to Himself" and in "Every Mother`s Son"). Capaldi appears in all songs, but he only sang backing vocals in "Stranger to Himself", with all the instruments and lead vocals in that song being played by Winwood. The remastered CD released in 1999 also included two bonus studio tracks ("I Just Want to Know" and "Sittin`Here Thinkin`of my Love") with both entirely played and sung by Winwood, and they sound more as demos from his then solo album than as TRAFFIC`s songs (but with both being credited as songs composed by Winwood and Capaldi). Anyway, the album is very enjoyable as a whole, with all songs (except "Glad", which was composed by Winwood alone) being credited as composed by Winwood / Capaldi.

The remastered CD released in 1999 also included two songs (plus an humorous stage introduction done by promoter Bill Graham) recorded for a then planned but never released live album, recorded at the Fillmore East in New York in 18-November-1970. By April 1970 the trio was playing all the songs of the new album in concerts, but by August 1970 Ric Grech was a new member of the band, giving some freedom to Winwood (who played bass pedals in concert most of the time with the band, sometimes helped a bit by Wood while Winwood played guitar), and Grech appears playing guitar in "Who Knows What Tommorrow May Bring" and bass guitar in "Glad". "Glad" was originally followed in concert, as in the album, by "Freedom Rider", but in this bonus track the song is faded out before "Freedom Rider" starts.

 The Low Spark Of High Heeled Boys by TRAFFIC album cover Studio Album, 1971
4.04 | 274 ratings

The Low Spark Of High Heeled Boys
Traffic Eclectic Prog

Review by aglasshouse

5 stars Traffic's 1971 release of the oddly named The Low Spark of High-Heeled Boys gives off an air of great stylistic qualities, and has deservingly been noted as the band's greatest achievement. Unlike Gentle Giant, another well known band of the eclectic progressive genre, Traffic's music tends to slow-dance over the line of folk rock, jazz, and of course eclectic rock. ,Low Spark b has many odd structures, which become very prominent as the album progresses. I found myself loving the album despite its thorough lack of tracks.

Medieval sounding bard music slips in (much like Gentle Giant did) quite often. In the opening track 'Hidden Treasure', with soothing sounds that bring you sights of far off places and a subtle air of adventure. Although I found the track to be the only one I can't particularly listen to over again, mostly due to being so bland in light of the rest of its brethren. However, the track's slow tell-tale lyrics and minor progression is simply a lead into the eleven minute eponymous piece that is described as the center of the entire album. 'The Low Spark of High-Heeled Boys' is a track that seems much shorter than it actually is, mostly due to it's enjoyable yet sometimes repetitive nature. But smooth jazz it is so I won't delve too deep into it.

One small, mostly unnoticeable problem I had with Low Spark was the seemingly indecisive way Traffic chose the structure of the tracks. With every song there is a different listen, aside from a small similarity between the title track's climax and the straight up rocker of 'Rock & Roll Stew', but even then the latter being much more aggressive takes away any prior similarities that you'd hear while scrolling through the tracks. In my opinion, a variegated line up of tracks qualifies as an album that never gives you a dull moment.

On the point of the rockier tracks, the most distinguished being 'Rock & Roll Stew' and 'Light Up Or Leave Me Alone'. Having never been a fan of soft rock pretending to be greater than it is, the former of the two I've found to enjoy much more often. 'Light Up', especially during the later parts however does bring to the table alot of Who-like rocking, but because of this seems like a song stuck in the 60's. Enjoyable, yes of course, but not something I come back to very often. 'Rock & Roll Stew', living up to it's name, brings a great deal of mixed rock soup including some excellent funk. Combine that with the great vocals from Winwood and you have quite the delicious stew!

The slower tracks that the album retains are 'Many a Mile to Freedom' and 'Rainmaker'. The former sort of takes elements from the rest of the album, combining 'Hidden Treasure'-like softness and the subtle yet quietened rocking of 'Rock & Roll Stew'. This makes up for quite an adventure, especially one that I can sit through for seven and a half minutes and not complain about. 'Rainmaker' is perhaps my favorite song off of the album, being the one that first appealed to me while scrolling through the tracks. It bears a haunting melody and lyrics of a farmer reminiscing of his crops' unfortunate fate from drought. The theme of the song most likely derives to the tale of John Barleycorn told in the prior album, but I feel like this song takes the cake for most complex and best-sounding.

In an overall sense, The Low Spark of High-Heeled Boys is an album that goes very under appreciated in the world of the general music population, and unjustly so. If you haven't thoroughly heard or never heard this album at all, then I think you should find the vinyl and give it a spin. It is quite enjoyable. 4/5 rounded to 5.

 John Barleycorn Must Die by TRAFFIC album cover Studio Album, 1970
3.90 | 305 ratings

John Barleycorn Must Die
Traffic Eclectic Prog

Review by Memo_anathemo

4 stars Jim Capaldi, Steve Winwood and Chris Wood created with 'John Barleycorn Must Die' a jewel in the crown of music. An album full of excellent songs full of progressive folk rock, and jazz passages. 'Glad' seems to me a bit full of jazz and soul, with good use of saxophone. 'Freedom rider' is a different song with more folk and proto progressive elements. "I Just Want You To Know" is a short piece included in the remastered version, acceptable. 'Stranger to Himself' is a rock piece combined with a bit of rhythm and blues. The title track 'John Barleycorn' is a folk piece full of acoustic guitars and a blend of high pitch voice with a low pitch voice. The last song 'Every Mother's Son' also contains good rock and jazzy sound. To summarize, a very good album.
 The Last Great Traffic Jam by TRAFFIC album cover DVD/Video, 2005
3.76 | 7 ratings

The Last Great Traffic Jam
Traffic Eclectic Prog

Review by BORA

3 stars Jam of sorts.

I am relieved that this performance is very different to the album "Far From Home" both recorded in 1994. The latter being more of a Winwood solo effort where he was practically replicating Phil Collin's Pop-Disco diva approach.

Here, the band sounds more like Traffic, although with a bit of a twist. A staple diet of the usual tunes performed live is not surprising and rather typical of the band. It works quite well too, considering that there are only two founding members left.

Sadly, former sax player, Chris Wood is long gone and his exceptionally deep approach to his instruments - something that made the band really special - is sorely missed. Wood's replacement, Randall Bramblett does a credible job here without attempting to step into "Wood's place as a frontman.

Well, it's jamming, but of a different kind. In place of extended instrumental stretching out, it's more like a repetitive, rhythmic workout that goes on and on. Quite enjoyable, no doubt, but much closer to Santana-sty'e grooves than typical Traffic. To the point where one could be excused for mistaking it for a Santana band "filling time" approach. So, it's not really the form(less) jamming I'd prefer, but more of a loosely structured work with some solos thrown in. Still good.

The actual production as opposed to the music is disappointing, though. The nervous camera work that keeps jumping from one person to the other is absolutely annoying. Ditto for the interruptions between numbers that repeatedly interfere the flow of "traffic", but perhaps appropriate to the title "Traffic Jam"?

This is a performance I'd rather listen to than watch as it's presented on DVD. On any account, the 1972 "Santa Mobica" performance is more preferred.

Thanks to easy livin for the artist addition. and to Quinino for the last updates

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