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PETER HAMMILL

Eclectic Prog • United Kingdom


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Peter Hammill picture
Peter Hammill biography
Peter HAMMILL is one of the most unique and influential voices in prog. He was the pivotal figure in VAN DER GRAAF GENERATOR (VDGG for short) who formed in 1967 at Manchester University. His obsession with lost love, lost faith, time, space and existence itself are the cornerstones of both his work with the band and his solo albums. He was also their principle songwriter. The classic line-up was the HAMMILL, Banton, Jaxon, Evans combo which produced the peak "Pawn Hearts", "Still Life" and "Godbluff" albums. He has since brought out at least 30 solo albums, marked by lyrics of the utmost insight (usually) and a total refusal to compromise. Their complex music, as often brutal as it was lyrical, fitted somewhat uneasily into the once and then niche of Progressive Rock. An interesting figure whose albums certainly merit investigation..!

The first of a classic trilogy in progressive rock history, "Chameleon"... and its companion pieces "The Silent Corner and the Empty Stage" and "In Camera", are as good if not better than many of the VDGG albums. FOR FANS OF PETER HAMMILL...!

See also:
- Van Der Graaf Generator
- The Long Hello

Peter Hammill official website

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FireshipsFireships
Import
Fie 2006
Audio CD$16.14
$21.86 (used)
OverOver
Extra tracks · Import · Remastered
EMI Europe Generic 2006
Audio CD$4.63
Future NowFuture Now
Extra tracks · Import · Remastered
EMI Europe Generic 2006
Audio CD$29.99 (used)
Fools MateFools Mate
Extra tracks · Import · Remastered
EMI Europe Generic 2005
Audio CD$11.87
Nadirs Big ChanceNadirs Big Chance
Import · Remastered
EMI Europe Generic 2007
Audio CD$6.01
Ph7Ph7
Extra tracks · Import · Remastered
EMI Europe Generic 2006
Audio CD$8.96
Silent Corner & The Empty StageSilent Corner & The Empty Stage
Extra tracks · Import · Remastered
Caroline 2006
Audio CD$4.63
$8.90 (used)
Chameleon in the Shadow of the NightChameleon in the Shadow of the Night
Extra tracks · Import · Remastered
EMI Europe Generic 2006
Audio CD$5.61
$3.24 (used)
In CameraIn Camera
Extra tracks · Import · Remastered
EMI Europe Generic 2006
Audio CD$4.63
Sitting TargetsSitting Targets
Audio CD$44.24
$17.05 (used)
Right Now on Ebay (logo)
Peter Hammill, Peter Hammill & Gary Lucas - Other World [New CD] USD $14.62 Buy It Now
PETER HAMMILL | "Ph7" CD | on Caroline Blue Plate USD $3.86 [0 bids]
Peter Hammill - Out of Water LP + lyric insert - ENVLP 1003 - Ex USD $45.16 Buy It Now
Peter Hammill - The Love Songs LP - CAS 1166 - Ex+ USD $23.22 Buy It Now
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Peter Hammill - In Camera - Free UK Post USD $17.55 Buy It Now
Van Der Graaf Generator - 68 - 71 LP - CS 2 - Peter Hammill - VG+ USD $23.22 Buy It Now
PETER HAMMILL CHAMELEON IN THE SHADOW of night 1st UK VAN DER GRAAF 1973 gate LP USD $129.00 Buy It Now 1h 5m
PETER HAMMILL - MAGAZINE CUTTINGS COLLECTION (REF R12) USD $12.84 Buy It Now 6h 49m
PETER HAMMILL (Van Der Graaf) Future Now 1978 UK Press ADVERT 16x12 inches USD $15.42 Buy It Now 11h 22m
Van der Graaf Generator:Peter Hammill: Silent Corner Japan CD Mini-LP VJCP-68789 USD $52.50 Buy It Now 12h 46m
Van der Graaf Generator:Peter Hammill:Fool's Mate Japan CD Mini-LP VJCP-68760 (Q USD $59.50 Buy It Now 12h 47m
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Peter Hammill - A Black Box - Vinyl LP Italy 1980 USD $11.55 [0 bids]
17h 38m
Peter Hammill - Live In Berlin 1992 CD & DVD USD $12.91 [0 bids]
1 day
Peter Hammill - Patience USD $12.91 [0 bids]
1 day
Roger Eno & Peter Hammill - The Appointed Hour (CD) USD $18.07 [0 bids]
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PETER HAMMILL-"The Silent Corner"- Rare Promo Only CD-r Acetate-VDGG-NEW USD $19.35 Buy It Now 1 day
PETER HAMMILL-"In Camera"- Rare Promo Only CD-r Acetate-VDGG-NEW USD $19.35 Buy It Now 1 day
PETER HAMMILL-"PH7"- Rare Promo Only CD-r Acetate-VDGG-NEW USD $19.35 Buy It Now 1 day
PETER HAMMILL "OVER" CD NEW+ USD $16.66 Buy It Now 1 day
Van der Graaf Generator/VdGG, Peter Hammill - The Least We Can Do Is... JAPAN LP USD $49.99 Buy It Now 1 day
EX/EX !! Peter Hammill/Sitting Targets/1981 Virgin LP/Van Der Graaf USD $16.76 Buy It Now 1 day
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EX/EX- !! Peter Hammill/Chameleon In The Shadow Of The Night/1973 Charisma LP USD $38.71 Buy It Now 1 day
In A Foreign Town Peter Hammill Vinyl Record USD $25.75 Buy It Now 1 day
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Mikayel Abazyan and Friends "Something Deep Inside Me" - songs by Peter Hammill USD $10.00 Buy It Now 1 day
PETER HAMMILL PICTURE ARTICLE ORIGINAL ADVERT 16 X 12" POSTER SIZE 19 MAR 1977 USD $16.76 Buy It Now 1 day
Peter Hammill-The Future Now (Rare Orig. Greek 1978 LP) Vg+/Ex USD $14.99 [0 bids]
1 day
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Van der Graaf Generator:Peter Hammill: Godbluff Japan SHM CD Mini-LP SS (Q USD $45.50 Buy It Now 1 day
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PETER HAMMILL IN CAMERA RECORD LP VINYL 12" UK w/INNER USD $23.81 Buy It Now 1 day
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2 days
Peter Hammill - The Thin Man Sings Ballads (CD) USD $7.74 Buy It Now 2 days
Peter Hammill & The K Group - Live - The Margin CD USD $6.45 Buy It Now 2 days
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PETER HAMMILL "A BLACK BOX" CD NEW+ USD $16.66 Buy It Now 2 days
Chameleon In The Shadow Of The Night - Peter Hammill (CD Used Very Good) USD $6.72 Buy It Now 2 days
PETER HAMMILL PICTURE ARTICLE ORIGINAL ADVERT 16 X 12" POSTER SIZE MAR 19 1977 USD $16.76 Buy It Now 2 days
David Cross? Exiles Robert Fripp John Wetton Peter Hammill USD $17.98 Buy It Now 2 days
Peter Hammill : The Love Songs CD (1988) (2) USD $6.44 Buy It Now 2 days
PETER HAMMILL - Patience - VINYL LP USD $16.25 Buy It Now 2 days
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Van der Graaf Generator:Peter Hammill: Chameleon Japan CD Mini-LP VJCP-68788 (Q USD $45.50 Buy It Now 2 days
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Peter Hammill - Patience [New Vinyl] USD $22.70 Buy It Now 2 days
PETER HAMMILL AUTOGRAPHED "OVER" LP RARE 1st PRESSING UK - NM CONDITION - USD $39.00 [0 bids]
USD $60.00 Buy It Now
2 days
Enter K by Peter Hammill. USD $26.31 Buy It Now 2 days
PETER HAMMILL Painting By Numbers 12" VINYL UK Foundry 1986 3 Track Extended USD $14.20 Buy It Now 2 days
PETER HAMMILL Film Noir 7" VINYL UK Naive 1983 B/W Seven Wonders (Nav8) USD $19.60 Buy It Now 3 days
PETER HAMMILL Ph7 CD UK Virgin 1989 11 Track (Cascd1146) USD $11.47 Buy It Now 3 days
PETER HAMMILL In Camera LP Charisma Rec. CAS-1089 UK 1974 VG++ RARE PROG 6A USD $19.98 Buy It Now 3 days
PETER HAMMILL "Fool's Mate" PROMO LP (CHARISMA CAS-1037) VAN DER GRAAF GENERATOR USD $15.00 Buy It Now 3 days
Peter Hammill & The K Group 'Live At Rockpalast' (New CD+DVD) USD $34.83 Buy It Now 3 days
Peter Hammill The Silent Corner & Empty Stage UK CD CASCD1083 Prog Rock USD $9.02 Buy It Now 3 days
PETER HAMMILL - MAGAZINE CUTTINGS COLLECTION (REF ZB) USD $12.84 Buy It Now 3 days
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PETER HAMMILL - Remastered albums - SELECTED TRACKS - UK 14 TRACK PROMO CD 2006 USD $11.60 [0 bids]
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4 days

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PETER HAMMILL discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

PETER HAMMILL top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.76 | 285 ratings
Fool's Mate
1971
4.03 | 308 ratings
Chameleon In The Shadow Of The Night
1973
4.31 | 737 ratings
The Silent Corner And The Empty Stage
1974
4.14 | 331 ratings
In Camera
1974
3.75 | 230 ratings
Nadir's Big Chance
1975
3.96 | 291 ratings
Over
1977
3.49 | 184 ratings
The Future Now
1978
3.66 | 174 ratings
pH7
1979
3.92 | 207 ratings
A Black Box
1980
3.53 | 149 ratings
Sitting Targets
1981
3.75 | 129 ratings
Enter K
1982
3.68 | 122 ratings
Patience
1983
3.19 | 69 ratings
Loops & Reels
1983
2.96 | 102 ratings
Skin
1986
3.55 | 105 ratings
And Close As This
1986
2.79 | 79 ratings
In A Foreign Town
1988
3.31 | 85 ratings
Out Of Water
1990
3.42 | 92 ratings
The Fall Of The House Of Usher
1991
3.03 | 52 ratings
Peter Hammill-Guy Evans: Spur Of The Moment
1991
3.71 | 116 ratings
Fireships
1992
2.66 | 72 ratings
The Noise
1993
2.27 | 37 ratings
Offensichtlich Goldfisch
1993
3.26 | 79 ratings
Roaring Forties
1994
3.20 | 75 ratings
X My Heart
1996
2.40 | 53 ratings
Sonix
1996
3.42 | 72 ratings
Everyone You Hold
1997
3.41 | 71 ratings
This
1998
2.81 | 41 ratings
Roger Eno & Peter Hammill: The Appointed Hour
1999
3.93 | 76 ratings
The Fall Of The House Of Usher (New Version)
1999
2.77 | 59 ratings
None Of The Above
2000
3.24 | 63 ratings
What , Now?
2001
2.70 | 47 ratings
Unsung
2001
3.58 | 71 ratings
Clutch
2002
3.73 | 92 ratings
Incoherence
2004
3.56 | 85 ratings
Singularity
2006
3.29 | 90 ratings
Thin Air
2009
3.57 | 61 ratings
Consequences
2012
3.66 | 66 ratings
Peter Hammill/Gary Lucas: Other World
2014
3.62 | 37 ratings
...All That Might Have Been...
2014

PETER HAMMILL Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.74 | 41 ratings
The Margin +
1985
3.32 | 40 ratings
Room Temperature Live
1990
3.59 | 32 ratings
There Goes the Daylight
1993
3.61 | 29 ratings
The Peel Sessions
1995
3.07 | 14 ratings
Tides
1996
3.18 | 22 ratings
The Union Chapel Concert (with Guy Evans)
1997
4.20 | 41 ratings
Typical (Solo Performances)
1999
4.00 | 37 ratings
Veracious (with Stuart Gordon)
2006
3.47 | 15 ratings
In The Passionskirche - Berlin MCMXCII
2009
3.60 | 5 ratings
PNO GTR VOX - Live Performances
2011
3.50 | 4 ratings
Live At Rockpalast - Hamburg 1981
2016

PETER HAMMILL Videos (DVD, Blu-ray, VHS etc)

3.96 | 8 ratings
In The Passionskirche - Berlin MCMXCII (video)
1992

PETER HAMMILL Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.64 | 8 ratings
Vision
1978
3.00 | 1 ratings
Peter Hammill
1982
2.58 | 34 ratings
The Love Songs
1984
3.82 | 3 ratings
The Essential Collection
1986
3.00 | 1 ratings
Enter K / Patience
1986
0.00 | 0 ratings
Il Rock
1989
3.96 | 14 ratings
The Calm (After The Storm)
1993
3.28 | 13 ratings
The Storm (Before The Calm)
1993
3.02 | 6 ratings
Past Go - Collected
1996
3.20 | 5 ratings
After The Show (A Collection)
1996
0.00 | 0 ratings
Ο Άγγελος Του Παράξενου
1997
2.33 | 6 ratings
The Thin Man Sings Ballads
2001
3.00 | 1 ratings
Fools Mate / In Camera
2003
3.33 | 3 ratings
Pno, Gtr, Vox, Box - 84 Live Performances
2012

PETER HAMMILL Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.00 | 4 ratings
Red Shift
1973
2.14 | 3 ratings
Birthday Special / Shingle Song
1975
4.50 | 2 ratings
Crying Wolf
1977
2.00 | 2 ratings
If I Could
1978
1.50 | 2 ratings
My Experience
1981
2.50 | 2 ratings
Paradox Drive
1982
2.00 | 2 ratings
Film Noir
1983
2.26 | 8 ratings
Just Good Friends
1985
1.50 | 2 ratings
Painting by Numbers
1986
1.50 | 2 ratings
A Fix On The Mix
1992

PETER HAMMILL Reviews


Showing last 10 reviews only
 None Of The Above by HAMMILL, PETER album cover Studio Album, 2000
2.77 | 59 ratings

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None Of The Above
Peter Hammill Eclectic Prog

Review by CliffX

5 stars After more than 35 years of Prog in my life, here arrives NONE OF THE ABOVE. A big fan of VDGG since early 70's, always thought this band would be forever underrated. The same with Peter Hammill. The other Peter conquered the world with more accessible (very good) material, but this Peter would continue in the underground world. Since the 70's the music wasn't the same. Creativity ended up in the late 70's and comercial times arrived. In 2000 this beautiful CD appeared and I bought it with curiosity. I think this album is perfectly magical for a listenner like me, who was tired of unsuccessfully searching for new and fresh music. Never thought it was so damn good! It is dark like all VDGG but fresh at the same time. I'm a guitar player myself and I think Peter did a very good job with the guitars. He is a fairly good piano player too. Great songs, sound ambients, lyrics, majestic hymns (Astart) like the old times. It´s a nowadays masterpiece.

 In Camera by HAMMILL, PETER album cover Studio Album, 1974
4.14 | 331 ratings

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In Camera
Peter Hammill Eclectic Prog

Review by Progfan97402

5 stars This is by far my favorite solo album from Peter Hammill. Of the few solo albums I own by him, I found them hit or miss. For example, 1977's Over I just plain couldn't get into (I realize he was undergoing a messy divorce and had to express that). Ph7 is pretty good, though, and The Silent Corner and the Empty Stage is one of his best. In Camera follows Silent Corner, but the only VdGG member involved here is Guy Evans (OK, so was Chris Judge-Smith, but he was only a very early member of the group). Aside from Evans, is also David Hentschel for the ARP synth programming and Chris Judge-Smith (as mentioned before). Paul Whitehead is also credited, but he was totally unaware he even performed on the album because he already moved to the United States by this time, and was likely an earlier recording he made that was just lying around. Before I go any further, there's definitely a debate about what ARP synth is being used on this album. I've seen sources state ARP 2600. I have always suspect it was the ARP 2500, and here's the reason why: David Hentschel used a 2500 Elton John's "Rocket Man" and most notably "Funeral for a Friend". He programs the ARP on In Camera, Peter Hammill plays it here, and he never used any ARP on any of his other solo albums leaving me to believe it was David Hentschel's 2500. Plus it has a lot of sounds that seem too elaborate and sound effects too complex for a 2600 (I should know, I own a 2600, and I can't get it to do many of those sounds heard on In Camera). Unless there were photos taken of In Camera sessions, I can only guess. Plus the album only states "ARP synthesizer", which could mean (in 1974) Odyssey, Pro Soloist (which would hardly be those), 2600 or 2500.

It seems a couple of the songs on In Camera were Aerosol Grey Machine and Pawn Hearts leftovers, I mean to say, written during that time period, but recorded at the end of 1973/beginning of 1974. Anyways, this stuff is just as great as anything coming out of Van der Graaf Generator. "Ferret and Featherbird" is a gentle acoustic number you often hear from Hammill, this being written in 1969, so it wouldn't seem out of place on The Aerosol Grey Machine (itself intended as a Hammill solo album, but leaked out as a VdGG album). "(No More) The Sub-Mariner" is nothing short of amazing. Those ARP synth sounds are just unbelievable, and the dramatic approach Hammill gives us is truly a sight to behold! I really love that powerful pulsing synth sound that Hammill does here. "Tapeworm" rocks even more than your typical VdGG, while "Again" is a gentle acoustic number that leads to the dramatic "Faint-Heart and the Sermon". Again the ARP rears its heard, with some synth sounds that don't sound too different from "Funeral for a Friend" that leads me to think it was a 2500. It also has some cool synth effects, but I shouldn't forget the nice Mellotron passages found here. "Gog"/"Magog (In Bromine Chambers)" is truly unbelievable. Dramatic to a capital "D" with harmonium being used and his melodramatic voice. You start thinking the reason for a solo career is because some of this stuff would been too melodramatic even for VdGG standards (you can almost imagine Hugh Banton, Guy Evans, and David Jackson telling him to "Cool it down on the melodrama"). Then the album ends up with some strange sound effects that just sound plain sinister. This is truly a career highlight for Peter Hammill, as far as I'm concerned. This album is very much a classic and to me a five star rating, comes with my very highest recommendation!

 Roaring Forties by HAMMILL, PETER album cover Studio Album, 1994
3.26 | 79 ratings

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Roaring Forties
Peter Hammill Eclectic Prog

Review by Progresearcher

5 stars I was almost shocked when I saw the - incredibly - low rating of the "Roaring Forties" album, and I'm pretty sure that some of its 'raters' (yeah, those who are willing to do anything that helps them create what's just a semblance of their activity as a matter of fact) have either never listened to it or only done so once. No music lover should forget that any profound progressive rock album requires repeated listens. "Roaring Forties" will hardly grab your attention right away. But give the CD several spins and you will love it to death, unless you're a novice to the genre (and, by saying so, I mean classic prog rock - not neo). Most of the music is deep and is chock-full of the arrangements that are highly intricate and intriguing alike. In other words, this is a 100-percent masterpiece. In fact, only two albums from Peter Hammill's solo discography, this one and "The Silent Corner", always gladden me as much as the best Van Der Graaf Generator albums ("H to He", "Pawn Hearts" and "Godbluff"). So please do not believe any hasty conclusions. Rely exclusively on your own ears, your own experience, et cetera.
 The Silent Corner And The Empty Stage by HAMMILL, PETER album cover Studio Album, 1974
4.31 | 737 ratings

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The Silent Corner And The Empty Stage
Peter Hammill Eclectic Prog

Review by LSDisease

5 stars This is my favorite Hammill's album and along with VDGG's Pawn Hearts my favorite album of all time. The most shoking and most artful in the same time. This album same as VDGG releases isn't for those who think that Pink Floyd defined art rock , no no no, this album is for those who are deranged enough to sit through 50 minute apocalypse and later say : would you like another cup of tea dear? Well, anyway, I really love this album. If Pawn Hearts can be described as an organized chaos this one is chaos and beauty. Yes, so much beauty in this chaos, that's why I like it so much. It's not just chaos, you can find many misarable albums with just chaos. But this, this is MUSIC. And like other early Hammill's albums, the best in that box. Unless you don't want music. So If don't, buy some Can album. But if you want music listen to Peter Hammill and enjoy the perils of pure pleasure.
 In Camera by HAMMILL, PETER album cover Studio Album, 1974
4.14 | 331 ratings

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In Camera
Peter Hammill Eclectic Prog

Review by apps79
Special Collaborator Honorary Collaborator

3 stars Hammill's creative progress for another solo album begins immediately after the release of the genuine ''The silent corner and the empty stage''.He stated that with every new work he wanted to explore something different and this time he decided to work on a project more or less by himself.Around the same time his younger brother Andy fell into coma after an accident with his bicycle and Hammill put all his stress into a creative process.He performed his arrangements on guitars, bass, piano and keyboards and received help in a number of tracks by ex- and present Van der Graaf Generator's drummers Judge Smith and Guy Evans, famous prog-related graphic artist Paul Whitehead on percussion and recording engineer David Hentschel on ARP synthesizer.The album, titled ''In camera'', was released on Charisma in June 1974.

After a vocal-heavy Art/Psych Rock effort and a dark Prog Rock masterpiece, ''In camera'' finds Hammill performing somewhere inbetween these two works, it is definitely his most sinister and haunting album of his early works, filled with dark piano lines, eerie synthesizers and muddy guitars to go along with Hammill's expressive and unique vocals.With no so many comforts regarding the sessions of an album by multi-instrumentalist, this one sounds more minimalistic, instrumental naked and extremely lyrical with only a few sections executed on three or more instruments, so it moves a bit away from the very complex and dense arrangements of the previous album, still holds series of interesting, atmospheric qualities noone except Peter Hammill could offer.''In camera'' is actually led by Hammill's vocal depth and a set of different musical backgrounds, including synth lines and piano movements, lots of acoustic soundscapes and some more regular moments with drumming and an effort closer to a normal group.Consider this more of a lyrical, theatrical and mystic delivery of orchestral, folky and cinematic arrangements with a poet leading the way.An original album in its own way with a powerful contrast between vocals and music and the first few attempts by Hammill on Experimental Music as proposed on the 17-min. ''Gog Magog'', the first part of which is a Gothic-like, intense Prog Rock opus with a full keyboard sound and dominant percussion, where the second 10-min. segment is filled with sound effects and noises, definitely one of an acquired taste, still seeing Hammill doing what he stated, developing his musical horizons.

Dark Art Rock by Mr. Hammill here.Impressive album for a work practically composed and executed by one man back in 1974, slightly too minimalistic and vocal-oriented, still containing the genuine values of Van Der Graaf Generator's offerings.Recommended.

 Over by HAMMILL, PETER album cover Studio Album, 1977
3.96 | 291 ratings

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Over
Peter Hammill Eclectic Prog

Review by Jeff Carney

2 stars No matter how much I admire Peter Hammill and no matter how much I adore so much of what he came up with in the first half of the seventies, I cannot understand the appeal of this album.

I've always wanted to like it. Always felt that given my level of appreciation for his work, perhaps I even should like it. But viewed through a somewhat objective musical lens, this album is a misstep of the highest order. A self-pity party wrapped up in often less than stellar songs, unfulfilling arrangements, less than interesting riffing and lyrical content that crosses the line between admirable self-confession and just plain pseudo-intellectual misery rants.

"Crying Wolf" starts the album in a fairly straightforward rock and roll manner. The problem is that the riff is somewhat of a throwaway and reveals a tendency that plagues some of Hammill's post- Nadir work; whereby the conceptual overrides the end result or even musical value. It's Hammill having decided that Rikki Nadir deserves a voice in his music, but to what does that concept equate? Here, I'm afraid it fails to move the meter much at all. The riff is played with little intensity. The shortcomings of Hammill's electric guitar playing give way to the concept, and the possibilities of the music struggle underneath this pretext. There simply isn't enough there in the first place to then strip things down.

"Autumn" is perhaps the best piece of music on the album. A gorgeous, twisting and hauntingly melodic song which contemplates the values in growing older in a relationship. Still, something here keeps this from being a home run. In this case, I think the arrangements are a bit cluttered and Graham Smith takes over at times when I want to hear *this* song in a somewhat more sparse manner. This is sometimes a problem for me with Hammill's work. I'll find his unaccompanied live versions of songs to be absolutely mind boggling but the arrangements on the albums to be undisciplined and a victim of the more is less approach.

"Time Heals" makes evident just what pain Hammill was enduring during the recording of this album. And despite one of his worst musical shifts about halfway through this one into a two chord piano riff that just doesn't need life, I think I should state at this point that in my book he is to be commended. Commended for being able to finish this project during a time when he was clearly in tremendous pain. I suppose that, particularly in youth, most of us understand all too well the lack of logic that sometimes follows the heart, so granted it is with older eyes that I say this; but this song leaves me wondering if this woman deserved an entire album devoted to her? Hey! She ran off with your friend, man! Come on. Talk about "over." But instead Hammill begins to spend time on this album examining his own flaws. Even asking in "Alice" whether this is really the end of the story. Clearly a moment of hope amidst his heartbreak which fails to acknowledge the deeper issue at hand: What kind of woman leaves a seven year relationship and runs off with your friend? I can't help but feel a combination of sympathy for and frustration with Hammill at this point.

"Looking Glass" is a beautiful piece of work. For some reason it reminds me of Black Sabbath's "She's Gone" in that both songs seem to be rooted in unabashed sadness and seek to never leave a drop of hope on the floor for anything but loneliness. For some reason I find Hammill's delivery here to be solid but not on par with his very best. Can't really out my finger on why. It's a damned good track. I'll leave it at that. As is "Betrayed," which follows, featuring Hammill in a pure, raw form as only he can capture.

And that about does it. By the time I get through "Yoga" and "Lost and Found" I am ready to play "The Peel Sessions" and remind myself just what a genius Hammill could be on his own. On Over, he has revealed a side to his writing which, while entirely original, lacks defined musical passion and power. It's an album for his ex, not for me.

 Fool's Mate by HAMMILL, PETER album cover Studio Album, 1971
3.76 | 285 ratings

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Fool's Mate
Peter Hammill Eclectic Prog

Review by Neu!mann
Prog Reviewer

4 stars Peter Hammill's debut album stands in relation to his solo career much like "The Aerosol Grey Machine" does to his output with Van Der Graaf Generator: as a worthwhile anomaly separate from the main body of his recorded work. The album is notable for its refreshing lack of tortured self- analysis, placing it alongside the sunny proto-punk of "Nadir's Big Chance" as the easiest Peter Hammill album to digest in a single sitting.

Compared to subsequent efforts it can appear disarmingly facile at times. Song titles like "Happy" and "Sunshine" suggest an uncomplicated optimism rare for such an otherwise thoughtful artist. And "Vision" stands as arguably one of the purest love ballads ever written, by Hammill or anyone else. But as always there's more to the album than what first meets the ear, and when played in isolation there isn't one song here that isn't unblinkingly honest, or less than typically literate.

Even the jaunty album opener "Imperial Zeppelin" undermines its own Utopian vision of rising above a planet where "hate is seething / nothing's worth believing" with a quick, cold shower of fatalism uncommon in 1971: "Of course we all know very well / It wouldn't work, but what the hell..." And that's during one of the album's lighter songs! By the time Hammill begins slashing at his acoustic guitar with unconcealed fury (in the otherwise gently reflective "I Once Wrote Some Poems") it's clear a very different and darker species of butterfly was emerging from its musical chrysalis.

Very little here conforms to the accepted Prog Rock stereotypes of the 1970's, except the creative thinking and restless intellect ("Let me sleep / Let me dream / Let me be!" he implores us in "Re- Awakening"). At this early stage of his career Hammill was already staking his position as a uniquely personal singer-songwriter, standing apart from the Progressive Rock ideals of the time. Despite the crowded guest list on his first solo album, including all his Van Der Graaf pals, plus Robert Fripp and members of Lindisfarne, Hammill was (and remains) the driver, chief mechanic, and conductor on a bandwagon of one.

 Peter Hammill/Gary Lucas: Other World by HAMMILL, PETER album cover Studio Album, 2014
3.66 | 66 ratings

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Peter Hammill/Gary Lucas: Other World
Peter Hammill Eclectic Prog

Review by DrömmarenAdrian

3 stars Impressive but...

Soon after that I had heard "The Silent corner and the empty stage" beacame I very curious about hearing the totally new record by htis romantic hero, Peter Hammill, the record "Other world" from 2014 which is done together with guitarist Gary Lucas.

On the cover we see and area of antoher planet and it feels like the theme of emptyness is present also here, but actually even more here. I was overwhelmed when I realized that Peter Hammill could still perform pure musical art just as that romantic stage poet he is. On "Other world", Hammill's thirty-eighth studio album it's just he and Gary Lucas, the guitarist who play. They do perform impressive things on these minutes. Lucas is a great guitarist who can capture every feeling and play both rough and sophisticated.

But, when I am impressed do I just rate this three? Well I think the record is too calmed down, too ambient and partially even too weird. I like experimental stuff and I know it's progressive but I want to hear more of the Hammill I am used to. I would like to recommend some beautiful songs though such as: " Of Kith & Kin" a quite acoustic song with the famous voice poet telling us the truth and "Cash"- rough and mighty , "This is Showbiz" - fast and furious, "Black Ice" an experimental beauty and "The Kid" which all deserve (8/10) from me. Some of the others are also good but I wouldn't recommend them.

This is definitely a record for fans of Peter Hammill but perhaps even more for fans of very experiemtal and/or calm ambient music. I look forward to hear all the other Hammill records!

 The Silent Corner And The Empty Stage by HAMMILL, PETER album cover Studio Album, 1974
4.31 | 737 ratings

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The Silent Corner And The Empty Stage
Peter Hammill Eclectic Prog

Review by DrömmarenAdrian

5 stars Peter Hammill was born in London 1948 and has a huge discography of progressive rock. I know him particularly for his twelve Van der Graaf Generator record but he is also a solo artist which has done thirty-eight records. These records was in the beginning done with the same line-up such as Van der Graaf Generator so it's not strange that I like this record very much. "The silent corner and the empty stage" from 1974 is Peter Hammill's third studio album. It is amazing that this one celebrates its fourtieth birthday this year. The cover is discreet, showing something soft I don't figure out. The line up is Peter Hammill of course who plays guitar, piano, bass, harmonium, keyboards, mellotron and oscillator and sings, Randy California who plays guitar, Hugh Banton who plays organ, guitar and keyboards, Guy Evans who plays drums and percussion and David Jackson who plays flute and saxophone. So it's almost a common Van der Graaf Generator-record. But I would consider this record different from VDGG anyway. The compositions are more artistic and romantic and not as bombastic, even if they're bombastic enough.

I haven't heard this many times but I know that I love this record. If a musician wonder how to do rock music as pure art this is the answer. The music is brutal as punk and the vocal performance of Hammill is monumental. He extends the though of what you can do on an empty stage. When you listen to this record the stage is definitely not empty anymore. The record has also a longer playing time than other lp:s which is great. The record starts with the new thinking and heavy "Modern" which hits the romantic level this album happens to stand for(9/10). The "Wilhelmina" starts which is one of the most lovely songs I have found in a very long time. The lyrics, the melody and Hammill's vocals make my feelings swell over(10/10). "The Lie" is almost as fantastic, a track of a genius(10/10) and "Forsaken gardens" has a lot of drama and the famous Jackson saxophone and I love this too(10/10). The little acoustic piece "Rubicon" is the least fantastic part of this album(8/10) because the bottom is high. The final is of course "A louse is not a home", the longest track which is a fantastic symphonic tale for those ears which are not afraid of new thinking rock and cacophony. How I wish more musicians were blessed with a musical mind as Hammill(10/10). This record has a self-written place in every prog rock collection and I do not doubt a second to rate this high. A have hard to pick the best songs but "Wilhelmina" holds a special place in my heart, partially because I love the name, and the final "A Louse is not a Home" can you not hear to many times I pick them.

 A Black Box by HAMMILL, PETER album cover Studio Album, 1980
3.92 | 207 ratings

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A Black Box
Peter Hammill Eclectic Prog

Review by madcap68

3 stars Even the biggest heroes can err...

As we all know, don't we, Peter Hammill isn't only one of prog's most prominent visionaries (and one of my all time favourites, see the hero above) but also invented punk rock. Sort of... With Jargon King and The Wipe he also invented the weird genre of Jungle Prog Step or whatever, which really doesn't work for me. I use to constantly sing Peter's praise to my friends and colleagues but I come back to these two tracks that even the most valiant heroes... er, yes, we had that one before..

On the other hand, we have the epic Flight, which combines "classic" Hammill with his Wave style offerings. At least in parts, Flight makes for a 5 star candidate. I also like the dark and moody Fogwalking but all in all, for me, this is one of his weaker albums.

Thanks to ProgLucky for the artist addition.

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