METAPHYSICAL ANIMATION

There's 63 minutes of music. In my opinion, it's not only breathtakingly intense but in the end quite samey all the way, that listening to it entirely makes me tired of it every time. That I'm not a big fan of this (or this kind of) music naturally doesn't mean it wouldn't be good in other criteria. Can't deny the quartet was one hell of a band with loads of skill and energy -- in playing, if not necessarily in songwriting. In short, this is mostly fast-paced and fusiony blues-rock. The vocals of keyboardist Bill Sabella are rather ballsy and use heavy vibrato in the similar vein as the vocalists in Beggars Opera and Uriah Heep. I wonder why the unnamed blog writer cited in the innerfold compares it to Jon Anderson. "As for the vocals, here is where you'll see the strongest Yes influence. They're definitely Anderson-like, but not in that overly high-pitched and strained style that some Yes-influenced bands insisted on." Anyway, on the whole I agree that if you imagine a ballsy heavy blues-rock band with an energetic sound dominated by electric guitar and organ, and influenced by Mahavishnu Orchestra and early Yes, you're more or less on the map.

The lengths of the eight tracks vary between five and thirteen minutes. The longer they are, the more they have solos (the organ solo on the highlight piece 'Better Way' is excellent) and the more they have a jam-like feel. The instrumental 9-minute opener 'Two Songs in Space' is also among the highlights. It has an awesome, psychedelic space rock groove, and the guitar of Alberto De Almar is simply speaking in tongues -- by the way, there's a brief citation of the Beatles tune 'Norwegian Wood'. But as I said, towards the end this long album tends to make me tired. The moods of the pieces are rather similar (groovy and 'bluesy' in an uplifting rather than moody way). Both guitar and organ play intensely fast melodies. Even though the vocals are in the end quite sparse, they are maybe the biggest reason for the feeling of sameness when thinking of the songs themselves.

If you like Quatermass and that kind of instrumentally oriented, jam-like and fiery blues-rock from the late 60's/ early 70's era, this is for you.