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Post Rock/Math rock • Russia

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Aesthesys biography
Original a one-man band from Moscow, Russia consisting of guitarist and violinst Nik KONIWZSKI, the band AESTHESYS quickly grew into a quartet in 2011 and then a sextet by 2013. Deriving their name from the abbreviation AESTHE (A Simple Theory For Everything), the band plays cinematic post-rock laced with ambient influences. The full sextet who plays shows currently consists of Arsentiy KARPOV on drums, Dmitry SOLOPOV on bass, Eldar FERZALIEV on guitar, Victor MARCHENKO on keys, Nik KONIWZSKI on guitars and violins, and Ivan LUBIANY the sound engineer.

Bio written by Tanner(The Truth)

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AESTHESYS discography

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AESTHESYS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.00 | 5 ratings
Camera Obscura
4.00 | 12 ratings

AESTHESYS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

AESTHESYS Videos (DVD, Blu-ray, VHS etc)

AESTHESYS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

AESTHESYS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.00 | 1 ratings
4.00 | 1 ratings
An Exceptionally Simple Theory of Everything
4.00 | 2 ratings
Cold Light of Skies That Never Existed
0.00 | 0 ratings
Lacus Hiemalus
0.00 | 0 ratings
Crossing the Shoreline
3.05 | 2 ratings
0.00 | 0 ratings
Studio Sessions


Showing last 10 reviews only
 Achromata by AESTHESYS album cover Studio Album, 2018
4.00 | 12 ratings

Aesthesys Post Rock/Math rock

Review by wiz_d_kidd

4 stars This album is a tour de force of symphonic violin melodies atop a post-rock foundation. Calm, melodic intros of violin yield to big, brooding, triumphant post-rock guitar finishes. It has the grandeur of a heroic, cinematic epic. I could imagine making a movie just so I could use this album as the sound track. My only issue with the album is that after several tracks, they all begin to sound alike, at least, to my ears. I would have enjoyed more variation in composition. I was thoroughly engaged at the beginning, but bored by the end. Nevertheless, a very good post-rock album that would be an excellent addition to any prog rock music collection. Four stars.
 Achromata by AESTHESYS album cover Studio Album, 2018
4.00 | 12 ratings

Aesthesys Post Rock/Math rock

Review by BrufordFreak
Collaborator Honorary Collaborator

4 stars High quality classically-influenced jazzy Post Rock from Russia!

1. "Grauer Wald" (5:17) great insistent keys and rhythm section behind lead violin. Burst at 2:35 into full force but then takes a long time to do anything more dramatic. (I kept waiting for the violin or somebody to really take off, but it never happened.) (9/10)

2. "Filis Aureis" (4:26) my least favorite song on the album, just too dull and repetitive. (8/10)

3. "Marea" (5:16) opens like a very familiar Post Rock song from either GOD IS AN ASTRONAUT or MONO. Building, the drumming gets a little annoying, before a break at 2:30 allows a neat little "hammered dulcimer" section to unfold. Slowly drums, piano, guitar, and violin join in and build to a MONO-like crescendo at the end. (9.5/10)

4. "Himmelbarn" (7:10) again opening with riffs familiar from other Post Rock songs (EXPLOSIONS IN THE SKY come to mind), the song soon shifts gears into a more jazz-classically challenging section before everything quiets down at 2:07 into a peaceful mellow reset and start over. The soundscape begins to expand in the fourth minute as violin joins the guitars, drums and bass. Then, at 4:07, another shift into that higher octane rapido section recurs with heavy guitars power-strumming away while the violin tries to stay afloat above the turbulence. (9/10)

5. "Melanocardia" (6:33) too repetitive, getting stuck in one gear for about two minutes in the middle with absolutely nothing new happening but fast driving chord striking, and then the follow up is rather anticlimactic. (7.5/10)

6. "Sapatha" (5:39) drums and keys are the key to the success of this one. (9.5/10)

7. "Apogeion" (6:22) agains drums, piano, and bass make this such a solid foundation upon which to build and soar. (9.5/10)

8. "Eosfyllon" (5:44) starts slow and quiet before ramping up into a wonderfully melodic and varied song. (9/10)

4.5 stars; a near-masterpiece of progressive rock music.

 Ascendere by AESTHESYS album cover Singles/EPs/Fan Club/Promo, 2013
3.05 | 2 ratings

Aesthesys Post Rock/Math rock

Review by Finnforest
Special Collaborator Honorary Collaborator

3 stars Beautiful post-rock from Moscow

Aesthesys is a post-rock group from Moscow started in 2007 as a one-man project, evolving into a full band later. This EP entitled "Ascendere" is an accomplished one indeed

They infuse their sound with ambient and classical touches, citing influences from Floyd and Sigur Ros to Tool and Kayo Dot. The sound is sweeping and sophisticated with a slightly different feel than the emotional ebb and flow I usually associate with more traditional post-rock. These songs seem to be going more for atmosphere and dreaminess than angst or sorrow. It's just beautiful. The keyboards and violin are employed throughout, usually quite calming and subtle in approach, rarely if ever harsh. You get a chance to hear violin and guitar actually conversing on parts, playing off of each other, doubling each other sometimes. Other tracks bring drums to the fore and rock a bit or get a bit funky with electronic beats. But the overwhelming vibe of the release is of a lovely and dreamy voyage on the high seas. This taste of Aesthesys is short but sweet and well worth your time. Even the recording quality and mix, so often shaky in these days of indie releases, is quite professional.

While they have had more personnel changes of late this band has released many EPs and based on this recording, it really seems time that they go for a full length release. I believe they could make something really great.

Thanks to angelmk for the artist addition.

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