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MOGWAI

Post Rock/Math rock • United Kingdom


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Mogwai biography
Formed in Glasgow, Scotland, in 1996, and named for that famous Gremlin, MOGWAI is Stuart Braithwaite (guitar, vocals-when there actually are vocals), Dominic Aitchison (guitar, bass) and Martin Bulloch (drums). MOGWAI are one of the most influentail post-rock bands of all time. They got together with the goal of creating "serious guitar music." What they've done is create seven (basically - five LPs and two compilations of singles) superb albums of gorgeous yet bombastic music. 98% instrumental, there are two sides to MOGWAI, a Dr. Jekyll side and a Mr. Hyde side. They can be melodic and beautiful and then anarchic and destructive, sometimes within the same track. Bands like BILLY MAHONIE and SLINT give a touchtone, but MOGWAI is truly unique.

Tracking down the literally dozens of splin 7" vinyl singles, compilation album contributions, etc, is exhausting and pointeless, because the band's done it for you. Two full-length compilations are out, "Ten Rapid" and "EP+6." Be careful when buying the latter. There's an "EP," and "EP+2," an "EP+4," a "No Education = No Future," and a "4 Satin." All these repeat themselves but are captured in full on "EP+6" - that's the one to get. At any rate, all the rare tracks that fell through the holes are available as free downloads from MOGWAI's official site.

The full albums are "Young Team," "Come On Die Young," "Rock Action," and "Happy Songs for Happy People," plus the single track 20 minute EP "My Father My King." There is a very stripped and organic feel to "Young Team," "Come On Die Young," and "My Father My King." There are more electronics covering "Rock Action" and "Happy Songs for Happy People." While all MOGWAI is highly recommended, "Rock Action" is the place to start. Also, "EP+6" minus one 13 minute noise track, is stupendous.

: : : BrainRock Ben, Birmingham, AL, USA : : :

ALBUMS:
---- Mogwai [EP+6]
2003 Happy Songs for Happy People *[Japan Bonus Track]
2001 Rock Action *[Japan Bonus Tracks]
1999 Come on Die Young
1997 Young Team
* 1999 Young Team [Bonus Tracks]

Box Set/Compilation:
2005 Government Commissions: BBC Sessions 1996-2004
1998 Mogwai Fear Satan Remixes
1998 Kicking a Dead Pig: Mogwai Songs Remixed [Eye-Q]
* 1998 Kicking A Dead Pig: Mogwai Songs Remixed + Fear Satan Remixes [Jetset]
1997 Ten Rapid (Collected Recordings 1996-1997)
1997 Club Beatroot, Pt. 4 [Split]

Mogwai official website

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Music Industry 3: Fitness Industry 1Music Industry 3: Fitness Industry 1
EP
Rock Action 2015
Audio CD$6.99
Rave TapesRave Tapes
Sub Pop 2014
Audio CD$7.97
$3.27 (used)
Young TeamYoung Team
Chemikal Underground 2008
Audio CD$9.88
$8.00 (used)
Les RevenantsLes Revenants
Import
Rock Action 2013
Audio CD$7.55
$6.74 (used)
Hardcore Will Never Die But You WillHardcore Will Never Die But You Will
Sub Pop 2011
Audio CD$6.99
$3.70 (used)
Hawk Is HowlingHawk Is Howling
Matador Records 2008
Audio CD$10.98
$9.31 (used)
Come on Die YoungCome on Die Young
Chemikal Underground 2014
Audio CD$13.99
$13.72 (used)
Mr BeastMr Beast
Matador Records 2006
Audio CD$47.97
$2.96 (used)
Happy Songs for Happy PeopleHappy Songs for Happy People
Import
Play It Again Sam UK 2003
Audio CD$7.01
$4.18 (used)
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MOGWAI shows & tickets


  • Mogwai + BAlina at Volkswagen Arena Istanbul, eski black box on 13 Feb 2015
  • BBC Radio 6 Festival 2015 on 20 Feb 2015
  • Mogwai + J Mascis at Festival Gardens, Perth on 23 Feb 2015
  • Mogwai + J Mascis at Festival Gardens, Perth on 24 Feb 2015
  • Mogwai at Thebarton Theatre, Adelaide on 27 Feb 2015
  • Mogwai at Hamer Hall, Melbourne on 1 Mar 2015
  • Mogwai at Opera House, Sydney on 2 Mar 2015
  • Mogwai at The Tivoli, Fortitude Valley, Brisbane, Queensland on 4 Mar 2015
  • Mogwai at James Cabaret, Wellington on 6 Mar 2015
  • Mogwai at The Powerstation, Auckland on 7 Mar 2015
  • MOGWAI JAPAN TOUR 2015 on 9 Mar 2015
  • MOGWAI JAPAN TOUR 2015 on 10 Mar 2015
  • Mogwai Japan Tour 2015 on 11 Mar 2015
  • Mogwai Live In Bangkok 2015 on 13 Mar 2015
  • 20 Years of Mogwai on 20 Jun 2015
  • 20 Years of Mogwai on 21 Jun 2015
  • 20 Years of Mogwai on 24 Jun 2015
  • 20 Years of Mogwai on 25 Jun 2015

MOGWAI discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

MOGWAI top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.51 | 79 ratings
Young Team
1997
2.82 | 50 ratings
Come on Die Young
1999
3.50 | 60 ratings
Rock Action
2001
3.91 | 146 ratings
Happy Songs For Happy People
2003
3.72 | 87 ratings
Mr. Beast
2006
3.32 | 27 ratings
Zidane: a 21st Century Portrait
2006
3.66 | 72 ratings
The Hawk Is Howling
2008
3.69 | 109 ratings
Hardcore Will Never Die, But You Will
2011
3.79 | 15 ratings
Les Revenants
2013
3.40 | 30 ratings
Rave Tapes
2014

MOGWAI Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.88 | 15 ratings
Special Moves
2010
2.40 | 5 ratings
iTunes Festival: London 2011
2011

MOGWAI Videos (DVD, Blu-ray, VHS etc)

MOGWAI Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.16 | 14 ratings
Ten Rapid (Collected Recordings 1996-1997)
1997
3.45 | 11 ratings
Government Commissions: BBC Sessions 1996-2003
2005
2.25 | 4 ratings
A Wrenched Virile Lore
2012

MOGWAI Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.78 | 4 ratings
4 Satin
1997
2.00 | 3 ratings
No Education = No Future (Fuck the Curfew)
1998
3.85 | 10 ratings
EP
1999
3.43 | 13 ratings
My Father, My King
2001
3.00 | 1 ratings
Friend Of The Night
2006
3.24 | 10 ratings
Earth Division
2011

MOGWAI Reviews


Showing last 10 reviews only
 EP by MOGWAI album cover Singles/EPs/Fan Club/Promo, 1999
3.85 | 10 ratings

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EP
Mogwai Post Rock/Math rock

Review by TCat

4 stars One of the advantages of the EP is that it is a good way to try new sounds without a large investment in time or money. This EP works well as a great introduction to Mogwai's style of Post-rock music. There are other EPs that don't work as well, but this one gives you a good balanced sample of their instrumental music.

The EP comes in 3 different versions; one with 4 tracks, another with the same tracks with 2 more added, and another with those 4 tracks plus 6 more added. The latter ends up being the same length as an album, so it works the best. As far as this review goes, the 4 base tracks still give a good example as you have 2 heavy tracks (1 and 4) and 2 lighter, mellower tracks (2 and 3). All of them are great, though I tend to be attracted to the softer side of Mogwai because I love the beauty and simplicity of these songs, but all of them are great examples of post-rock genius.

Mogwai does not fall into the trap that some post-rock bands do of following the typical formula of starting out soft and doing a slow crescendo to a loud climax. It's good to see that the best post-rock bands are venturing away from that formula and Mogwai is no exception. Mogwai is very good at variety and doesn't always have to have lengthy tracks to complete their musical ideas, though they have several lengthy ones also. Their music also utilizes a lot of keyboards and percussive instruments, it isn't always centered around guitars. Even when it does center around guitars though, it isn't always the same "wall of noise" texture either. Variety is the key word in Mogwai's music and the reason why I consider them one of the best post-rock bands in existence right now. I rank them right up there with the best.

This EP itself, however, works as a great introduction to those testing the waters, and is also one of their best EPs. Since I am reviewing the 4-track EP for a stand alone work, my own complaint is that it isn't long enough, of course. Other than that, I still consider it an excellent addition to any collection, but I would search for the EP + 6 version over the 4 track unless you just want a sampling of the music. 4 stars.

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 4 Satin by MOGWAI album cover Singles/EPs/Fan Club/Promo, 1997
3.78 | 4 ratings

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4 Satin
Mogwai Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars The debut EP release 4 SATIN from MOGWAI is an exemplary piece of hypnotic post-rock that incorporates the usual unfurling aspects that post-rock is famous for but adds extra layers of spaciness and chaos to the mix. There are echo effects layered upon swirling synth runs and tasty dueling guitar parts keeping the mid-tempo rhythmic pace with the drums. The ratcheting effect keeps the tension building to satisfying crescendos while repetitive melodies keep the sound effects from spiraling into the chaos zone. Well at least on the first track "Superheros Of BMX."

The second track "Now You're Taken" is a more subdued classic sounding post-rock track that reminds me of the style of Toby Driver in Maudlin Of The Well and Kayo Dot but since this came out before those projects it must be a convergent evolutionary derivative from Slint. The final track "Stereodee" is a majorly tripped out sprawling noisefest that would make Krautrock freakout artists like Amon Duul II, Guru Guru or Can blush as it is an untamed and unapologetic path into a musical meltdown where despite the innocent Stereolab sounding intro, belies its true destination as a seriously addictive arsenal of post-rock explosion into a swirling dervish of true chaotic bliss.

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 Les Revenants by MOGWAI album cover Studio Album, 2013
3.79 | 15 ratings

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Les Revenants
Mogwai Post Rock/Math rock

Review by Aldebaran_Well

4 stars Mogwai hail from Glasgow, Scotland, a wonderful place indeed! Maintaining the grey, atmospheric mood of their city, they have been delivering excellent post rock music since 1996, being one of the most important bands of their genre. In fact, if one would ask me to describe post rock and recommend three very definitive bands, I'd surely reply ''Mogwai, Godspeed You Black Emperor and Sigur Ros''. They have released only good albums in their career so, we are dealing with a band of really high quality standards.

Some important differences with other post rock bands: Mogwai's sound is very warm, organic and well balanced throughout their, mainly instrumental, compositions. When their music explodes, they don't produce speaker-burning frequencies (you know, full high's and full low's) but retain a more, in a way, old school rock feeling, which works perfectly. They also don't need lengthy compositions all the time, they are capable of fulfilling wonderful songwriting ideas in 4 minutes songs with perfect precision, arrangement, and dynamics, in every mood required.

This album is the OST of the amazing TV French series ''Les Revenants'', which aired in 2012. This is an extremely atmospheric story of dead people who mysteriously return to their hometown without any memory of their passing. It's not a zombie story, it mostly deals with sentiments, human relations and mystery. Accordingly, Mogwai composed music that is equivalently sentimental, haunting, touching and enigmatic. Many viewers of the show felt astonished by the music, it gets the job done in an incredible manner, harmonically supporting the plot and every scene.

Due to its cinematic nature, the loud, aggressive side of Mogwai is almost entirely absent but this doesn't mind at all, since there are 14 beautiful themes here to enjoy. Most of the basic melodies are being shared between Barry Burns' piano and Braithwaite/Cummings guitar soundscapes. The presence of strings adds dramatic tones of intensity while Aitchison/Bulloch is a calm and wise rhythm section that provides a solid support at all times. The arrangements are truly great and well used and the compositions offer a wide range of emotional states. Some tracks stay true to post rock aesthetics (Special N, Relative Hysteria) with major chords and a bittersweet approach, while others (Jaguar, Whisky Time, Fridge Magic) step on the usual minimal and ambient cinematic path. ''What are they doing in heaven today?'' is the only song with vocals and along with ''Kill Jester'', they unveil folk references. These tunes may resemble a bit some calm moments of Crippled Black Phoenix or, even better, the acoustic side of Pink Floyd. ''Portugal'' and ''Eagle Tax''are sad and electrifying tunes that should certainly be considered amongst the album's best tracks. The only truly dark theme is ''The Huts'' but make no mistake, there's a fantastic harmony involved.

I have to mention three songs separately, due to their special musical interest. ''This messiah needs watching'', ''Modern'' and ''Wizard motor'' introduce us to a more electronic aspect of Mogwai's music. There is a common pattern here, simple yet great: classic post melodies interweave with drum loops, synth sounds and distorted bass. The result is a Mogwai-style electronic post, which is very successful. (Ok, maybe some relation with 65daysofstatic can be found.) This year's ''Rave Tapes'' is a step further into that direction so, maybe we are witnessing the formation of Mogwai's future. ''Hungry Face'' is the opening credits theme, first song of the album and definitely its best. A simple piano melody, a haunting cello, flowing drums, a gem of a song that is destined to hook into your brain, guaranteed. Last but not least, there is a tiny detail. I'm a bassist so please believe me when I tell you that Dominic Aitchinson's bass tone is one of the most ''monstrous'' in rock. Even when he hits open strings in melodic parts, there is always a sense of threat coming from his bass, keeping you always alert about an explosion that's soon to come! Brilliant.

This may not be their most representative record but ''Les Revenants'' is a very beautiful piece of art. One of the best soundtracks I've heard recently and with rock interest as well. What more could you ask? If you like Mogwai go ahead, you know what to expect. If you don't know them, this might as well be a good opportunity to meet another great band of contemporary music. 84/100 for me. 4 solid stars.

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 Les Revenants by MOGWAI album cover Studio Album, 2013
3.79 | 15 ratings

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Les Revenants
Mogwai Post Rock/Math rock

Review by richardh
Prog Reviewer

4 stars Its important to note that I know nothing about this band other than this album. I came across this when watching the brilliant French TV series for which this is the soundtrack. For those who don't know it's about people coming back from the dead although not in some Zombie apocalypse scenario but rather in a more standard drama. Its weird and played dead (excuse the pun) straight in typical French dead pan(oh sorry again) style. Slow atmospheric creepy and totally absorbing. And that basically describes the music. Its slow melodic and full of subtle melodies. No long tracks and no massive flourishes instrumentally. Each track is beautifully structured although I couldn't name a stand out piece. I suppose this could almost be seen as the commercial end of post rock but that would be to do it a disservice. How does it stand up against their other releases? Absolutely no idea as said before. That will be for someone else to judge.

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 Earth Division by MOGWAI album cover Singles/EPs/Fan Club/Promo, 2011
3.24 | 10 ratings

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Earth Division
Mogwai Post Rock/Math rock

Review by HolyMoly
Forum & Site Admin Group Forum & Site Admin

3 stars This is an EP released shortly after Mogwai's impressive Hardcore Will Never Die, But You Will album in 2011. It has similar album cover graphics, but musically it is very much a separate entity, although complementary. It contains four tracks totaling around 16 minutes, and all four of these tracks show Mogwai in their "mellow mode", with string arrangements on every track, playing a more central role than usual for Mogwai. The first track, "Get To France", is an instrumental based on a simple quiet piano theme. The following ""Hound of Winter" is the only track with vocals, and is based around an acoustic guitar. "Drunk and Crazy" turns up the juice just a little bit, being a placid track but clouded with sheets of white guitar noise and strings. And finally there is "Does This Always Happen?", bringing all the prior elements together into a typical, albeit quiet, Mogwai mood piece.

Overall the EP is underwhelming, but for those who are fans and can hear this EP in its proper context, it will be a necessary addition to your collection. Nowhere else is Mogwai so pastoral and just plain relaxing over an entire release (though the Zidane soundtrack comes close). None of their trademark quiet-to-loud eruptions here; though in reality they've kind of moved away from that tendency on recent albums anyway. I wish it were a little bit longer, but what's here is very pretty indeed and will not cause any raised eyebrows at your next dinner party.

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 The Hawk Is Howling by MOGWAI album cover Studio Album, 2008
3.66 | 72 ratings

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The Hawk Is Howling
Mogwai Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Mogwai's return to the musical approach of their early releases on the Zidane documentary soundtrack must have inspired them, because on The Hawk Is Howling they continue to incorporate more of the fragile textures of their early albums back into their music - but accomplish this much more satisfyingly than on the Zidane soundtrack. Could they have been holding their better material back for this album? Possibly, but I can't really blame them - I'd rather have one excellent album and one mediocre album than two good albums that both suffer from some filler (because in the former case I can just ditch the mediocre album and listen to the brilliant one over and over again).

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 Zidane: a 21st Century Portrait by MOGWAI album cover Studio Album, 2006
3.32 | 27 ratings

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Zidane: a 21st Century Portrait
Mogwai Post Rock/Math rock

Review by Warthur
Prog Reviewer

2 stars It's little surprise that Mogwai's soundtrack for a biographical documentary on Zidane sounds like a big step backwards for the band - the director apparently showed the band scenes from the film with a remix of Mogwai Fear Satan (from Young Team) playing over it to give them an idea of what sort of material the film called for. It's interesting listening to the band attempt to play once more in the style of Young Team or Come On Die Young, but I rather suspect that the band left that sound behind for a good reason; they've already done all they really wanted to do in that style and, frankly, sound a little bored (and more than a little boring) here.

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 Mr. Beast by MOGWAI album cover Studio Album, 2006
3.72 | 87 ratings

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Mr. Beast
Mogwai Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Mogwai's Mr Beast finds the band concentrating on short and to the point post-rock with a greater focus on piano and exquisite production values which seem to take a leaf from Sigur Ros' book. This makes it perhaps one of Mogwai's more accessible albums, particularly compared to their murky earlier work, but this accessibility does not mean there's nothing for post-rock fans to enjoy here. Indeed, the development of Mogwai's sound away from their roots will be something to a relief to many listeners, since whilst their early albums were great, by 2005 there were so many soundalike bands out there that it fell on innovators like Mogwai to set an example by pushing forward into new territory as opposed to lurking in their comfort zone.

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 Happy Songs For Happy People by MOGWAI album cover Studio Album, 2003
3.91 | 146 ratings

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Happy Songs For Happy People
Mogwai Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars On Happy Songs For Happy People, Mogwai provide precisely what the title suggests: a warmer, softer, more uplifting and downright more cheerful reimagining of their sound. With what seems to my ears to be less audio snippets and strange tampering with the sound than previous albums, this was an unprecedentedly warm and organic Mogwai album when it first came out, and seemed like a drastic departure from their earlier works. It isn't quite that extreme a change - we're still firmly in post-rock territory here - but it is fair to say that, just like the sorely underappreciated Come On Die Young, Happy Songs For Happy People provides an insight into a side of Mogwai people's usual assumptions about the band can't account for.

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 My Father, My King by MOGWAI album cover Singles/EPs/Fan Club/Promo, 2001
3.43 | 13 ratings

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My Father, My King
Mogwai Post Rock/Math rock

Review by Warthur
Prog Reviewer

4 stars Mogwai bill this a "companion piece" to the Rock Action - actually, I think it overshadows that album a little. My Father My King is an instrumental which the band had used to close their concerts for some time before tackling the task of recording it. Sure, maybe it is Mogwai's way of saying "We can do 20 minute tracks too, so don't think Godspeed You Black Emperor proved anything with Lift Your Skinny Fists!", but even so as far as 20-minute heavy post-rock workouts go it's pretty impressive. In fact, it's probably Mogwai's best non-album track altogether. Play it loud and play it with patience.

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