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REPORTAZ

RIO/Avant-Prog • Poland


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Reportaz biography
Reportaz was founded in 1982 in one Poznan's College by vocalist and percussionist Andrzej Karpiński on the ashes of amateurish punk-rock band Sten. Other co-founders were Andrzej's class-mate bassist Piotr Łakomy and keyboardist Marzena Kaczmarek, playing Russian-produced mini electronic-keyboards. After few months they found fourth member - pianist Jacek Hałas, and soon quartet prepared and played their first program Piedestał on 2 Festiwal Muzyki Nowofalowej in Poznan. Very soon Marzena left band, they continued as trio. At that time their music was strongly influenced by British New Wave - Devo, B-52`s, Public Image Ltd.

For the concert in Poznan's Art Academy they prepared new program "Losos" ("Salmon"), where their musical style was changed radically (and influenced by The Residents, Zamla Mamas Mamma, Cabaret Voltaire). At that time they found their own way in music - every concert became specially prepared and never repeated theatrical-musical show under own name. They played long compositions, scene decorations and members painted pictures illustrated concert's themes.
During 1983 they prepared and presented three different programs: Witraż 1 , Witraż 2 and Domator. With every next concert they used more complex decorations, paintings, some video techniques; their music became more complex as well (incl. elements of jazz, classic and folklore).

They didn't participate on Festivals and played very limited number of concerts. In 1984 they played concert "Muzyka Potrzebna" with American avant-rock duo Skeleton Crew (Fred Frith & Tom Cora). In 1985 London-based label Recommended Records added three band?s compositions to their compilation LP Recommended Records Quarterly Vol. 1, nr 2.

Later same year band's line-up was radically changed: Jacek Hałas left, he was replaced by two Music Academy students Paweł Paluch (fagot, flute, xylophone), Arnold Dąbrowski (piano, synth, vocals) and viola player Krzysztof Fajfer (who left the band after few concerts same year). Band stayed with that line-up till 1990. Musical direction was the same (avant-rock), but because of wider instrumental abilities arrangements became richer, band started to play more improve-based compositions.

Band plays in Warsaw festivals Rock Front, Marchewka, and Kontrola & Poza Kontrolą (1986/1987) with program "Prawo Ciążenia" and improvisational music. In 1988 band prepared program "W gór...
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REPORTAZ discography


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REPORTAZ top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
Domator ( Stay At Home )
1983
0.00 | 0 ratings
Witraz ( Stained Glass )
1983
0.00 | 0 ratings
W Oczekiwaniu Na To Samo
1986
0.00 | 0 ratings
Muzika
1987
3.05 | 2 ratings
Up The River
1988
0.00 | 0 ratings
Goulash Of Hearts/Gulasz Z Serc
2003
0.00 | 0 ratings
Dancing Music /Muzyka do Tanca
2003
0.00 | 0 ratings
Bezsensory ( Nonsensors )
2006

REPORTAZ Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

REPORTAZ Videos (DVD, Blu-ray, VHS etc)

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REPORTAZ Reviews


Showing last 10 reviews only
 Up The River by REPORTAZ album cover Studio Album, 1988
3.05 | 2 ratings

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Up The River
Reportaz RIO/Avant-Prog

Review by snobb
Special Collaborator Honorary Collaborator

3 stars Up The River was recorded and released in quite dramatic for Poland period - anti Communist dictatorship atmosphere was on every street, but regime still was in control of situation in the country.

No strange that band, known by its conceptual theatrical shows prepared the program, full of dramatics and that moment street's atmosphere. Band played this program in all biggest Polish cities that year.

I have a mixed feeling about this release. I perfectly understand (and remember) tension and adrenaline of these months in all Eastern Europe. And I easily can imagine how such musical shows looked in that time scenes. But when listen this recording now, I hear bulky, not very focused soundtrack. Yes - music is mix of neo-classic, chamber avant, strongly influenced by RIO, with narrative voices (in Polish). But without visual part, this music sounds as audio part for unreleased video (happening, play - whatever you want).

Firstly released as audio cassette only, it was re-released as LP two years later in UK. Interesting legacy, but hardly an essential musical album.

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