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ZS

RIO/Avant-Prog • United States


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Zs picture
Zs biography
To categorise these guys is about as difficult as the music they play. ZS's music could be considered as a combination between Avant-Garde/Free Jazz and Math Rock, only with a clearly tidy and structured vibe to it. In addition, their music is also extremely dynamic but also repetetive and requires patience as the music can get frustratingly intense at times, but it's all very energetic and fun to listen to. Their songs are loaded with odd meters and time-signatures and several "start-stop-start" sections are present and plays a significant role in their overall sound, something that could compare them to several bands labeled as Math-Rock. The melodies are often odd, dissonant and unpredictable with heavy minimalistic elements while also being tightly arranged. Stylistically they are looseley akin to Keith Tippett projects, such as Ovary Lodge and Centipede (minus the piano) and the sax playing at times has the stylistics of Elton Dean (from Soft Machine). The minimalistic tendencies are obviously reminiscent of Ennio Morricone and Philip Glass, but often with the more rock-orientated form of minimalism played by Third-era Soft Machine. The band currently consists of Charlie Looker (synthesizer/guitar), Ben Greenberg (guitar), Sam Hillmer (saxophone), and Ian Antonio (drums) although the group have gone through several line-up changes since their formation in 2000. This band is absolutely recommended if you like wacky and both technical and challenging music. Especially for fans of bands like Orthrelm, Ruins and Hella. They are not easy listening by any means but they are absolutely worth checking out if you are into stuff like this, although it may take some time to digest their releases properly.


===Written by Bj-1===

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XeXe
Northern Spy Records 2015
Vinyl$13.99
$15.99 (used)
GrainGrain
Northern Spy 2013
Audio CD$4.89
$2.74 (used)
Score: The Complete Sextet Works 2002-2007Score: The Complete Sextet Works 2002-2007
Box set
Northern Spy 2012
Audio CD$16.63
$16.96 (used)
New SlavesNew Slaves
THE SOCIAL REGISTRY 2010
Audio CD$25.85
$21.00 (used)
ZsZs
EP · Limited Edition
Troubleman Unlimited 2003
Audio CD$10.49
$10.37 (used)
The Hard EPThe Hard EP
EP
Three-One-G 2008
Audio CD$2.90
$1.99 (used)
Music Of The Modern White [Vinyl]Music Of The Modern White [Vinyl]
Social Registry 2009
Vinyl$17.99
New Slaves Part II: Essence Implosion!New Slaves Part II: Essence Implosion!
THE SOCIAL REGISTRY 2011
Vinyl$8.08
$20.24 (used)
3333
Single
Northern-Spy Records 2011
Vinyl$29.95
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18h
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ZS shows & tickets


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ZS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

ZS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 3 ratings
Zs
2003
3.56 | 7 ratings
Arms
2007
3.76 | 8 ratings
New Slaves
2010
4.00 | 1 ratings
Grain
2013
4.57 | 9 ratings
Xe
2015

ZS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.50 | 2 ratings
Buck
2007

ZS Videos (DVD, Blu-ray, VHS etc)

ZS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

ZS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.00 | 1 ratings
Karate Bump
2005
4.00 | 1 ratings
The Hard
2008
4.00 | 1 ratings
Music of the Modern White
2009

ZS Reviews


Showing last 10 reviews only
 Xe by ZS album cover Studio Album, 2015
4.57 | 9 ratings

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Xe
Zs RIO/Avant-Prog

Review by LearsFool
Collaborator Post/Math Rock Team

5 stars Somewhere between the recent post-punk revival and modern avant-prog lies Zs. These modern day pronks mix a very sparse guitar sound that mixes with use of horns that are unmistakably RIO-derived. The guitar lines go on and on and on, with the horns variously attacking like Peter Brotzmann's kind of free jazz, or playing along or in the background like a sickly corruption of smooth, urban feeling jazz, easily in part by way of Henry Cow. The minimalism only helps this album sound ever stranger, which is exactly where it needs to be. The artfulness of the result is best shown by the long, jaw-dropping "Corps" and title track, and how. Easily a front-runner not just for avant-prog album of the year, but for album of the year in general.

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 New Slaves by ZS album cover Studio Album, 2010
3.76 | 8 ratings

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New Slaves
Zs RIO/Avant-Prog

Review by progadicto

4 stars I really enjoy ZS albums and I'm expecting to get in my hands their latest release as soon as possible. At least for me they make a very singular kind of avant garde mixing a lot of known elements and influences to make some really interesting tracks full of surprising moments perhaps this one is an album a little different from their previous releases (because the constant presence of distorted instruments) I got to say that this one is a very weird but nice piece of experimental music. So meanwhile I wait for their new album I consider necessary to give another listen to "New Slaves", one of their most experimental releases.

"New Slaves" starts with "Concert Black" a kind of clock-rhythmical intro (at least for avant garde standards) layed by a mysterious atmosphere which matches with the complex work of distorted guitars and weird effects into an almost minimalist composition.

Next comes "Acres of Skin", a song based on tribal percussions as base for intricated distored instrumental sections. Dark atmospheres repeats here but with a strong emphasys on hard rhythmical sections and distorted and screamig sax.

Third is "Gentleman Amateur" in which distorted sounds takes definetively the lead even constructing a loud wall of minimal harmonics that repeats on "Don't Touch Me" in which ZS reaches a strong paronoid atmosphere full of distorted effects and metalic percussions playing repetitive but changing schizoid sections.

"Masonry" is the first song of the álbum which has some relation with the previous ZS releases. Is a quiet but dark song base don a slow rhythmical base and some atmospherical effects.

Then we have "New Slaves" and we ge tinto the most deep ocean of musical and atmospherical textures that ZS can give us. Some guitars "a la Frohmader" filling any quiet space and possible silences, repetitive rhythmical sections, slow but constant movements between some hard and raw sax solos? All of this elements turns this 20 minutes song into a real dark deep journey crossed by one of the most dense musical expressions that I've heard lately, reminding me some Henry Cow and Ne Zhdali best moments.

"Black Crown Ceremony" (Parts I and II) are the epilog for this album. Here ZS mixes quiet but still dark atmospheres with distorted sax and guitars building different sound layers that explodes in some really chilling moments.

At least for me it's the kind of avant garde that I really enjoy. Maybe not for all ears but surely a piece which deserves a place into any RIO discography? 4*

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 Zs by ZS album cover Studio Album, 2003
3.00 | 3 ratings

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Zs
Zs RIO/Avant-Prog

Review by progadicto

3 stars Zs first album it just a nice preview of what these guys do since 2003.

Like many first attempts, "Zs" has some lack of originalty perhaps is a good avant garde album. Reminiscences of the more experimental bands of the genre could be found easily in every song of this album but Zs has his stuff. Between scales and harmonies that looks like 5uu's or Birdsongs Of The Mesozoic outtakes, you can find some dark and addictive style related to build complex and progressive melodies in order to create oppresive atmospheres. "Mimesis" is the climax of this attempts; a quiet but thrilling track in which we can find the genesis of the singular Zs sound that we discover in their late production.

Not the best of this band but a kind of necessary prologue of the complex wotk of these guys. And of course, "Mimesis" is a worth to listen piece, really amazing and captivating... 3+*...

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 Arms by ZS album cover Studio Album, 2007
3.56 | 7 ratings

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Arms
Zs RIO/Avant-Prog

Review by Chris H
Prog Reviewer

4 stars The maxi-minimalists?

Zs is a band that was formed in 2000 in New York, in the heart of the brutal chamber scene. However, one would challenge themselves day and night trying to name a genre that fits the style these guys play. One listen to this album and you will say they play one style, then listen to it again and you will say a different one. There is just no way to peg one single genre onto this album. It's too ugly and raw for jazz music, too complicated for minimalist music however too simple to be called avant-garde.

Arms is the first full-length studio album from this band, following up on two successful EP's and predating a live release, both recorded last year in 2007. If you are reading this review because you are looking for something that resembles music, I warn you to turn back now. Zs is not a band that plays music, Zs is a band that records art. Vocals are used sparingly, but they create a deep impact on the album, especially the chanting in Except When You Don't Because You Wont. Combined with the beating percussions, this piece could almost put you in a trance-like state. Also the vocals on I Can't Concentrate really sky-rocket the song itself and the album to a whole new level.

From the opening saxophone explosion of B Is For Burning, to the last shake of the tambourine on Z Is For The Zone, there is no let up on this album. Although sometimes the music may quiet down or shift itself, the thrills keep coming back. One mistake I do think that Zs might have made in their debut is the length of the album. They do a great job playing their repetitive, trance inducing music throughout the duration of the album, but towards the end the listener will tend to settle back into their seat rather than still be on the edge. Music like this needs to be full-out for a certain length and then stop without rest.

All in all, a very strong debut and one of the best in 2007. Work on those endings and the next Zs studio album will most likely be a winner!

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 Arms by ZS album cover Studio Album, 2007
3.56 | 7 ratings

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Arms
Zs RIO/Avant-Prog

Review by chamberry
Special Collaborator Honorary Collaborator

3 stars Calling this cerebral is an understatement.

Earlier this year, around summer, when I was discovering highly convoluted and elaborate music, I stumbled upon a band that was simply named "Zs". I remember reading an article about a little musical movement called "brutal prog" where bands like Upsilon Acrux, The Flying Luttenbachers and even Orthrelm are part of, or so the author of the article claims. Zs was the band labeled as "brutal chamber" and being a fan of this kind of music I didn't hesitated to check them out. The music does remind me of the previously mentioned bands so this is recommended for fans of this kind of music, especially fans of Orthrelm's Ov.

Zs' music takes parts of minimalism, chamber music, rock, jazz and mesh it to sound as ugly and dissonant as possible! This leaves no room for emotions so I hope that that isn't a problem. The music is repetitive and angular with disjointed and awkward sounding melodies wrapped with start / stop dynamics in every single moment of the album. Vocals aren't present on this album but in one song, "Nobody Wants To Be Had" which is one of the album's peak moments particularly because of its odd singing and even odder topic. This song in particular is the one that attracted me the most from them since it's the most easily rewarding song on the album as well as being a good representation of their sound. The only song that can top this one is "I Can't Concentrate" with its math rock-like song structure and long running time. Balk is an interesting song, it isn't as engaging as the ones before and after it, but the main melody is almost exactly the same as Faust's song called "So Far". This hasn't been affirmed by the members of Zs and it's only a little observation of mine so ignore it at will.

Zs' music is inaccessible and hard to grasp. Newcomers should keep away from this band, but Veterans should check Zs' as soon as possible. Arms is an elaborate and intriguing album that Avant-garde music fans will highly enjoy. The only problem here is "Z is for Zone" which isn't up to par with the rest of the material on the album and overstays its welcome, but this is still an enjoyable album.

3.5 out of 5

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