NEWS FROM BABEL

RIO/Avant-Prog • United States


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News From Babel biography
Not exactly a band in the traditional sense, NEWS FROM BABEL were a studio project that combined the talents of woodwin player Lindsay Cooper (HENRY COW), American harpist Zeena Parkins, and drummer Chris Cutler as well as vocalist Dagmar Krause (both from ART BEARS). Being direct descendants of these RIO bands, their style is very much 'out there' although not as wild or intense. Coming together after HENRY COW's dissolution in 1978, the foursome released a couple of albums and then broke up in 1986.

Very much in the RIO tradition, both albums are filled with energetic and playful cacophony, unusual chord progressions, odd-time signatures (where drummer Cutler's distinctive style shines), vocal squeals and shrieks, but also unexpected sensuous and fluid passages that take on chamber music-like tones, all nicely complemented by Zeena Parkin's harp. Their first release, "Sirens and Silences/Work Resumed on the Tower", features guest Phil Minton whose unusual voice goes hand in hand with the radical/political nature of the lyrics. On their second album, "Letters Home", Robert Wyatt handles most of the vocals with the occasional contribution by Minton, Dagmar Krause and newcomer Sally Potter. All music was written by Cooper, all lyrics by Cutler.

Their type of RIO could appeal to a wider audience but the ones most likely to appreciate are fans of HENRY COW and especially ART BEARS.

: : : Lise (HIBOU), CANADA : : :

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Sirens & Silences / Work Resumed On The Tower / Letters HomeSirens & Silences / Work Resumed On The Tower / Letters Home
Recommended Records (Audio CD 1995)
$16.07 (used)
Sirens and Silence/Letters Home/Work...Sirens and Silence/Letters Home/Work...
Rer USA (Audio CD 2007)
$26.77
$26.78 (used)
Letters HomeLetters Home Import · Remastered
Rer (Audio CD 2007)
$23.30
$16.00 (used)
Sirens & Silences//Work Resumed on the TowerSirens & Silences//Work Resumed on the Tower Import · Remastered
Rer (Audio CD 2007)
$36.44
$21.95 (used)

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NEWS FROM BABEL Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)


4.40 | 7 ratings
Sirens And Silences/Work Resumed On The Tower
1983

4.08 | 3 ratings
Letters Home
1986

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NEWS FROM BABEL Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)


4.38 | 3 ratings
Sirens & Silences/Work Resumed on the Towers/Letters Home
1990

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NEWS FROM BABEL Music Reviews


Showing last 10
 Sirens And Silences/Work Resumed On The Tower by NEWS FROM BABEL album cover Studio Album, 1983
4.40 | 7 ratings

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Sirens And Silences/Work Resumed On The Tower
News From Babel RIO/Avant-Prog

Review by Sean Trane
Special Collaborator Prog-Folk Specialist

4 stars NFB can be consider as Henry Cow Mk4, Slapp Happy Mk3 or Art Bears Mk2, as the continuation between the projects is rather obvious and even constant. Taking off where Art Bears left off, the appearance of Bostonian Zeena Parkins has changed the musical bents as well. With the debut album SAS/WROTT (made from two chapters), Dagmar Krause's voice is a strong reminder and link to art Bears but inevitable Slapp Happy as well. In the second album, Letters Home, Robert Wyatt takes the main vocals duties and is doubled by Sally Potter. But of course this project is yet another spin-off from Henry Cow's wind and keys mistress Lindsey Cooper (the lone composer) and percussion master Chris Cutler (the lyricist). The music is severe yet playful, cacophonous but also unexpectedly sensuous at times, abusing unusual chord progressions and odd-time signatures, shrieky vocal squeals to make haunting chamber music, nicely complemented by Zeena Parkin's harp.

The first part of the album, Sirens And Silences, is relatively difficult of access as NFB develops a somber chamber rock (not too far from Univers Zero) where unusual bassoon and sax-playing along with sometimes dissonant harp are setting the mood as cold and rigid and an almost-medieval tinge, reinforced by the mostly-acoustic instruments. Krause's vocals are not really helping either (especially given Cutler's strongly aware lyrics), as I was never a fan of her timbre as well as the type of singing she chooses. Work Resumed On The Tower is a much better (and more riveting) piece, with a wider musical scope and often brinks on the dissonant, while never really overstepping the borderline. Arcades Of Glass (incredible tension from the harp) and Anno Mirabilis (some finally exciting singing and its extreme sax wind-extracting as background) while Victory uses some greater musical dynamics as they enter Eastern European gypsy folk. This debut album ends much better than it started.

The ReR label has reissued both albums in a 2 on 1 retrospective, gave it illustrations (intriguing and appropriate drawings for the debut and haunting photos for the second) makes it the obvious acquisition. Please read the individual album reviews to get fuller impressions.

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 Letters Home by NEWS FROM BABEL album cover Studio Album, 1986
4.08 | 3 ratings

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Letters Home
News From Babel RIO/Avant-Prog

Review by Sean Trane
Special Collaborator Prog-Folk Specialist

4 stars NFB can be consider as Henry Cow Mk4, Slapp Happy Mk3 or Art Bears Mk2, as the continuation between the projects is rather obvious and even constant. Taking off where Art Bears left off, the appearance of Bostonian Zeena Parkins has changed the musical bents as well. With the debut album SAS/WROTT (made from two chapters), Dagmar Krause's voice is a strong reminder and link to art Bears but inevitable Slapp Happy as well. In the second album, Letters Home, Robert Wyatt takes the main vocals duties and is doubled by Sally Potter. But of course this project is yet another spin-off from Henry Cow's wind and keys mistress Lindsey Cooper (the lone composer) and percussion master Chris Cutler (the lyricist). The music is severe yet playful, cacophonous but also unexpectedly sensuous at times, abusing unusual chord progressions and odd-time signatures, shrieky vocal squeals to make haunting chamber music, nicely complemented by Zeena Parkin's harp.

Some two years later, NFB recorded their second album, Letters Home in a relatively similar musical direction, but Robert Wyatt sang most of the songs, while Sally Potter took over the female voice. Indeed the album is more accessible partly due to Wyatt's voice, but altogether better songwriting and wilder imagination in their adventures. Jumpy and playful Heart Of Stone (my fave) and Banknote, a chilling Moss, a semi-ragtime, semi-swing Dragon At The Core, a great Waited, a tense Fast Food, and the glorious blood-curdling finale Late Evening

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 Sirens & Silences/Work Resumed on the Towers/Letters Home by NEWS FROM BABEL album cover Boxset/Compilation, 1990
4.38 | 3 ratings

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Sirens & Silences/Work Resumed on the Towers/Letters Home
News From Babel RIO/Avant-Prog

Review by Sean Trane
Special Collaborator Prog-Folk Specialist

4 stars NFB can be consider as Henry Cow Mk4, Slapp Happy Mk3 or Art Bears Mk2, as the continuation between the projects is rather obvious and even constant. Taking off where Art Bears left off, the appearance of Bostonian Zeena Parkins has changed the musical bents as well. With the debut album SAS/WROTT (made from two chapters), Dagmar Krause's voice is a strong reminder and link to art Bears but inevitable Slapp Happy as well. In the second album, Letters Home, Robert Wyatt takes the main vocals duties and is doubled by Sally Potter. But of course this project is yet another spin-off from Henry Cow's wind and keys mistress Lindsey Cooper (the lone composer) and percussion master Chris Cutler (the lyricist). The music is severe yet playful, cacophonous but also unexpectedly sensuous at times, abusing unusual chord progressions and odd-time signatures, shrieky vocal squeals to make haunting chamber music, nicely complemented by Zeena Parkin's harp.

The ReR label has reissued both albums in a 2 on 1 retrospective, gave it illustrations (intriguing and appropriate drawings for the debut and haunting photos for the second) makes it the obvious acquisition. Please read the individual album reviews to get fuller impressions.

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 Sirens & Silences/Work Resumed on the Towers/Letters Home by NEWS FROM BABEL album cover Boxset/Compilation, 1990
4.38 | 3 ratings

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Sirens & Silences/Work Resumed on the Towers/Letters Home
News From Babel RIO/Avant-Prog

Review by littledavey

5 stars Flippin ingenious, sparse, poetic, gorgeous and deep.

This CD combines both News From Babel 45 LP's, featuring vocals of Dagmar Krause and Robert Wyatt. I only ever had the LP of Work Resumed On The Tower, so finding it combined with more great music I'd never heard was a bonus.

There are moments of both lightness and heaviness on this CD, from airy harp to penetrating bass and percussion. For people who like their music passionate, inventive and startling, News From Babel is an important touchstone in the history of modern music, despite their relative obscurity.

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 Sirens And Silences/Work Resumed On The Tower by NEWS FROM BABEL album cover Studio Album, 1983
4.40 | 7 ratings

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Sirens And Silences/Work Resumed On The Tower
News From Babel RIO/Avant-Prog

Review by Tom Ozric
Prog Reviewer

5 stars Nice to see the inclusion of this wonderful chapter in the Henry Cow saga.... Naturally, what we have here is the logical continuation from what was once Art Bears (3 superb albums) - similarities to the Bears you will find, but more differences. Multi- instrumentalist virtuoso Fred Frith has left the fold so it seems a name change was in order. Still on board are Chris Cutler, Dagmar Krause, Lindsay Cooper and a new member, the wonderful Zeena Parkins playing Harp (the stringed kind!) along with guests Phil Minton and Georgie Born. The addition of the Harp makes for some exciting listening, especially when applied to the RIO formula. Odd sounds, time sigs, even some ambience, and Dagmar's unique voice are all present, highlights being Klein's Bottle and Arcades (of Glass) with some truly awesome Harp playing and angular rhythms. I've always found Phil Minton's voice a little over-bearing, but it's minimal - just another facet of their sound. Not your usual prog-rock ; hard to recommend it to sympho-maniacs, neo's and harder edged proggers (personally, I am all of these, so it may appeal), but those who go for something really special, well, it should work for you. 5 stars, as there's nothing I've heard that sounds like it, and, it's from 1984. The 80's wasn't such a bad time for adventurous music after-all.

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