WONDEUR BRASS

Musically speaking, Ravir is stuck between a French-speaking very vocal RIO ala Etronfou and Art Bears or HC (when Dagmar's crazy vocals are very present) on one side and the future music that Miriodor would actually play (which is also often influenced by Manouche or Gypsy Jazz and Klezmer music). The first side is opening on Peau De Chat, which appears to have an un-credited accordion (this could e a synth as well) with a very playful gypsy atmosphere and filtered backingvocals. The four tracks are fairly short, as is the instrumental Free Fast & Clean, which sounds a bit new wave electro-pop ala Devo or Gary Numan, but the music is much more complex than you'd fear it in a first place. Bedard's trombone and Bergeron's baritone sax help giving much humour in the wind section as well as providing some musical depth. Indeed in Insane (closing side 1), the baritone sax is almost in its death throes along with some dramatic vocals over a pedestrian bass.

The flipside opens on a rapid tempo and again some still un-credited accordion and All four songs on this side are sung in French this time, even if Ombre Est Là/Umbrella is playing around in two languages. Comptine Pour Mademoiselle is a very feminist denunciation of girls' upbringing and the male tales to get inside them. The group closes on the magnificent (and lengthier since it reaches 8 minutes)Trois Baleines (three whales), a slow and solemn track, musically very close to Wyatt's Rock Bottom 's universe.

First excellent album that got approved by the government of Canada in terms of feminine promotion, this is music you'd never guess that an all-women ensemble would do. I'd recommend it to everyone, just to get the clichés a good whipping, but unfortunately too many males are not willing to leave their comfort zone when it comes to adventurous music.