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Secret Chiefs 3 biography
Founded in San Francisco, California, USA in 1995

SECRET CHIEFS 3 is an Avant-Garde band led by Trey Spruance. Their style is influenced by oriental folklore and electronic music, fused with metal. Trey Spruance was also a member of MR. BUNGLE, and their songs Ars Moriendi and Desert Search for Techno Allah are a good example of the SECRET CHIEFS 3 style. Danny Heifetz also is a permanent member of both SECRET CHIEFS 3 and MR. BUNGLE.

Why this artist must be listed in : They are a very unique band, really unpredictable and incorporating many different styles. They are using a variety of traditional oriental instruments, juxtaposed with really modern electronic DJing. Add to that the metal influences, and the really innovative songwriting.

See also: HERE

SECRET CHIEFS 3 Videos (YouTube and more)

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Book of HorizonsBook of Horizons
Mimicry 2004
$4.26 (used)
Web of Mimicry 2014
$5.57 (used)
Satellite Supersonic, Vol. 1Satellite Supersonic, Vol. 1
Mimicry 2010
$10.92 (used)
Second Grand Constitution and BylawsSecond Grand Constitution and Bylaws
Mimicry 2000
$10.96 (used)
Xaphan: The Book of Angels, Vol. 9Xaphan: The Book of Angels, Vol. 9
$9.79 (used)
Book of Souls: Folio aBook of Souls: Folio a
Web of Mimicry 2013
$8.26 (used)
Book MBook M
Mimicry 2001
$6.64 (used)
First Grand Constitution and BylawsFirst Grand Constitution and Bylaws
Mimicry 2000
$9.58 (used)
Le Mani Destre Recise Degli Ultimi UominiLe Mani Destre Recise Degli Ultimi Uomini
Mimicry 2009
$49.97 (used)
Eyes of Flesh Eyes of FlameEyes of Flesh Eyes of Flame
Mimicry 2007
$62.64 (used)
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SECRET CHIEFS 3 discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

SECRET CHIEFS 3 top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.87 | 25 ratings
First Grand Constitution And Bylaws
4.00 | 27 ratings
Second Grand Constitution And Bylaws - Hurqalya
4.43 | 79 ratings
Book M
4.10 | 81 ratings
Book Of Horizons
4.14 | 23 ratings
Xaphan - Book Of Angels, Vol. 9
3.80 | 21 ratings
Traditionalists: Le Mani Destre Recise Degli Ultimi Uomini
4.48 | 22 ratings
Book Of Souls - Folio A
4.11 | 8 ratings
Ishraqiyun: Perichoresis

SECRET CHIEFS 3 Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.27 | 11 ratings
Eyes of Flesh, Eyes of Flame

SECRET CHIEFS 3 Videos (DVD, Blu-ray, VHS etc)

5.00 | 4 ratings
Live at the Great American Music Hall

SECRET CHIEFS 3 Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.50 | 2 ratings
Path of Most Resistance
3.08 | 5 ratings
Satellite Supersonic Vol.1

SECRET CHIEFS 3 Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.10 | 2 ratings
The Theatrum of Suprasensory Universes Vol. 1


Showing last 10 reviews only
 Book Of Horizons by SECRET CHIEFS 3 album cover Studio Album, 2004
4.10 | 81 ratings

Book Of Horizons
Secret Chiefs 3 RIO/Avant-Prog

Review by TCat
Prog Reviewer

5 stars "Book of Horizons" is Secret Chiefs 3's fourth album. After the amazing "Book M", it was brought to light that SC3 actually consisted of 7 satellite bands. This fact came to light on this album as each of these tracks have the name of the satellite band responsible for the track. Out of the 7, there is only one that isn't represented in this album, and that is "NT Fan". The other 6 represented on this album are "Forms", "Ishraqiyun", "Traditionalists", "Holy Vehm", "The Electromagnetic Azoth", and "UR".

The SC3 has been known to experiment and mix various musical genres, expanding them into new sounds and styles. They use traditional instruments that are unique to the culture and traditional rock instruments and electronica. This results in some very interesting and enjoyable music that is unique, yet familiar. Trey Spruance, who is the leader of this collection of bands, was previously with "Mr. Bungle", and he created SC3 with the help of 2 other members from that band. The common mistake people make when trying to define this band is that it is "Mr. Bungle" without Mike Patton, but that is not a correct definition of this music. SC3 is a completely different band from Mr. Bungle.

The album starts with "The End Times" (Forms). This is a peaceful and pensive track utilizing guitars, electric piano and some strange warbly instrument that almost sounds like a bowed saw. Percussion starts later with an interesting array of traditional instruments that I can't identify, because there are so many at use, but it has a slightly European vibe to it and it is quite beautiful and unique. There is a use of modals mixed in there that is amazing. "The 4 (The Great Ishraqi Sun)" (Ishraqiyun) has a more mid-Eastern dance vibe utilizing strings along with rabab, baglama, esraj, some micro-tuned guitars and other instruments I've never heard of along with guitars and drums. "The Indistructable Drop" (Traditionalists) is experimental and eerie using gongs, harp and organ. It's also quite short yet nice.

"Exterminating Angel" (Holy Vehm) starts out with some wild drums and a drone. After this, some crazy screaming vocals come in and then it continues with a wall of noise. Growling vocals start later, as the intensity level of this one is right off the chart on this death metal rant. "The Owl in Daylight" (Forms) uses glockenspiel, chimes, bells to create a track that starts out dark and quickly lightens up to an almost lounge jazz track with some crazy quick texture changes throughout. This track is inspired by the unfinished Phillip K. Dick novel of the same name which was being written when he passed away. With all the bells and chimes mixed later with heavy metal guitar, it sounds like a Christmas song put through the mixer from Hell. "The Exile" (Traditionalists) is almost the complete opposite from the last two track as it is a lush and beautiful melody created by strings, acoustic guitar, and so on. It sounds very cinematic, with a very western flavor at times, yet becoming very expansive.

"On the Wings of the Haoma" (The Electromagnetic Azoth) starts with some traditional percussion and electronics. But then it shifts and changes so quickly it is hard to pin it all down. The overall feel is Persian, but it is a perfect example of mixing traditional instruments with electronica and avant-prog. The middle part of it is quite experimental and ambient but by the end, it turns into surf rock. "Book T: Exodus" (UR) is based off of the movie theme from "Exodus" by Ernest Gold, but rescored for orchestra and surf band. Yep, it is, and it's amazing! ! ! ! "Hypostasis of the Archons" (Holy Vehm) is more of the death metal styling, but with a craziness that is completely unpredictable. It is scary with screams, growing and raspy vocals featuring 3 vocalists. There are some wild guitars as you would expect from this music, and constantly changing meters. Totally chaotic. "The Electrotheonic Grail Dove" (Traditionalists) is a very short track that sound like someone dropped a bowlful of musical notes on the floor.

"The 3 (Afghan Song)" (Ishraqiyan) is based on a traditional song. It uses traditional instruments again like the sitar, dohl, and so on along with synthesizers, bass and drums. "DJ Revisionist" (The Electromagnetic Azoth) also uses traditional instruments with rock instruments and electronics. Again, you get that Persian sound mixed with various rock styles that run from surf rock to avant garde and somehow it all makes sense. "Anthropomorphosis: Boxlietner" (UR) starts out with droning sounds from strings and percussion but quickly switches to an almost poppy sound with electronic instruments and a sudden influx of loud guitars and orchestral effects. This is another ever changing landscape of amazing-ness that has to be heard to be believed. "Welcome to the Theatron Animatronique" (Forms) starts with electric keys playing a middle Eastern sounding melody with other orchestral effects and textures, chimes, harp and all of that. The simple melody breaks down at parts and things get somewhat complex, but it always returns to variations of the melody played by differing lead instruments and becomes expansive and cinematic and features traditional vocals at the end.

Just like "Book M" , this album is simply amazing, but this time, since it is played by the different formations of the band, there is quite an amazing variety unlike anything I have heard lately. And every one of the tracks are so well done, nothing sounds amateurish as you might expect from a band creating so many differing styles. Where most of Book M was devoted to Persian and Afghan undertones, this album goes everywhere. Amazingly enough, there is not the feeling of disjointedness that you would expect, probably because every track is so well done. This album exceeds even the excellent Book M, which was also a 5 star affair, and you wonder how can this be even better than that? Well, you better start listening to these albums to find out.

 Book M by SECRET CHIEFS 3 album cover Studio Album, 2001
4.43 | 79 ratings

Book M
Secret Chiefs 3 RIO/Avant-Prog

Review by TCat
Prog Reviewer

5 stars Secret Chiefs 3 started out as a project from "Mr. Bungle" members Trey Spruance, Trevor Dunn, and Danny Heifetz. However, this doesn't mean that the music sounds like Mr. Bungle without Mike Patton. This music is a completely different animal, even though it is still very different from most everything else. Since the beginning, several other artists have been in or worked with the band, and now it has become more of a collaboration between artists with Spruance being the one constant member. The band has also explored so many different styles and genres, often within the same album. So, pretty much every recording by the band has been a surprise. It has also been revealed that the band is actually comprised of 7 other satellite bands, some of whom have recorded albums on their own.

This particular album utilizes the combination of traditional western instruments along with Turkish, Persian, and Arabic instruments and other stringed instruments and percussion instruments. Plus you get these sounds provided in traditional and non-traditional settings resulting in some very interesting combinations that not only include ethnic flavors, but completely brand new otherworldly styles. All of this is also instrumental.

"Book M" which is SC3's third full length studio album is mostly centered on the above mentioned styles of music, but there are some interesting combinations made here. The album is broken up into 3 sections, the first called "Observance of the World" taking up 3 tracks. After the mostly traditional sounding "Knights of Damcar", we get a sudden shift to a percussion heavy "Hagia Sophia" utilizing electronic beats and traditional percussion with a heavy string-like melody peppered with heavy guitars. "Vajra" takes a traditional melody and surrounds it with a tricky progressive drum pattern and increase the intensity with guitar power chords and many other amazing textures. What an awesome sound! "Ship of Fools (Stone of Exile)" utilizes a 3 / 4 pattern and slips in extra beats here and there to keep you disoriented while a quirky melody plays.

Section 2 is "Engagement of the Sword" taking up the next 5 tracks. "Horsemen of the Invisible" has a traditional dance melody playing with traditional instruments, heavy percussion, heavy guitars and electronics all mixed together in a foot- stomping, swirling track. Without missing a beat, they take organic instruments playing the melody and suddenly switch it to an electronic bass. "Combat for the Angel" has an amazing violin lead throughout the track and uses a hard, plodding drum pattern while the violin performs musical calescentics until the pattern breaks up and things get experimental. This flows into "Zulfigar III" which has a deeper and darker feel with rumbling guitars and electronic percussion taking the lead while strings play around. "Siege Perilous" starts out as a more gypsy-baroque sounding track in a mid-eastern gigue mixing some more classical and traditional styles with a start/stop melody. Some interesting experimentation goes on between the instrumental verses. "Dolorous Stroke" takes the complete opposite approach here with a fast paced drumming pattern and a very heavy surf-punk feel with a giant wall of shifting noise drones.

Section 3 takes up the last 4 tracks and is called "Ritual of the Cup". In "Blaze of the Grail (Main Theme)" a sitar style instrument plays an arpeggio chord while a funky guitar effect plays and suddenly changes to a high school marching band and then to a jazz orchestra and then throw in a crazy violin and add some tubas and you get the idea. Well actually you don't, that's why you have to hear this. "Lapsit Exillis" is a short track mixing traditional and rock instruments. "Lapis Baitulous" utilizes more electronic disco sounds with the mid-Eastern feel and various sundry items including the kitchen sink. This album ends with "Safina". Starting with expansive synth chords, an unexpected funky electronic bass line comes along and percussion drops in at 1 minute. Brass carries the melody as the funky beat continues as a jazz/funk fusion plays. The music fades just after 5 minutes. After 7 and a half minutes, a very loud, distorted and cinematic ending wraps it all up.

This album is an amazing melting pot of awesomeness. This is the music I love to hear, where styles are mixed to create new things, and even though you have an underlying style going on here, so many boundaries are stretched and genres are combined to make everything unpredictable, but undeniably catchy and listenable. How could you not listen to this and just love it? Even those not necessarily attracted to the middle Eastern vibe here will love this because it is so versatile. I highly suggest listening to this just so you can really experience it, because the things I say to try to describe these tracks don't come close to what you really hear. This is essential because it is so groundbreaking and unique.

 The Theatrum of Suprasensory Universes Vol. 1 by SECRET CHIEFS 3 album cover Singles/EPs/Fan Club/Promo, 1998
3.10 | 2 ratings

The Theatrum of Suprasensory Universes Vol. 1
Secret Chiefs 3 RIO/Avant-Prog

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

3 stars Tucked in between their albums "Second Grand Constitution and Bylaws: Hurqalya" and "Book M," the SECRET CHIEFS 3 released this bizarre out of character short EP that not only contained no surf rock, no Middle Eastern music and no heavy metal but actually contains no music at all. Well, not music in the melodic sense anyways. This short little EP titled THE THEATRUM OF SUPRASENSORY UNIVERSES VOL. 1 is an extreme mix of mystique concrète, sound collage and electronic free flow with occasional meaningless vocal utterances. There is a brief excursion into heavy guitar riffing.

Despite having 11 tracks listed, the whole thing only lasts a mere 11 minutes and 25 seconds long but there are a lot of ideas stuffed into this short and weird romp through a strange sonic universe detached from the SECRET CHIEFS 3 regularly scheduled program. As with their regular albums, this too is an ambitious assortment of ideas that parade down the timeline in a dreamlike state and if i had to compare it to anything, the closest i could come up with is Mike Patton's "Adult Themes For Voice." Not because of the actual sounds employed but rather the utter uniqueness and strange collage of weirdness.

Although i've been a huge SECRET CHIEFS 3 fan forever, i have never checked out this tiny little curiosity until recently. While totally existing outside of their "normal" parameters, there's nothing this band does that isn't from the heart. While this sort of stuff isn't my main staple for a sonic experience, i have to say that it's quite well done and will appeal to the noise and experimental lovers. Think the bleak soundscapes of Nurse With Wound only more decked out in hyperdrive. While an hour of this may have been too long, 11 minutes seems way too short. Worth hearing if you like it as avant-garde as it gets.

3.5 rounded down

 Book Of Souls - Folio A by SECRET CHIEFS 3 album cover Studio Album, 2013
4.48 | 22 ratings

Book Of Souls - Folio A
Secret Chiefs 3 RIO/Avant-Prog

Review by Warthur
Prog Reviewer

4 stars Secret Chiefs 3's albums are generally rather consistent, Trey Spruance keeping things fresh by shifting quickly between styles (each of the component "satellite bands" representing a different genre). As such, Book of Souls is more or less more of the same, with some warped muzak for imaginary TV stations and corporations woven through the proceedings.

The big news here, mind, is that Mike Patton joins on vocals on one song, marking the first time Mike and Trey have reunited in the studio since the end of Mr Bungle. This is for La Chanson de Jacky, a piece originally by the great Jacques Brel and reinterpreted in an English-language version by Scott Walker. Both Walker and Brel's versions of the song are blended together here and fed through a Secret Chiefs 3 filter - specifically, through the style of the satellite band Traditionalists, who play Goblin-esque material suitable for Italian B-movie soundtracks.

Pairing Patton with the Traditionalists is an inspired move - not only does he have the vocal chops to do Brel and Walker justice, but also his own musical interests and that of the Traditionalists clearly converge, seeing how the Fantomas project has revealed Patton's own fondness for movie soundtracks. Will we see more Patton with the Secret Chiefs? Probably not much - were he to do a full album with Trey they might as well bite the bullet and make it a Mr Bungle reunion, after all - but hopefully we'll see more guest spots from him in the future, particularly where the Traditionalists are concerned.

 Ishraqiyun: Perichoresis by SECRET CHIEFS 3 album cover Studio Album, 2014
4.11 | 8 ratings

Ishraqiyun: Perichoresis
Secret Chiefs 3 RIO/Avant-Prog

Review by Warthur
Prog Reviewer

4 stars As has been revealed since 2004's Book of Horizons, Secret Chiefs 3 is actually a collective of several different bands, all playing in different styles, with Trey Spruance as the common link between them all. After the Traditionalists (Goblin-esque Italian horror prog) got to do their own solo album, it was only a matter of time before other acts in the collective got to do their own pieces as well, and that's what this is.

Ishraqiyun is therefore a band which on the one hand is likely new to you, but which if you've listened to Secret Chiefs 3's earlier work you've probably encountered: they're the subunit who does that really intricate Middle Eastern folk music that's been sent through the electronic wringer a few times. The big question, of course, is whether an entire album of such material can stand up - and by and larch, Perichoresis does, offering a technically complex ride through a unique sonic landscape.

 Book Of Horizons by SECRET CHIEFS 3 album cover Studio Album, 2004
4.10 | 81 ratings

Book Of Horizons
Secret Chiefs 3 RIO/Avant-Prog

Review by Luqueasaur

3 stars Hypnotic, creative, enjoyable: 7/10

When it comes to Avant-garde, I only know three names so far: FRANK ZAPPA, OOIOO and SECRET CHIEFS 3.

FRANK needs no introduction, OOIOO has eloquently mastered the idea of "experimentation" with the great percussion-focused TAIGA madness, and SECRET CHIEFS 3 explores three frontiers on the album BOOK OF HORIZONS: Indian, electronic and technical (AND FURIOUS!) death metal. Be warned, though: this band isn't the type that brings up insanity and calls "music". There is mild experimentation, but nothing too much of a "paradigm shifter".

The electronic part is the most "avant-garde" of the three genres. It features uncommon sonorities and structures, usually, you're unsure whether the song has begun or ended and if what you're listening to is a particular section of that track; suddenly the music stops and weird noises come in, and overall is the least interesting piece. I find it to be the weakest link.

The Indian part is great and the first track with this sonority - The Four (Great Ishraqi Sun) - is perhaps the best of the album. SECRET CHIEFS does a good job blending Western music/metal/rock elements with the oriental instrumentations and structures. The percussion is superb and counterintuitive, which really spices the music.

The last piece - death metal - is the part they masterfully nailed. Simply put, they're natural born for it. The musicianship is amazing, the drums are spectacular and the aura of each song is just as horribly heavy as any extreme metal musician would seek to achieve. Extermination Angel the fourth track and first of the genre is my favorite by SECRET CHIEFS 3, and frankly, of death metal as a whole. Hypostasis of the Archons is even fiercer and pretty much denser than a neutron star. The vocalist literally snores. Like a damn pig. It's indisputably the heaviest thing I've had the pleasure of being brutalized with.

In the end, SECRET CHIEFS 3 does a good job in bringing a good record. The most memorable songs are The Four, Extermination Angel, Hypostasis of the Archons, Anthropomorphosis: Boxleitner (an eerie track that features ALL of the three 'frontiers', albeit the death metal parts are much milder and blended with electronic) and Book T: Exodus (in the veins of epic Western movies). I'd definitively recommend for avant-garde fans, or just people looking for some spicy mixtures of electronic, oriental-themed and extreme metal music.

 Book Of Souls - Folio A by SECRET CHIEFS 3 album cover Studio Album, 2013
4.48 | 22 ratings

Book Of Souls - Folio A
Secret Chiefs 3 RIO/Avant-Prog

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

5 stars You have to be a dedicated fan to follow the works of Trey Spruance and his ever eclectic SECRET CHIEFS 3 project which in 2007 official revealed itself to be the amalgamation of seven satellite bands (The Electromagnetic Azoth, UR, Ishraqiyun, Traditionalists, Holy Vehm, FORMS, and NT Fan) but i am one of those hardcore fans so i relish the release of every album no matter which one of these satellite bands appears in the title along with some often the case unpronounceable title. For this pronounceable one BOOK OF SOULS: FOLIO A (Yes, this did come out before the 2015 Iron Maiden album of the same title), the seventh official album by SC3 we actually get more of a compilation album that features two tracks from all of these satellite bands except Holy Vehm and NT Fan. Some of these tracks are remade, some had been played live before release and some are totally new, however it is the perfect flow from beginning to end that makes this one of my favorite SC3 releases.

What this compilation business basically means is an even more eclectic album than usual for Mr Spruance and company for despite every track clearly sounding like SC3 in full regalia, the emphasis on different aspects of Spruance's musical palette shines through making a rather nice flow of musical ideas from beginning to end which include all the usual SC3 suspects such as surf rock, Persian and Arab folk, metal, soundtrack and electronic music as well as some other ideas ranging from tango to the usual Rock In Opposition and Avant Prog and classical angular rhythms always on display. There are 11 musicians on board with this one hosting instruments that include guitar, bass, drums, bassoon, oboe, english horn, flute, cello, contrabass, various ethnic percussion, harp, violin, viola and a surprise cameo vocal appearance on "La Chanson de Jacky" by Spruance's long time partner in crime Mike Patton from Mr. Bungle and Faith No More.

BOOK OF SOULS: FOLIO A is actually a collection of tracks that took over a decade to create and really delves into the extreme musical possibilities of all the types of music involved in its depths. For example, the Arabic and Persian influences are something that should have emerged from those respective cultures but SC3 seems to have found a knack for reinventing traditional musics from around the world by mixing and melding with the best production techniques showcasing every little detail into a glorious organic and powerful musical experience. There is literally no one who sounds like this band and BOOK OF SOULS: FOLIO A is a very nice de luxe and diverse offering of all the different ways Spruance has evolved this band into a musical octopus leaving no influential rock unturned.

All i can say is that this album is brilliant. It reflects the painstaking process and perfectionist tendencies of Trey Spruance over a decade time span leaving no t's uncrossed and no i's undotted. Everything about this album is perfect for my ears. The production is top-notch state of the art incredible and the music resides in some mysterious parallel universe that feels somewhat familiar but equally as alien as if it has been beamed across the cosmos from Alpha Centauri. While the musical scales that incorporate the various ethnic and Western influences are clearly recognizable, SC3 continues their abilities to weave this new musical tapestry into an ever more complex quiltage of sonic possibilities and delivers a successful outcome every time. This is the album where i started visualizing SC3's music as a giant musical sand worm wriggling about like the one on the movie "Dune" that makes its way around through the sandy deserts and with each move retains enough familiar vibrations to always be identifiable as the source but with each new wriggling displays a new variation in as many ways as chemical elements can combine to create more complex molecules. Music is a sort of sonic chemistry and Spruance really has mastered this alchemy of sound.

This album is almost exclusively instrumental as are most SC3 albums and while this Dune worm wriggles from one avant-garde angular rhythm to another throughout the album there does lurk one major surprise when suddenly the listener is slapped in the face by the most unlikely type of track they could encounter. When the listener gets to the eleventh track the sudden burst of a Jacques Brel cover "La Chanson de Jacky" with Mike Patton making a cameo is a true shock as if Barry Manilow came out and played "Copacabana" at a death metal concert, yet somehow, in some way, it all works but it is true that anyone who enjoys SC3 albums are already of an eclectic nature so after the initial WTF wears off it's all just par for the course of this experimental band that never fails to surprise. This is one of my absolute favorite albums of the so-called "satellite band" years and i can listen to this one over and over and over again in total admiration of how it all just flows from one track to the next. It should be mentioned that odd numbered tracks are the long fully developed tracks while the even ones are short little fluffers if you will for the following numbers. With music this complex, yet catchy and ever so captivating every time i listen to it always having my mind blown, i can give this glimpse of heaven no less than 5 stars.

 Book M by SECRET CHIEFS 3 album cover Studio Album, 2001
4.43 | 79 ratings

Book M
Secret Chiefs 3 RIO/Avant-Prog

Review by LearsFool
Collaborator Post/Math Rock Team

5 stars "Book M" is just one of the all time greatest avant-prog albums. On it Secret Chiefs 3 serves up a meal that was made by just plain smashing through barriers, mixing genres in ways that were before unheard of. Traditional Middle Eastern, electronica, heavy prog rock, prog metal, and even resemblances to heavy hip hop and dancehall beats, all of these take turns blowing your mind. The music is manic, fast, and complex, putting your friend's tech death garage band to shame. And it is all masterfully constructed and played. The result is an album that never lets up until the band just runs out of ideas, and then knows to pull out their preprepared grand finale. Listening to this record is like putting yourself in the middle of the crock pot the band used to cook up this delicious magnum opus, this soup of genres and styles and inspiration. It's hot, it's spicy, and it is wonderful. Try dancing to it! At the least, do yourself a massive favour and try this homecooked masterpiece. You won't regret it. You may yet even play it on repeat all day.
 Book Of Horizons by SECRET CHIEFS 3 album cover Studio Album, 2004
4.10 | 81 ratings

Book Of Horizons
Secret Chiefs 3 RIO/Avant-Prog

Review by admireArt
Prog Reviewer

2 stars "Your manuscript is both good and original,.... But the part that is good is not original, and the part that is original is not good."- "attributed, not found.". And neither daring nor fun. Completely, pretentious and BORING. I suppose, that when you ask this band followers about Ennio Morricone or even better John Williams, the will laugh at you mockingly, IF, they have some idea, who these guys are... Indo-Tabla music, mish-mashed alongside some other "exotic" folkloric style with severe touches of "serious-music", like Mr. Morricone's sountracks?, without the movie, but with the same smell of "corn". Or like the one, that here in Mexico is known as the "Juan Torres organ Sound". Which was a guy overblown by the media, because here in Mexico, IN THOSE TIMES, was the only guy, who owned a Wurllitzer organ with a drum-box . That was it, his only talent. Some talent-less, overrated "artist". ...So, if you are really impressed, by these "exotic" languages, immersed in an over-abuse of the systematic RIO-cliches (abrupt change of time signatures, stridency, etc) with no kind of humor at all, (it is not a parody), well you will fall head over heels for this album....IF you, when listening, open-mindedly to music, which "plays" with your knowledge of music in general, and is performed with a pompous, unimaginative, pseudo classical music composition grandeure, so solemnly, with such self-indulgence, AND you still have time to enjoy, well this is also for you. . I mean, these guys take themselves so seriously, without real facts or proof. The only group that will serve my example is Henry Cow, the best parts of "Secret Chiefs3" owe and resemble this band. When HENRY COW, surfaced, it was and had to do with the moment in time world-wide. A natural musical process was evolving, as in the modern-classical compositions, "Cacophony" became a way to rebel against standarized Central-European impossitive canons in structure and importance. Nowadays, these"new-canons" are as impossitive as the ones they rebelled against, a fad, a passing "FAD".... Like a super-pretentious Henry Cow, and that is saying too much. **2.5 "what a disappointment" PA stars. Not essential , unless you own, 3 cds and are stranded in a non "exotic" place.
 Book Of Horizons by SECRET CHIEFS 3 album cover Studio Album, 2004
4.10 | 81 ratings

Book Of Horizons
Secret Chiefs 3 RIO/Avant-Prog

Review by zedumar

5 stars Only 44 ratings and 8 reviews???

The book of Horizons by Secret Chiefs 3 is a great example of a forgotten album in PROGARCHIVES!

I recently discovered the band, even being a Faith No More and Tomahawk fan. The band is conducted by Trey Spruance, a former Faith no More member, although Secret Chiefs 3 is a completely different band and concept.

The album is not easy listening stuff. it took me several trials to understand what is going on... sou you ask me: What is going on here? I can't say , but it is sure amazing stuff!!!

This album is the definition of AVANT-GARDE itself! Almost 10 years from the release and it still sounds as the newest music effort ever. The album is so complex, so diverse, innovative and beatiful that I can only highly reccomend to all open ears prog listeners

5 stars

Thanks to MikeEnRegalia for the artist addition. and to Quinino for the last updates

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