Progarchives, the progressive rock ultimate discography

ROZ VITALIS

RIO/Avant-Prog • Russia


From Progarchives.com, the ultimate progressive rock music website

Roz Vitalis picture
Roz Vitalis biography
ROZ VITALIS was created by composer and keyboardist Ivan Rozmainsky in 2001. Primarily it was one-man band. In 2003 ROZ VITALIS had become trio and included also Nadezhda Regentova (keyboards, voices) and Vladimir Polyakov (keyboards). In 2005 line-up experiences expansion. Now the band includes also Klara Metelkova (flutes, harmonica, vocals) and Yuri Verba (clarinet). Style of ROZ VITALIS is RIO/Avant-Prog/Symphonic Prog/Psychedelic/Space Rock. The main influences are LE ORME, GENTLE GIANT, KING CRIMSON, YES, ELP, SUPERSISTER, JETHRO TULL, DEPECHE MODE, AFTER CRYING. Music of the band was compared by prog-reviewers with GENTLE GIANT, UNIVERS ZERO, BRIAN HIRSCH, KING CRIMSON, TRIUMVIRAT, KRAFTWERK etc. In short, music of ROZ VITALIS can remind KING CRIMSON and GENTLE GIANT, but is keyboard-based, with rare female voices and electronic drums. It is "chamber electronic prog" rather than "rockish music".

The best recordings are the following. "Lazarus" (2003) - RIO with ethno and electronic elements. see reviews at www.progressiveears.com & www.proglands.com ; "Das Licht Der Menschen" (2004) - concept album including three 20-28-minute epics devoted to the "theological idea of Trinity". It is very polyphonic album, difficult for listening. "Enigmarden" (2005) - almost instrumental prog-music with flutes and clarinet solos. EP-albums "Painsadist" (2003) and "The Threesunny Light Power" (2004) also can be recommended. More early albums are characterized by low quality of recording. All albums are self-released ones.


Why this artist must be listed in www.progarchives.com :
The band makes original and interesting prog-music, which has a lot of progradios' rotations and good reviews at prog sites.

Roz Vitalis official website

ROZ VITALIS MP3, Free Download (music stream)


Open extended player in a new pop-up window | Random Playlist (50) | How to submit new MP3s

ROZ VITALIS forum topics / tours, shows & news


ROZ VITALIS forum topics Create a topic now
ROZ VITALIS tours, shows & news Post an entries now

ROZ VITALIS Videos (YouTube and more)


Showing only random 3 | Show all ROZ VITALIS videos (8) | Search and add more videos to ROZ VITALIS

Buy ROZ VITALIS Music


Lavoro D'AmoreLavoro D'Amore
Import
Lizrad Records
Audio CD$19.07
Patience Of HopePatience Of Hope
Mals Limited
Audio CD$17.99
CompassionizerCompassionizer
Self-Produced
Audio CD$19.07
RevelatorRevelator
Mals Limited
Audio CD$17.99
$87.14 (used)

More places to buy ROZ VITALIS music online Buy ROZ VITALIS & Prog Rock Digital Music online:
ROZ VITALIS has no upcoming shows, according to LAST.FM syndicated events and shows feed

ROZ VITALIS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

ROZ VITALIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.13 | 13 ratings
L'Ascensione
2002
3.00 | 11 ratings
Lazarus
2003
4.03 | 9 ratings
Das Licht Der Menschen
2004
2.75 | 13 ratings
Enigmarden
2005
3.49 | 17 ratings
Compassionizer
2007
3.70 | 23 ratings
Revelator
2011
3.95 | 32 ratings
Patience of Hope
2012
3.42 | 11 ratings
Overcoming-Up
2014
3.83 | 69 ratings
Lavoro D'Amore
2015

ROZ VITALIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

5.00 | 4 ratings
Live Autumn '05 In The Ad Lucem Studio
2005
4.12 | 6 ratings
Live At Mezzo Forte, Moscow, September'09
2009
5.00 | 2 ratings
Live 2013-08-31 + Bonus
2014
4.00 | 5 ratings
Live in Kirishi
2016

ROZ VITALIS Videos (DVD, Blu-ray, VHS etc)

ROZ VITALIS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.33 | 6 ratings
Lazarus Abridged
2009
2.13 | 4 ratings
The Selected Of Enigmarden
2015

ROZ VITALIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

0.00 | 0 ratings
Excerpts from Early Demo Recordings 2001
2001
3.18 | 2 ratings
Painsadist
2003
3.09 | 2 ratings
The Threesunny Light Power
2004
5.00 | 1 ratings
Live At ESG-21, February 13th 2010
2010
5.00 | 2 ratings
Beyond the Limits of Spring. Live at Kitayskiy Letchik Jao Da, May 10th 2011
2011
5.00 | 2 ratings
Live Summer 2012
2012
4.09 | 3 ratings
Live At Saint Peter Prog Fest #5
2013
4.00 | 3 ratings
Live 14-11-14
2015
3.37 | 13 ratings
Psalm 6
2016

ROZ VITALIS Reviews


Showing last 10 reviews only
 Psalm 6 by ROZ VITALIS album cover Singles/EPs/Fan Club/Promo, 2016
3.37 | 13 ratings

BUY
Psalm 6
Roz Vitalis RIO/Avant-Prog

Review by Tarcisio Moura
Prog Reviewer

4 stars Last year I got a message here on PA asking for a review for this EP. I had some problems with my internet and it took several months before I could listen to this Roz Vitalis release. I must say I was not eager to do it, since RIO/avant guard is not really my cup of tea. I´m much more into melodic "traditional" part of prog, if there is such thing. But, out of curiosity, I decided to listen to this record since they were so nice to ask. And I was quite surprised. Their music was not what I expected. It was much more accessible than I thought. Sure enough, there are numerous weird landscapes and dissonance, but what really caught my attention was their flair for the nice melody too. So I decided to spin it for a few more times and that confirmed my first impression.

The only band I can think of to compare Roz Vitalis approach towards music is King Crimson. Ok, they do not sound like KC al all, but RV is the only band I know that balances RIO/Avant Guard with melodic themes in such powerful manner. Like KC, Roz Vitalis mix in equal doses weirdness and familiarity, complicated passages with simple ones, the dissonance and the melody. The result is one of the most interesting instrumental albums I have heard in a long time, full of surprises. Sometimes Psalm 6 sound like a soundtrack album from a thriller movie (The Prophet), in others there are jazzy brass passages followed by a wailing, melodic lead solo backed by acoustic guitars (the title track).And all is very well performed. I must say that even in their most freakish and non-melodic moments their music still sounds interesting and genuinely creative, they seem to be adept of the philosophy of "less is more". not an exercise on pointless weirdness, like I heard so many times. The excellent production also help matters much. the songwriting is high point in here, as well as their clever arrangements: All tracks are very good and varied. Listening to this CD is quite a ride.

In the end I was captivated by this group led by keyboardist Ivan Rozmainsky. I found Psalm 6 to be a very fine CD and I´m looking forward to listen to their other works too. Russia is definitely delivering some of the best prog music around nowadays. If you, like me, is not really into Avant Guard music but has an open mind for new sounds, you should try this one. On the other hand, if you are a RIO fan but does not mind for some nice, discernible melodies in prog music once in a while, this record is recommended too.

A nice surprise.

Rating: 4 strong stars.

 Revelator by ROZ VITALIS album cover Studio Album, 2011
3.70 | 23 ratings

BUY
Revelator
Roz Vitalis RIO/Avant-Prog

Review by Matti
Prog Reviewer

3 stars The early, more experimental-oriented stuff of the instrumental Russian act Roz Vitalis really isn't for me. And once again, after reviewing Compassionzer (2007), I'm a bit disappointed for this album not to resemble more notably the excellent, finely produced Lavoro d'Amore (2015). I can repeat my thoughts on slightly hollow sound, playful but rather nonsense keyboard-centred compositions and the overall direction for the better. First, the list of five musicians looks better than how the album actually sounds. This is to say that keyboard player and main composer Ivan Rozmainsky keeps the spotlight too much on himself, ie. the arrangements still leave guitars, flutes and rhythm section way too much in the background. Or is it just amateurish production that makes the sound somewhat cold?

The opening title track is a typical slice of RV: lots of changes in tempo without the certain flow. The music feels like a backing for an avantgardish silent film of slapstick. 'Warm Tuesday' starts as a pretty, moody tune in which acoustic and electric guitars play softly, and wanders into the more eclectic direction. The Finnish album Ultramarine (2000) by GROOVECTOR comes to my mind, but Roz Vitalis's music lacks the similar symphonically structured, natural flow. The next track is nothing but that hollow-sounding organ quirkiness. 'Painsadist (Hit Version)' has a humorous title but although the rest of the band is well involved, the track gives nothing to me. 'Underfrog': flute and bass have their nice supporting roles in this cold, swampy silliness. Delicate 'Midwinter Tulips' starring piano and acoustic guitar is a highlight and a breath of fresh air, and it's short enough not to suddenly shift into the typical RV style.

Perhaps the album gets better towards the end and slightly increases the emotional substance in melodies, but for my taste there's still too much of that slapstick flavour around. The closing track 'Silver Melting' is another ambience-oriented moody highlight. For the most part this album remains quite meaningless to me, but I can recommend it to avant-minded listeners who are less emotionally oriented than me.

 Compassionizer by ROZ VITALIS album cover Studio Album, 2007
3.49 | 17 ratings

BUY
Compassionizer
Roz Vitalis RIO/Avant-Prog

Review by Matti
Prog Reviewer

3 stars After very positive listening experiences with the recent recordings (I'm especially fond of Lavvoro d'Amore) and rather negative ones with the earlier stuff, I don't know what to expect from this in-between album by mr. Ivan Rozmainsky and his project Roz Vitalis. This time the keyboardist-composer is accompanied by guitarist Sydius and clarinetist Yuri Verba. Hmmm... sad to say, but the overall sound is still hollow and cold to my ears, the same way as in the earlier RV music I've reviewed, though not quite as badly.

But the gradual progress of musical maturity (I'm talking of production and the compositions) is to be witnessed. The pieces are getting some emotional depth instead of just sounding like introvert experimenting in the studio. 'Elusive Goodness' is a nice (and in the Roz Vitalis scale, pretty sensitive) track in which I hear some Pekka Pohjola -reminding modal structures. 'Wakatte Kudasai' is said to develop some ideas of the cool &sweet 80's King Crimson track 'Matte Kudasai'. Well, definitely not among my favourites here... actually I find it hard to hear any familiarities in this sharp and steely piece. The first seconds of 'Annihilator of Moral Hazard' make me feel already tired of the album's noisy and cold soundscape, and the interesting dynamic changes -- such as more delicate moments centred around recorders -- are not enough to save the track.

Here and there the compositions contain some warm breaths of melodicism, but all in all this album won't enter into my player very often. The sonic hollowness is too noticeable, it's difficult for me to be carried away by the intelligent musical ideas that certainly exist. The synth-centred, complex music has mock-orchestral versatility comparable to THE ENID, only with a terribly bad production. A pity!

 The Selected Of Enigmarden by ROZ VITALIS album cover Boxset/Compilation, 2015
2.13 | 4 ratings

BUY
The Selected Of Enigmarden
Roz Vitalis RIO/Avant-Prog

Review by Matti
Prog Reviewer

2 stars Like the title says, this release is a selection from the album Enigmarden (2005). That one has got relatively reserved criticism here, and for a good reason, I can tell you, especially if this 7-track selection -- made for what purpose exactly? -- from the original 14 is supposed to be any better. I haven't listened to that album, nor any other-than-new music of this band from St. Petersburg (but I just received five discs in mail). It's evident that Roz Vitalis has matured a lot in the last ten years.

What we have here is instrumental and rather experimental music firmly centered around the keyboards of the frontman Ivan Rozmainsky. The keyboard sound is sharp and intense, backed by programmed drums plus some wind Instruments here and there -- and I'm sad to say, that's about all. Most of the time tempo is rather fast, and together with this hollowness of soundscape it is only underlining the unpleasant sense of music made out of mere will of experimenting with instruments. On the other hand, there's hilarious energy and a touch of humour, and despite the melodic / rhythmic complexity the tracks do maintain some intelligence and coherence instead of being plain silly.

The extra ingredients on top of organ-oriented keys and programming increase the surprise factor. These include the female voice (can't tell if she's singing some lyrics with a meaning, or is the voice only used as another instrument) on 'Stress of Tenderness' and a decent variety of wind instruments during the album: recorder, clarinet, harmonica and even a Peruvian native flute (on 'Be Aware of Strangers'). But in the end, the musical style remains rather pointless, lacking deeper emotions, and the soundscape too hollow to avoid headache on the long run. This definitely isn't music I'd like to listen to again and again; my low rating is more subjective than objective. Of course I may also point out that RIO/Avant-Prog has never been among my favourites. If you enjoy the genre and can stand both the crazy side of Keith Emerson and the lack of a real rhythm section, you may find some unique pleasure from this music.

 Live in Kirishi by ROZ VITALIS album cover Live, 2016
4.00 | 5 ratings

BUY
Live in Kirishi
Roz Vitalis RIO/Avant-Prog

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars There are bands who can pull things off brilliantly in the studio setting yet cannot pull off a brilliant live performance of their music. Likewise there are bands that are renowned for unleashing stunningly brilliant live events yet somehow fall short on their musical visions on the studio side of the equation. No such dilemmas for St Petersburg symphonic avant-proggers ROZ VITALIS who prove without a doubt on their latest LIVE IN KIRISHI that they more than have the chops to put on one helluva musical spectacle. This short but sweet barely over 30 minute long musical gem includes what the band deems the most "essential" tracks from the "Lavoro D'Amore" studio album with a couple of extra tracks which include "Blurred" which serves as a sneak peak for the next studio album as well one another bonus goodie tagged onto the end appropriately called "Ending."

Not being content to merely perform these tracks as heard on the studio album, ROZ VITALIS goes the extra mile and play their hearts out taking a more driving approach with a greater emphasis of Alexey Gorshkov's trumpet playing skills which at times makes me think they've kidnapped a mariachi band and forced them to play for vodka or something! The band pulls these tracks off with ease offering us hard driving rhythmic developments as heard on the bass and more pronounced rockin' guitar interaction along with lush organ and keyboard runs. The melodic developments are just as tasty and intact as on "Lavoro d'Amore" but the band simply hits a home run with their tight uncompromising prog bombast hypnotizing the audience into musical bliss.

It takes a lot for me to get excited about a live album to be honest. While i love much music, i do not equally love live renditions of many bands who more often than not fail to add any gusto and bravado to the studio versions at hand assuming they don't butcher the whole package entirely. ROZ VITALIS proves to me on this first sampling of their LIVE settings that they are actually MORE enticing as a live act than they are on many of their albums. While i love the majority of their entire discography, it is true that sometimes things can sound a tad clinical in the production department and this LIVE setting offers a totally organic funfair of talented musicians mixing and melding their musical mojo.

The production is crisp and clear and actually sounds like their playing in the same room. While there is a live audience attending, don't expect arena rock here as there is only a small crowd of fans in attendance, but what a treat they experienced to on this day with a performance like this. The familiar tunes with added elements of space rock, occasional funky guitars and the more rocking approach in general with healthy doses of vaunting trumpet add a whole new dimension to the "Lavoro d'Amore" track list and one that sits with me quite well. This is just as recommended as any of the other top notch studio albums in the band's canon. A LIVE album that sits well with its studio counterparts.

 Psalm 6 by ROZ VITALIS album cover Singles/EPs/Fan Club/Promo, 2016
3.37 | 13 ratings

BUY
Psalm 6
Roz Vitalis RIO/Avant-Prog

Review by Magnum Vaeltaja
Collaborator Eclectic Prog Team

3 stars "Psalm 6" is the latest release by Russian outfit Roz Vitalis, and is the first entry of their long and illustrious career to grace my ears. I've gotta say, I'm very impressed by what these guys have done.

Don't be dismayed by the RIO/Avant tag on this release; this music doesn't sound like a set of drums being thrown down a flight of stairs at all! Rather, Roz Vitalis manages to create 30+ minutes of gorgeous, melodic instrumental prog, all of which is very accessible. The title track kicks off all-guns-a-blazin', with heavily distorted guitars and brass exchanging frantic, pounding rhythmic lines. After a hectic start, though, the chaos falls to silence and the EP's most memorable passage takes hold. Roz Vitalis takes their time to allow splendid wind, piano and guitar melodies to take the listener away, off to nostalgic summer pastures. Very beautiful and uplifting stuff these guys do, and it grows gradually to an intense, dynamic finish. Not too bad for an intro!

The rest of the EP follows with a tad more mellow approach. That isn't to say that it gets sterile or complacent, of course, not in the slightest. Each track that follows is still rich in textures, with hints of drama here and there, albeit often presented quite subtly. There's no doubt that Rozmainsky is a fantastic composer, and has a real knack for creating serene, relatable sorts of moods. The folk-ier sounding sections of "Passing Over" in particular sound almost like the sonic equivalent of a lazy summer afternoon.

I'm always overjoyed to hear artists that can manage to produce positive, uplifting music without sounding trite, and Roz Vitalis does a great job at that on "Psalm 6". Having said that, the music here just doesn't seem to demand enough "permanence", so to speak. Indeed, this EP is in fact just a teaser for an upcoming studio album, which I have no doubt will be fantastic if this is any indication of the standard of quality. Of course, I can't get over the sort of temporary quality that the EP presents; the first few plays are fantastic but there just isn't enough going on to warrant a lifetime of enjoyment. So maybe "Psalm 6" isn't an essential piece of prog to be remembered decades from now, but I still recommend giving it a try in the meantime. On the higher end of 3 stars!

 Psalm 6 by ROZ VITALIS album cover Singles/EPs/Fan Club/Promo, 2016
3.37 | 13 ratings

BUY
Psalm 6
Roz Vitalis RIO/Avant-Prog

Review by siLLy puPPy
Collaborator PSIKE Team

3 stars As with almost all releases by the St Petersburg, Russian act ROZ VITALIS, their newest release (in the form of an EP that is both an appetizer as well as a teaser for their upcoming album), this too is a concept album and deals with the human condition and how spiritual growth emerges from periods of extreme stress and upheaval. I say a sneak peak because both the title track and "Passing Over" will be re-released with new arrangements and additional layers of sound, so this EP can't be viewed in the light of an official full length release but basically serves as what EPs traditionally have been in the past.

The first and most apparent aspect of this release unlike any other release of their discography is that this immediately begins the title track with a bombastic guitar staccato assault that gradually weaves in additional instrumentation such as trumpets and additional guitars. My other first impression is that it's a tad more accessible, even commercial sounding compared to their previous angular rhythmic escapades down prog alley. This one sounds like it's well on its way to jumping into full prog metal but then after a couple of minutes it takes a 180 and transmogrifies into a super mellow almost folky approach that seems utterly divorced from the initial turbulence thus evolving into a folky space rock sort of melody that is highly accessible which is quite the change from previous offerings that always excelled in super progified doses of Rock In Opposition meets avant-prog.

"Trattamento 1" follows suit and becomes a very melodic space rock type of tune that continues the accessibility factor. It's almost as if the band has created an advertising campaign that is intended to entice new followers into the club. The magic in this one isn't in it's proggier-than-thou approach but rather in the tones and timbres that alternate along with some nice keyboard workouts within the context of the melody. As "The Prophet" slowly chimes in with its mellow keyboard parts, it's obvious that ROZ VITALIS is going for a much more subdued and easily listening (by prog standards) approach. After a career of frenetic prog workouts, PSALM 6 delivers a relaxed parade of melodies that are easily digested yet quite complex in how the instrumentation weaves in and out of timbres and musical textures tin their creation. It sounds a little too tame upon first listen but becomes more interesting as the listener focuses on the intricacies.

"Denial Of Access" delivers more of an expected melodic vs. complex approach that reminds me of past endeavors with different key parts sliding up, over and across each other like a pit of writhing snakes never knowing which slender serpentine torso is which. An amazing leapfrogging of key parts where one passes the torch to the next without fading out of the picture. "Passing Over" only continues all of these aspects but with some unexpected time sig changes but generally keeps it mild and mellow and never ruffles any feathers. This one might be a little long for what it offers but at least it's a pleasant ride. "Trattmento 2" ends the album with a predominantly keyboard only type of trade off of sounds.

This is definitely the most accessible release by ROZ VITALIS and if anyone needs to be coaxed into the club then this one will surely create an easy passageway into their more complex releases but personally i prefer the more sophisticated and daring releases. Despite that fact, i have to admit that these are extremely pleasant and melodious concoctions that take the same approach as Pink Floyd or Porcupine Tree in that there is a very definite approachability to the music but the complexity comes in through the subtleties of the production and arrangements and on those grounds this delivers quite well. I do indeed hope that PSALM 6 becomes the gateway drug for some into the deeper ROZ VITALIS universe because this is a band of extraordinary talent and originality that never simply repeats the same exact ideas on any particular release. This may be less prog oriented and more crossover but still quite the spectacular little EP of music but it is not quite the best the band has to offer. It's a nice little interlude between albums and all but i'm finding it a bit too tame and subdued for my tastes. Prog light is fine and dandy but i'd rather listen to pop if it's not prog with a little gusto :)

3.5 rounded down

 Psalm 6 by ROZ VITALIS album cover Singles/EPs/Fan Club/Promo, 2016
3.37 | 13 ratings

BUY
Psalm 6
Roz Vitalis RIO/Avant-Prog

Review by Matti
Prog Reviewer

3 stars ROZ VITALIS from St. Petersburg is an instrumental prog act led by composer and keyboardist Ivan Rozmainsky. I had the pleasure of getting and reviewing their latest album Lavoro d'Amore (2015), which I considered to be one of my favourite prog releases of that year. Now I was asked to review this 33-minute EP. It's said to be a sort of a preview of the upcoming full-length album. Sadly so, from my point of view. I could accept the shortness per se, but I don't like the idea of dealing with something that will lose some its value of usage when the finished product comes along. I try to take this music as it is, though.

The lengthy opening title track starts with rather metallic rock attitude and a heavy guitar riff that goes on for two minutes. Trumpets nevertheless make it clear that there's more to it. And indeed, the track continues beautifully as a flute-centred, melodic instrumental prog in a retroish manner. Electric guitar solo is lovely too, but the odd, distorted sound after that (a metallophone?) feels unnecessary to me. Synth-oriented 'Trattamento 1' starts with a New Agey atmosphere, but again the arrangement and mood go through some changes midway. This band never fails to be bravely progressive and find new sonic paths, while always offering familiar enough elements for an advanced prog-listener to feel comfortable.

'The Prophet' contains a lot of emotional contradictions represented by delicate piano, dystopically low bass playing and mysterious trumpet wailings, not forgetting the organ that makes me think of the Italian classic band GOBLIN. 'Denial of Access' is my least fave track here, it feels like a little odd excercise. 'Passing Over' returns to the more emotional, retro instrumental-prog approach, and the EP closes with a piano-oriented, melancholic 'Trattamento 2'.

This music is highly intelligent and full of surprises without losing emotional aspects either. There's no doubt that Roz Vitalis is among the finest prog acts in Eastern Europe today. But the nature of this release makes me stick with three stars only.

 Psalm 6 by ROZ VITALIS album cover Singles/EPs/Fan Club/Promo, 2016
3.37 | 13 ratings

BUY
Psalm 6
Roz Vitalis RIO/Avant-Prog

Review by Igorex

3 stars Another one good piece of news came from Russian prog band called Roz Vitalis some weeks ago: new EP Psalm 6 had been released 11th september of 2016. It's always interesting to hear new Roz Vitalis works for me because they bring something new every time. This release isn't an exception. This isn't a full-lenght album, just 33 minutes of music, but at least two tracks of it will be included [with some changes] in following LP. To tell the truth, I'm awaiting the result of this Roz Vitalis composing iteration (they played some material and posted live recordings here and there in the web) to see if they can exceed the peak they reached in previous Lavoro d'Amore album which is quite good record in all aspects, technically and structurally, and, as I think is the most interesting and complete work of the band at the time.

But, ok... Let's turn on our stereo system and listen to the recent EP. The first track entitled Psalm 6 is very strong progressive-rock composition with precisely elaborated structure (which definitly interprets christian text musically), good melodies and not typical for Roz Vitalis beginning of the track. Excellent solos are passing through the track also. Wonderful piece of music! It needs to mention The Prophet and Denial of Access which continues The Prophet and uses its musical theme: two tracks are in close conceptual relationship. The first one is based on national russian poet and writer A. Pushkin's poem called "The Prophet", and the second one is the band's musical interpretation of possible continuation of the first. The idea will be clear if you read the poem. But in my opinion those tracks in triade leaded by first Trattamento make the rest of the record sooo sleepy. (Need to say "Denial of Access" passed me away when I listened to the album at first time... because of zzzzzz... so soon after I decided to play the "Prophet and Denial" pair again but separately from other tracks. Excellent! These two tracks are actually that "something new" I wrote earlier about!) At least this slow triade will be followed with strong dynamic piece to wake the listener up, but it seems "Passing Over" with its perfect begin and end parts can not take this role in EP because of unattractive and primitive (not minimalistic, but primitive!) part from 1:55 to 3:22 which can not resolve the sleepy tension of previous triplet. And... I wanted to change/improve something there in that part when listened to it. Maybe it needs to oversound that noizy few-chorded organ sound with anything else which is more interesting technically?

I also advisely don't like to compare band's music with music of any other well-known bands because of Roz Vitalis own style which can be heard stronger and stronger in time through various musical styles of band's albums. I realized this when was listening to Lavoro d'Amore again and again, and Psalm 6 EP actually confirms my previous statement. So it is certanly very good as preview EP, and, of course, I'm looking forward to hear band's forthcoming full-length album.

 Psalm 6 by ROZ VITALIS album cover Singles/EPs/Fan Club/Promo, 2016
3.37 | 13 ratings

BUY
Psalm 6
Roz Vitalis RIO/Avant-Prog

Review by zravkapt
Special Collaborator Post/Math Rock Team

3 stars This is the latest release from this Russian group, a half-hour EP that is somewhat of a preview of their next full-length album. All instrumental as the music of Roz Vitalis usually is, this continues with their symph prog-meets-avant-prog sound (with a little bit of jazziness thrown in). One interesting thing I noticed was how the music sometimes stops and then starts again with completely different music; if you were not paying attention you would think a new track started. The title track starts off with rocking symphonic prog. Nice riff on guitar/bass/drums which gets overlaid with overdubbed trumpets which sound great. What follows is some mellower moods featuring passages for organ, flute, acoustic guitar and piano. Later on some nice electric guitar soloing; I like the changing rhythm during this part. At the end is a weird sounding organ(?) solo, the flow of the other instruments compliments this solo. One brief reprise of the opening riff to end it.

There are two keyboard-based tracks entitled "Trattamento" - the first begins with a minute of symphonic synths. Another section is more electric piano oriented. The second part is a longer version of the first part which ends the EP. Here the two sections are reversed. "The Prophet" almost sounds like classic 1970s Klaus Schulze at the beginning. Later some nice echoed bass, churchy organ and jazzy trumpet. "Denial Of Access" is modern classical. There is a synth part here which sounds like a really warped Mellotron. "Passing Over" is probably the highlight and is one of the tracks planned to be reworked for the next full-length album. It opens with a nice mix of piano, acoustic guitar and cymbals. The drumming is rather jazzy compared to the other pieces on the EP.

Good melodies on different instruments throughout the piece, some of them reprised. At one point there is a great part with phased organ. Briefly goes into a more free-form section in the middle. Really like the acoustic guitar and drumming towards the end. Keyboardist and leader Ivan Rozmainsky creates some wonderful melodies in the music of Roz Vitalis. They are not too avant to scare some people away but at the same time not sugary sweet and safe. Interesting group. I will give this a 3.5 rounded down to 3 stars. Can't wait to hear what the new album sounds like.

Thanks to felonafan for the artist addition. and to NotAProghead for the last updates

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives