![]() 2.69 | 3 ratings | 0% 5 stars
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Studio Album, released in 2005 Songs / Tracks Listing 1. Destiny Dethroned (4:44) Search ROZ VITALIS Enigmarden lyrics Music tabs (tablatures)Search ROZ VITALIS Enigmarden tabs Line-up / Musicians- Klara Metelkova / all recorders {soprano and alto) except [8], Peruvian native flute [6, 14], lead vocals [5, 7], harmonica [2, 8], music [1, 3, 6, 7, 11, 12, 13, 14] CD Independent Thanks to felonafan for the additionEdit this entry |
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Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(33%)
Good, but non-essential (33%)
Collectors/fans only (33%)
Poor. Only for completionists (0%)
This is the fifth album from the Russian musical project Roz Vitalis. It is catagorized as
RIO/Avant Garde, well, that sounds almost as an understement, what an adventurous but
weird progressive music this is! To me the music sounds melodic but very experimental:
most of the songs contains interplay between instruments like flute, organ and accordeon
or bombastic keyboards and thin female vocals or church organ and Peruvian flute or
marimba, percussion and organ or saxophone and organ. The sound of the church organ is
often used but I cannot say that this band comes close to the sound from ELP or Trace of
Le Orme, it's way too experimental, too fragmentic for me. The final track "Be Aware Of
Strangers" (at about 12 minutes) is the most alternating composition featuring many
shifting moods and instruments like the Peruvian flute, marimba, organ and female choir.
The only progrock band that comes to my mind is the more cacophonic King Crimson
("Islands"-era) or perhaps is Roz Vitalis the avant-garde answer to Mike Odlfield ... ?As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.
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Send comments to erik neuteboom
(BETA) | Report this review (#54926) | Review Permalink
Posted Sunday, November 06, 2005
This album contains both dissonant and ordinary-listener-friendly elements.
On the one hand, the two opening tracks are very dark (but the first one is more
listenable due to clarinets solos). The title track and the last track are the most
progressive ones. Such tracks are not for those who pr
... (read more)
Report this review (#58870) | Posted by snow_camel05 | Friday, December 02, 2005 | Review Permanlink
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