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NEUROSIS

Experimental/Post Metal • United States


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Neurosis biography
NEUROSIS is an American post metal/sludge metal band that was formed in the late 1980s. First starting off as a hardcore band, which is to be heard on the "Pain Of Mind" debut album, they gradually incorporated a more progressive approach in their compositions as the years passed by.

The music created by this California-based five piece is one of a kind. A typical aspect of their music is the experimentation with different musical styles. It seems that the band's main goal is to create depressing atmospheric metal, complete with raw, tortured-sounding vocals. Heavy metal pieces with dense riffing and impressive drumming are contrasted with sections that only exist of samples and slow and gentle instrumentation. All band members have a role of significant importance within the compositions, but it is the vocals that really make a difference.

Their music is widely considered to be so-called "sludge metal," a form of heavy metal that is regarded to be a fusion between doom metal and hardcore, but because of their experimentation with lengthy atmospheric pieces, they seem to have progressed beyond the boundaries of that genre.

Over the years the band gradually received the recognition they deserved and they were seen as an icon by quite a few bands that later would step in their shoes: bands such as for instance ISIS and PELICAN. There are quite a few people out there who happen to like all three bands and they call it "Neurisican," a combination of the three band names.

Although one might consider NEUROSIS to be an acquired taste, they are a unique band within the progressive metal scene. For those who are not yet familiar with the band I would recommend them to listen to the album "Eye Of Every Storm," which was released in 2004.

See also:
- Red Sparowes



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  • Purify Through Silver In Blood, 1996

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Buy NEUROSIS Music


Enemy of SunEnemy of Sun
Extra tracks
Neurot Recordings 1999
Audio CD$33.50
$16.01 (used)
Souls at ZeroSouls at Zero
Extra tracks
Neurot Recordings 1999
Audio CD$11.43
$9.97 (used)
Times of GraceTimes of Grace
Import
Imports 2015
Vinyl$32.70
$24.99 (used)
Honor Found in DecayHonor Found in Decay
Neurot Recordings 2012
Audio CD$9.69
$5.73 (used)
Through Silver in BloodThrough Silver in Blood
Relapse 2005
Audio CD$11.99
$5.19 (used)
A Sun That Never Sets 2xLP ReissueA Sun That Never Sets 2xLP Reissue
Relapse 2016
Vinyl$29.98
The Eye of Every Storm 2xLP ReissueThe Eye of Every Storm 2xLP Reissue
Relapse 2016
Vinyl$29.98
Through Silver In Blood 2xLP ReissueThrough Silver In Blood 2xLP Reissue
Relapse 2015
Vinyl$32.00
$119.00 (used)
Times of Grace 2xLP ReissueTimes of Grace 2xLP Reissue
Relapse 2015
Vinyl$29.99
$107.00 (used)
Eye of Every StormEye of Every Storm
Neurot Recordings 2004
Audio CD$17.73
$7.98 (used)
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NEUROSIS shows & tickets


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NEUROSIS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

NEUROSIS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.23 | 16 ratings
Pain Of Mind
1987
2.91 | 14 ratings
The Word As Law
1990
4.30 | 58 ratings
Souls At Zero
1992
3.75 | 39 ratings
Enemy Of The Sun
1993
4.27 | 152 ratings
Through Silver In Blood
1996
3.74 | 53 ratings
Times Of Grace
1999
4.01 | 71 ratings
A Sun That Never Sets
2001
3.34 | 19 ratings
Neurosis & Jarboe
2003
3.93 | 73 ratings
The Eye Of Every Storm
2004
3.50 | 71 ratings
Given to the Rising
2007
3.33 | 25 ratings
Honor Found In Decay
2012

NEUROSIS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.67 | 6 ratings
Live at Roadburn 2007
2010

NEUROSIS Videos (DVD, Blu-ray, VHS etc)

NEUROSIS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

NEUROSIS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.00 | 1 ratings
Black
1986
0.00 | 0 ratings
Demo
1986
3.00 | 2 ratings
Aberration
1989
3.00 | 1 ratings
Empty
1990
2.05 | 2 ratings
Locust Star
1997
3.93 | 9 ratings
Sovereign
2000

NEUROSIS Reviews


Showing last 10 reviews only
 Times Of Grace by NEUROSIS album cover Studio Album, 1999
3.74 | 53 ratings

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Times Of Grace
Neurosis Experimental/Post Metal

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars After releasing their landmark "Through Silver In Blood," NEUROSIS was a much better known act after touring with Pantera and continuing their mind blowing pioneering efforts in the world of post metal and sludge. The temptation to create a sequel to "Silver" had to have been intense but once again NEUROSIS proved that you can continuously move on into new musical territories and create something new out of the old. Such is the case with their sixth full album TIMES OF GRACE. Although this is clearly endowed with much of the sludgery of the past, it is a clear attempt to mellow things down a bit. In fact all throughout the 90s NEUROSIS was also producing ambient music under the name Tribes Of Neurot, which included all the band members and other musicians not in NEUROSIS and the band had always added some of their ambient electronic wizardry to their metal releases but on this album they add even more and this album was actually designed to be heard side by side with the "Grace" album by their Tribes Of Neurot project.

TIMES OF GRACE delivers much more of a post-rock feel than a sludge assault and although there are still remnants of the frenetic tribal drumming on the "Under The Surface," we get a much calmer and simplified drumming style on this album reminding me more of bands like Isis or Pelican. The intro track "Suspended In Light" is a full-on ambient number and the electronic background soundscapes continue throughout the entire run. The guitars seem to me to sound more like grunge at times. By the time we get to some of the later tracks like "Away" it sounds like the album totally morphed into the post-rock world with little metal at all being heard. The slow recurring clean guitar sounds with the slow hypnotic drumming and mournful violins sound more like A Silver Mt Zion release than the NEUROSIS of yesteryear.

The result of this toning down meant that this album took longer to grow on me than the preceding ones that immediately blow the roof off the house. The rewards are more subtle and require patience. I have only started to warm up to this album lately. It has always been one of my lesser favorites of their outstanding output. One of the things i really love about NEUROSIS has been the frenetic drumming and pummeling sludgery so i had to learn how to appreciate this one on a whole different level. That i have learned how to do but despite warming up to this release i still like it less than most others. NEUROSIS have always been pioneers with their bold experimentation but here they don't seem to really add anything new to these particular sounds, they just mix it up a bit. That is fine and dandy and it really is good for what it is but they spoiled me and i was expecting more. Luckily this was just a rest stop on the musical highway and other than on the EP "Sovereign" they would move on to new musical pastures.

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 Through Silver In Blood by NEUROSIS album cover Studio Album, 1996
4.27 | 152 ratings

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Through Silver In Blood
Neurosis Experimental/Post Metal

Review by siLLy puPPy
Collaborator PSIKE Team

5 stars NEUROSIS continues their steak of innovative metal music on their 5th studio album THROUGH SILVER IN BLOOD. They boldly continue their experimental path by upping some of their traits but also retain others. For example, they still use a little bit of the sampling utilized on the previous album but don't overdo it. Where they excel on this most popular album of their entire discography is in the delivery of the most intense sludgy metal riffs ever created with some intense tribal drumming patterns that are unlike anything metal at this point had incorporated into its mix. In fact some of the drumming reminds me of electronic music mostly associated with psytrance, psybient and other non-metal genres but NEUROSIS freely borrows here and there and successfully fuses it all with some of the most wicked sludge riffing ever! They also master the art of slow hypnotic atmospheric construction. Slow acoustic passages build up to intense aggressive punk-inspired shouted ragefests.

This is a perfectly balanced album that delivers all the right ingredients in the proper proportions. An epic affair if I do say. Although the main instruments include the usual metal suspects such as guitar, bass, keyboards and drums, there is also the occasional appearance of bagpipes, cello and violin. This is a post-metal masterpiece that flows brilliantly from beginning to end. Another one of those albums that rubbed me the right way upon first listen but consistently grows on me more every time I listen to it. Once again NEUROSIS doesn't rest on their laurels. They know exactly how to evolve from one album to the next taking risks by adding new elements but never deviating so far from their core sound as to totally alienate any dedicated followers. With a sound so successful I am thankful that they have chosen to retain a core sound as their template because it is a successful one that deserves a lot of room for exploration.

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 Enemy Of The Sun by NEUROSIS album cover Studio Album, 1993
3.75 | 39 ratings

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Enemy Of The Sun
Neurosis Experimental/Post Metal

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars NEUROSIS has become one of my favorite bands of all time. What I love about them is their ability to give every album its own personality and sound while keeping the basic doomy sludge metal sound that they are known for. On their 4th album ENEMY OF THE SUN they continue the post metal sludge that they invented on their previous album 'Souls At Zero' but they created a more atmospheric piece this time around relying heavily on introductory samples of different source material like news clips, ambient electronica or ethnic music. The result of all this is a more experimental sounding album that sounds a little less harsh than the previous and future releases.

The first track sounds like something that could be on the first Black Sabbath album as it is clearly more doom metal than sludge but after the first couple of tracks they start introducing more bizarre soundscapes to the mix and at times some of the ambient more trippy parts remind me of Krautrock. Although I love this album from beginning to end it is not as perfectly executed as 'Souls At Zero' mostly because of the fact that some of the ambient and tribal drumming outros outstay their welcome. Just when you think it feels like it should be ending it continues and keeps going. Although that keeps this from being another masterpiece it still is an excellent album that shouldn't be overlooked simply because it falls between two of their more popular releases.

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 The Eye Of Every Storm by NEUROSIS album cover Studio Album, 2004
3.93 | 73 ratings

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The Eye Of Every Storm
Neurosis Experimental/Post Metal

Review by Warthur
Prog Reviewer

3 stars Aside from a collaboration with Jarboe, this is the first Neurosis album to have come out since A Sun That Never Sets, and the sludge metal had changed substantially since then with acts like Isis issuing incredible albums like Oceanic to challenge Neurosis for the subgenre's crown (and Cult of Luna were fast becoming strong challengers too). Here, Neurosis double down on the bleak direction set by the preceding work, though if Steve Von Till was responsible for "filters and textures" I can't help but wonder whether a different hand on the tiller might have been called for, since much of the album's textures feel kind of off to me to an extent I find distracting. (In particular, the vocals sound thin and weak to me.)

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 Souls At Zero by NEUROSIS album cover Studio Album, 1992
4.30 | 58 ratings

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Souls At Zero
Neurosis Experimental/Post Metal

Review by siLLy puPPy
Collaborator PSIKE Team

5 stars This album starts out with a talking bowl accompanied by spoken words about starting out on a journey. Wow. They aren't kidding. This album is a sonic journey indeed.

I have not heard the first two albums by NEUROSIS so I can only speculate by reading reviews that they were fairly simple creatures that had not yet blossomed into what we hear on this masterpiece of metal music. I actually came across this album by listening to a college radio station that played "Stripped" and I was so extremely taken by the ingenuity of the track that I immediately went out and bought the album after learning who it was and by only recently being officially NEUROSIS-ized with the intoxicating THROUGH SILVER IN BLOOD.

NEUROSIS took a great leap of faith with this album. By incorporating the vocal influences of Swans, the industrial riffing of Godflesh and the progressive post-rock of Talk Talk with additional embellishments of progressive layerings including piano, violin, Gregorian chants and others into the mix, NEUROSIS simply created a well balanced musical masterpiece by putting all the pieces in the proper places. It is amazing how well this album flows from beginning to end and despite wanting to sample a little just to get a little more perspective before this review, so sucked in was I that I couldn't resist listening to the entire album again. It is so good that it has a gravitational pull that I cannot resist.

And now I must comment on the album cover. The band says that it was supposed to be a likeness from the movie "The Wicker Man" but since they couldn't get permission to use it they had to make a mysterious figure that evoked its image. For me this also reminds me of the Shrike's image from the cover of the fantastic sci-fi books from the Hyperion series but it also evokes a likeness to the Man himself at the Black Rock Desert, Nevada event Burning Man (which I have attended ? Woohoo!)

Not only is this album a masterpiece but a full-fledged turning point in music that combined post rock and metal and added progressive elements. One of the best albums of all time.

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 The Eye Of Every Storm by NEUROSIS album cover Studio Album, 2004
3.93 | 73 ratings

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The Eye Of Every Storm
Neurosis Experimental/Post Metal

Review by bonestorm

5 stars Neurosis is not a band that would come to mind if I were to name my top 10 or 20 artists going around. For the most part, I've found it difficult to get into most of their sizeable collection of works.

There's a notable exception with 2004's "The Eye of Every Storm". This is one of my favourite albums, and the best I heard in that year.

The album opens with "Burn", a track that begins with great percussion and tortured guitar over the top. The opening lyric sets the tone for the album. "You lie in the snow, cold but not dead". After a few minutes the track makes a transition to some wonderful atmospherics and whispered vocals. Scott Kelly is sublime in his vocal delivery on this album, and this section exemplifies it perfectly. As he warns "Don't let it steal your eyes" the music ramps up again for a great crescendo.

"No River to Take Me Home" continues in the same vein with a slow, melancholic guitar riff leading into the first of several passages in the song. As with the opening track there is a quiet section with whispered vocals used to great effect. The last few minutes comprise of another plodding, catchy guitar riff that trails off to silence.

Track 3 is the title track and it's a gem, full of briliant atmospherics and once again amazing vocal delivery. A hunted outcast hurtles into an oncoming tempest. Simply mesmerizing. Once again there are a number of passages in this song as the journey is played out. As things quieten at around 5 minutes, synths surge to the forefront. They are like the steadying heartbeat of the protagonist as he calms himself for what lies ahead. In the final passages we're told "Time brings them all home to the eye of every storm".

"Shelter" is a gorgeous instrumental that carries on the theme of the album perfectly.

Then we're presented with what I believe is the centrepiece of the album. "A Season in the Sky" begins with solemn guitars setting the mood. As I listen, I can almost feel the sand under my feet and the desert night sky above. Scott Kelly delivers the lyrics almost as spoken word for most of the track. I could quote the whole song, but will restrict myself to this: "I drifted silently to the desert and began to pray. I came to a pile of ashes and sifted through it looking for teeth." Wonderfully evocative, and when combined with that desolate guitar, simply amazing. When the rest of the band kicks in there's no respite from the heartwrenching mood that has been established. The distorted guitars are as heavy as lead and further crush the listener under the weight of this monstrous track.

This is an album about being lost and alone, cold and desolate, in an unforgiving wilderness with no way out. There's a stark beauty chiselled out of this hopelessness that is nothing short of breathtaking.

For those who love music that paints a picture inside the mind, and that transports one away to somewhere else, it doesn't get better than this.

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 Honor Found In Decay by NEUROSIS album cover Studio Album, 2012
3.33 | 25 ratings

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Honor Found In Decay
Neurosis Experimental/Post Metal

Review by UMUR
Special Collaborator Honorary Collaborator

4 stars "Honor Found in Decay" is the 11th full-length studio album by US sludge/post metal act Neurosis. The album was released though Neurot Records in October 2012. Since the release of "Given to the Rising (2009)", the band members have taken part in various other projects. Especially frontman Scott Kelly has been busy working on both the "Shrinebuilder (2009)" album and his 3rd full-length solo album "The Forgiven Ghost In Me (2012)".

The music on "Honor Found in Decay" is slow paced, heavy/doomy and atmospheric metal. Call it sludge, post-metal or doom, the fact of the matter is that it's dark and brick heavy. The heavy riffs are often layered with atmospheric effects, samples and keyboards. The drums often have a tribal feel to them, which provides them with an adventurous sound. To top it off you got the raw yet not completely non-melodic vocals by Scott Kelly. He is the kind of vocalist that bleeds harsh life experiences and authenticity and his distinct sounding vocals and convincing delivery bring a lot to the music.

The 7 track, 60:47 minutes long album is a dark journey and a leasson in how to create heavy and atmospheric music, that while it is at times hypnotically repetitive (check out the closing minutes of "My Heart for Deliverance"), it's still entertaining, and most of the time the repetition serves a justified atmospheric purpose. The only track on the album I feel is slightly sub par to the rest is "Casting of the Ages". That track just hasn't won me over yet. Fortunately the rest of the tracks are brilliant and as with most of Neurosis output, they grow on you with repeated listens. A track like the above mentioned "My Heart for Deliverance" is simply brilliant, but also "At the Well" and the more experimental "Bleeding the Pigs" score high in my book.

While "Honor Found in Decay" is probably not an album that'll surprise fans of the band, it's still obvious that Neurosis are as creative and determined as ever. They not only write intriguingly structured and damn heavy and atmospheric music, they also deliver that music with a burning passion that's admirable. Releasing consistently great and interesting albums for so many years is not an easy task. So upon conclusion "Honor Found in Decay" is another great album in a long line of great albums, featuring strong songwriting, great musicianship and in this case an organic sound production that suits the music well. A 4 star (80%) rating is deserved.

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 Honor Found In Decay by NEUROSIS album cover Studio Album, 2012
3.33 | 25 ratings

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Honor Found In Decay
Neurosis Experimental/Post Metal

Review by Warthur
Prog Reviewer

2 stars For their latest sludge metal/post-metal offering, Neurosis offer up more of the same, and if that's all you expect or want from them I guess that's enough. However, those who prize Neurosis because of the adventurous experimentalism on display in Souls at Zero or Through Silver In Blood will struggle to warm to this release. With predictable, by-the-numbers tracks, the band seem to be going through the motions; the doomy riffs are like any other doomy riff produced by any other sludgey doomy band, the vocals feel anonymous and lifeless, and overall the band just seem unutterably tired. It'll tickle the fancy of their more uncritical fans, but I can't help but wonder whether they even want to be Neurosis any more.

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 Souls At Zero by NEUROSIS album cover Studio Album, 1992
4.30 | 58 ratings

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Souls At Zero
Neurosis Experimental/Post Metal

Review by Warthur
Prog Reviewer

5 stars Souls at Zero finds Neurosis exploring a dizzying variety of different directions to expand their sound in, with the end result being that it's a foundational album of not just sludge metal but also post-metal. The distorted, muzzy guitars and shouted hardcore-influenced vocals of sludge emerge here and there, whilst other musical passages manage to incorporate the classic post-rock sound before many of its proponents even managed to put out an album. I can well see why this album would be startling coming from a band who had previously played in a solidly thrash/hardcore melange up to this point - even after hearing albums like Through Silver In Blood, I find myself taken aback by how varied and how excellent the album is.

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 The Eye Of Every Storm by NEUROSIS album cover Studio Album, 2004
3.93 | 73 ratings

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The Eye Of Every Storm
Neurosis Experimental/Post Metal

Review by JJLehto
Prog Reviewer

4 stars With this album Neurosis takes a more standard post metal sound, though you can't knock the band for that, since they invented the sound.

I actually prefer newer Neurosis over old, simply put: atmosphere over aggression (as one person once told me). Of course atmosphere has been a Neurosis staple since '92, they've been belting out lengthy, atmospheric metal long before Isis or even Tool, but on "The Eye of Every Storm" they adopt a more heavy/light interplay style, and is greatly subdued. Their bludgeoning, sludgy guitar dirges are still around, but just much less. Neurosis has no problem utilizing melodic passages, and even minimalism.

Opening track "Burn" and "The Eye of Every Storm" have lengthy movements that are almost solely vocals, the latter being backed up a continuous "wub", psychedelic noises and splashes of guitar.

These two being standout tracks. "Burn" is, again, pretty standard post metal, though so well done. Heavy/light transitions, building to a powerful climax. His gruff, sludge metal vocals are so fitting...he does it in a more "singing" style and over soft, beautiful music it creates such an emotional, tortured feeling. Awesome song.

"The Eye of Every Storm" moves like a storm, gradually rolling in until it reaches a real moving part, before entering a long quiet section. A baritone talking takes the forefront, as mentioned earlier, backed up by various trippy noises. Really let it sink in, what he's saying, the ambiance, everything.

Another brilliant song is "Bridges". A steady, (though very distant) punk drum beat carries on while sparse piano, vocals, and fluttering psychedelic noises take the forefront. Picks up a bit before a schizo journey of drones and borderline silence takes over. Both parts are awesome, though it takes some patience to grasp all the subtlety in the quiet (on casual listen it'll sound like honest silence) before a rockin ending. Atmospheric, post metal to the nth degree.

That's really how to best describe whole album. A lot of quiet, spaced with heavy, (in their classic slow, even droning, nature) tons of little detail. Pretty heavy use of synth, though it's never prominent, just filler...another piece you may not hear at first but adds another dimension.

The vocals are still Neurosis' strained, sludge metal style though even here more subdued. He still lets it soar, but all the time and while I was never a huge fan, I like it much more here. The restraint does well, and of course makes it more powerful when he takes off.

No doubt, like most of the bands work this is a difficult album. Even I struggle a bit with some Neurosis. "The Eye of Every Storm" requires some patience and a fine ear. It's not the best for casual listening, as the long quiet parts would have to be boring, this is best for active listening. To really feel this albums power and absorb all the subtle songwriting it's best to sit down, do nothing, and let the album take you over. I like to put it on early morning after I wake up, sitting there relaxed playing this album, or doing so whenever I have some nice down time.

While it's extremely well done, the album is a tad formulaic and it's difficulty may be a turn off, (though I found it easier to get into then old school, crushing Neurosis). The gods of post metal have done it again, putting out a unique and superb post metal album.

Four Stars

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