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THE WHITE DEATH

Fleurety

Experimental/Post Metal


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Fleurety The White Death album cover
3.00 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2017

Songs / Tracks Listing


1. The White Death (7:49)
2. The Ballad of Copernicus (6:15)
3. Lament of the Optimist (3:50)
4. Trauma (3:53)
5. The Science of Normality (6:01)
6. Future Day (3:37)
7. Ambitions of the Dead (4:44)
8. Ritual of Light and Taxidermy (7:02)

Total Time 43:11

Line-up / Musicians


- Svein Egil Hatlevik / Vocals, Drums, Percussion, - Keyboards
- Alexander Nordgaren / Guitars

Guest/Session:
- Karl Kristen Risan Sandås / Keyboards
- Linn Nystadnes / Vocals (female)
- Krizla / Flute
- Flipz / Vocals (backing)
- Aggressor / Bass, Vocals

Releases information

Label: Peaceville Records
Release date: October 27th, 2017

Thanks to UMUR for the addition
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FLEURETY The White Death ratings distribution


3.00
(2 ratings)
Essential: a masterpiece of progressive rock music (0%)
0%
Excellent addition to any prog rock music collection (0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

FLEURETY The White Death reviews


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Collaborators/Experts Reviews

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
3 stars "The White Death" is the third full-length studio album by Norwegian avant-garde/black metal act Fleurety. The album was released through Peaceville Records in October 2017. Itīs the successor to "Department of Apocalyptic Affairs" from 2000, so itīs been quite a few years since the last album. Fleurety havenīt been completely inactive though releasing no less than four EPs in the years between 2009 and 2017. Fleurety formed in 1991 and initially played black metal, but eventually drifted towards an avant-garde metal style in the late 90s/early 00s.

The duo lineup of Svein Egil Hatlevik (vocals, drums, percussion, Keyboards) and Alexander Nordgaren (guitars) is still intact from the last album. Fleurety is helped be several session musicians who perform bass, backing vocals, female vocals, keyboards, and flute.

While the musical direction of "The White Death" can still be labelled avant-garde metal, there is a huge difference between the abstract melancholic/often eerie sounding blackened avant-garde rock/metal style of "The White Death" and the all-over-the-place odd avant-garde metal style of "Department of Apocalyptic Affairs". If you didnīt know it you wouldnīt have guessed that itīs the same band releasing the two albums, but you can of course also add Fleuretyīs debut full-length studio album "Min tid skal komme" to that pile as itīs a full-on black metal release, which sounds nothing like either "Department of Apocalyptic Affairs" nor "The White Death". So, Fleurity is indeed a shape-shifting creature.

There are a few nods here and there to the bandīs black metal past ("Lament of the Optimist" for example features blast beating black metal sections) but "The White Death" is predominantly not a black metal release (a track like "Future Day" for example sounds like a combination of Comus and Dead Can Dance). Itīs dark, abstract, and melancholic/eerie sounding avant-garde rock/metal which often consists of just a simple beat, some dissonant guitar riffs/keyboards, and some vocals. Other times there are more musical layers, and itīs definitely an interesting and challenging release. The album is not easily compared to other contemporary releases and Fleurity donīt sound like any other artist either, but artists like Virus, Dødheimsgard, Ved Buens Ende, and Code can maybe at least lead you in the direction of what to expect on "The White Death".

The album features a dusty, raw, organic, and somewhat stripped-down production style, and it suits the material well. To my ears "The White Death" isnīt a perfect release, but itīs much more consistent in style than the eclectic sounding "Department of Apocalyptic Affairs". For avant-garde metal fans eclectic sounding releases usually arenīt an issue and Iīm sure there are many who find "Department of Apocalyptic Affairs" a more accomplished and challenging affair than "The White Death", but the more consistent and accessible sound of "The White Death" has other qualities, which make it appealing. A 3.5 star (70%) rating is deserved.

(Originally posted on Metal Music Archives).

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