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Experimental/Post Metal • United States

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Tool biography
Formed in Los Angeles, California, USA in 1990 - Still active as of 2017

TOOL formed with Maynard James KEENAN (vocals), Adam JONES (guitar), Paul D'AMOUR (bass) and Danny CAREY (drums). The band is well known for their disturbing lyrics, creative groundbreaking musicianship and imaginative music videos.

Singer Maynard James KEENAN has collaborated with bands such as NINE INCH NAILS, RAGE AGAINST THE MACHINE and provides vocals for A PERFECT CIRCLE. The singer is well known for having a supernatural ability to hold long notes with his voice. Adam JONES is a very skilled guitarist who also creates the band's videos and artwork. He was also chosen to be on the effects team for the movie "Terminator 2". The band often spend quite a few years writing and recording their albums in order to make them perfect and there is often a gap of 5 years between each studio album.

The band's first full length album is 1993's "Undertow", which played an important role of sculpturing and pioneering the prog metal scene that exists today. TOOL mastered the lengthy song structures, guitar effects, unique riffs and solo's backed up by KEENAN's amazing voice that can stretch long notes. Three years later the follow up "Aenima" was released, a masterpiece which received excellent reviews and was a clear step up from the previous album. This includes a mixture of anger fueled songs and emotional, tortured songs. The album also settled for a more progressive sound and contained many lengthy pieces.

2001 saw the band's masterpiece, "Lateralus". It was almost impossible to better the last album but they pulled it off. This lengthy album showed off the band's lyrical and musical skills to the maximum. One of the best prog rock albums I've ever heard. The album was succeeded by another five year hiatus where the band members worked on their side projects.

2006 finally saw the band's eagerly awaited new album "10,000 Days" which was initially met with praise from both the fans and critics, making it their second album to top the Billboard 200. Over time, the album began to lose some of its initial praise due to the material's less ambitious content when compared to "Lateralus".

The band is currently on another hiatus where KEENAN is mainly occupied with his latest side project PUSCIFER while JONES and CAREY have began to do the ground work for the band's fifth album. ...
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Sony Legacy 1996
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TOOL discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

TOOL top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.18 | 510 ratings
4.09 | 822 ratings
4.22 | 1374 ratings
3.84 | 836 ratings
10,000 Days

TOOL Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

TOOL Videos (DVD, Blu-ray, VHS etc)

TOOL Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.65 | 117 ratings

TOOL Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.75 | 12 ratings
2.81 | 201 ratings
Opiate (EP)
3.78 | 28 ratings
Prison Sex
4.36 | 36 ratings
3.85 | 33 ratings
3.86 | 32 ratings
4.00 | 33 ratings
Forty Six & 2
3.55 | 53 ratings
3.88 | 57 ratings
3.73 | 52 ratings

TOOL Reviews

Showing last 10 reviews only
 10,000 Days by TOOL album cover Studio Album, 2006
3.84 | 836 ratings

10,000 Days
Tool Experimental/Post Metal

Review by The Crow
Prog Reviewer

4 stars With 10.000 Days Tool failed to deliver another masterpiece like Lateralus, but they managed to create an excellent album with some of the band's best moments, among other mediocre parts.

The production of the album is really good , with more balance progagonism of every instrument compared to Lateralus, where the guitars are god. I find the obsession of Maynard to distort his voice in some songs a bit annoying, but otherwise nothing to complain about the sound of the record.

Vicarious is just a perfect song, with outstanding lyrics and a perfect balance between commerciality, technicity and obscurity. But Jambi is even better, presenting the best Adam Jones guitar work to date. Just amazing start for this album!

But sadly, Wings for Marie is too slow and boring, despite the solid lyrics. 10.000 Days is better, thanks to the powerful second half, but inevitably the sensation of quality descent is there. But suddenly comes The Pot, another great song with one of the best Maynard James Keenan works on vocals. A classic!

But Tool does it again... Lipan Conjuring is absurd and pointless again, while Lost Keys (Blame Hoffmann) is a superficial introduction for Rosetta Stoned with nice guitar layers, but nothing more. Since Aenima this band is obsessed in introducing this little silly tracks wich are normally just pretentious, dull and unnecessary. And 10.000 Days is no exception.

Nevertheless, Rosetta Stoned is another thrashing track, with funny lyrics, very rhythmic and complex. Very good!

But then comes Intension... Once again too slow, but with mysterious and cryptic lyrics, very well written and a song wich leads to Right in Two, another highlight on this albums with top lyrical work. Similar to 10.000 Days in intensity and structure, but better.

And Viginti Tres? A vain reference to Nostradamus and the Antichrist, really boring.

Conclusion: 10.000 Days contains five great and three nice songs. The rest is rubbish. But the problem is that the good parts are so incredible, that I must give this album four stars. Is by far not so good as Lateralus, and it's also clearly under Aenima in my opinion, but it's another strong release from one of the most interesting and unique bands un progressive metal. And it contains the best lyrics of the band's history in my opinion! And that's is not a little thing.

Let's hope the best for the album that Tool are composing right now! I think It will not be their best, but I hope that surpasses this not so great 10.000 Days.

Best Tracks: Vicarious, Jambi, The Pot, Rosetta Stoned, Right in Two.

My rating: ***1/2

 Lateralus by TOOL album cover Studio Album, 2001
4.22 | 1374 ratings

Tool Experimental/Post Metal

Review by The Crow
Prog Reviewer

5 stars Lateralus is without a doubt the Tool's most outstanding masterpiece, a milestone of progressive and alternative metal and an album wich influence is still notable today. A dark trip to human heart inspired by its rythm.

One of the most incredible facts of Lateralus is how good the album aged. Hearing this great work today is still impressive! Tool managed to create a timeless sound with a perfect production rich on details. The guitar and drums sound are astounding, and Maynard James Keenan never sung better.

Lateralus is also always fun to listen, thanks to the complex, surprising and deep structure of this wonderful bunch of songs. Here are also a pair of silly tracks (Eon Blue Apocalypse, Mantra), but they are not so abundant and not so annoying as they were in Aenima. The rest of the tracks are just flawless.

Best tracks: The Grudge, Schism, Parabola and Lateralus. But all the songs are really good!

Conclusion: Lateralus is the best Tool album, containing the finest work of every member of the band and also the best balanced production if the whole band's career. Variated, challenging, dark but also really enternaining music, with unforgettable songs that have reached the status of modern classics among the years.

My rating: ****1/2

 Lateralus by TOOL album cover Studio Album, 2001
4.22 | 1374 ratings

Tool Experimental/Post Metal

Review by Scorpius

2 stars Before we get into the meat of my review, I would like to explain my 2 star rating. I am very open to listening to new types of music, and for me, progressive metal was a new journey. I figured I would start from what is considered the best in the prog metal genre. After listening to this album with an open mind, I've come to a conclusion: either I'm more biased against metal than I think, or I just don't hear something in this album that most everyone else seems to. Here is my actual review.

The Grudge: 5/10 A decent opener, didn't really peak, but was fun and decent to listen to. Sets the mood for the rest of the album. It does what an opening track is supposed to, nothing more, nothing less. If it had done a little bit more to not be repetitious, I would give it a higher rating.

Eon Blue Apocalypse: 3/10 A fine transition, but why? The album didn't gain anything from it being on the album. It's a decent track, but it just seems like pointless filler to me.

The Patient: 4.3/10 A solid track that should have been an instrumental. Let me get this straight; I absolutely despise the vocals for this album. The auto tune is very strong with this album, and this band in general, it seems. If this track had been an instrumental, I might have actually enjoyed it.

Mantra: 7/10 The only good transition on this album, and a great setup for Schism.

Schism: 9/10 This track (and the title track) are the only reasons I gave this album as high a rating as I did. This is one of the only tracks on the album that, for me, made me want to listen to even more of the album. My brain always feels absolutely numb afterwards. This song is genius (along with title track), but 2 rights compared to 10 wrongs (in my opinion) really doesn't do much for the album.

Parabol(a): 4/10 I'm gonna combine my review for these 2 tracks into one giant review. Which is exactly what the band should have done when they made these tracks. I understand that its cool to have a calm song before a heavy song and that the songs have a name similarity, but its such an overused prog cliche. Not to mention the songs just seem bland and generic.

Ticks and Leeches: 4.7/10 The only reason this song got even a 4.7 is the drumming. The vocals are [&*!#], and the song is repetitious (again). Thats probably my biggest problem with this album: it just seems like pointless repetition to me. Coming from a hardcore King Crimson fan, that should tell you something. 70's hardcore edgy Crimson is my favorite generation of the band, but this prog metal band seems pointless and repetitious. it tries too hard to be hardcore, and again, I despise the vocals.

Lateralus: 9/10 Like I mentioned while I was discussing Schism, this track and that ones are the only reason I gave this album as high a rating I did. its just an enjoyable track. Nothing else to say about it.

Disposition: 4.5/10 A "meh" transition track. Nice bassline, but goes absolutely nowhere.

Reflection: 3/10 A continuation of Disposition, it follows a similar pathway, and takes f*cking forever to climax. I love long songs, (Echoes by Pink Floyd is my favorite song ever), but just because its a long song doesn't mean it has to take forever to climax. I'll compare this to Pigs (Three Different Ones) by Pink Floyd because they have a similar song length. That song has amazing vocals and sends a political message. It also features about 3 guitar solos, one of which uses a talkbox (type of wah pedal). Reflection just seems pointless. Its got a slow (11 minute) build-up, horrid, auto-tuned vocals, and for what? A guitar solo at the end. There are many, many prog songs that follow the same trope and ace it. This track, however, did not.

Triad: 2/10 Another instrumental, (I almost forgot the band did instrumentals, as its been 7 tracks since we've seen one), it features some heavy riffing and then 2:10 minutes of silence. Absolute silence. Absolute. F*cking. Silence. I don't know if this is what some people consider "genius", but I sure don't.

Faaip de Oiad: 0/10 This album has a theme for pointless nonsense. This is exactly that. Just end the goddamn album already.

Thank you for reading my review (or rant, depending on your point of view). I apologize if I angered or offended anyone in my review. Please just remember that you are reading a review that someone you don't know personally wrote about an album he doesn't like. We cool? Cool.

 Undertow by TOOL album cover Studio Album, 1993
3.18 | 510 ratings

Tool Experimental/Post Metal

Review by Rodrigo Andrade7

4 stars This is not Tool's debut album but its their first studio album and also a big improvement from "Opiate" "Undertow" combines this raw sounding with very strong upbeat and heavy songs. For a first studio album it is superb, you can hear the sounding of the music turning more and more progressive with very progressive guitar riffs, amazing vocals and really strong lyrics. There is no single deviation on this album from the beginning to the end of it, all the songs are reasonably short and fast (except for the last track) but all of them are memorable. I actually consider this album to be Tool's real debut, since "Opiate" wasn't anything special for me, "Undertow" excites me in every way because it has a way bigger approach to progressive music and gives a taste of whats to come in the future for this band, this is the real start of Tool for me. For many fans, this is the only album they like from tool, however for other fans, they only like the other 3 and dislike this one and "Opiate". Can be quite understandable since Tool only started to have a big carreer since "∆nima" having very complex music, but I personally love them all, Tool is my favorite band, but you gotta consider that this album is still the beginning for tool, but don't ever think this is a weak or a less significant album, you'd be really wrong, this is a album I love to listen and Tool is in my opinion the strongest modern progressive band there is. Songs in this album like "Sober" , "Prison sex" , "Undertow" , "Swamp Song" and "Intolerance" are just completly unforgettable and remarkable.
 Undertow by TOOL album cover Studio Album, 1993
3.18 | 510 ratings

Tool Experimental/Post Metal

Review by Prog Leviathan
Prog Reviewer

3 stars I first heard about Tool when I was in high school. I wasn't a fan then. They were very popular, and after listening to Undertow, it's easy to see why. The band is punchy, sonically and lyrically, with a nuanced metal vibe that supercharges the alt-rock approachability that permeated the mid-90's. Mostly though, Tool was popular because Maynard's passionate vocals and very, very angry lyrics. This is probably where the band lost me. I wasn't nearly so jaded back in those days! This album is a like ball of pent up rage, disgust, and spite just waiting to be let out; for most 15 year-olds trapped in high school, it's easy to see the appeal.

Fortunately for prog fans, Tool has a lot of musical appeal, too, even on this early album where the band is still working out their identity and sound. For an alt-rock album, it's amazingly ambitious and effective; for a prog-metal record, it's somewhat light-weight. The song writing isn't as creative or gripping as we'll hear on their later works, though still great when compared to the sort of standard FM fare we still hear on modern rock radio stations. For me the biggest attraction is the band's playing, which is undeniably great. Each member of Tool is like a dark magician, creating evil spells alone in a corner with their instruments. There's no member of the group that steals the spotlight, with solo moments, for example; instead, the band are consummately focused on the effect that each of their evil spells contributes to the experience. The rhythm section is one of the best in modern rock, and Adam Jones' guitar single-handily creates an astounding amount of noise and effects.

Of course, one can't talk about a Tool album without touching on Maynard Keenan. The guy's a master performer. His emotion and phrasing are well above his peers, though in this early album his lyrics are so focused on frustration and anger that they sort of lose me in the end. The songs have messages, but they're usually about how much the narrator wants the listener to die. Being the listener, I sort of have a problem with that! So for this early outing, Maynard's vocals get a pass.

The album as a whole should definitely be picked up by fans of the band, who on Prog Archives are probably coming from the group's more diverse, experimental, and enjoyable later albums. If you enjoy dark, fuzz-heavy, and menacing metal, Undertow could become a go-to release for you; for me, it's an every once and a while enjoyment.

Songwriting: 3 - Instrumental Performances: 4 - Lyrics/Vocals: 3 - Style/Emotion/Replay: 3

 Lateralus by TOOL album cover Studio Album, 2001
4.22 | 1374 ratings

Tool Experimental/Post Metal

Review by RuntimeError

4 stars Tool defined their own sound and made it big.

There's not much to say about this record. Probably every prog rock and/or progressive metal fan has heard something from this record. It features Tool's signature riffing in non-standard time signatures and very pressuring, even claustrophobic atmosphere that finally defined Tool's vision. Keenan's vocals never sounded better and they are very pleasantly in key, even the most demanding screams. There are a lot of highlights in this record and obviously the opener : 'The Grudge' sets the mood very well, while not being the strongest track. 'Eon Blue Apocalypse' is more of an intro the 'The Patient' which is one of Tool's finest songwriting moments but unfortunately here Keenan's vocals are not arranged to their full potential. I think they should have utilized his screams instead of the whiny vocals to emphasize the different emotions going through this song.

As the album progresses to 'Schism' through 'Mantra'. The band introduces us one of the most memorable Tool moments. The bass riff is unforgettable and Adam Jones uses his guitar very well to support the bass, instead of the bass supporting the guitar. Parabol ja Parabola are quite weak and I never have quite enjoyed this pair.

The best two songs of this album are up next: 'Ticks and Leeches' and 'Lateralus' are of course every Tool fans favourites. While Ticks and Leeches is a heavy song, utilizing Keenan's voice to it's full potential - Lateralus us in contrast the 'prog epic' offering us multiple climaxes and superb song progression and riffing. Danny Carey gives us his best performance in these two songs as well.

Now the album has peaked and I rarely listen after this point. The rest of the songs seem to drag on, never progressing anywhere. Tool tries to keep up the fantastic atmosphere set up earlier, but most of the material seem rehashed and I think should have been left out. Production here is strange, almost completely devoid of loudness (maybe just my master) and it might be done on purpose to maximize the dynamic range required to perform these songs.

Either way, truly a classic and highly unique experience.

4,2 stars.

 10,000 Days by TOOL album cover Studio Album, 2006
3.84 | 836 ratings

10,000 Days
Tool Experimental/Post Metal

Review by KenFrankenstein

5 stars My wife is not too crazy about this album. But then is it her writing this review? No. This album with it's concept as a whole beckons back to the seventies when bands actually cared about art regardless of how high they were on drugs and being manipulated by record executives who were probably ten times more high on freak knows what than the guys in the band were.

What attracted me at first was the elaborate CD concept artwork. I said to myself this I gotta hear so I forked out 21 bucks for it along with the BB King CD that I had gone in to HMV fir that I had on special order. I can only describe the package as psychedelic. The music is heavy, lyrical, angry and encompasses influences from everything from early Black Sabbath, Zeppelin to 90s King Crimson with originality. I couldn't take it out of my CD player.

What a Surprise. Not a big fan of anything beyond 1975 but this one blew me away. I have no choice but to give this work of art 5 stars.

 Undertow by TOOL album cover Studio Album, 1993
3.18 | 510 ratings

Tool Experimental/Post Metal

Review by Pastmaster

5 stars Tool-Undertow

'Undertow' is the debut studio album by progressive/alt metal band Tool. Tool made a great start with their debut EP 'Opiate', it was unique, heavy, and a bit experimental on the last track. A year later they released their debut studio album, and it expanded upon everything the EP had and more.

The album opens up with the strong 'Intolerance', where Keenan gives a great vocal performance as always. Halfway through, Adam Jones plays some awesome riffs. Next comes the catchy groove of 'Prison Sex', with a great bassline played by Paul D'Amour. One of my favorites on the album is the next track 'Sober', which was surprisingly sampled by electronic band Orbital on their song 'Tootled'. All of the instruments compliment each other amazingly, with a great menacing chorus. The bass is very strong in this song, being heard at the perfect times. My favorite on the album is probably 'Crawl Away', which is more reminiscent of 'Opiate' feeling much rawer. The bridge kicks ass, with awesome riffs and double bass coming after Keenan's screams of 'This is my love'.

The experimental side of the title track of the previous EP, is expanded in such songs on this album like 'Bottom' and 'Disgustipated'. 'Bottom' is another favorite of mine, which starts out with awesome guitar hooks and Keenan's raw vocals. However, about two minutes through the songs slows down to steady drum beats. Distorted guitar plays in the background during spoken word. 'Disgustipated' could be debated on weather it's a 'song'. It starts with slowly speeding up percussion. I really like this part with Keenan's powerful 'This is necessary'. After that comes back on and off a few times, the rest of the song is silent other then a continuing sound.

Overall, even though I wouldn't say it's as good as the albums that would come later, I still find it to be near flawless. After all, you can't go wrong with any Tool album.

(Originally written for

 Opiate (EP) by TOOL album cover Singles/EPs/Fan Club/Promo, 1992
2.81 | 201 ratings

Opiate (EP)
Tool Experimental/Post Metal

Review by Pastmaster

5 stars Unlike later albums like 'Lateralus', Tool's debut EP 'Opiate' shows a much rawer and angry sound. 'Undertow', which would come out a year later, still maintains some similar qualities but still enhances and adds to their sound.

Opiate has four studio recordings and two live performances, and one hidden track. The opening track 'Sweat' is my personal favorite on this EP, having both similarities and differences from their later albums. Maynard James Keenan's vocals are already powerful and standing out. Adam Jones gives some great riffing during the bridge. Both 'Hush' and 'Part of Me' are songs perfect for headbanging, with good crunching guitar. The two live tracks are both really good performances, and the final track 'Opiate' is great other then the odd hidden track. The hidden track reminds me of the weirdness of 'Disgustipated' on the next album, except being much shorter.

Overall, 'Opiate' was a great beginning for my second favorite band. Short, but a great addition nonetheless.

 ∆nima by TOOL album cover Studio Album, 1996
4.09 | 822 ratings

Tool Experimental/Post Metal

Review by Obsidian Pigeon

4 stars I at first viewed Aenima as a juvenile album. While the music was very nice and the songwriting top-notch, I thought that the lyrics and the angst were fairly over-the-top. Over time, though, I've come to simply appreciate nearly the entire album, despite the lackluster lyrics at parts and the angst that's present throughout the entire album. I've found that Tool is excellent at melding the distorted guitar with the great rhythm section that's present in every track on here.

Songs like Stinkfist, which seem like mainstream hard-rock/grunge radio, are surprisingly really nice to listen to. Other, more progressive tracks such as Eulogy and Pu[&*!#] are also very well- written and even don't seem to take up the entire 8/10 minutes that they respectively consume from the album. I've even come to really enjoy some of the interludes in the context of the album as a whole, with the sole exception of Cesaro Summability, which simply annoys me.

This album is on the cusp of a 4/5 for me, and deservedly so. I am leaning more towards a 4 for now, but that is subject to change. I disliked Tool at first, but over time I grew to really appreciate their music, and I feel like it really only takes patience for many progressive fans to warm up toward their style.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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