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TOOL

Experimental/Post Metal • United States


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Tool biography
TOOL formed in 1990 with Maynard James KEENAN (vocals), Adam JONES (guitar), Paul D'AMOUR (bass) and Danny CAREY (drums). The band is well known for their disturbing lyrics, creative groundbreaking musicianship and imaginative music videos.

Singer Maynard James KEENAN has collaborated with bands such as NINE INCH NAILS, RAGE AGAINST THE MACHINE and provides vocals for A PERFECT CIRCLE. The singer is well known for having a supernatural ability to hold long notes with his voice. Adam JONES is a very skilled guitarist who also creates the band's videos and artwork. He was also chosen to be on the effects team for the movie "Terminator 2". The band often spend quite a few years writing and recording their albums in order to make them perfect and there is often a gap of 5 years between each studio album.

The band's first full length album is 1993's "Undertow", which played an important role of sculpturing and pioneering the prog metal scene that exists today. TOOL mastered the lengthy song structures, guitar effects, unique riffs and solo's backed up by KEENAN's amazing voice that can stretch long notes. Three years later the follow up "Aenima" was released, a masterpiece which received excellent reviews and was a clear step up from the previous album. This includes a mixture of anger fueled songs and emotional, tortured songs. The album also settled for a more progressive sound and contained many lengthy pieces.

2001 saw the band's masterpiece, "Lateralus". It was almost impossible to better the last album but they pulled it off. This lengthy album showed off the band's lyrical and musical skills to the maximum. One of the best prog rock albums I've ever heard. The album was succeeded by another five year hiatus where the band members worked on their side projects.

2006 finally saw the band's eagerly awaited new album "10,000 Days" which was initially met with praise from both the fans and critics, making it their second album to top the Billboard 200. Over time, the album began to lose some of its initial praise due to the material's less ambitious content when compared to "Lateralus".

The band is currently on another hiatus where KEENAN is mainly occupied with his latest side project PUSCIFER while JONES and CAREY have began to do the ground work for the band's fifth album. There are not many bands that mimic the unique sound of TOOL, but fans o...
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AenimaAenima
Explicit Lyrics
Volcano 1996
Audio CD$9.02
$3.99 (used)
LateralusLateralus
Volcano 2001
Audio CD$8.95
$3.98 (used)
UndertowUndertow
Explicit Lyrics
Volcano 1993
Audio CD$8.64
$6.50 (used)
10,000 Days10,000 Days
Volcano 2006
Audio CD$9.27
$5.10 (used)
OpiateOpiate
Explicit Lyrics · EP
Volcano 1992
Audio CD$6.59
$4.79 (used)
SalivalSalival
Explicit Lyrics · Limited Edition · CD+DVD
Volcano/Sbme 2000
Audio CD$148.10
$60.16 (used)
Tool - SchismTool - Schism
Multiple Formats
Volcano 2005
DVD$5.06
$1.40 (used)
Tool: 10,000 daysTool: 10,000 days
Import · Double LP
None
Vinyl$69.99
$55.99 (used)
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TOOL shows & tickets


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TOOL discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

TOOL top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.12 | 393 ratings
Undertow
1993
4.07 | 658 ratings
Ănima
1996
4.23 | 1047 ratings
Lateralus
2001
3.82 | 683 ratings
10,000 Days
2006

TOOL Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

TOOL Videos (DVD, Blu-ray, VHS etc)

TOOL Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.61 | 89 ratings
Salival
2000

TOOL Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.75 | 164 ratings
Opiate (EP)
1992
3.88 | 24 ratings
Prison Sex
1993
4.43 | 30 ratings
Sober
1993
3.83 | 27 ratings
Stinkfist
1996
3.87 | 26 ratings
Ănema
1996
4.04 | 27 ratings
Forty Six & 2
1997
3.55 | 47 ratings
Parabola
2005
3.87 | 48 ratings
Schism
2005
3.72 | 43 ratings
Vicarious
2007

TOOL Reviews


Showing last 10 reviews only
 Lateralus by TOOL album cover Studio Album, 2001
4.23 | 1047 ratings

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Lateralus
Tool Experimental/Post Metal

Review by russellk
Prog Reviewer

4 stars An enormous slab of many-faceted metal, 'Lateralus' is considered by many TOOL's masterpiece. For me 'Aenima' is slightly the better album, a little more raw, a little more passion, a little less control. But, make no mistake, 'Lateralus' is the real deal, a showcase of progressive rock cast in an metal context. Even if you don't like such things - especially if you don't - you should have a listen.

The rage is a little more constrained by the complexities of this album's construction, but it is still there. KEENAN's voice flays you just as it did on 'Aenima'; the guitars grind into your skull and the rhythm cracks and punches you into numb submission. There are half a dozen genuine classic tracks here: 'The Grudge', the Grammy Award-winning 'Schism', 'Parabol/Parabola', 'Ticks and Leeches' and the title track are the heart of this album. A bit like 'Aenima', this album disintegrates into madness, induced partly by the effort of getting there (an opaque 80 minutes) and partly by design. The musicianship is peerless, the lyrics challenging, the music never anything but commanding. The only fault is that it asks too much of us.

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 Undertow by TOOL album cover Studio Album, 1993
3.12 | 393 ratings

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Undertow
Tool Experimental/Post Metal

Review by aglasshouse

4 stars "Undertow" is the debut album by the American progressive/alternative metal band, Tool.

The full - length debut album is said to have kept the life of all heavy metal in the mainstream media due to it's success. "Undertow" is also the cause of Tool's undeniable later success, being that their debut EP, "Opiate" was not as highly regarded, and did not get them critical reception. Although Tool's later albums, including "Ănima" and "Lateralus", Undertow still remains one of the most highly regarded progressive metal albums of all time.

1. Intolerance

Opening up the album is the first track, 'Intolerance'. The song starts with quiet swooshing synth noises, until the heavy guitar riffs come in to take the stage. The vocal value takes a slight decline in the beggining, ranging from too weak to way too over the top, but the chords and riffs remain excellent throughout. The track gets faster in the middle of the song, and a great heavy bridge leads to the end of the song. A More weak track from the album, but still great. (8/10)

2. Prison Sex

'Prison Sex' is the 2nd single from the album. Starting out with metallic noises, the song amps up with some fast and heavy guitar chords. The bass is getting more and more noticable as the album progresses, however the drums are getting less noticable. The vocals are slightly too loud over the other instruments, but are still great. The song is noticably more heavy, and gets more instrumental time. And the vocals are also in a good key. A nice track from the album. (9/10)

3. Sober

'Sober' is the first single from the album, and also the most highly regarded. The song starts out with an extremely heavy bass chords, and an amazing drum riff leads into the main song. As the song progresses, the drums, bass, and guitar all seem to work as one instrument, and shift into separate ones during the choruses until inevitably joining up again. The vocals are absolutely spectacular in this song, and very nice to the ears. Unlike other songs from the album, 'Sober' is able to be listened to at any time, in any mood, and in any place. Amazing song, and my favorite from the album. (10/10)

4. Bottom

A more subtle and heavy track then it's former songs, 'Bottom' takes the third track on the album. There is no slow moments in the song- in fact, every part of the song is nice and constant. Changes are done when they are needed, and the riffs remain heavy. The drumming is nice and catchy, however the bass is less noticable. A nice, catchy song. (9/10)

5. Crawl Away

Starting with the faint sound of a band playing, 'Crawl Away''s guitar quickly comes in at a fast pace. As the guitar continues, we are suddenly blasted with heavier riffs then we are used to. The guitar remains in the lead, until the bass ultimately takes over. The song is an awesome battle between bass and guitar, while the vocals and drums are taking over the backround noise. An amazing song, and definitely one of my favorites. (10/10)

6. Swamp Song

'Swamp Song' brings us an almost completely instrument ruled song. The lyrics seem to just blend in with the instruments so much it doesn't seem to be there, just adding to the noise. However, this does not make the song un-enjoyable. In fact, it makes the song have a certain flow, giving it a nice, catchy feel. Another great song from the album. (10/10)

7. Undertow

Unlike the other heavy songs on the album, 'Undertow' seems to just have a more dulled down version of the chords. In fact, the production they used seems to be the same they used in 'Sober'. Except in 'Sober', it fit in well. In this song it seems oddly misplaced. Besides that, the vocals are nice and vivid, the drumming and guitar are great also. The lack here is the base, it just seems to be alongside the drums and not playing it's own part. (8.5/10)

8. 4 Degrees

'4 Degrees' is another vocal dominated song, just like 'Undertow', and the other instruments seem to be backround sounds in some places. Unlike 'Undertow', the bridge is absolutely excellent, however the song starts to get quite repetitive. Not much else to say about it. Great, but not the best. (9/10)

9. Flood

A slower track, with more drum and guitar domination, 'Flood' comes in with nice echoey vocals, and nice heavy chords. Where the song has it's errors is that the bridge drags on too long. The bass is the only upside to keep you interested during it. The vocals are basic and sort of bland, until the chorus, which is an excellent piece of Tool vocal work. A nice, but slightly weak song. (8/10)

10. Disgustipated

I don't even know what to say about this finale. Should it even be considered music? I think it is a great work in experimenting with different sounds, but definitely not something to close out nice heavy album like "Undertow". It is an absolutely useless symphony of weird echoey sounds, sheep, radio voices, whistles, and hammers. Not to mention- this song drags on for (15:47). That is just to long for a song that is mostly dominated by annoying mind bending whistles. Other than the whistling, the song has less than a minute of nonsensical lyrics and random sound beats. An awful droning, repetitive ending to the album. In fact, it got so annoying that I couldn't even listen to it anymore. Definitely not worth listening to. (2/10)

Overall, Tool's debut album was definitely the cause of Tool's undeniable rise in popularity. And we can all agree, "Undertow" saved metal's asses when it was starting to fall in numbers of listeners. All later and greater albums have to give credit to "Undertow", for making it possible for Tool to continue on what they do best-make metal music. (Originally written for the Metal Music Archives on August 4th, 2014)

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 Opiate (EP) by TOOL album cover Singles/EPs/Fan Club/Promo, 1992
2.75 | 164 ratings

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Opiate (EP)
Tool Experimental/Post Metal

Review by siLLy puPPy
Prog Reviewer

3 stars After releasing the demo "72826" we get TOOL's first official release OPIATE in the form of a 26 minutes plus EP. TOOL has had the same exact lineup from the beginning with Maynard James Keenan on vocals, Adam Jones on guitar and Danny Carey on drums. The sole exception is that Paul D'Amour handles bass duties on OPIATE and the follow-up first full length album "Undertow."

The template of TOOL's unique sound has already fully blossomed here. Although this is more straight on hard groove rock, it is nonetheless the basic sound which would unfold itself into their more popular progressive albums that would begin with "Aenima." Unfortunately despite being a fairly consistent and pretty good album, it seems a little generic compared to the much more ambitious efforts that came later. However, I really like having this album in my collection just because it delivers that raw energy of an early ambitious band greasing its wheels for the big time.

Despite being a short EP there is a hidden 7th track which begins 6 minutes and 6 seconds after the final title track called "The Gaping Lotus Experience." A very good but not outstanding first effort for TOOL. Of course, everyone knows the best of this band was a few years away.

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 10,000 Days by TOOL album cover Studio Album, 2006
3.82 | 683 ratings

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10,000 Days
Tool Experimental/Post Metal

Review by infinityisgone

5 stars I can not write a really long review for this 10,000 Days album or any other. But I can say that this is my favorite TOOL album, I love it and I have listened to it at least 10,000 times or more. This is Tool's most Progressive Rock/Metal album to date. Rosetta Stoned is my favorite track from this album closely followed by The Pot, Vicarious, and Right in Two. And like every other TOOL fan around the world, I can not wait to see what TOOL has in store for their next album. I hope they keep moving forward and pushing the boundaries.

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 Lateralus by TOOL album cover Studio Album, 2001
4.23 | 1047 ratings

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Lateralus
Tool Experimental/Post Metal

Review by Glimmung

1 stars STAGNANT! For most of you on here writing reviews for TOOL albums I can only assume you've all heard Aenima. I once back in the late 90s's was a huge Tool fan and could'nt praise them enough for this new sound that they brought into my life starting with undertow and evolving into Aenima. So you would think that after some 5 years that the band would have had plenty of time to evolve even further for their next release. They did not. Tool took to recreating Aenima pretty much for the rest of their career so far. In my opinion not only is that a slap in the face to fans but also down right lazy songwriting. For a band to break so much ground for a few albums and then to come to a complete stand still is an obvious sign that TOOL is afraid to grow any further in fear that they might lose that fan base and all important pay check. Is there any integrity in that? TOOl became horribly predictable ( In several spots on any post Aenima TOOL album you have DANNY CAREY subdividing the beat to end a song and ADAM JONES dragging his pick up and down some strings with a light delay on it). In the end it's a sad day when a band that is regarded as progressive stands still and refuses to move their sound forward in any real way. If you are new to TOOL check out Aenima and Undertow you really don't have to go any further in their discography because everything they do as a band is done on those 2 albums in a genuine way.

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 Ănima by TOOL album cover Studio Album, 1996
4.07 | 658 ratings

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Ănima
Tool Experimental/Post Metal

Review by jammun
Prog Reviewer

5 stars Relax. I feel something. Something deep inside.

I feel Tool's absolute high point. I feel a crystal CD case that no longer holds together, all the nubbins holding it together having shattered. Dig the Cracker Jack cover. Someone's ripped it apart, or maybe it just hit the floor one too many times during...

Get with the dynamics, the percussion, the beat, the ever-present incessant wandering beat and the bottom end. Get with the sonic explosions, Crank it up you [%*!#]ing ass, crank it up on the headphones...your hearing is shot anyway. Get wit the rhythm of of Eulogy.

We've got through Stinkfist and Eulogy and it's already pert much one of the best albums you'll ever hear. Listen how they dial it up and dial it down. Listen how Maynard can slither through dangerous savannah grasses like a snake on H.

The band is a rhythm machine. It's the rhythmic soundtrack of SoCal ending up somewhere around Catalina, near the Nixon Library, post-Aenima.

This band never disappoints. Never. Not on this one. I listen to this; I feel like some kind of voyeur. I'm there when it all happens. I'm there when it sounds like Blue Cheer. I'm there when it sounds like ZZ Top. I'm there when the pulse starts. I'm there when it sounds like we're all falling off the edge, towards that shining city on the hill just in sight.

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 Lateralus by TOOL album cover Studio Album, 2001
4.23 | 1047 ratings

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Lateralus
Tool Experimental/Post Metal

Review by thebig_E

4 stars 4.5 stars. The best Tool album. Tightly constructed and with great production. Songs like "The Grudge" and "Parabola" are among the best the band has created. Since I don't actually have a lot to talk about, I'll comment on each track.

1. The Grudge - Best opening track to a Tool album. Featuring a long scream by Maynard, it is always exciting to listen to. *****

2. Eon Blue Apocalypse - A brief guitar interlude leading into the next song. ***

3. The Patient - Very human sounding lyrics and a good intro. ****

4. Mantra - Short noise experiment. Nothing more. *

5. Schism - The song from the album that gets the most radio airplay. Some complex rhythms and great drumming. ****

6. Parabol - Slow introduction to the next song. Very relaxing. ****

7. Parabola - Immediately starts with a great guitar lead and continues to progress. *****

8. Ticks & Leeches - A bit longer than it needs to be, but still a good track. ****

9. Lateralus - An interesting song that uses the Fibonacci Sequence in its verses and comes to a grand conclusion. One of the standout tracks of the album. *****

10. Disposition - Another interlude but this time with bongos. ***

11. Reflection - The epic of the entire album. *****

12. Triad - Good instrumental that could have been the ending to the album. ****

13. Faaip De Oaid - Creepy ending that features a panicked caller talking about possible alien invasions behind a loud drum track. Not the best ending. **

If you only buy one Tool album, make it this one.

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 10,000 Days by TOOL album cover Studio Album, 2006
3.82 | 683 ratings

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10,000 Days
Tool Experimental/Post Metal

Review by Warthur
Prog Reviewer

4 stars The only psychodramatic occult concept album to include a repeated refrain about [&*!#]ting the bed, Tool's 10,000 Days finds the band travelling further down the increasingly progressive trajectory suggested by Aenima and especially Lateralus. The evolution in the band's sound is a bit more gentle than the quantum leap between Undertow and Aenima, or even the jump from Aenima to Lateralus, but the album should be pleasing to anyone who's fond of Tool's progressive direction - though if you were more intrigued by the alternative metal style of Undertow (or the alternative-progressive fusion of Aenima) you're not going to see a return to that here.

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 Vicarious by TOOL album cover Singles/EPs/Fan Club/Promo, 2007
3.72 | 43 ratings

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Vicarious
Tool Experimental/Post Metal

Review by Earendil

4 stars Many descriptions and reviews on the internet are misleading about the content of this Vicarious DVD, and for that reason I didn't purchase it until recently. What a mistake to wait! This DVD is essential for any Tool fan and an excellent find for any prog fan who likes the surreal, psychedelic, and strange. Also, the material on the DVD is much more substantial than the Parabol(a) and Schism ones (which were basically just the music videos). The main feature of the DVD is the Vicarious short film, which is Tool's first completely CGI video. Adam Jones and Alex Grey are the two main artists behind the video, and it's a really cool experience to see their ideas merge. Anyway here are the full DVD contents:

1. Vicarious music video (9 minutes)

2. 2 overdubs of the music video with actor/comedian David Cross making hilarious commentary (18 minutes)

3. Vicarious documentary (40 minutes)

4. Footage of the storyboards from Alex Grey and Adam Jones (1 minute)

5. Footage of Alex's art gallery COSM and him talking about it (4 minutes)

Rating: 8/10

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 Lateralus by TOOL album cover Studio Album, 2001
4.23 | 1047 ratings

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Lateralus
Tool Experimental/Post Metal

Review by Dr÷mmarenAdrian

1 stars This low rating gives a glimpse of what a bad record I think this is. But everything wasn't bad. I will begin with telling you what was nice and then start the indictment. "Lateralus" is the American Experimental/post metal band's third record and it was released in 2001. It has a total lenght of 76:15 minutes and features Maynard James Keenan(vocals), Adam Jones(guitars), Justin Chancellor(bass) and Danny Carey(drums). Somebody suggested Tool music when I told him I was into prog rock and open minded as I am this was an excellent occation to try something new.

Firstly the cover is an amazing piece of art and secondly there was two minutes of wonderful silence in the end of the track "Triad". Tool also uses very skillfull drums and in the song "Reflection" i heard oriental influences, perhaps instruments. Sometimes the overall feeling of the sound is appreciating(when I can't hear the voice). The best song is "Disposition" that was mild and also melodic.

But this listening was real pain for me. This music i very too long lasting and it is depressing all the time. This is not the most heavy music I have heard(and I like som really heavy stuff) but this was so psychotic I don't want to hear it again. The music is slow and very boring. Where is the intended melodies? I'm not sure I can hear any! Well the instrumentation is very good, well performed and I won't disagree this is progressive. The musicians are very clever in their stuff but I am not the man to handle it. Without vocals this record could have gained two stars from me because of it's sometimes cleverness but I found the vocals horrible. There are extremely atrocious and whining. This also reminds me of other very bad sounding music such as alternative rock and grunge etc. I wouldn't recommend you this album.

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