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LASTER

Experimental/Post Metal • Netherlands


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Laster biography
Laster are a Dutch post-black metal trio from Utrecht, founded in 2012. The band consists of vocalist/multi-instrumentalists Nicky H (formerly of Northward), Wessel Reijman (of Freja and formerly White Oak) and Sylwin Cornielje (also ex-Northward), the latter of whom joined in the wake of Laster's first demo. Taking their nom de guerre from the Dutch word for "slander," Laster are known for their evolution from black metal into an avant-garde blackened art rock hybrid, synthesizing a number of influences across cinema, literature and music, the more prog-minded artists being Ved Buens Ende, Lugubrum, Alcest, Kayo Dot, Ulver and Manes. Performed entirely in Dutch, Laster's lyrics are fantastical reimaginings of the band members' experiences in "love, distress, confusion, sexuality, identity...", while aesthetically eschewing the genre's typical corpsepaint trappings for bizarre self-made humanoid masks. The trio also maintain the Kunstlicht microlabel, promoting Laster-related projects such as Nicky's Silver Knife and Cornielje's Grey Aura.

Initially signed to Dunkelheit Produktionen, Laster's earlier work - such as the 2012 Wijsgeer & Narreman demo and 2014's De verste verte is hier LP - showcased a more traditional atmospheric/depressive black metal inspired by Drudkh and Burzum. Their debut album's title track carried the seeds of post-punk and shoegaze that would blossom later in their discography, a new and more avant-garde style the band dubbed "obscure dance music." These hints continued onto the winding eighteen-minute track "Vederlicht verraad," released on a 2016 split with fellow Dutch black metal band Wederganger.

Laster completely embraced the nervous atonal legacy of Vicotnik and Czral with their 2017 sophomore, Ons vrije fatum, leading them to perform at Roadburn and sign with Prophecy Productions later that year. The trio's third full-length, Het wassen oog, arrived in 2019, with a deluxe edition containing a short story to accompany the album as well as an additional EP, Stadsluik. Laster once again performed at Roadburn for the 2019 edition, participating in the Maalstroom collaboration featuring members of other blackened Dutch bands like Terzij de Horde and Fluisteraars. Black metal was only one of many flavours by 2023's acclaimed Andermans mijne, seeing the band move even farther from their roots to more strange and ever-danceable frontiers. Laster subsequently joined Sigh as special guests on their 30th anniversary tour ...
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LASTER discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

LASTER top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 1 ratings
De verste verte is hier
2014
4.00 | 1 ratings
Ons vrije fatum
2017
4.00 | 1 ratings
Het wassen oog
2019
3.05 | 2 ratings
Andermans mijne
2023

LASTER Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

LASTER Videos (DVD, Blu-ray, VHS etc)

LASTER Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

LASTER Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.00 | 1 ratings
Wijsgeer & Narreman
2012
0.00 | 0 ratings
Wederganger / Laster
2016
0.00 | 0 ratings
Stadsluik
2019
0.00 | 0 ratings
Kunstlicht
2023
0.00 | 0 ratings
Andermans mijne
2023
0.00 | 0 ratings
Afgelopen tijd
2023

LASTER Reviews


Showing last 10 reviews only
 Andermans mijne by LASTER album cover Studio Album, 2023
3.05 | 2 ratings

BUY
Andermans mijne
Laster Experimental/Post Metal

Review by siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic

3 stars Right from the getgo the strange Dutch band LASTER was pulled in many musical directions but managed to settle between the disparate genres of depressive black metal and the world of post-punk to create a musical tug-of-war of dominating forces. These mystery men who dress like serial killers from silent film horror flicks emerged from Utrecht in the Netherlands in 2012 and have incrementally taken their bizarre take on the world of kvlt black metal into strange new worlds much in the vein of some of the most unconventional Norwegian acts that went a similar route such as Dodheimsgard and Arcturus.

While shrieking the sounds of pain on the debut "De Verste Verte Is Her" in true depressive black metal form, even at this early stage LASTER found it impossible to crank out an album's worth of similarly themed music and added an almost unrecognizable post-punk track to the end as if this bipolar band was channeling the spirits of some unseen forces that are vying for control of the creative process. Whatever the case these guys have always been weird and rather than developing an inferiority complex have opted wisely to simply embrace it and let the chips fall where they may. Well the chips have fallen and landed in a most bizarre place, that being on the band's fourth album ANDERMANS MIJNE ("Another Man's Face").

While bearing some resemblance to traditional black metal, album #4 has basically thrown out all the rules and completely disregarding any kind of genre relationship and instead has decided to craft a cauldron of undetectable elements simmered down into a witch's brew so hypnotizing that anyone attempting a classification process of what exactly LASTER is concocting on its Island of Dr Moreau will fall flat on their face and declare utter defeat. While theatrics has always been a part of the band's legendary underground charm, the antics have long extended beyond the unusually unique appearance and now incorporated into every aspect of the music and its idiosyncratic mix. Post-punk constructs fortified by black metal tones and guitar swells may be the largest inhabitants of ANDERMANS MIJNE but the album features no raspy shrieks, guttural growls or any metal vocalizations whatsoever this time around.

Finding some kind of truce between all those black metal and post-punk separations, the band retains the jangled guitar tones of black metal but somehow develops somewhat danceable albeit angular groovy rhythms. Decked out with prog and jazz with moments where both shine, the band also rocks the psychedelic trippiness unlike anything they've attempted in the past. Verging most on the doorsteps of black metal turned avant-garde outsiders Dodheimsgard, LASTER has embraced the art of hairpin turns and unexpected and every possibility of the element of surprise is what seems to dominate on ANDERMANS MIJNE. Obviously this is some kind of liberation movement moment for the band where they break free from any perceived shackles that tied them to any sort of musical pigeonholing. Free from the confines of genre gravity, the band floats precariously aloof but sheer determination keeps the party energetic and at least focused enough to not wander to far into the prodigious universe of non-metal related musical camps too much and too far astray.

Ultimately ANDERMANS MIJNE is like one of those old-school rickety roller coasters at a classic theme park that is so jittery that you're too busy holding on to dear life to pay attention to the amazing scenery passing by. The album takes too many liberties and deviations from the norm to be fully comprehended on a single spin. Are they the new Blood Ceremony? The new Faith No More? The new Killing Joke? Dodheimsgard? Well all of the above and none of the above and then some. This is the new LASTER and while they may be moving faster i don't really think that this is a disaster. While they don't truly master and do raise the blaster they don't really shoot the target like a forecaster. Perhaps a quizmaster in a house made of plaster but the circus has come and they are the ringmaster. Weirdo art rock / metal is in the house.

3.5 rounded down

Thanks to gordy for the artist addition.

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