ALCEST

So what's hiding beneath the surface of this handsome cover? Well, the music here mostly is very similar to cover's image. It's a pretty slow and immersive shoegazer mixed with post-black-metal. A very strange mix, isn't it? So here we go, drowning in the water of melancholy and sorrow, and floating away into the heartbreaking world of Alcest...

The first track here, "Écailles de lune - part 1", is almost 100% shoegaze with some metal influences placed at the end. Vocals here are only clean, but it's still a very good representation of Alcest's music.

Second part of this song is more black metal-tinged though. Some rough screaming vocals here in the beginning, but clean voice finally is still present as well. Nevertheless of the presence of extreme side, this song is still very melodic.

Both first and second halves of title track are 9+ minutes long, so altogether they're creating an almost 20 minutes long epic. A very impressive start for this album!

The next track here is "Percées de lumière", which continues the black metal side of previous track (but still with very prominent shoegaze sounds). It is followed by "Abysses", a short atmospheric instrumental.

"Solar Song' drives us back onto the song side, and it's again more of a shoegaze thing, with no rough vocals present. Album closes with "Sur l'océan couleur de fer", which is, despite of its minimalism, one of the highlights here. Performed almost strictly with guitar played in acoustic way, with clean vocals only, it provides us some perfect melodies, which reminds me a bit of Opeth's "The Night and the Silent Water"'s acoustic breaks.

Strangely enough, but I'd recommend this album for those who are keen on shoegaze and dream pop but not for any fans of black metal. As any other good shoegaze record, "Écailles de lune" provides some really wonderful slow and detached passages, it immerses us into its melancholic atmosphere, and so the atmosphere is really a worthwile here.

If you love slow and sad music, don't miss it! 10/10

With the exception of tracks 4 & 5 which are okay, but not outstanding (track 5 even sounds like Sigur Ròs gone black metal), the album is a culmination of everything Alcest did on the previous albums, only with better and more consistent songwriting. Winterhalter's drumming is also at an all-time high, making tasty fills & tricks here and there while not overshadowing the melodies and riffs.

The best track on the album (and possibly best Alcest song ever) is Faiseurs De Mondes. At 8 mins, it sums up every aspect of Alcest done masterfully: The first 2 mins with black metal screams, melodic breaks, otherworldly atmosphere, tasteful acoustic guitars and a downright beautiful coda that could go on forever (if I could decide :P) This track is #1, just ahead of Percees De Lumiere and Printemps Emeraude.

Autre Temps, the title track and Summer's Glory are also stunningly beautiful tracks. Là Où Naissent Les Couleurs Nouvelles is also good, but 9 mins feels slightly overlong and repetitive at the end.

So I'm happy that Alcest finally unleashed their potential over an entire album. Even though Les Voyages De L'Ame is similar to Ecailles De Lune, its consistent songwriting to me makes it superior. But I do hope Alcest will evolve musically, and not just repeat Ecailles/Voyages ad nauseum.

This is a hard work to describe let alone categorize. The little I know of the group tells me that the roots are metal, but that's not what I really hear. The slightly spacey chorused guitars send me back to a number of 4AD groups, in particular the Pale Saints and Lush, but here that sound is stretched out with greater epic grandeur. Huge swaths of sound pour forth, maybe evoking My Bloody Valentine in a Goth mood, or perhaps Sonic Youth on a breezy yet melancholic day. There are even aggravated post-rock Slint-like moments to be found on later tracks. It's all post-something or other.

Whatever one calls it, atmosphere rules the day. There's a majestic moody beauty to the whole thing that keeps pulling me in. Since I have mentioned Alcest's metal roots, let me say that there are precisely two death growls on the album, but--dare I say it?--they are atmospheric death growls, more breathy than menacing. The singer Neige's voice in general is delicate and tends to mesh into the layers of overall sound. That the lyrics are in French may or not matter. This is not to say that there is no sense here, just that an aesthetics of the ethereal overwhelms all else.

In short, beautiful. A perfect Sunday morning or Saturday night record depending, I guess, on who you are and how you live those times of day.

Somebody help me, this is a fine ride!

For a change, let's get the complaints out of the way first. The singer should scream at the top of his lungs a bit more, though I do enjoy the more caressing vocals as well. The production is better than the last one but only barely, because there still is no bottom end.

That said, at my age I should not be listening to this kind of music at all. I'm the wrong demographic. That their sound can resound throughout the ages, which it does, should give everyone a clue. And I don't even understand French. This kind of stuff is universal. We needn't know the lyrics when the music is right on, when the music assumes the correct forms and draws us in like moths to the candle. That's what Alcest does. And they do it so well on this album.

We understand the guitar motifs in their guises. We understand the choir-like vocals. We understand the infuences, whether it be The Wipers or Neil Young. We absolutely understand that universal stuff, which in this case occasionally drops us to our knees and makes us weep like babies.

LIsten to Autre Temps. The soothing intro with its chiming guitar. You are amongst friends. All is well. Then a wall of guitars appears. Is it not all the better? I enjoy long pieces of music, pieces that reveal themselves to me in stages, A reverberating guitar there, a plaintive vocal there, a wall of sound here. It's the here that I hear HERE. I love a metal-ish racket as much as anyone, and I always appreciate it when done with the utmost care.

Summer's Glory is the final track here. It's perhaps the best, certainly not musically, but in some ways well.... It recalls that Summer of '67, and maybe a little Guns N Roses, maybe intentionally, maybe not. If I knew I'd tell you. But it sure sounds to me like a band paying some homage to those that came before, those whose wagons dug the ruts at no small expense. And it sounds like a band who is happy to follow in those ruts, and in fact maybe dig a few new ones as long as they are heading down that road.

What the hell, this is a great album.

There was quite a lot of hype around that album in metal oriented media, praising it for beautiful atmosphere and enchanting melodies. I'm not that enthusiastic about it though. ÉCAILLES DE LUNE, being the second Alcest release, is indeed a charming yet a little bit shallow piece of post metal.

Now, production is great. As the record is often referred to as a black metal album(I don't get it, is it because of these 3 minutes of hellish shrieking in the second track?), I must say the sound is polished and clean. It kept enough of its natural state to be called organic though. Most of all, the producer did everything she/he could to enhance dreamy atmosphere of songs that Neige plies us with.

I'm a big fen of Fan (Fen of fen...? right, fan of Fen!), a British post black metal band, so I hoped Alcest would sound somewhat similar. While both bands can be described as a combination of black metal, shoegaze and post rock, proportions are completely different. Alcest's ÉCAILLES DE LUNE is, first of all, a shoegaze/post-rock album with some black metal leanings. Vocals are mostly clean, treated with strong reverb and somewhat hidden in the mix. And they are shoegaze vocals which I don't like that much. The biggest problem is the music though. Don't get me wrong, there are moments of bliss while listening to ÉCAILLES DE LUNE but some schmaltzy parts just spoil it for me. I think restrained songwriting is the thing Neige should work on, because his songs just miss some of the imagination you can hear in Agalloch's or Fen's music. Still, there's enough of great passages and skillfuly written compositions to consider it a solid album.

For fans of post-rock and shoegaze this is a real treat. ÉCAILLES DE LUNE is a successful combination of shoegazing melodies and post rock atmosphere - all seasoned with a pinch of black metal rawness. Despite the fact it somewhat lacks in depth, I can still recommend it for its well constructed songs and originality in terms of style. And... wait, lyrics are in french! Awww, I take back all negative things I've just said!!

TRACKS BY RATINGS: 8/10[great]: Percées de lumière || 7/10[very good]: Écailles de lune, Part II|| 6/10[good]: Solar Song; Sur l'océan couleur de fer || 5/10[not bad]: Écailles de lune, Part I ||

-- Originally posted on METALMUSICARCHIVES.com --

The video took a couple of seconds to load, as the gates to heaven take to open. The play button was pressed.

A journey through fantastic landscapes, brutal tenderness, and harmonies and melodies that create a sense of synesthésie, merging both mind and body, was about to begin, and I was totally oblivious to that.

The first minute of "Autre Temps" sets the mood for what is near, an unforgettable experience. The celestial, acoustic guitar strikes its first chords, and when Neige's soothing voice appears, I fly towards a green sky, where all my memories are compressed; but as the progression changes at 1.55, I know something is coming, like a dark and frenzied cloud. At 2.18, I dive into the cloud, and everything evolves into a redeeming experience, elevating me. The song keeps on, making me wish for it to be endless.

Calmness is retrieved, but not for long. "Là Où Naissent Les Couleurs Nouvelles" kicks in with heavy chords, that may relate one self to the earth, and the solid nature of things. Then comes a progression at 1.02 that emancipates that land, and create a rapid river, drifting through colours of the mind, as a lucid dream, or a fever, a memorable and flottante fever. As the harsh vocals appear, one is taken down to the depths of that river, and into the hard consciousness where deep thoughts and feelings tend to stay until something powerful like the blast beat at 3.29 raise them back to the surface. The ending finally connects all of these, and balances the world within, preparing me for the title track.

"Les Voyages De L'Âme" is truly what it indicates, a voyage of the soul, an introspection, an emotional journey that climaxes in each chorus, and rediscovers itself in every verse. Its hard to keep a blank state of mind while listening, as every note take me back to a past, or even future events, and infinite images collide, forming complex, yet completely understandable pictures. As it ends, these marvels fade away, and the mind's eye opens again, tough what I've seen was something memorable.

"Nous Sommes L'Emeraude" is a short break, like a walk through a garden. It is peaceful and calm, yet intense and inspiring towards the end. It may not achieve the same grandeur as the previous tracks, however, it helps oneself rest and get ready for "Beings Of Light".

The fifth track presents an intriguing choir, that breaks, like white angels that get ready to shoot massive amounts of explosive, and finally destroy a fortress of darkness and despair. The mixture of both agressiveness and céleste create a really powerful impact on me, as a younger version of me breaking the walls that my actual self can easily trespass.

This sensation brings me to the next song, "Faiseurs De Mondes", that involves all kind of feelings and thoughts. Through choirs, acoustic guitars, harsh vocals, tremolo riffing and fast-paced drums, Alcest creates a world where I am inmortal, and everything around me is both black and white, and red and blue, as obscurity, fury, purity and tranquility. Reaching its climax, the track reaches unimaginable heights, and penetrates the sky and ultimate elevation, like a firework in a clear grey sky.

"Havens" pacifies and clears the path, in a celestial and, as the title implies, heavenly way. The chords calm down any emotion that may try to escape, and generate a sense of easy anticipation, without being boring or dull.

Finally "Summer's Glory" surrounds the mind and the soul, and create a bittersweet and reflexive soundscape. Nothing can be wrong or impure now, tough some moments of the track reminds me of the fragility of ourselves. At 4.13 one can visualize the arrival of something omnipotent yet natural. Chords strike at 5.04, and the last journey begins. Heaven, earth, sky and ground merge, and everything encompassed in life is consumated into a single formation. A formation divine and pure, involving a clear guitar, a global choir, and a distorted rhythm. A formation capable of moving mountains and changing hearts. A formation unique to a dream, or a revelation. The last chord illuminates all, and glory is achieved.

As the last chord glides and fades, I open my eyes once again, and close the web browser.

Wake up, turn off the alarm clock, go to work, and live my life once again. But this time, something is different. Now I understand my soul.

This was a beautiful voyage.

"Le Voyages De L'Ame", despite being too similar to it's predecessor, is a wonderful experience of unearthly, fairytale-like atmospheres.

This project has wowed Metal fans and many others since the 2007 release "Souvenirs D'un Autre Monde", and gained even more popularity with the beautiful "Ecailles De Lune"; There was the strong suspicion among the hype surrounding "Le Voyages De L'Ame" that it was going to be too similar to the previous albums, without breaking new boundaries or bringing Alcest to a even higher level. These predictions ended up being true, sadly: but even though it's not as brave as it should have been, it miraculously a la par with "Ecailles De Lune" in terms of quality.

What Alcest does in music is something that could either turn off some Black Metal fans or turn on even haters of that genre: the band tries to be as accessible as possible with their wonderfully dreamy, shoegazey guitars and reverie-like clean vocals, but also to be faithful to the harsh side of music with intense BM shrieking and abrasive sound. The production and overall sound as always is purposely a little rough, without it being stellar nor crystal clear, so that it accentuates the vividness of a more concrete, earthly, human daydream, instead of an unearthly, divine vision. There has always been pain and suffering in Alcest's music, something that shows up even here in "Le Voyages De L'Ame", a more fairytale inspired interpretation of beauty. The songs are a little more unearthly sounding, more surreal, more in the clouds than down to earth. Strictly musically speaking however there isn't much change nor variation, so that it feels like a simple repeat to "Ecailles De Lune".

Some songs here seem though to be even better than the ones we've heard from previous releases: "Autre Temps" is possibly the best Alcest track so far, incredibly touching, beautiful, and full of emotion. However, this song seems to not be coherent to the paradisal atmospheres of the other songs here: "Beings Of Light" is one of the best examples, that uses repetition in order to accentuate the state of reverie Alcest has been aiming for: but there are also the Black Metal moments, which admittedly are only a few, but always very intense, especially thanks to the shrieking vocals, but the guitars give also a credible touch of harsh.

Even if "Le Voyages De L'Ame" is a little too similar to "Ecailles de Lune", it is a wonderful experience and another great album by Alcest, one that could turn on new fans pretty easily, for it's great accessibility and overall dreamy delivery.