AQUARIUM

My hometown of Udine, Italy (in north-eastern Italy, not far from Austria and Slovenia... quite hard to spot on a map, actually) is not exactly short of Ukrainian immigrants: in fact, a classmate of mine at the primary school was Ukrainian, and a 3-people Ukrainian family lives some 50 metres from my family's apartment. So, some weeks after I started my researches on beyond-the-iron-curtain progressive rock bands, I asked them if they knew Aquarium, as I suspected that they were popular in the ex-USSR area just as PFM are popular in my homeland. Some months after, I receved two (legally compiled!) mp3 CDs covering the first 10 Aquarium albums, in the remastered edition with bonus tracks. I started from Треугольник since it's the first on the compilation, thought Aquarium's early chronology is quite controversial since some albums are recorded in a some years' span.

Snobb rightfully wonders how much this music can be accepted and interesting for the "normal world"; Boris Grebenshikov himself describes the record as "an album of pure and unaccountable absurdity". In fact, I would have never expect such an absurd album coming from the Soviet regime. Pieces are all short, the longest being Мой муравей (My Ant) clocking in at 3:46; lots of crackling sound effects (due to, probably, the fact that those effects were recorded on tape and badly edited for the record) are employed over the whole album. Although compositions are mostly acoustic and similar in instrumentations, the album sounds like split in two parts. In fact, the record is split in Tin Side and Bronze Side, but I actually feel that side 2 should begin with the last two tracks of side 1. The first part is mainly composed of almost Zappa-like bizarre and humourous musical sketches, and since I can't speak or understand Russian sadly spoils the whole experience (since I'm going to study foreign language, I might cope with that problem in a few years' time), while the second one is composed of mostly melancholic, folksy numbers, in which there are occasional hints of medieval folk. I don't know if it depends from the language barrier, but to me the album has a quite unfocused feeling over its duration... which is quite normal for a band at its early stages, after all.

Musically, Boris Grebenshikov's unmistakable voice and Sergey Kurekhin's piano dominates the record, nicely complemented by Romanov's flute and guitar and Gakkel's cello, while bassist-drummer Fainstein has a quite subdued role, since the numbers are almost entirely acoustic.

The recording quality is obviously below early 80s standards, but not unlistenable as one might think... mind that these are not professional recordings!

Recommended to people keen on folksy bizarries and, obviously, to the few Russian speaking people still unaware of the existence of Aquarium.

Last to date Aquarium studio album is what you can expect from this band at the end of first decade of XXI century. For a years the band became more personal project of his founder, vocalist and leader Boris Grebenschikov. Very recognisable voice, acoustic sound beauty, down tempo songs with exotic rhythms and rare instruments.

Djivan Gasparyan on duduk , big wind and strings musicians team, accordion. Band always had his own sound and atmosphere. But there are two big problems with this album. First, the great formula once invented could not be used for a few decades without serious changes. But Aquarium music almost didn't changed during last some years.

Second problem is band almost missed it's energy or let say "rock" ingredient of it's music. Sound is liquid, almost meditative, but when song after song is sounding like that, listener could be bored soon.

Third problem is for listener without Russian language knowledge. Even if esoteric, lyrics build better effect in combination with music there, than the music itself.

Overall one more average band 's album. Not bad but absolutely predictable. One between some similar band's albums.

Around 2,5.

One of the first 2010 releases. Aquarium single is based on their usual very acoustic melodic sound with strong Russian folk roots. Only one song, and it's Christmas song. Lyrics is based on classic Russian poet A.Fet.

Rare Christmas song which is light and fresh, without usual repetitive clichés! Even bell's sound used is different from annoying usual supermarkets-soundtrack bells. Very Russian song ( on it's best).

And there is a soul in it. Still possible for free download from their official site.

Outtakes compilation from band's archives. Mostly songs of two kind : heavily strings acoustic and with electronics background.

Everyone familiar with band's music will feel that big part of songs are more demo-versions, not real songs. There are mainly melody and song structure, but sound is very schematic, without characteristic arrangements, sometimes just minimalistic.

For sure you will easily recognize Boris Grebenschikov very specific vocal and common band's sound. But there isn't real full album, more release for collectors.

It's a very strange feeling for me: russian "Aquarium" in Progarchives!

I first had listen this album ( on underground cassette, of course) still being a student in former USSR. My country was occupied by Russian Army, rude and always half-drunk russians still were on control of small old Baltic nation. KGB eye was everywhere, some rare vynil albums from West were unlegal, total contraband. You can't imagine that even in your nightmare dream!

During one on my first vist to St.Petersburg ( Leningrad in that time for sure), my friends- Leningrad's students gave me this cassette to listen. It was not usual underground rock, but some strange, unusual songs. Acoustic piano, guitar, harmonica, middempo, unusual melodies and methaphysical lyrics. To be honest, it was so unusual, that I didn't accepted it at once. But just made my copy ( using cassette recorder).

After, at home, listened this music again and again, I found this music for myself and became heavy fan of that group. Being one of most "free" cities in "Empire Of Evil", Vilnius was good place for rock fans. Very soon I had the possibility to listen "Aquarium" in one of the first ( half- underground) rock festivals in USSR.

They were kind of strange genius. Mix of classic rock, acoustic solos, folk, indian music, rock'n'roll and weird dzen-budism and impressionism in lyrics ( with crazy soviet reality somwhere deep in their basics). They for a long became spiritual leaders of young intellectuals from dark side of Iron Curtain.

Great question - how much this music can be accepted and interesting for the "normal world"? OK, at least it is original example of russian unortodox folk-prog-avantgarde.

In an effort to expand my musical horizons, I find myself exploring progressive rock bands that not only sing in a different language but incorporate the culture of that country in the music as well. This is one of those bands.

Aquarium is a band from Russia (the name in Russian spelling is Àêâàðèóì - at least that's as close as I could get to spelling it correctly). Actually it would be better described as Boris Grebenshikov's band since he is ht one the revived the band to release what is essentially a solo album (sort of like Robert Fripp and reforming King Crimson). I am from the United States, so my outlook on albums by this band will be a bit different than the reviewers who experienced this culture and, perhaps, the effect the Soviet Union had on this band.

One of the first things I noticed about this album was the singing. Now obviously I cannot understand Russian but I can enjoy the singing. The beauty of the human voice can be missed if you know the language as you pay attention to what is sung but sometimes not how it is sung. Boris Grebenshikov's voice is a good accompanist to the music here. It conveys the emotion and feeling through the sound and the rhythm of the words spoken. It is truly an awesome thing to hear the human voice as an instrument and not as a vehicle for lyrics.

And now onto the music.

This album is a soft album with no electric instruments and rarely any drums. In fact the only up tempo song is the only track with prominent use of the drums. The acoustic guitar takes its place as the rhythm instrument. It is soft acoustic work that is inspired by Russian folk. This is the reason why it is called Russian Album. Boris Grebenshikov took his music abroad but did not get much positive feedback so he returned to his Russian roots and his beloved homeland.

The sound of this music is emotionally powerful. The acoustic work is very good at bringing out feelings. The wide range of instruments helps this, my favourite one being the accordion. This album's songs do not sound too similar and do not sound too different as to surprise the listener. My favourite songs so far are Åëèçàâåòà [Elizabeth] and Áóðëàê [Burlack], the former for its exceptional guitar work and very cool accordion and flute work, and the latter for its upbeat sound with the drums providing a good backbeat to allow Boris to expand on his guitar playing a bit. Another interesting fact is the last song (I don't have a version with bonus tracks - yet) seems to be a reprise of the first with its predominant oboe playing (I think that's an oboe).

This is a wonderful Russian folk album that should be appealing to everyone. The music is beautiful and mesmerising. 5/5 stars