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STRAWBS

Prog Folk • United Kingdom


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Strawbs biography
Formed in London, UK in 1964 - Hiatus from 1980-1983 - Still active as of 2018

One of the better British progressive groups, The STRAWBS were a 60's folk and medieval band turned prog-rock with the help of Dave COUSINS (the heart and soul of this group) and Rick WAKEMAN "master of the keyboards". WAKEMAN is featured on the albums "Strawbs", "Dragonfly", "Just A Collection of...", and "From The Witchwood" before he joined YES. The line-up for the group changed markedly over the years. Their sound has been in a state of constant evolution combining English folk and progressive sounds to form their unique style. Critics seem to have a preference for the STRAWBS in the early Seventies when the group consisted of Tony & John HOOPER, John FORD, Richard HUDSON and keyboard virtuoso Rick WAKEMAN. The group ceased to exist at the end of the 1970s, and COUSINS embarked on some solo projects. STRAWBS would appeal to fans of bands like FAIRPORT CONVENTION, STEELEYE SPAN, PENTANGLE, etc.

They have recorded over 15 albums through the years, with various lineups around the core of Dave COUSINS who offered beautiful melodic compositions. Every STRAWBS album between "Witchwood" and "Nomadness" has something unique to offer. A perfect introduction to the sound of The STRAWBS is the compilation-CD "A Choice of Strawbs" (16 tracks). It features all their best material from their most creative and "symphonic" period (between '71 and '74). The music of The STRAWBS frequently ranges from folky (acoustic guitars) and classic (piano and harpsichord) to bombastic, symphonic rock (fiery electric guitar and glorious Mellotron in the vein of BARCLAY JAMES HARVEST and The MOODY BLUES). The vocals are powerful with a lot of expression. Another great introduction to The STRAWBS is their live CD entitled "In concert" with BBC recordings from '73 and '74, including compelling renditions of their best works. The lush Mellotron sound evokes every time goose bumps on my skin!

1971 - "From The Witchwood" was a release that represented the transitional phase and search for their definitive sound and style.
1972 - "Grave New World" was their first symphonic album, and remained their finest moments, with great songwriting, great arrangements and superb performance all-round. This is a GREAT ALBUM!
1973 - "Bursting at the Seams" was the break through album for the STRAWBS because it marked the...
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Buy STRAWBS Music


Deep Cuts: Remastered & Expanded EditionDeep Cuts: Remastered & Expanded Edition
Esoteric 2019
$11.05
$14.32 (used)
Just A Collection Of Antiques & Curios (bonus)(engJust A Collection Of Antiques & Curios (bonus)(eng
Remastered
Universal I.S. 1998
$5.63 (used)
Hero & Heroine (bonus Tracks) (remastered) (eng)Hero & Heroine (bonus Tracks) (remastered) (eng)
Extra tracks · Remastered
Universal I.S. 1998
$5.88
$3.68 (used)
Ferryman's CurseFerryman's Curse
Esoteric Antenna 2017
$10.60
$11.11 (used)
Ghosts (bonus Track) (remastered) (eng)Ghosts (bonus Track) (remastered) (eng)
Extra tracks · Remastered
Universal I.S. 1998
$4.86
$7.90 (used)
From the WitchwoodFrom the Witchwood
Remastered
Universal I.S. 1998
$5.97
$3.65 (used)
DragonflyDragonfly
INgrooves Fontana/UMe Imports 2008
$5.95
$9.56 (used)
Just A Collection Of Antiques & CuriousJust A Collection Of Antiques & Curious
Universal Japan 2018
$23.78
$39.25 (used)
StrawbsStrawbs
Universal Japan 2018
$34.99
$39.29 (used)
Grave New WorldGrave New World
Extra tracks · Remastered
Universal I.S. 1998
$5.95
$4.45 (used)

More places to buy STRAWBS music online Buy STRAWBS & Prog Rock Digital Music online:

STRAWBS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

STRAWBS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.15 | 84 ratings
Strawbs
1969
3.15 | 99 ratings
Dragonfly
1970
4.02 | 249 ratings
From The Witchwood
1971
4.15 | 334 ratings
Grave New World
1972
3.57 | 171 ratings
Bursting At The Seams
1973
2.78 | 36 ratings
Sandy Denny And The Strawbs: All Our Own Work
1973
4.13 | 337 ratings
Hero And Heroine
1974
4.02 | 185 ratings
Ghosts
1975
2.54 | 76 ratings
Nomadness
1975
2.77 | 71 ratings
Deep Cuts
1976
2.58 | 54 ratings
Burning For You
1977
2.89 | 50 ratings
Deadlines
1978
3.01 | 32 ratings
Don't Say Goodbye
1987
2.71 | 23 ratings
Ringing Down The Years
1991
2.74 | 36 ratings
Heartbreak Hill [Aka: Starting Over]
1995
3.57 | 25 ratings
Acoustic Strawbs: Baroque & Roll
2001
2.75 | 32 ratings
Blue Angel
2003
3.16 | 35 ratings
Déjà Fou
2004
3.51 | 47 ratings
The Broken Hearted Bride
2008
3.32 | 39 ratings
Dancing To The Devil's Beat
2009
3.66 | 36 ratings
Hero & Heroine In Ascencia
2011
2.74 | 26 ratings
Prognostic
2014
3.84 | 46 ratings
The Ferryman's Curse
2017

STRAWBS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.75 | 78 ratings
Just A Collection Of Antiques And Curios
1970
2.39 | 9 ratings
The Strawbs' Greatest Hits Live
1993
3.69 | 14 ratings
BBC in concert
1995
2.36 | 11 ratings
Concert Classics
1999
3.39 | 5 ratings
The Complete Strawbs (Chiswick '98 Live)
2000
2.44 | 4 ratings
Full Bloom, Acoustic Strawbs Live
2004
3.68 | 9 ratings
Live At Nearfest
2005
3.74 | 16 ratings
Painted Sky
2005
3.70 | 5 ratings
Recollection
2006
3.09 | 4 ratings
NY '75
2007
4.00 | 1 ratings
Laydown With The Strawbs
2008
4.92 | 3 ratings
40th Anniversary Celebration: Vol 1: Strawberry Fayre
2010
3.18 | 2 ratings
40th Anniversary Celebration Vol. 2: Rick Wakeman and Dave Cousins
2010
4.00 | 4 ratings
Live At The BBC Vol Two: In Concert
2010
3.15 | 4 ratings
Live At The BBC Vol One: In Session
2010
4.00 | 1 ratings
Live In Gettysburg
2017

STRAWBS Videos (DVD, Blu-ray, VHS etc)

3.02 | 6 ratings
Classic Rock Legends (DVD)
1998
3.00 | 1 ratings
The Complete Strawbs - Live at Chiswick House
2002
4.02 | 9 ratings
Strawbs Live In Tokyo '75 / Grave New World The Movie
2003
4.00 | 4 ratings
Acoustic Live In Toronto At Hugh's Room
2004
3.00 | 3 ratings
Lay Down With The Strawbs (DVD)
2008

STRAWBS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.44 | 7 ratings
Strawbs by Choice
1974
2.52 | 6 ratings
Early Strawbs
1974
3.86 | 9 ratings
Classic Strawbs
1977
3.94 | 10 ratings
The Best of Strawbs
1978
2.69 | 8 ratings
Preserved Uncanned
1990
3.52 | 17 ratings
A Choice Selection of Strawbs
1992
3.61 | 17 ratings
Halcyon Days (UK Release)
1997
4.31 | 13 ratings
Halcyon Days (US Release)
1998
3.00 | 1 ratings
30 Years in Rock, Classic Rock Legends
2001
3.00 | 6 ratings
The Collection
2002
4.41 | 4 ratings
Tears And Pavan (An Introduction To Strawbs)
2002
3.21 | 5 ratings
20th Century Masters - Millenium Collection
2003
4.72 | 12 ratings
A Taste of Strawbs
2006
4.08 | 7 ratings
Acoustic Gold
2011
2.00 | 1 ratings
Of a Time
2012
3.95 | 3 ratings
Witchwood: the Very Best of....
2014

STRAWBS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.00 | 1 ratings
Oh How She Changed
1968
3.00 | 1 ratings
The Man Who Called Himself Jesus
1968
2.41 | 8 ratings
Strawberry Sampler number 1
1969
4.00 | 2 ratings
Lay Down/Backside
1972
4.00 | 1 ratings
New World
1972
3.00 | 1 ratings
Part of the Union
1973
0.00 | 0 ratings
Shine On Silver Sun
1973
3.00 | 1 ratings
Part of the Union/Will you go
1973

STRAWBS Reviews


Showing last 10 reviews only
 Strawbs by STRAWBS album cover Studio Album, 1969
3.15 | 84 ratings

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Strawbs
Strawbs Prog Folk

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars While rock groups like The Beatles and The Rolling Stones may have dominated the 60s with extremely successful pop hits and albums that still remain some of the biggest sellers in the entire history of recorded music, the folk and hybridization with rock scenes were quite popular on both sides of the Atlantic. While Bob Dylan and The Byrds were giving the American folk scene and electrified makeover to the chagrin of staunch acoustic stalwarts, the British scene was more keen to engage in free-spirit experimentation which led to a wider spectrum of sounds emanating from the British settings. Folk artists like Davy Graham, Roy Harper, The Pentacle and Fairport Convention were some of the earliest pioneers of crafting the British folk traditions into a free-for-all of unhinged creativity and by the time the end of the 60s culminated, in some of the most fertile musical scenes ever to exist developed with bands like Third Ear Band, Synanthesia and Principal Edwards Magic Theatre releasing folk sounds steeped in ethnic and psychedelic influences often blurring the lines between cultural distinctions.

One of the other major bands to have been included in this rich nascency of folk rock fecundity was the London based bluegrass turned progressive folk band THE STRAWBS. Formed in 1964 as the Strawberry Hill Boys by guitarist / vocalist Dave Cousins, guitarist / vocalist Tony Hooper and bassist Ron Chesterman, the band shortened its name for a June 1967 concert and during that same year played with future Fairport Convention / Fotheringay singer Sandy Denny with whom they would record an album which wouldn't find a release until 1973 ("All Our Own Work" was technically released in Denmark in 67.) Evolving from more of an American bluegrass band to a progressive English folk band, THE STRAWBS incorporated many influences into the musical mosaic that made them stand out from the start. Originally influenced by the skiffle sensation of the 50s, with Sandy Denny they developed a firm connection with the native English folk sounds but the trio's adventurous spirit eventually found them incorporating Indian raga themes, American folk and blues as well as the zeitgeist of the psychedelic 60s.

Notorious for being the first group signed to Herb Alpert's A&M Records, the leading single "Oh How She Changed" was released in 1968 and the debut self-titled album appeared the following year in 1969, however by this time Denny had joined Fairport Convention and the group was trimmed down back to the core trio with some mystery guests providing the touches of tribal percussion, recorder, light orchestration and what is referred to on the liner notes as "musical vibrations.' Given the five year run of writing and performing, the official STRAWBS debut is quite an eclectic folk rock experience for a 60s albums. Steeped in English folk rock tradition, Cousins, the chief songwriter and creative force tackles eleven earnestly delivered narrations ranging from the hilariously titled "The Man Who Called Himself Jesus" to the medieval pioneering docu-drama of "The Battle" which sounds like a shoe in as ground zero for the future progressive sounds of early 70s Genesis. While some of the tracks such as "Or Am I Dreaming?" were clearly composed during the lush folky ballad years of the band's origins sans Ms Denny, others such as "Where Is This Dream of Your Youth" clearly point in the direction of a more progressive future and a possible inspiration for future freak folk artists such as Comus.

In fact much of THE STRAWBS' debut album seems to be more influential for other bands rather than THE STRAWBS itself as the band would go on to create some of the most ambitious albums within the confines of the progressive folk universe but even at this early point, this band was greeted with open arms by critics and fans alike. "That Which Once Was Mine" sounds more like what Fairport Convention would become whereas "All The Little Ladies" and its jittery classical time signature offings could have possibly given inspiration to an ambitious Jan Dukes de Grey. "Pieces Of 70 And 15" and several other tracks also evoke the sounds that Spiro Gyra would make their own in a few short years but nothing on the debut STRAWBS album really prognosticates what the band itself would sound like on future albums such as "Grave New World."

If you are only craving the ambitious angularities of the crafty complexities of the future albums then this is probably best skipped but if you are at all interested in the development of the English progressive folk scene as a whole then you can't miss this spectacular debut by THE STRAWBS which cranks out eleven spectacularly brilliant tunes that retain the simplistic beautiful of the English folk melodic tradition but are already exhibiting a wealth of creative mojo that the band would not only nurture into their own but also pass on to create an entire musical scene. It isn't really apparent exactly how influential this band was until you delve back to the beginning and although the cameo with Sandy Denny was the first recording, this first official album is really where the magic began and this is even before Rick Wakeman joined on for the following "Dragonfly." While clearly more pop oriented and the easier of accessibility compared to the monstrous prog dynamics developed just a few years down the road, THE STRAWBS is nevertheless quite an accomplished bridge between the best of what the 60s had to offer in the world of folk rock and what would unfold in the earliest years of the 70s. Personally, i love this one!

 The Complete Strawbs - Live at Chiswick House by STRAWBS album cover DVD/Video, 2002
3.00 | 1 ratings

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The Complete Strawbs - Live at Chiswick House
Strawbs Prog Folk

Review by kenethlevine
Special Collaborator Prog-Folk Team

— First review of this album —
3 stars This historical document of STRAWBS' 30th anniversary celebration at Chiswick house in front of the fire-regulation approved 1000 fans is very much a warts and all proposition, and also wholly worthwhile. While the sound is decent and the picture generally clear, it doesn't measure up well against modern high def fare. Even allowing for these weaknesses, the camera person or people seem to focus on the wrong performer as often as not, especially during certain solos, before apparently realizing that the soloist is actually elsewhere. In a few places the footage seems to have failed and we find ourselves looking at stills for 5-10 seconds, one of which was even in black and white! But what is most jarring is how young the band members look in comparison to recent events, even though at the time they were decidedly middle aged. Ah, perspective!

Divided into 4 different formations - the 1990s and currently (as of then) active lineup, the Hero and Heroine/stateside group, the pre Grave New World ensemble and the Bursting at the Seams lineup - this recording covers pretty much all the bases. The 1990s group performs the most recent number as of the time of the recording, the ballad "Further Down the Road", which is a reasonable choice for show starter, and includes Cathryn Craig on backing vocals. While "Grace Darling" sees Cousins struggling a bit with the high notes, the highlight of this brief set is definitely his heartfelt tribute to Sandy Denny, "Ringing Down the Years". Ric Sanders of FAIRPORT CONVENTION guests on violin and his imaginative fills almost steal the show, but for the wistful lyrics and melody, and the juxtaposition of her former bands offers another form of solace.

The Strawbs of 1974-1977 focused on the US market, and, while almost the identical group is still in existence, in 1998 they had not performed together in 20 years. They present the unique story song of "Beside the Rio Grande", whose lineage to earlier numbers like "The Battle" was less obvious back in 1976 than in this setting, as well as several selections from the popular "Hero and Heroine", the title cut veering closer to the band's folk roots due to Sanders' mad fiddling.

Next up is a mashup of early members in an effort to recreated Strawbs' folkiest period, and this might be the most convincing set of all. With the help of Brian Willoughby on expressive and sympathetic lead guitar, numbers like "Witchwood", "A Glimpse of Heaven", and "Josephine" are enlivened. Tony Hooper's spotlight moment is his lead vocal on the earliest track here, "Oh How she Changed", a single that was a bit too sophisticated for the singles market, though if it had been performed by BEATLES or SIMON AND GARFUNKEL it would probably have done just fine.

Finally, the "Bursting at the Seams" lineup took the stage in darkness, and they ran through some of the most popular numbers from that huge UK release, along with the always hair-raising "New World" from the breakthrough album "Grave New World". "The River/Down by the Sea" is the fitting closer but performances of "Stormy Down" and the mega hit "Part of the Union" are also noteworthy, with John Ford clearly enjoying himself back in the spotlight.

The bonus material includes a fine version of the epic "Blue Angel" from the 1990s lineup. While the power of the original stripped down version from "Two Weeks Last Summer" and the even more bare bones acoustic version played live in the 1980s will never be matched, this can be seen as the long overdue moment when "Blue Angel" took it's rightful place among the best of Strawbs' suites.

Apart from the quality moments referred to way back above, I find it a bit disappointing that Dave Cousins plays neither banjo nor dulcimer at any point, especially given that these were among the "it" factors of the group in the early days. Also, when a collection purported to be "Complete" is missing 3 of the group's 5 greatest and best known songs - "Benedictus", "Lay Down" and "Autumn" - it's a flaw, even allowing for the time constraints of performances and the DVD. Nonetheless, "The Complete Strawbs" is too significant to be a fan only purchase. While I expect any DVD that comes out of the 50th anniversary weekend held in April 2019 to eclipse this one in overall breadth and impact, this document of the 30th can never be totally supplanted.

 Concert Classics by STRAWBS album cover Live, 1999
2.36 | 11 ratings

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Concert Classics
Strawbs Prog Folk

Review by kenethlevine
Special Collaborator Prog-Folk Team

2 stars This live artifact dating to the 11th hour of STRAWBS' middling commercial reign was available in several forms as a bootleg called "Live in London", in which "Lay Down" was the opening number, and even another called "Live in America", in which it wasn't. To the best of my knowledge, the concert was taken from an appearance on BBC Radio One "Sight and Sound" in February 1978, the same performance that has been cleaned up and presented on DVD as a bonus to a 2019 re-release of "Deadlines" on Esoteric. This makes sense since that doomed release was the one being promoted at the time. Still, if you don't need the visuals, "Lay Down" and apparently "Sealed with a Traitor's Kiss", and don't want to fork over the $25+ USD that it's fetching, this budget release can be a low-fi stand-in, and appears to be available on streaming sites.

First of all, the sound quality is rough and ready, and the song selection favors the backsliding years of the late 1970s, so this probably shouldn't be the first live momentoe of the group you sample. But that same weakness is also a strength, as there simply aren't any other performances from that era available at this time. More so, by this time Andy Richards had already taken over from the duo of Robert Kirby and John Mealing on keyboards and his style is distinctive if not a tad overbearing. That means versions of rockers "Cut Like a Diamond", "Heartbreaker", and "Last Resort" rule the day here, while classic mid tempo track "Simple Visions" is spirited. The album does close with a few "Hero and Heroine" standards, the title track being absolutely crackling. Unfortunately, "Ghosts" is a little too off kilter or out of tune even for the live setting, and "No Return" is by far the weakest number here, with little to redeem it.

All told, "Concert Classics" is mostly one for the fans, and, at this point, specifically those who might want to sample it before deciding to splurge for the DVD as part of "Deadlines", thus rendering their prior versions of that album obsolete. 2.5 stars rounded down.

 Classic Strawbs by STRAWBS album cover Boxset/Compilation, 1977
3.86 | 9 ratings

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Classic Strawbs
Strawbs Prog Folk

Review by kenethlevine
Special Collaborator Prog-Folk Team

4 stars If you are a vinyl aficionado and don't own any Strawbs recordings, "Classic Strawbs" comes highly recommended if you can find it. With a Canada only distribution and a lack of CD re-release, it already has all the cachet you need. Luckily, the content is even more worthwhile, as A&M focused on the proggier style that broke Strawbs as a popular album oriented band in Canada. It also spans the peak 1970-1975 period, even including the Dylan-on-acid multiverse epic "The Vision of the Lady of the Lake" and the astonishing raga influenced "Where is this Dream of Your Youth" from an early live album in which Rick Wakeman firmly established his reputation.

The folk-tinged symphonic epics and suites for which Strawbs were most respected are all here: "Autumn", "Ghosts", "The Life Auction", "Down by the Sea", "Queen of Dreams", and "Tears and Pavan", while venerable shorter numbers like "Sheep", "Benedictus", "New World", and "Hero and Heroine" also make the cut. While the final A&M album "Nomadness" proved a death knell of sorts for the group, the brilliant "Hanging in the Gallery" proved that Dave Cousins' songwriting instincts and insights remained intact.

The group's UK hit singles, the majestic "Lay Down" and the needling "Part of the Union" were far superior to most of what ascended the charts in the early 1970s, and were quite well received as album tracks in Canada, but they weren't what this compilation was about, and were appropriately omitted. I can't quite give "Classic Strawbs" 5 stars because it is, after all, a compilation, and, as lovingly curated as it was, it can't approximate the cohesiveness of the peak period albums from which it is primarily sourced. But, for a reasonable price and caressed by a loving stylus, it's worthy of the prog rock time capsule. 4.5 stars.

 From The Witchwood by STRAWBS album cover Studio Album, 1971
4.02 | 249 ratings

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From The Witchwood
Strawbs Prog Folk

Review by VianaProghead
Prog Reviewer

4 stars Review Nº 193

"From The Witchwood" is the third studio album of Strawbs and was released in 1971. This is a landmark for the band. It represents a transitional phase on the sound of their music and a search for their definitive sound, from a bluegrass group to a progressive folk rock band. It represents a huge step forward from their two previous studio albums, too.

The line up on the album is Dave Cousins (vocals, acoustic and electric guitars, dulcimer, banjo and recorder), Tony Hooper (vocals, acoustic guitar, autoharp and tambourine), Rick Wakeman (piano, organ, celeste, mellotron, moog synthesiser, clavinet and harpsichord), John Ford (vocals and bass guitar) and Richard Hudson (vocals, drums and sitar). It's also the only studio album to feature Wakeman in the band's line up, before he joined to Yes. However, Wakeman had featured on their previous and first live album "Just A Collection Of Antiques And Curious" too, and had also performed as a session musician on their second studio album "Dragonfly".

"From The Witchwood" has ten tracks. The first track "A Glimpse Of Heaven" written by Cousins is a brilliant song and an excellent open for the album. It's my second favourite song on the album and is a song where the band develops their musical atmosphere all over the album. This is a powerful song where the organ is played like a church organ and the vocals are performed like choruses. The song also contains an excellent example of Wakeman's keyboard talents. The second track "Witchwood" written by Cousins is a very calm and beautiful song in the style of the medieval and Celtic music. It has a wonderful pastoral melody that can catch the attention of everybody. This is a very different song from the previous one, because it presents more folk elements on it, and it's also more secret and mysterious. It's also one of the highlights of the album. The third track "Thirty Days" written by Ford is a song very close to The Beatles, and curiously, even the vocals are similar to them. It's a typical folk acoustic song, very simple and nice but, it has nothing special and is also, in my humble opinion, one of the weakest songs on the album. The fourth track "Flight" written by Hudson is a very calm and peaceful acoustic ballad without anything special to speak about, except the interesting Cousin's guitar work and Wakeman's piano, in the end. It's the second weakest point on the album. The fifth track "The Hangman And The Papist" written by Cousins is, on the contrary, the strongest point on the album. It's a very powerful song also with powerful and dramatic lyrics and is, for sure, the most progressive of all. On the song the music goes in crescendo in order to create the dramatic effects described on the lyrics and suddenly ends when the prisoner dies. Here we have a brilliant keyboard performance by Wakeman and the reason why he was invited to be part of Yes. I think we can consider this a perfect masterpiece. The sixth track "Sheep" written by Cousins is a less folk song compared with the other songs on the album and is more composed in a psychedelic style. It's a very good song and once more Wakeman continues inspired and to impresses. This song represents another good musical moment on the album. The seventh track "Canon Dale" written by Hudson is the return to the folk but it has also some psychedelic effects made by the sitar. It's a song with nice harmonies and very pleasant to listen to, but once more, I think that it no represents one of the best moments on the album. The eighth track "The Shepherd's Song" written by Cousins is another great song and represents also one of the best moments on the album. It's a song perfectly balanced with all musical instruments. The song has excellent keyboard performance. Especially the piano and mellotron are particularly enjoyable to listen to. I think we can consider that this song incorporates influences of the Hispanic music. The ninth track "In Amongst The Roses" written by Cousins is a beautiful and typical acoustic folk ballad of him. It has a very melancholic vocal duet between Cousins and Hooper and is a return to visit their almost pure folk first two studio albums. It has also a slight country feel and is very pleasant and calm to listen to. The tenth track "I'll Carry On Beside You" written by Cousins is another great folk tune where we can feel the power of the vocals and the instruments in general. It's a song that sounds more like a typical classic country folk song that we can listen to on the radio. But, this is a very nice song too.

Conclusion: "From The Witchwood" is a great album that combines perfectly well the folk with symphonic progressive rock music. It's also a very interesting and enjoyable album to listen to and represents a major step forward in their musical career. "From The Witchwood" is musically a very varied album with many different influences such as folk, country, rock and psychedelic music, although it isn't always progressive. Sincerely, I think that isn't a bad thing. We can't forget that this is a transitional album and the next studio album "Grave New World" is, in my humble opinion, a truly progressive album. "From The Witchwood" finds the band exploring new pallets of colours and starts their migration to a major prog folk band. It's also the album which allowed the migration of Wakeman to other higher flights.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Lay Down/Backside by STRAWBS album cover Singles/EPs/Fan Club/Promo, 1972
4.00 | 2 ratings

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Lay Down/Backside
Strawbs Prog Folk

Review by kenethlevine
Special Collaborator Prog-Folk Team

4 stars While "Grave New World" was STRAWBS' biggest selling album in the UK by far, it failed to yield a hit single and it didn't quite reach the top 10. "Bursting at the Seams", recorded with rock guitarist Dave Lambert replacing a disillusioned Tony Hooper, rectified both of these problems and gave wide albeit fleeting recognition to Strawbs in their home country while building on their budding reputation in North America. The first single, "Lay Down", actually saw release in late 1972, before the album, and is a surprisingly upbeat hard rock number that nonetheless retains the characteristics of the group sound - strong melodies, hymn like aura and lyrics, and a soaking of mellotron choir. Cousins' goal here was to sound like the SMALL FACES and their gift of delivering the message that they were having fun when they performed. It seemed to resonate with the public who drove it to #12 on the UK charts and primed the pump for the even bigger albeit very different "Part of the Union" early in 1973. While many Strawbs fans decry "Part of the Union" as sell out, most agree that "Lay Down" was a fine song that made only enough concessions to achieve deserved success. Nonetheless, apart from the similar "Stormy Down" on the same album, it's an approach that the band never capitalized on again.

The B side was a very proggy and ribald send up of the David Bowie "Ziggy Stardust" persona, and is even more a showcase of Dave Lambert's passionate lead guitar than the A-side. The extended instrumental coda showcases the band's new-found confidence. The fact that this song did not make the album cut is testament to the free flowing creativity of the group at that time.

Unless you are a vinyl collector, both of these tracks can be found on the CD reissues of "Bursting at the Seams", with "Backside" as a bonus. Still, these are two excellent tracks that document the Strawbs' fleeting chapter as one of the top bands in their homeland.

 Part of the Union/Will you go by STRAWBS album cover Singles/EPs/Fan Club/Promo, 1973
3.00 | 1 ratings

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Part of the Union/Will you go
Strawbs Prog Folk

Review by kenethlevine
Special Collaborator Prog-Folk Team

— First review of this album —
3 stars The curse of "Part of the Union" was that it was on a Strawbs album, and didn't mesh well with the earnest folk rock from which they were slowly detaching, nor did it sit with its hands neatly folded in its lap next to the prog epics they were beginning to explore. A Hudson-Ford penned and sung tune that was about to be released as a single under the name "The Brothers", "Part of the Union" was ultimately selected for the "Bursting at the Seams" album by band leader Dave Cousins. He reasoned that it would become a huge hit and fragment the band if released under separate cover. Ironically, the band imploded anyway, and when the dust settled the reformed Strawbs were a full blown prog rock group with reasonable success in North America and Hudson- Ford were pop hit makers in the UK.

This is actually a catchy pop tune that flies in the face of the prevailing styles of its day. An oom pah pah beat, no electric guitar, a sing along chorus, and enough irony to leave its intent ambiguous, were all qualities lacking in most pop music at the time. Its adaptation of an old WOODY GUTHRIE tune "Union Maid" was a further departure for the charts. The barrel house piano by Blue Weaver and the simple trick of each chorus being introduced with an additional bar all augment the production by Tom Allom. In retrospect, the band should have somehow held it together after its march to #2 in the UK charts along with the album, as their mix of the familiar and the stately, along with 4 vocalists, had little competition. While they claim they were short of material for the album, the B side "Will You Go" is a rough cut gem that didn't even get onto the LP release, an "almost" traditional Scottish song often called "Wild Mountain Thyme", featuring more vocal harmonies, accordion, and an arrangement similar to a more laid back "Lay Down".

At this point, the only reason to procure this single is if you are a vinyl only collector, as both tracks are on the CD reissues, the B side as a bonus. It's a fascinating historical document of the ephemeral nature of pop success. For every 1 QUEEN or ROD STEWART there were dozens if not hundreds of STRAWBS who could not comprehend or sustain the magic they fleetingly held in their hands.

 Part of the Union by STRAWBS album cover Singles/EPs/Fan Club/Promo, 1973
3.00 | 1 ratings

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Part of the Union
Strawbs Prog Folk

Review by Matti
Prog Reviewer

— First review of this album —
3 stars Bassist John Ford and drummer Richard Hudson had been members of STRAWBS since the beginning of the 70's, and before that they played together in Elmer Gantry's Velvet Opera. Gradually they started writing and singings songs for Strawbs (which was practically led by Dave Cousins who wrote and sang most of the music). They found so much hit potential in themselves that after the 1973 album Bursting at the Seams they both left Strawbs to form Hudson-Ford.

'Part of the Union' appeared on Bursting at the Seams and was quite popular at the time. It's an upbeat song with an enormous amount of mind-sticking catchiness. As the title suggests, it's about working life, a celebration of individual worker's rights and safety as part of the union. "You won't get me, I'm part of the union - til the day I die", declares the very singalong type of the chorus. Judged in that context of empowerment, the song truly hits the bull's eye, but despite being so catchy, it strangely also manages to avoid being irritating piece of music, at least in my opinion. And I don't usually enjoy ear-worm hits.

The B-side of this single has an earlier "pre- Hudson-Ford" song 'Heavy Disguise' (penned by john Ford), which originally appeared on the previous Strawbs album Grave New World (1972). Unlike 'Part of the Union' this is not a catchy song seeking commercial success, not at all, instead it's just a well-done album track and its main purpose is to add variety to that very strong Cousins-centred album. It's interesting that Strawbs, or their record company, chose this song on the B-side instead of some other song from Bursting at the Seams, or a non-album song. Almost as if it was paving way for Hudson and Ford's decision to form a band of their own.

Hudson-Ford released four albums in 1973 - 77, but each subsequent album made smaller impact, and they called it a day in '77. But they continued working together: their next bands The Monks and High Society (I was reading allmusic.com while writing this) I've never even heard of.

 Just A Collection Of Antiques And Curios by STRAWBS album cover Live, 1970
3.75 | 78 ratings

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Just A Collection Of Antiques And Curios
Strawbs Prog Folk

Review by VianaProghead
Prog Reviewer

4 stars Review Nº 163

'Just A Collection Of Antiques And Curious' is the debut live album of Strawbs. It was at the same time their third album and was released in 1970 too. It was recorded at the Queen Elisabeth Hall in London. For their benefit, this album was released outside of the UK, including the USA, giving them the international exposure they needed. It might seem a bit strange that a live album be the first Strawbs' album and the people outside of the UK have heard about. It's a very special live album, because although it was recorded live, none of the tracks were released on any studio album before, except 'Where Is This Dream Of Your Youth', originally released on their eponymous debut studio album 'Strawbs'.

The line up of the group had changed drastically in relation to their two previous studio albums. Only the two founder members Dave Cousins and Tony Hooper remained, Ron Chesterman and Claire Deniz left the group. The band had the addition of two other new members John Ford and Richard Hudson, and Rick Wakeman also became a full-time member of the group. So, the line up of the album is Dave Cousins (vocals, acoustic guitar, electric guitar and dulcimer), Tony Hooper (vocals, acoustic guitar and tambourine), Rick Wakeman (piano, organ, harpsichord and celeste), John Ford (bass guitar) and Richard Hudson (vocals, congas, percussion and sitar).

'Just A Collection Of Antiques And Curious' has six tracks. All tracks were written by Cousins except 'Temperament Of Mind' which was written by Wakeman. The first track 'Martin Luther King's Dream' is, as its name says, a tribute to Martin Luther King and was obviously written about his 'I Have A Dream' speech. It's the shortest track on the album, a kind of a folk troubadour epic which benefits from the newly acquired rhythm section and backing vocals from John Ford and Richard Hudson and the brief performance from Rick Wakeman on organ. The second track 'The Antique Suite' is a song divided into four parts, 'The Reaper', 'We Must Cross The River', 'Antiques And Curious' and 'Hey It's Been A Long Time'. It was a song written about a doctor friend of Dave Cousins and his collection of antiques. It's the lengthiest musical piece on the album and it comes on the same vein of the two folk epics of their previous studio albums 'The Battle' and 'Vision Of The Lady Of The Lake'. It's an excellent piece of music, one of their best, and an excellent example of what is the early Strawbs' musical compendium. The third track 'Temperament Of Mind' is a completely different piece of music. This is a Rick Wakeman's classical piano solo piece of music which includes several quotes from several classical musical pieces. This was the piece of music that brought Rick Wakeman to the forefront of the rock scene and shows all the virtuosity, capacity and originality, of his music in the future. The fourth track 'Fingertips' was written about a very beautiful Swedish girl that Dave Cousins met on those days. It's a more experimental song, the only real psychedelic song on the album, and the use of a sitar gives to it some Oriental musical ambience. It's an incredible track where the intimate and almost reticent vocals from Dave Cousins with the intricate instrumental performances, especially the use of sitar and dulcimer, gives to the song the final perfect touch. This is a pure genius song, probably my favourite track on the album. The fifth track 'Song Of A Sad Little Girl' was written about Dave Cousins' little daughter, Joelle. It's a very nice song that shows some intricate acoustic guitar performed by Dave Cousins and also shows a perfect interplay between Rick Wakeman and Dave Cousins, which stands as one of the best examples of Rick Wakeman's integration with Strawbs. The sixth and last track 'Where Is This Dream Of Your Youth?', was a song released on their debut studio album 'Strawbs'. However, this live version of the original studio track may practically be considered a totally new song. The 3 minutes of the original version go to 9 minutes and it has also an extraordinary and killer performance of Rick Wakeman on keyboards. This is a perfect example how a simple and vulgar folk song can be transformed on a great folk progressive track. This is undoubtedly a truly great track.

Conclusion: 'Just A Collection Of Antiques And Curious' is a great album and remains as one of the most memorable live performances made by the group. It isn't for sure their best or even a perfect album, but it's for sure their most pure, na've and probably the most beautiful musical working made by them. 'Just A Collection Of Antiques And Curious' reminds me one of the earlier albums from Genesis, 'Trespass'. Both albums were released in the same year, both remain the sweetest, delicate, fragile, romantic, innocent, na've and pure albums from them and both represent the turning point into their musical careers. 'Just A Collection Of Antiques And Curious' represents a wonderful evening with a superb acoustic concert and where a certain unknown Rick Wakeman made his first memorable performance on a live set. This album represents also the turning point on band's music, where the bluegrass, folk and medieval band, moved to a progressive rock band, in my opinion, in one of the best British progressive rock groups that ever existed.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Laydown With The Strawbs by STRAWBS album cover Live, 2008
4.00 | 1 ratings

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Laydown With The Strawbs
Strawbs Prog Folk

Review by SteveG

— First review of this album —
4 stars Here's a secret about the Strawbs:

Don't tell anyone, but Dave Cousins, Dave Lambert and Chas Cronk cannot harmonize well with each other and come off like out-of-tune drunken sailors on some occasions. Especially when they sing together live. Which is why I've seen a few negative reviews of this live album titled "Lay Down With the Strawbs." Even when the angry listeners get past the first three and a quarter songs, where Cousins and Lambert go on to sing magnificently by themselves.

But first impressions are the ones that last, it seems. However, I'm of the crowd that wants the harder stuff out of the way ASAP. To be honest, the lead off track of this album, "Lay Down", is one of the best live vocal versions that I've ever heard the band do. The opening chorus to "Ghosts" is just ok, but it's over so quickly that Cousins' nightmare lyrics and thrilling roller coaster music quickly take you over. "Shine On Silver Sun" was always a hard song for the group to nail live vocally, but after so many years of hearing the group kill this song in concert, I've seem to have become immune. Or perhaps it's because the songs that immediately follow are all so stellar, starting with the sublime "Remembering / You And I When We Were Young", where Cousins is comfortably back in his comfort zone with John Hawken oozing magic from his electric piano keys.

Yes, the old magic comes floating back in for the fantastic version of the "Life Auction'"suite and the always lovely "Out In The Cold" which segues into a storming version of "Round And Round." The Last three being from the classic Hero and Heroine album, with all three songs being some of best live versions ever recorded by the Strawbs. And that's all from just the first CD of this double disc.

The Strawbs brought their "A game" to this concert as it was also recorded on DVD for the European market with this audio CD coming out one or two years later. Highlights of the second CD include a great version of "Autumn", followed by a rare drum solo from Rod Coombes that fits somewhere between Ginger Baker and Ravi Shankar's percussionist that segues into a power version of "Hero And Heroine". That in turn is followed by a wonderfully psychedelic version "Round And Round (reprise)." Again, I cannot stress how perfect Cousins and Lambert sing on their own, with Lambert letter perfect on guitar throughout. Chas Cronk returned to the deep boom of his Fender bass, while Cousins is always perfect on all the his acoustic guitar parts and banjo playing, especially on an inspired version of Lambert's "Cold Steel" from the Deja Fou album.

For the fans that enjoy the song, there's a decent version of "Part Of The Union" song by a guesting John Ford, who also joins the Acoustic Strawbs on the album's bonus tracks that include inspired acoustic versions of "Tears and Pavan" from the great album Bursting At The Seams , as well as Ford's "Heavy Disguise" from the album Grave New World.

And here's one more secret you should know about the Strawbs. If you concentrate on their top notch live performances, which are many, you will be thrilled to death by this still capable and engaging prog group. 4 stars.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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