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ARENA

Neo-Prog • United Kingdom


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Arena biography
The gathering of ARENA's famous musicians makes a super-group: Mick POINTER (Ex-MARILLION) plays the drums, Clive NOLAN (PENDRAGON) the keyboards, and Keith MORE (ASIA) played the guitar until replaced by John MITCHELL (Ex-Kino).Vocalist Rob SOWDEN has been with the band since IMMORTAL? and the bass player is Ian SALMON. There have also been some guest appearances by Tracy HITCHINGS (singer of QUASAR, STRANGERS ON A TRAIN & LANDMARQ) and Steve ROTHERY (MARILLION's gifted guitarist).

"Songs From The Lion's Cage" is then a very professional Progressive rock, both close to MARILLION and hard-rock. "Pride", their second opus issued in 1996 (one year after the previous one) confirmed the high musical level of this band, at a time when they added a touch IQ to their music. Curiously the band's sound gained in heaviness after their 2 first albums, and the music quality increased a lot in originality and musicianship.

Recorded in 1998, "The Visitor" alternates passages inspired by Steve HOGARTH's group along with some dark instrumentation. "Immortal" shows a new heavier dimension that still remains anchored in the best neo-Progressive music. "Moviedrome" is an excellent twenty minute track. "Contagion" follows the glorious tradition of "Immortal", although I found it more hard edged and multidimensional from all aspects. This powerful and evoking concept album tells about the quest for redemption, through the vision of a dark and anguishing future. No doubt about it, people won't have to think for a long time before electing the best album of winter 2002-2003!

''Pepper's ghost'' from 2005 sees Arena entering the realms of a quite heavy and very symphonic sound with some metal elements, a real highlight of their career. Long-time members Rod Sowden and Ian Salmon left the band in 2010 and they were replaced by Paul Manzi and John Jowitt respectively, the latter starting his second stint with the band.''The Seventh Degree Of Separation'' offers a very fresh and pounding sound, but the song structures had now become a bit conventional. Same goes for their latest entry, the 2015 ''The Unquiet Sky'', here Jowitt's place has been taken by newcomer Kylan Amos.

One of the best bands on the English scene nowadays... HIGHLY RECOMMENDED!

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Buy ARENA Music


XxXx
Metal Mind 2016
Audio CD$9.99
Unquiet SkyUnquiet Sky
Import
Imports 2015
Audio CD$12.86
$16.69 (used)
Contagion MaxContagion Max
Import
Imports 2014
Audio CD$22.10
$22.09 (used)
Songs From the Lions CageSongs From the Lions Cage
Import
Inside Out Germany 2004
Audio CD$8.80
$9.76 (used)
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ARENA shows & tickets


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ARENA discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

ARENA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.87 | 351 ratings
Songs From The Lion's Cage
1995
3.66 | 276 ratings
Pride
1996
4.07 | 569 ratings
The Visitor
1998
3.91 | 387 ratings
Immortal?
2000
4.18 | 526 ratings
Contagion
2002
3.61 | 355 ratings
Pepper's Ghost
2005
3.48 | 239 ratings
The Seventh Degree Of Separation
2011
3.84 | 208 ratings
The Unquiet Sky
2015

ARENA Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.67 | 60 ratings
Welcome To The Stage
1997
3.83 | 70 ratings
Breakfast In Biarritz
2001
4.46 | 64 ratings
Live & Life
2004
3.35 | 22 ratings
Live Recorded 2011/12 tour
2013

ARENA Videos (DVD, Blu-ray, VHS etc)

3.90 | 42 ratings
Caught In The Act
2003
3.81 | 53 ratings
Smoke & Mirrors
2006
4.07 | 24 ratings
Rapture
2013
4.00 | 2 ratings
XX
2016

ARENA Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

2.96 | 67 ratings
The Cry
1997
3.31 | 20 ratings
Ten Years On 1995 - 2005
2006
3.88 | 19 ratings
Contagion Max
2014

ARENA Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.22 | 8 ratings
Edits
1996
3.43 | 12 ratings
Welcome Back! To The Stage
1997
3.42 | 15 ratings
The Visitor (Revisited)
1999
0.00 | 0 ratings
The Story Of My Life
1999
0.00 | 0 ratings
Never Alone
1999
0.00 | 0 ratings
The Cage Unlocked
2001
3.10 | 10 ratings
Unlocking The Cage - 1995 - 2000
2001
2.85 | 43 ratings
Contagious
2003
2.48 | 24 ratings
Radiance
2003
3.10 | 39 ratings
Contagium
2003

ARENA Reviews


Showing last 10 reviews only
 XX by ARENA album cover DVD/Video, 2016
4.00 | 2 ratings

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XX
Arena Neo-Prog

Review by gringochucha

4 stars Paul Manzi is the best vocalist Arena has ever had.

I've been sick in bed for a week, so the fact that the new Arena DVD arrived in the mail today was a cause for celebration in a pretty crappy week. Being, as mentioned, sick at home, I put it in for a spin almost immediately, and I wasn't sorry. You see, I didn't get the last DVD because I was so disappointed with the Smoke & Mirrors one and I'd basically decided to only get the studio albums anymore. But when I saw that this one was going to have Moviedrome (one of my favorite songs ever) I preordered it immediately and here we are.

Enough of that; let's talk about the DVD. Understandably, the budget for the filming (once again in Poland) doesn't seem to have been very high. The lighting's pretty crappy and so is the resolution. The camera work is ok, but has the tendency to not show the musicians playing their solos, which can get frustrating. The thing is, from reading John Mitchell's Facebook posts, the tour doesn't seem to have been either very lucrative or particularly enjoyable for those involved (I'd pay good money to find out which Gentle Storm member apparently tried to kick them out of the shared dressing room...). From what I gleaned from John's posts, shows weren't very well attended and spirits were low, and you can kind of see this in the DVD ( (I personally couldn't make it here in Germany because the show was way too far away for me). The only ones that seem to be actually enjoying the experience are newcomers Manzi and Kylan Amos on bass.

That said, and having gotten the "negative" stuff out of the way, the performances on this DVD are generally top-class. Manzi shines both on his songs and on the classics. His voice is less whiny than Paul Wrightson's and more powerful than Rob Sowden's, with the power and drama of both combined. He barely misses a note here, and his rasp is also welcome. As mentioned, he adds some much needed energy and humor to the show, as the core of Clive, Mick and John smile maybe twice during the whole show between the lot of them.

The setlist is excellent. It took me a while to get into The Unquiet Sky, but the tracks from that album really shine here with Manzi. I'm actually sorry I didn't get the version with the CD, because now I want to listen to this concert on the stereo. Well, tough luck. After two very well played Visitor songs, we get to the long-awaited moment: Moviedrome on a live DVD. Up to now, the only live version was on the Breakfast at Biarritz album, and I always wished I could actually see it being performed. The one time I met Clive Nolan in Chile at a terribly attended Caamora show (seriously, it was pretty much me, my dad, and a few stoners), I asked him if he was ever going to play this live again, and he wasn't too optimistic. Luckily, as Clive explains during the concert, I wasn't the only one requesting it and finally they decided to record it for a DVD. Man, this apocalyptic masterpiece of a song has everything (including possibly Clive Nolan's best lyrics ever), and they pull it off admirably, even though you can tell they weren't as "at ease" with it as with the rest of the material.

At this point I have to say that the one guy who definitely isn't on top of his game here is Clive Nolan. John and Mick miss a beat every once in a while and John hits a few wrong notes, but mainly they're prett solid. Clive, on the other hand, doesn't really do a lot of his solos justice (Salamander?) and seems to have a lot of timing problems. I can't know what was going on while he was playing (bad monitor?) and anybody can have a bad night, but I get the impression that the maestro was kind of distracted. My two cents: The man has written so much great music, but unfortunately most of it is underrated and I can imagine it's not easy making a living playing progressive rock if you're not Dream Theater or Rush. But I digress and it's pretty ridiculous to try and psychoanalyse a guy based on his live show.

Back to the music: Manzi is excellent on the melancholic How Did it Come to This?, and the version of Bedlam Fayre is the best one I've ever heard (despite John's mistakes). It's weird for a song other than The Hanging Tree to follow Serenity, but The Unquiet Sky is a strong track with memorable vocal melodies and it's also sung flawlessly by Mr. Manzi. I'm really glad the mix on this album is good. You can hear everybody clearly (Clive Nolan was only miming on Smoke & Mirrors amirite?), and the harmony vocals by Nolan and Mitchell are very good and make you wish there were more a capella moments like when they sing "moving deeper into the land" on THT. Of course, John is an excellent lead vocalist in his own right. I have to admit I've been on something of a Lonely Robot/It Bites/Frost binge lately, and I can't help getting the impression he's happier on those projects than here. I mean seriously, the guy looks downright miserable at times here. But again I digress. Luckily he's a pro and his chops don't suffer.

Next, another one of Arena's great classics, The Hanging Tree, is performed beautifully. This song and John Mitchell's solos are so freaking good; I could listen to this all day. Next we get the only 7th-Degree track on the DVD: The Tinder Box. It's generally considered one of Arena's weaker albums, so it's not surprising they focused on other material. The song is really good, though; nice and heavy.

I have to admit that I skipped Solomon. I mean, it's good, but since I'm a "post-Visitor" fan and I only listened to the first two albums later I don't have that nostalgic obsession some Arena fans seem to have with the track. "Don't forget to breathe" (what's with the capitalization?) is a concert favorite for a reason and Manzi dons the customary top hat for the piece.

Of course, there are dozens of songs I could have wished to have seen on this DVD, but with Arena there's definitely a lot to choose from, and I think they put together the setlist very well. If I were rich I'd pay them to drop Solomon and play Opera Fanatica on their next tour (something I'm sure they'd be loathe to do considering the amount of work it would probably take to arrange and rehearse it). The DVD finishes as usual with the catchy "Help Me Heeeeelp Me Whooooaoaoaoa Help Me" (also known by its more boring title Crying for Help VII). This song's a friggin ear worm as the krauts say. It'll stay in your head for days.

All in all this DVD is a must for fans of the band. If you're not one then you probably stopped reading this a long time ago anyways.

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by lazland
Prog Reviewer

4 stars The Unquiet Sky is a welcome return to form by Clive Nolan and Mick Pointer's pomp prog vehicle, Arena, and it certainly is a huge improvement on Seventh Degree of Separation, an album generally regarded as being a massive disappointment.

The key, really, is a return to what the band do well. Take a story, preferably, as in this case, one revolving around the supernatural and ghostly world, add layer upon layer of huge sounds, until an atmospheric masterpiece is created. Simple, eh?

I have to say that one of the pleasures of this album is just how much of a great performance Paul Manzi puts in. Massive vocals, atmospheric, and reflecting the quality of the material he works with. I was not overly impressed on the last album, and this, I have to say, really sounds as if it was the material, rather than the bloke himself to blame. Manzi is very well suited to the overblown post-neo pomp of Arena, rather than the ill advised crashing metal he was on previously.

John Mitchell is as good as he has ever sounded, meaning we are treated to some fantastic licks. Clive Nolan has, especially, returned to that layered sound. His effects on the title track (think the prog version of Enya) are a joy to listen to, whilst the rhythm section of Amos and Pointer are extremely efficient in keeping matters moving along nicely.

This album is, for me, in the top five prog releases of 2015, and it has been played many times now, and, if anything, gets more enjoyable with each listen. Beholding such a return to form has been one of the most pleasant surprises of the year musically.

This is up there with the best of Arena, and gets an easy four stars, in reality four and a half, if we had such a rating. An excellent addition to any prog collection, and those unfamiliar with the band's work, or this type of bombastic prog, could do a lot worst that starting here. Hugely enjoyable.

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by friso
Prog Reviewer

4 stars Arena - The unquiet sky (2015)

After the mediocre ┤Pepper┤s ghost┤ and the somewhat flat progressive metal album ┤The seventh degree of seperation┤ (with new vocalist Paul Manzi), Arena returns with a classic neoprogressive record that can live up to the 'Visitor', 'Immortal?' and 'Contagion' era of their career.

Most songs are either dark progressive tracks or emotional ballads. All songs have a part that really sticks and some instrumental passages remind me of the best of what my all-time favorite Contagion had to offer. Moreover, vocalist Paul Manzi now seems to add to the Arena-style, instead of diminishing it like on their previous effort 'Seventh degree of seperation' - though I would still prefer Rob Sowden any day.

The opener 'The demon strikes' sets the atmosphere that is actually quite dark. 'How did it come to this?' and 'Unexpected dawn' are both good examples of how a symphonic ballad can work really fine. On the last track 'Traveller beware' Arena gives an almost eight minute long treat of their extended progressive rock songwriting, perhaps a bit like 'The butterfly man'. My favorite part of the album is the string of songs that starts with the atmospheric 'Markings on a parchment' (with a nice bass lead), continues with the exciting dark piano parts of 'What happened before' and the classic Arena 'Time runs out'.

The production of the album is fine, with especially the bass guitar well in the mix and impressive symphonic sounds. I am always amazed by the guitar-playing of John Mitchell and his leads sound really well on this album, though I must admit I sometimes get the feeling 'I got to know his list of tricks'. The vocals are a often dubbed and a more natural vocal sound would not have hurt, though I know it is a part of the genre.

Conclusion. A much appriciated return to form from my first progressive rock love. Had it been a bit more inventive I could have given it five stars, but it will have to do with four. Recommended to listeners of the neo-prog and symphonic prog genres, and perhaps to those who like their prog with a dark atmosphere.

Perhaps this record deserves a bit more anticipation around here?

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by Tarcisio Moura
Prog Reviewer

4 stars After the rather weak and very disappointing 7th Degree of Separation, Arena (or more specific leader Clive Nolan) seems to realize that that record was not up to their fans expectations and quickly released (for Arena┬┤s standards) The Unquiet Sky. And I must say they really did an excellent job. This new CD has everything you should expect from this great group and was lacking from the previous album: a dark concept, terrific melodies, intelligent and tasteful arrangements, symphonic keyboards and heavy guitar interplay and a very fine singer. That last aspect surprised me the most. I was not really bought by new vocalist Paul Manzi on 7th Degree... Technically he was great, but his delivering up to then was too nice and soft for Arena┬┤s themes. Here he seems to understand how to deliver the dramatic lyrics with passion and menace that makes his vocal lines much more convincing.

Instrumentally the album is also much more varied and interesting, helped by the renewed, inspired songwriting (based around the M.R James' short horror story `Casting the Runes'). Nolan┬┤s elegant keyboards lines are back on the forefront along with the emotional, creative guitar solos of John Mitchell. Bassist John Jowitt has left the ship again, but you┬┤ll hardly notice it for newcomer Kylan Amos has a similar style of playing and does a fine job throughout the whole CD. As usual the Mick Pointer┬┤s drumming is fantastic. Production is also top notch, balancing vocals and instruments in a much better way than on 7th Degree... (where the vocals were too loud). There are no real lows on this album, the flowing of the tracks is very smooth and pleasant, making it one of Arena┬┤s best works in a long time. I always listen to The Unquiet Sky form start to finish with the same pleasure and that tells it all.

Conclusion: if you┬┤re thinking Arena was going downhill after 7th Degree Of Separation, think it over. They came back with an album that is as strong as anything they have released before that CD. I wish other bands could come back after a dud with such powerful and inspired follow up!

Rating: 4,5 stars. Highly recommended!

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by progbethyname

5 stars Arena Use The Yin And Yang Approach By Balancing Old And New Sounds To Create A Filthy Gorgeous album.

I Have been an Arena fan for quite some time now and it's so nice to hear and see this band really coming to the forefront of displaying so much quality both in sound and conceptual storytelling. I believe Arena have now become masters or superior tradesmen in creating music that has so much progressive might without having to have a song surpass an 8min marking. This, to me, is nothing short of remarkable.

From the moment" The Demon Strikes " hits my ears I am captivated in all that wonderful Arena flare and glory, both conceptually and musically. This is a track that has 5 massively different transitions with in 5:38min song span! I bring this point up because their have been many that have said and felt, Arena have lost their progressive edge. This I tell you isn't true. Not in the slightest. If one really listens to this album with his or her full attention I would hopefully think that one would grasp all the lovely sophistication and production arrangement Arena have put forth in, " The Unquiet Sky." Clive Nolan's sweeping keyboards and generated orchestrations alone should have any progressive music enthusiast chomping at the bit. John Mitchell's guitar still shines boldly and deeply emotional, similar to that of his approach in the "Peppers Ghost" album. New comer, Kylan Amos has a massively thick bass. some of the strongest low end I have heard on just about any Arena album, except Immortal? Amos's bass peddle work perfectly suits the album's overall conceptual theme. It's a strong and brooding sound that will vibrate you from here to kingdom come. Lastly, Mr. Mick Pointer's drums are still the same. A very straight forward style that isn't overly technical, but more of groove style that still pounds and hits your ears like a fright train. All the skills of each band member are accentuated beautifully throughout the entire "Unquiet Sky" album. A ton of progressive might with a good amount of accessible melody, which will surely hook you in.

Presently, I have a hard time picking a favourite or stand out track that would sit above the rest mostly because each song on the album flows so beautifully one after the other, but if I had to list some key highlights I feel, as mentioned earlier, "The Demon Strikes" because of its unbelievable transitions and gorgeous musicianship makes for a real gem of a tune. The track also shows vocalist, Paul Manzi really coming into his own and really, above all, fitting in with the band completely. Manzi is more natural sounding and you can really feel the sense of urgency in his voice. He has toppled and crushed his performance in his debut album "The Seventh Degree of Separation." Just listen to his voice command on "The Demon Strikes" and "time Is Running Out." The way he treats the main choruses in those 2 songs is above and beyond. Another track highlight is the ballad " How Did It Come To This? " Now I've heard a lot of great ballads in my time and this one is no exception. It is perfect. I get goosebumps every time I hear it. "How Did Come To This" is pure and utter sonic joy. The emotion put forth by each band member is off the charts and is enough to put just about any listener on their knees thanking the heavens that they got to treat their ears to such a blissful song.

The last major notable album Highlight would be " The Traveler Beware." Now this is a track that I like to call, A Micro epic. It has so much rocket sauce crammed into 7:39min. I absolutely love this track because I feel this is the song that best exemplifies what Arena are doing so well and where they have become the most innovative. "Traveller Beware embodies that Yin and Yang balance whereby Arena fuse old and new styles together to an extremely beautiful and calculating level. I hear wisps of the "Contagion" and "Peppers Ghost" albums combined tactfully with their new artful heavy rock style in the present. It's really a perfect blend. Arena are riding a pretty impressive creative tide right now. I've embraced it and I hope most listeners can as well.

Audio mixing and Production. Briefly, "The Unquiet Sky" from a sound engineering/sonic level definitely has quite a few legs up from that of the previous album " The Seventh Degree Of Separation." Even with the most modest sound equipment I could still hear just how frighteningly bright and loud the "Seventh Degree of Separation" was and is sound wise. Well, to be fair, it wasn't Metallica's: Death Magnetic loud, but I found every instrument on "The Seventh Degree" was pushed too far forward. Even the vocals were way too bright, and I'm not sure if this was done purposely to showcase the new arrival of Manzi's chops but you will notice how exceptionally louder he sounds on that album as opposed to the current, "The Unquiet Sky." I tip my Top Hat to Simon HanHart for doing a great job album mixing wise because everything musically is far more balanced including the vocals. Overall, sonically "The Unquiet Sky" is a better produced/engineered album than many other previous Arena albums. It's nice to have the "loudness" wars put to an armistice.

In conclusion, I couldn't have asked for a better Arena album output, especially for what they are trying to do by reinventing their overall sound, but still keeping that old trademark flare to balance out the band's overall character and image. My feelings towards "The Unquiet Sky", everything from the gorgeous cover art, the album's production, conceptual storyline and of course the music itself is surely that of a masterpiece. This is my most favored album of 2015 thus far. My ears couldn't be happier.

All 5's. All smiles.

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by rdtprog
Special Collaborator Heavy Prog Team

4 stars The album concept is from a short horror story by Mr. James called "Casting the Runes". The atmosphere of this film is illustrated in the opening song. If the last Arena's album didn't convince all critics, this one could bring back some of those who didn't like the direct approach of this last album. This new album is not radically different from the others, but you can hear how much Clive Nolan's work on keyboards and piano has succeed to create some new sounds which give to the music a more atmospheric sound. You just have to listen to the track "Returning the Curse" to hear some nice atmospheric sounds from the keys that could find similarity with the band IQ. Also on this song, it's easy to get hooked on the chorus : "You look at me, but you failed to see me". Usually I am not the biggest fan of ballads, but here, the two ballads "How did it come to this" and "Oblivious to the Night" have enough quality to keep my attention throughout the album. The confident voice of Paul Manzi must help me enjoy those songs, but also the nice melody. There is also some semi-ballad type of songs that are not as captivating as most of the songs, but we get enough strong compositions to make for it. I was under the impression on the last song of the album "Traveller Beware", the way the song was building up, that it was going to be a epic like they did in the past, but this time the band keep their songs not too long. I don't want to finish this review without talking about the but the guitar work of John Mitchell who's sensible touch is tangible through this album .

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by Progrussia

3 stars Arena has gotten lazy, selling us English Victorian fantasies (hence the talk of bishops and the parchments) all over again. I've heard this album described as a return to form after the relatively simplified Seventh Degree of Separation, but neither Degree was that bad nor the new one is that good. I view them both as continuing on the largely similar path - vocal-dominated plodding gothic hard rock with that typical Arena production that sounds as if crashing down on your ears unquietly from the sky. But whereas Seventh Degree had several hit-sounding tracks on it, memorable hooks or surprising passages are simply missing on Unquiet Sky. It's just a big lump of hard rock with loud synths.

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 Immortal? by ARENA album cover Studio Album, 2000
3.91 | 387 ratings

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Immortal?
Arena Neo-Prog

Review by siLLy puPPy
Collaborator PSIKE Team

4 stars Neo-proggers ARENA entered the timeline of the millennial change releasing their fourth album IMMORTAL? and sees the edition of yet another lineup change with their third lead vocalist Rob Sowden replacing Paul Wrightson and taking the role of musical story teller and frontman. Also we get a changing of the guard on bass duties with Ian Salmon taking over for John Jowitt. While Sowden's vocal abilities don't strike me as having as wide of a vocal range as his two predecessors he does manage to get the job done and despite being put off by his addition to the band upon first listen, i have comfortably settled into the fact that they really don't dissuade from the musical experience at hand.

As far as the music itself, despite the addition of a new vocalist and bassist, this is 90s ARENA all the way with strong ties to the Marillion neo-prog sound of the 80s replete with keyboards on atmospheric steroids, melodic guitar solos and that galloping baseline that gives neo-prog its own special bouncy flavor in the greater prog universe. John Mitchell continues to ramp up the distorted power chords ratcheting the band ever closer to the more hard rock oriented sound of future albums and the music is as catchy and melodically drenched in melancholy as any of the best neo-prog releases out there. Mitchell's solos and acoustic contributions are also tasty attributes to the overall scheme of things.

Like most ARENA albums, this one is endowed with excellent lyrical content loosely based on the concept of the human perception that the obsession for technology is a panacea for taking the place of aspects in life that keep the body and soul in balance with the greater worldl environment with an album cover that reminds me of the same theme like on Roger Waters' "Amused To Death." The vocals are delivered with the usual flair and gusto that ARENA vocalists are known for and even though Sowden isn't top dog for my favorite vocalists he does fit well into this style of music that requires the frontman to accentuate the rhythms, melodies and themes that demand such bravado. Mick Pointer's drumming has improved although never flashy or out of the context of the music.

As always, despite being a tad derivative of previous neo-prog releases, ARENA doesn't disappoint with strong, well-crafted tracks that are constructed of highly melodic developments accentuated by all the icings on the cake such as the pompous bombast of Clive Nolan's keyboard runs, suave piano rolls and synthethesized atmospheres drenched with mellotron and choral samples. I initially liked IMMORTAL? less than many of the other ARENA albums surrounding it but i have to admit that the tunes are downright catchy enough to hook me and reel me in so successfully that i have surrendered to their charm. Still not my favorite ARENA album and the 90s approach to songwriting is definitely in need of an upgrade soon but this last vestige of that era is a very decent one with IMMORTAL? ranking high amongst its contemporary neo-prog rivals.

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by emperorken

3 stars Oh well, another disappointing release from what used to be one of the best neo prog bands around. What happened to the progressive Arena, anyway? The band that made GREAT albums like The Visitor and Immortal? I had assumed that Seventh Degree of Separation was just an aberration, but apparently I was mistaken. The transformation from prog band to AOR(rock) band is now complete.

OK, I must admit that the musicianship and production are top notch, and there are some good melodies here. And, as a straight rock album, this is pretty good. But it's just not what I've come to expect from Arena. The singer, Paul Manzi, is not bad, although his style matches the new style of band. I think Rob Sowden was far better, and I miss him.

Now apparently this is a concept album, and Arena has done concept albums before. The difference here is there are no recurring themes, at least that I've recognized yet. This just sounds like a bunch of rock and/or hard rock songs strung together. So I will be generous and give this 3 stars, because it's still pretty good as a straight rock album. But, unfortunately, it cannot hold a candle to Arena's string of great prog albums of the 1990's and 2000's.

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 The Unquiet Sky by ARENA album cover Studio Album, 2015
3.84 | 208 ratings

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The Unquiet Sky
Arena Neo-Prog

Review by steve-s332

4 stars I picked this album up when I went to the first gig on Arena's 2015 tour. I had enjoyed "The 7th Degree of Separation", but I didn't think it matched the rich vein of form the band struck starting with "The Visitor" and ending with "Contagion". "The 7th Degree of Separation" brought the guitars to the front of the band's sound, which I think resulted in a loss of balance - I am pleased to report that "The Unquiet Sky" has brought things back. The opening track "The Demon Strkes" starts with an orchestral type of riff that sounds a bit like the soundtrack to "Night of the Demon", the movie the album takes much of its concept from, and breaks into a great track that sets the scene very well for the album with threatening ghostly sounds floating around the track. The second track, "How Did It Come to This?" is for me the stand-out track on the album. It is quite simply gorgeous, with an excellent almost longing vocal from Paul Manzi and a superb solo from John Mitchell. The album then dips a little as it continues the story; "The Bishop of Lufford" has a nice hook, but I found the next 3 tracks atmospheric but not particularly exciting. However, the album then kicks up a gear as it enters the second half, with "The Unquiet Sky" leading a great sequence of tracks that gradually build towards the end of the story - I get the impression that Clive Nolan really enjoyed writing this, and his keyboards certainly jump out a lot more, with sterling service in "What Happened Before" and "Time Runs Out" and a great keyboard/guitar combo on "Returning the Curse". The last 2 tracks finish off the album in fine style, with "The Unexpected Dawn" reflecting wistfully on the story, and "Traveller Beware!" bursting into a sharp, driving rhythm with a ripping guitar solo, a quieter middle section and a great crescendo to complete a very good album.

Definitely worth buying this one when it is released - just be careful not to accept a strange piece of paper with seven mysterious symbols written on it.....

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