DIFFERENCES

Differences stand exactly on the thin line between the fading 70's Symphonic Rock stylings and the emerging Neo Prog trends of the 80's, leaning slightly towards the first style.The 75'-77' GENESIS seem to be their strongest influence with a bit of second-wave Teutonic aura in the process akin to ANYONE'S DAUGHTER and ROUSSEAU and, of course, some reasonable MARLLION echoes in the more haunting moments.The music though is mostly soft, performed rather in a romantic symphonic style, featuring smooth melodies on guitars and atmospheric synthesizers.The guitar work contains much of STEVE HACKETT's trembling techniques but also some convinving CAMEL/ANYONE'S DAUGHTER-like solos with a deep melodic content.The tracks are quite long and the arrangements are pretty nice, even if Differences avoid any serious interplays and focus on astmospheric, elaborate compositions with both lyrical and instrumental variety.It seems that a dash of higher energy is needed in the most of the tracks, but this will come with the emphatic epic ''The melody'', clocking at 17 minutes, and offering a very British-styled Progressive Rock with heavy MARILLION overtones in the keyboard passages and again some impressive GENESIS orientations in the symphonic textures.Absolutely great and well-composed piece of classic Prog.

We're talking about 1985 here.I admire all these bands trying to keep the prog spirit alive in the middle of its less productive period.Nice GENESIS-influenced Neo/Symphonic Prog of the Dutch school, highlighted by its beautiful epic track.Warmly recommended.

As a member of ProgArchives for many years I decided to write my first review, overcoming my panic because of my poor English language skills.

The first band I chose is Differences, because in my opinion they created one of the best albums of the 80s and which unfortunately was unknown, I guess because it was promoted by a small label (Frizzbee) and then was reissued by SI Music that broke the mid-90 `.

Differences have strong influence of bands like Camel (I recommend listening to the third track of this album, "True or False") also can recognize the influence of bands like Genesis of the era of "Wind and Wuthering" and Novalis.

The structure of the songs is not very complex, but has very good arrangements, typical of bands like Amenophis, Osiris, Rousseau, Coda and Arkus.

The jewel of this album is the penultimate song called "The Melody", a song full of nuances, very melodic guitars and many layers of keyboards.

Recommended as it represents a transition between the symphonic rock of the late 70s and early neoprog 80.

Solid 4 star (8/10)

Cheers

Rodrigo

Anyway, I feel the band has some right to be present here. Their music is modest but their tracks are lengthy and complex enough to be called progressive. The modesty is best shown through their vocals which sound really shy. The style is soft and almost dreamy and the contemporary band (also from Holland by the way) they come closest to is Mangrove although it has to be said Mangrove is much more impressive in both sound as compositions.

In the end it's pretty hard to decide for the ultimate rating. It's very much right in between the 2 and 3 stars all things considered and the final decision depends on your taste and then mainly if you like your (neo)prog spicy or gentle. Personally it depends on my mood on the day but because there is quality enough on this album and Differences at least did the maximum effort where playing time is concerned I will give 3 (though strongly rounded up).