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BAROCK PROJECT

Neo-Prog • Italy


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Barock Project picture
Barock Project biography
The BAROCK PROJECT idea generates from a desire to deliver the finest and perfect structure of classical music (mainly baroque music) with a rock-style and a little bit of jazz harmony, supported by a pop framework with the intention to revamp the appeal of '70s progressive-rock.

The project founder, pianist and composer Luca Zabbini, states that his passion for the music of famous keyboardist Keith Emerson (ELP), has fuelled his desire to compose and play a full range of styles, from classical to rock and jazz.

In the summer of 2004, Giambattista "GB" Giorgi, a young bassist influenced by rock sounds with big passion for jazz, and drummer Giacomo Calabria joined the band.

After a long European tour with "Children of the Damned" and Iron Maiden's singer Paul Di'Anno, Luca Pancaldi joins the band as lead vocals in 2002.

In January 2007 the band performs live in Bologna (Italy) with a string quartet. All arrangements are written by Luca Zabbini and they release the performance as a DVD called "Rock in Theater".

In December 2007, published by Musea Records, the first album "Misteriose Voci" makes a great impact with very good reviews and media coverage from all over the world ("Passion Progressive" France ; "Progressive World.net" USA ; "ProgNosis" USA ; "MovimentiProg" Italy ; "Raw and Wild Magazine" Italy ; "Manticornio" Mexico ; "Prog Nose" Belgium ; "PRPM" Brazil ; "ProgWereld" Netherlands .)

In the summer 2009 the band releases the second album "Rebus" with the Italian label Mellow Records, again with very good reviews from all over the world.

In March 2012, published by French label Musea Records, the band releases the third album "Coffee In Neukölln", with all lyrics in English.

In the summer 2014 the band welcomes on board two new members, Eric Ombelli (drums) and Marco Mazzuoccolo (guitar) and begins recording sessions for their 4th and most complex album. Towards the end of 2014 bass player Giambattista Giorgi leaves the project leaving Luca Zabbini to play and re-record the bass lines on the forthcoming album.

January 2015, Barock Project sign a management contract with Stars of Italy and immediately after announce their 4th album, Skyline.

Barock Project official website

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DetachmentDetachment
Import
ARTALIA/22R 2017
Audio CD$13.97
$10.97 (used)
SkylineSkyline
Import
ARTALIA 2015
Audio CD$19.98
$28.17 (used)
Vivo, Vol.1Vivo, Vol.1
Import
ARTALIA 2016
Audio CD$11.98
Vivo, Vol.2Vivo, Vol.2
Artalia 2016
Audio CD$11.98
MisteriosevociMisteriosevoci
Import
Musea 2007
Audio CD$17.25
Detachment (Shm/Mini Lp Jacket/Bonus Track)Detachment (Shm/Mini Lp Jacket/Bonus Track)
Import
BELLE ANTIQUE 2017
Audio CD$27.01
$35.00 (used)
Skyline by Barock Project (2015-08-03)Skyline by Barock Project (2015-08-03)
ARTALIA
Audio CD$45.44
Misteriosevoci by BAROCK PROJECTMisteriosevoci by BAROCK PROJECT
Musea
Audio CD$36.47
Vivo by Barock ProjectVivo by Barock Project
Artalia
Audio CD$38.08
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BAROCK PROJECT discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

BAROCK PROJECT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.27 | 39 ratings
Misteriose Voci
2007
3.93 | 57 ratings
Rebus
2009
3.97 | 203 ratings
Coffee In Neukölln
2012
3.93 | 311 ratings
Skyline
2015
4.04 | 228 ratings
Detachment
2017

BAROCK PROJECT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.76 | 35 ratings
Vivo
2016

BAROCK PROJECT Videos (DVD, Blu-ray, VHS etc)

BAROCK PROJECT Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

BAROCK PROJECT Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.50 | 4 ratings
Barock Project
2005

BAROCK PROJECT Reviews


Showing last 10 reviews only
 Detachment by BAROCK PROJECT album cover Studio Album, 2017
4.04 | 228 ratings

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Detachment
Barock Project Neo-Prog

Review by omphaloskepsis

5 stars 94/100 When I heard Barock Project's Luca Zabbini keyboardist/Composer replaced lead vocalist Luca Pancaldi, who quit the band for family reasons...I abandoned my plan to preorder Detachment. Pancaldi's vocals was one of the reasons I fell in love with Barock Project's album Skyline. How could they replace Pancaldi's pretty tonsils with a backup singer? Could Barock Project pull off a Genesis?

But after hearing Detachment on a prog stream service, I fell head over heels and immediately ordered Barock Project's new album. Now, I listen to Detachment more than Skyline! And, I like Skyline a lot.

Skyline and Detachment are strikingly different albums with all the right things in common such as searing guitar solos provided by Marco Mazzuoccolo's emotion drenched guitar picking and chamber strumming, slightly reminiscent of Marillion's Steve Rothery.

Special kudos to Eric Ombelli / drums, percussion. Ombelli reminds me of a less bombastic John Bonham. Eric Ombelli's percussion and drumming is fun, unique, and offbeat accented with memorable drum fills I find myself waiting in anticipation for.

In the last two years, Luca Zabbini has become my favorite modern keyboardist. Why? Zabbini's Bach flavored compositions are complex yet extremely melodic, hook filled ear candy. If you swooned over the sweeping melodic originality of Bach, Rick Wakeman, and Keith Emerson's keyboard styles you must give Barock Project a listen. Don't worry, Zabbini isn't derivative. Zabbini writes catchy proggy melodies that you can hum and bang your head to. And to my surprise, there isn't a drop off from Pancaldi's vocals to Zabbini's. As an added bonus Pete Jones of Tiger Moth Tails sings lead on two wonderful tunes. One upbeat song and one heartbreaking dirge. In my mind Barock Project/Zabbini's strength is composition. Like Steven Wilson and Big Big Train, Luca Zabbini writes gorgeous songs! Songs you can sing to. Shiver up your backbone songs. It's hard to write complex yet catchy prog.

Ironically, I can share Detachment with my wife as it's her favorite album since IQ's Road of Bones. I'm crossing my fingers Barock Project rereleases their back catalog as they continue to forge forward creating consistently resplendent music. I won't hesitate to jump on the next preorder.

 Coffee In Neukölln by BAROCK PROJECT album cover Studio Album, 2012
3.97 | 203 ratings

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Coffee In Neukölln
Barock Project Neo-Prog

Review by Warthur
Prog Reviewer

3 stars Though it does have some beautiful moments - like the moving Kyrie - I find that the vocals on Barock Project's Coffee In Neukölln to be a consistent stumbling point. Luca Pancaldi's performance is competent but not exceptional at the best of times, at other points ending up rather jarring; it doesn't help that the lyrics tend to be rather pedestrian and that the music often steps back and goes rather simplistic when the vocals come in. It's all rather nicely polished, but the end product feels calculated and somehow fakey to me, a product manufactured for someone who isn't me. Competent, but doesn't snare the soul.
 Detachment by BAROCK PROJECT album cover Studio Album, 2017
4.04 | 228 ratings

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Detachment
Barock Project Neo-Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

4 stars Without a doubt one of the highest profile prog-rock bands hailing from Italy of the modern era, Barock Project can be equally frustrating as they are superb! Press releases in the past have made wild boasts about the band being the `symphonic heirs to New Trolls, Premiata Forneria Marconi, Le Orme and Banco del Mutuo Soccorso', and yet with the exception of some of the fancier orchestral elements and an accent detected in the English vocals, there's very little to associate Barock Project with much of the pure Italian progressive music over the decades.

But hang-ups (and typical press-release excitement!) aside, there's no denying that what Barock Project do, they do damn well, and they've delivered their strongest and most varied disc to date with `Detachment', their fifth full-length set since forming in 2004. The band fuse a wide range of rock, pop and even heavier styles to ambitious orchestral arrangements (actually worked into the music, not merely an orchestra slapped on top, mind you!), all coated in an overly polished production to appeal to as wide a worldwide prog audience as possible.

After a teasing little piano and ambient introduction, proper opener `Promises' is a punchy vocal rocker in the Enchant, Spock's Beard/Neal Morse and even Dream Theater manner, right down to charmingly accented vocalist Luca Zabbini's soaring radio-friendly chorus with slick harmonies - and great frantic drumming from Eric Ombelli on this one too! Some light touches of electronic programming flitting around gorgeous pristine piano would make Radiohead envious throughout `Happy to See You', quickly revealing to be a soft romantic rocker where lush orchestration weaves in and out of Luca's busy keyboard soloing and Marco Mazzuoccolo's slow-burn electric guitar soloing runs. Along with expertly delivered drama and tasty bombastic bursts, much of the vocal melody takes on a memorable `sing-along' quality after only a few listens! There's ravishing Gentle Giant-like chamber prog touches to the sparkling acoustic guitars, dancing flute and groaning group vocals throughout `One Day' which eventually turns into a defiant up-tempo rocker, and breathless Eastern flavours permeate `Secret Therapy' as well as a very spirited chorus.

The nine-minute multi-sectioned suite `Broken' is the longest and most ambitious portion of the disc, a dazzling and sophisticated Big Big Train-like symphonic pantomime utilising English multi-instrumentalist/vocalist Peter Jones as well as female singers. The darker and reflective `Old Ghosts' crams an insane amount of ideas, tempos and moods into a mere four minutes (a great track, but worth it alone for Luca's electric piano touches), Peter Jones takes the lead again on the heartbreaking and melancholic ballad `Alone' that could have been an Eric Woolfson standout on an Alan Parsons Project album, `Rescue Me' is a bold, cool and jangling indie-pop rocker full of momentum, and the wistful and reflective `Twenty Years' is initially elegant with plenty of delicate acoustic passages, soft sweeping orchestration and a sparse heartfelt vocal before crashing into boisterous bluster - phew, got all that?!

`Waiting' is a darker-tinged electronic rocker more along the lines of Porcupine Tree where Francesco Caliendo's thick bass slithers with eerie purpose (and Luca's recurring piano refrain is delightful). `A New Tomorrow' opens as another sweetly romantic piece with dreamy guitar bends and warmly embracing group harmonies that suddenly takes off with energetic up-tempo Kansas-like Hammond bursts and a swooning orchestral finale (the piece will likely become an anthem for the group when performed live!). `Spies' is then a sleek indie pop-rocker with heavier flavours, but it might have been better placed somewhere in the middle of the disk, where the previous track would have served as a stronger and more striking closer, although the devilish jazz-fusion middle instrumental stretch is especially superb!

Yes, the album is absurdly long at over seventy-five minutes (bands, just because you can fill a compact disc to eighty minutes doesn't always mean you have to!), but it's hard not to be won over by the impeccable and varied instrumental arrangements, killer choruses and quickly revealing strong tunes. The album is also constantly optimistic and loved-up, and it refuses to merely be a retro throwback by fusing vintage elements into a firmly modern style. Barock Project have absolutely delivered another crowd-pleasing collection of music here that will not only be adored by their large fanbase, but probably - and absolutely deservedly - bring in a whole new bunch of listeners.

Great stuff all round - four stars.

 Detachment by BAROCK PROJECT album cover Studio Album, 2017
4.04 | 228 ratings

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Detachment
Barock Project Neo-Prog

Review by The Jester

3 stars Barock Project is an Italian quartet that has been active for almost a decade, during which, they released five studio and one live albums. What they are trying to do is, to play modern Progressive Rock with elements of Barock music, which sounds like a good idea. All their albums seem to be equally good, with just a few ups and downs. I learned about them with their previous work 'Skyline', and I must say that I was pleased with it. Detachment follows the path of Skyline, but it is slightly better in my opinion. The production is very good once more, and the songwriting is very 'mature'. It includes 13 tracks, and has a total running time of 75 minutes. Here, you can find very beautiful and soft melodies mixed with some complex compositions, and an overall excellent musicianship. All the members of the band are very good musicians, and that is obvious throughout the album. As for the leading instruments, I would say that both guitar and piano are equally important here. Also, the vocals are in English, which is positive. Very pleasant surprise was the addition of Peter Jones as guest singer, who is participating in 2 songs; both of them beautiful ones. I didn't have the time to 'digest' the album yet, but based upon the first 3 listenings, I must say that it is a very good and well-made album, that definitely deserves attention. I believe each person who is fond of Progressive Rock, modern or not, will find some songs that he/she will like. As for me, the first songs I noticed immediately, are: Broken, Happy to See You and Rescue Me mostly, followed by Alone.

I will give 3.0 out of 5.0 stars, but maybe it deserves a little more than that'

 Detachment by BAROCK PROJECT album cover Studio Album, 2017
4.04 | 228 ratings

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Detachment
Barock Project Neo-Prog

Review by chikinn

2 stars Sometimes I'm shocked by how much my taste can clash with the majority on this site -- which is usually my best tool for discovering music.

This is my first and perhaps last Barock Project album. Frankly, the songwriting is dull.

I love classical music (chiefly baroque/romantic), but here, aside from the piano which is at times good, the classical instrumentation adds little. When classical music is bad it's soporific; this album brings out the worst in those influences. It's like someone imitated Bach without understanding music theory, and tried to make up for it with weird rhythms, time signatures, the occasional abrupt key change, and out-of-place guitar solos. Several of the songs have nice instrumental outros, though.

What a strange complaint to voice on this site, but it feels too... proggy? Like, focused on complexity for its own sake instead of on compelling melodies and engaging harmonic progressions. Compare to IQ at their worst.

The musicians are skilled enough to keep me from giving just 1 star (vocals at times evoking Steven Wilson). The production is good. I liked bits of every song. But it was a struggle to make it to the end. The composition just doesn't do it for me. The musical narrative is missing, the suspense that keeps you on the edge of your seat when each new phrase begins.

If you manage to get there, the second half is better than the first. Appropriately, "Alone" is simply vocals with minimal accompaniment. "Rescue Me" is the catchiest track. Finally, the first part of "Twenty Years" delivers beautiful melody over beautiful guitar harmony, soured only partially by the maudlin string accompaniment.

At least the record is unoffensive and easy to listen to. Plenty of major harmony and nothing too dark or aggressive. Recommended if you're having trouble sleeping.

 Vivo by BAROCK PROJECT album cover Live, 2016
4.76 | 35 ratings

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Vivo
Barock Project Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars

After the release in 2015 of 'Skyline', the Italians returned the following year with a live double CD. The first of these features songs from the band's first three albums, 'Misteriose Voci' (2006), 'Rebus' (2009) and 'Coffee in Neukolln' (2012), plus a version of "Los Endos". The second contains six live versions from "Skyline" (2015) with a bonus studio song, "My Silent Sea", which was written and recorded in 2015 as a 'Skyline' follow-up. Unlike the two studio albums I have heard there aren't any additional guests, so no woodwind or strings, just five guys showing what they can do onstage (although as keyboard player Luca Zabbini does also play acoustic guitar they can provide different inflections at times).

I was amazed when I looked in ProgArchives, the bible and most important guide to progressive rock on the web, to discover that this album was yet to be reviewed! But, it has been rated thirty times, and is subsequently the fourth highest ranked live album of 2016. I do hope that this is a true reflection of how the guys are live in concert, and that there hasn't been too much work carried out in the studio, as this is awesome from start to finish. That these guys are masters at this musical form is never in doubt, nor is their ability to provide complex interweaving songs that keep the listener enthralled throughout. At times, there is an American style to what they are producing, but they temper it with good old-fashioned English neo-prog when the moment requires it. Given that they have also worked with some of the finest musicians in the Italian progressive scene, it is somewhat surprising that there aren't more influences from that genre within their music, but it is only occasional keyboard passages that allude to where they are from.

Complex, melodic, structured, progressive, brilliant. To say that I am a fan of this band is something of a massive understatement. I just can't wait to hear more of their music.

 Skyline by BAROCK PROJECT album cover Studio Album, 2015
3.93 | 311 ratings

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Skyline
Barock Project Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

4 stars

I may have only just come across this Italian outfit with their latest album, 'Detachment', but I am determined to make up for lost time so am now listening to their latest studio album, which was actually their fourth. Released in 2015, this is very much the forerunner to the most recent, and although it isn't quite in the same league is still an incredibly impressive piece of work. The flute only appears on a couple of songs this time, although there is also some cello and viola at times. From the a capella opening, through to the very last note, this is an incredibly polished and controlled album: one that takes the listener on a journey that they are sure to enjoy.

I'm not quite sure why, but there does appear to be a much heavier Jethro Tull feeling to parts of this album, and this has nothing to do with the use of flute, but rather the way that some of the acoustic numbers seem to flow and sweep. I have seen them likened to Echolyn in some places, and I can see why, but to be honest although I always enjoyed Echolyn I don't think they were quite in the same league as these guys. This the second studio album I have heard, and am still getting to grips with the fact that up to a few months ago I had never heard of them! Still, like finding a good author after he has been going a while (I first read Stephen Donaldson as he was about to release the sixth volume of 'Thomas Covenant' novels), it does give one the opportunity to go back and see what else they have been doing over time, and that is something I fully intend to do.

Barock Project are easily one of the most impressive bands currently operating within the progressive scene and I heartily recommend this to anyone who enjoys the more melodic and less challenging forms.

 Detachment by BAROCK PROJECT album cover Studio Album, 2017
4.04 | 228 ratings

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Detachment
Barock Project Neo-Prog

Review by kev rowland
Special Collaborator Crossover Prog Team

5 stars Many years ago, long before the days of progressive rock being back in fashion and being discussed in the mainstream, I had been at a gig in London. Afterwards the normal band of hardcore progheads had gathered together, and there was only one topic that everyone wanted to talk about, "Had anyone else heard this amazing debut album that had been released in the States?". The album was 'The Light', and the band was of course Spock's Beard, and it amazed me firstly that everyone knew about it when it was yet to be made available properly in the UK but also that we all felt the same way. Fast forward to 2017 and I was in conversation with Artur at MLWZ in Poland asking him he thought of the new Cast album, and while he loved it he wanted to know what I thought of the new Barock Project release as it was amazing. The following week I asked Windhawk up in Norway the same question, and received the same response, which got me thinking that if two of my greatest progressive friends both thought the same thing I really ought to get onto it.

A short time later and I had this, their fifth release, playing and I immediately knew exactly what all the fuss is about: this is incredible. It is music like this that first got me into progressive rock ? it is complex, it is magical, it keeps jumping into unexpected musical places, all with a sense of joy and happiness. I'm not going to bother trying to pick out all the musical clues and keys to their influences as they are many and diverse, but they have put them together in a way that is new and different, yet also incredibly melodic and the whole album is immediately accessible the very first time it is played.

The four-piece band of Luca Zabbini (lead vocals, keyboards, guitars (electric, acoustic & 12-string), mixing & mastering), Marco Mazzuoccolo (electric guitar), Francesco Caliendo (bass) and Eric Ombelli (drums, percussion) have been joined by three additional singers in Alex Mari, Ludovica Zanasi and Peter Jones and the vocals are wonderful, but it is the diversity of the music and how it is performed that keeps the listener glued to the speakers. I can't pick a favourite song, as whatever is playing is always the one I want to listen to most, whether it is with vocals and just a simple piano, or harpsichord, or something that is way more bombastic and over the top. These guys are masters of all the styles, and I am having a hard time understanding that they have been around for years yet it is the first time I have ever come across them.

That is something I am going to have to get on top of it, as if the rest of their output is even half as good as this then they are all essential. There have already been some incredible albums released this year, and this one may just be the best of the lot. This is indispensable. When it comes to progressive rock, it just doesn't get any better than this.

 Detachment by BAROCK PROJECT album cover Studio Album, 2017
4.04 | 228 ratings

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Detachment
Barock Project Neo-Prog

Review by King Manuel

5 stars Happy to see Barock Project have progressed but still managed to stay true to their unique style. The new album sounds more modern, more diverse, more varied, and even at times heavier than the previous outputs. It's a flawless musical delivery in composition, execution and production. The album works when paying undivided attention to its many details, but it also works quite well in the background (I was cooking dinner when I gave it the first spin) providing a very pleasant and uplifting soundtrack.

For those amongst you who are not yet familiar with this Band, I struggle like on their preceding albums to draw comparisons to other bands. Barock Project somehow have defined their own genre of very melodic and uplifting 'symphonic-neo-barock-retro-folk-crossover Prog' ;-) Again like on the last album 'Skyline', Jethro Tull here and there springs to mind, but only momentarily. If I have to come up with another comparison, I am sometimes reminded of Big Big Train but with much more oomph, dynamic and variation.

So how do I rate this album? I personally don't hesitate to give big fat 5 stars as I haven't found a boring minute on this album plus the fact that the band progressed further but still sounds pleasurably familiar. Because I am really a kind of a fanboy since their Coffee in Neuk'lln album I guess, I need to subtract half a star to make up for my potential subjectivity. That gives you 4.5 stars which rounds up to five stars! Get this album is all I can say!

 Skyline by BAROCK PROJECT album cover Studio Album, 2015
3.93 | 311 ratings

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Skyline
Barock Project Neo-Prog

Review by Warthur
Prog Reviewer

3 stars This is actually an Italian crew, but I didn't realise this when I first heard the album - this feels more like the product of a Kansas-tinged American neo-prog tradition, like early Echolyn, combined perhaps with hints of the sunny attitude and vocal styles of the Flower Kings. I wasn't sure about this one at first, finding some of the vocal harmonies a bit cheesy, but over time Barock Project eventually won me over thanks to all the intricate little hidden twosts this album has stashed away in its depths. Much like the unzipping sky on the cover art, Barock Project's music presents a facade of simplicity at times, but don't be fooled - it'll take you to some wild places once you dig into it. On the whole it still doesn't quite feel like my cup of tea, but that's more down to me being not so hot on the Kansas/Flower Kings style rather than anything intrinsically wrong with the album.
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