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THE WATCH

Neo-Prog • Italy


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The Watch picture
The Watch biography
Formed in 1997 under the name 'The Night Watch' - Since 2000 adopted the shortened name 'The Watch'.

Simone ROSSETTI, the charismatic front man of THE NIGHT WATCH, continues his impressive work in the new band The WATCH, but he's the only connection between the two bands. The NIGHT WATCH also was featured with one song on "The Reading Room" (2000) album and than they quit. Simone is an great vocalist/flautist and his voice is very similar to Peter GABRIEL and so the sound on the new album is again like early GENESIS. There are some reminiscences to MARILLION, SPOCK'S BEARD and ÄNGLAGARD too.

The WATCH's debut album "Ghost" sounds so much like GENESIS. The music is very similar to Peter GABRIEL-era GENESIS with lots of magnificient bombastic Mellotron. Folks, this is a total job that sounds like outtakes between "Nursery Crime" and "Selling England By The Pound". This is "the best album GENESIS never made"! Now we can add another classic to the list. A band to Watch out for!

THE WATCH Videos (YouTube and more)


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TimelessTimeless
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THE WATCH discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

THE WATCH top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.51 | 129 ratings
Ghost
2001
3.95 | 200 ratings
Vacuum
2004
3.47 | 123 ratings
Primitive
2007
3.72 | 170 ratings
Planet Earth?
2010
3.60 | 161 ratings
Timeless
2011
3.73 | 109 ratings
Tracks From The Alps
2014
3.47 | 58 ratings
Seven
2017

THE WATCH Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.38 | 21 ratings
Live
2008
5.00 | 3 ratings
Green Show 2011 - Official Live Bootleg
2012

THE WATCH Videos (DVD, Blu-ray, VHS etc)

THE WATCH Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

THE WATCH Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

4.00 | 6 ratings
Live Bootleg
2006

THE WATCH Reviews


Showing last 10 reviews only
 Planet Earth? by WATCH, THE album cover Studio Album, 2010
3.72 | 170 ratings

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Planet Earth?
The Watch Neo-Prog

Review by TenYearsAfter

3 stars On this fourth The Watch studio-album entitled Planet Earth? we are treated on a sound that is obviously inspired by early Genesis, especially the 70-73 era, as The Watch did on previous albums. But this time it sounds like an ultimate tribute to that both legendary as unsurpassed early Genesis sound: Hammond and Mellotron waves in the vein of Tony Banks, very Gabrielesque vocals, the use of twanging acoustic guitars, the flute play and a very Hackett-like guitar sound. Even the way the songs are arranged comes mighty close to early Genesis. This results in wonderful symphonic rock, especially the moments in which Hammond and Mellotron are blended and moving electric guitar is supported by lush violin ? and choir-Mellotron. Like in the final parts of Something Wrong and The World Inside, goose bumps! The only track that slightly differs from the obvious early Genesis sound is the final composition Tourist Trap, here it's early IQ with a Mike Holmes guitar sound. The conclusion is great featuring majestic violin-Mellotron and a delicate synthesizer solo.

To me this album sounds as their most convincing and mature effort. But I would like to hear the wonderful native language, rather than English vocals. I am sure this will give the music an extra dimension, a bit more emotional undertone. Just listen to other fine early Genesis inspired fellow Italian band Sensitiva Immagine with their beautiful album E Tutto Comincio Cosi (a kind of 'Selling England By The Pound, side 3', with all respect).

My rating: 3,5 star.

 Live by WATCH, THE album cover Live, 2008
3.38 | 21 ratings

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Live
The Watch Neo-Prog

Review by TenYearsAfter

3 stars Italian The Watch have a special position in The Netherlands: they have performed there many times as a Genesis cover band, now The Watch are highly acclaimed for this, more than composers of good own material. I have seen The Watch several times since their early years and was also in the crowd during their acclaimed performance on Symforce II, part of the 2008 tour that is featured on this live CD.

Their pleasant and melodic sound alternates between 1970-1973 Genesis-era: from mellow with acoustic guitars and flute to bombastic with bass pedals, Hackett-inspired guitarwork, organ and Mellotron. But also early IQ: compelling with powerful interplay between moving guitar and sumptuous Mellotrons layers. The emphasis in the tasteful 7 compositions is on creating compelling, often Mellotron drenched atmospheres rather than complexity and inventive arrangements. The enthousiastic and sympathic singer Simone Rossetti has the same melancholical undertone as Peter Gabriel, at some moments only his accent reveals he's not the one! An original song is the dreamy Riding The Elephant because of its electronic-oriented climate with howling guitar and majestic violin-Mellotron. Halfway the medley Twilight Alehouse/Another Life we can enjoy a bombastic 24-carat symphonic rock sound: with lush Mellotron, a deep bass pedal sound and a sensitive guitar solo, goose bumps.

But my absolute highlight on this live album is the final track Berlin 1936: first dreamy vocals, then a mid-tempo with bombastic interplay between organ and guitar, wonderful Mellotron drops and finally the ultimate symphonic rock sound featuring moving guitarwork with volume pedal, bass pedals, choir-Mellotron and Hammond organ, you can't beg for more!

Although I am not really a The Watch fan, I am very pleased with The Watch Live. Because in my opinion their sound on stage is more powerful and captivating than on the studio-albums. And for sure many early Genesis and IQ fans wil be delighted about this live album.

My rating: 3,5 star.

 Seven by WATCH, THE album cover Studio Album, 2017
3.47 | 58 ratings

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Seven
The Watch Neo-Prog

Review by rdtprog
Special Collaborator Heavy / RPI / Symphonic Prog Team

2 stars It's not because you have a singer that has a voice similar to Peter Gabriel and a music similar to Genesis and IQ that you can deliver music of the same caliber. It's been a while that I have been impressed by one of their albums and this new album is not an exception. The second track "Disappearing Act" show a different sound more in the Depeche Mode electro atmosphere, it's not a bad song. The rest of the album is the typical The Watch, and with a band that is struggling to reach the greatness of the best Neo-Prog bands, IQ in particular, the composition level is not very high. You won't find any epic song where you can feel the progression of the melody through some tempo and mood changes, only the last track "After the Blast" give me some pleasure with some interesting instrumental passages. Not recommended, only to die-hard fans.
 Vacuum by WATCH, THE album cover Studio Album, 2004
3.95 | 200 ratings

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Vacuum
The Watch Neo-Prog

Review by WatcherOfThePortal

4 stars The watch is an amazing band. On Vacuum they did an amazing job of not duplicating Genesis but going Beyond where Genesis left off. The overall feeling with this album is that your hearing Genesis and what they would have liked to do if Gabriel stayed on and Steve Hackett also stayed on. I for one cannot get enough of this kind of music it seems like everybody gave up but the watch has kept up. I love the mellotron and all the Anthony Phillips guitar parts and Steve Hackett guitar parts and Gabriel singing. Simon Rossetti is very very good at singing and at lyrical ideas. Do yourself a favor if you haven't got this album go out and get it and sit through a couple of listings and you will agree the watch is really doing some amazing Music These Days.
 Timeless by WATCH, THE album cover Studio Album, 2011
3.60 | 161 ratings

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Timeless
The Watch Neo-Prog

Review by ZowieZiggy
Prog Reviewer

3 stars The line up has stabilized and there is a notable guest invited to play some fine flute: John Hackett himself ! (he will also join for some live concerts and I could witness this in Mons).

There is a definite ''Trespass'' feel all along this album. The opener and short ''The Watch''(and its closing counterpart ''Exit'') are the best example of this feeling together with the sweet ''One Day''. "Soaring On" is also such a delicate and sweet piece of music that will bring you back in these ancient times. What a good journey!

Still, there will be a couple of more personal songs (but of course in the style of their masters) like ''Thunder Was Spoken'' but also some weaker ones (''End O f the Road'').

Another important fact to add is that the members of this band are extremely accessible and very friendly. I have seen them many times on stage and after their set, most of the band is not reluctant to meet the fans, chat and share a beer.

The most dramatic song of this album (and also the more personal) is the beautiful "Scene Of The Crime"). It is a slow paced song which can be compared to "Afterglow" in the conception. It is a very moving song indeed.

Their passion for "Genesis" pushed them to give a tribute to this great band on one of their official album. In their early days, they regularly covered them on stage through two songs: "Hogweed" and "Can-Utility". For this occasion they have decided to play VERY old songs.

Pre- Trespass for two of them: "In The Wilderness" that can be found on "From Genesis To Revelation". The new version has more appeal to my ears and sounds much more modern than the original version. The second one is the rare "Let's Make Love" which dates from the same period. There is a version of this song on the Box set "Volume 1". But it wasn't my cup of tea.

The best cover, but like said accordingly Warthur, it is almost an exact reproduction of the original (like they do on stage when they play almost a full Genesis repertoire) is the wonderful ''Stagnation''. Nowadays they tour mostly as a Genesis cover band. And they do it quite right I must say. Last time I saw them, it was for the ''The Lamb'' story and ''Supper's Ready'' as an encore!

I rate this album with three stars. It lacks I personality but is still enjoyable for old freaks like I am.

 Tracks From The Alps by WATCH, THE album cover Studio Album, 2014
3.73 | 109 ratings

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Tracks From The Alps
The Watch Neo-Prog

Review by WatcherOfThePortal

4 stars "The Watch" are experts at what they do, that is, bring back the sounds of early Genesis. Now on this latest album they blend that sound with more of their own. It is a very nice album to listen to. Don't get caught up in the Gabriel voice it is just really great singing. I think Prog needs to "progress" like classical music did. Use mellotrons and synths like violins and harpsicords and make lots more music. From the opening the 12 string and Hackett guitar parts through the percussive parts to the resolved chords near the end this first song ATLAS ... this is my Genesis 2015. Let more come forth. Build your future boys, the sky is the limit. Prog is coming back to those who love the classics of the 70's. Look at some of their covers of early Genesis songs on you tube for examples. I listen to Devil's bridge near the middle and hear songs from the future that Anthony Philips never really got to have with Genesis. Scatchy mellotron intros on Cheating Mountain are really cool. You know that this stuff will never be done by the other G boys again but this group is really carrying the torch here. Minute 3:50 more Mellotron yes... then there is "On your own" just a very nice song. On "The Last Mile" we get soft and loud and great guitar work with melodies...the organ from ELP or Triumvirat and it repeats nicely a theme...Keep up the great work and WatchthePortal for more incoming great tunes.
 Vacuum by WATCH, THE album cover Studio Album, 2004
3.95 | 200 ratings

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Vacuum
The Watch Neo-Prog

Review by brainsuccasurgery

5 stars Dear band, with "Damage Mode", you proclaim the color black pastel. Follow-up of a happy recovery wall mellotron. One of the notable differences with the previous album lies in guitars. Changing guitarist but even inspiration side flights of the young saint Hackett. Halftone version bittersweet. While retaining power and enjoyment.

The end of "Wonderland" does not he have one of "The Lamia" (The Lamb ... - 1974) in the crosshairs? The shadow of the sacrificial lamb that is found everywhere, in particular in the blackness of "Godness." OK, I grant you, your Ghost 2001 was full bow to Genesis 72-73. So we win at least one year. Big deal, changing lightning. Promise me one thing, if you intend for your next disc to attack the diptych Trick Of The Tail / Wind And Wuthering, look no further; after that, there is much more to what prostrate.

I know, I know, you have lesson from anyone and nothing prevents you for giving us such a show of force on the part of compositions and setting its (almost no hollow point). Of course, I grant you, your music is nothing boring, she moved without raising nauseating clouds of dust. The sublime "Shining Bald Heads' between power and lightness morbid deadpan humor, but always ready to explode heart, can even be described as exemplary success. And we can see here and there a few tendencies you stand out from the prestigious heritage (no specific title but a hardening tendency that gives the feeling).

In addition, your talent, strength of conviction and your allegiance to your precious elders command respect of a fan the first time like me. Your ability to revive the magic, with perhaps a little less melodic grace, but enjoying today means, it impresses me greatly. But you know how impressionable I am.

Let's be clear, the only song that could be a bridge between two eras, the percussive "Goddess", where you press the nail typing but we badly on the head, a bit like the last IQ. In total, Vacuum (I promise to send a bullet to the first idiot who dares to play a bad puns about this title) is not an extraordinary originality but a constant refinement. The style is great, without sentimentality, with passion, the fire inside the filament, no history of green meadows and elves but here under the current moon monsters escaped experience of mad scientists. All this enough for me to travel in space and time where your music continues to burn me like a caress: barely touched you it has its purpose, she already precipitated the loss. Ah, I can already hear the sneering happen. It may not be much time I have left. Not a minute to lose. I look through your "Emptyness" attractive.

 Tracks From The Alps by WATCH, THE album cover Studio Album, 2014
3.73 | 109 ratings

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Tracks From The Alps
The Watch Neo-Prog

Review by DrömmarenAdrian

4 stars It hasn't been so many good records yet this year, but perhaps I have just listened to the wrong or too few albums. I continue with the genre Neo-prog, a genre I have had very hard to understand. This record though was totally different. Neo-prog in my opinion use to be too loud and also too mediocre, but not this one. "The Watch" is an Italian band led by Simone Rossetti. Noone could avoid hearing that "The Watch" are ispired by Genesis. Perhaps more than just inspired. They seem to keep up the spirit of Genesis' song making and musical world. I am of course talking about early Genesis. "Tracks from the alps" is the band's sixth record and it features Giorgio Gabriel on guitars, both usual and bass, Simone Rossetti on vocals, mellotron, synthesizers and flute, Valerio de Vittorio on keyboards, organ and synthesizer, Marco Fabbri on drums and percussion and Mattia Rossetti on bass guitar and pedals. It was released a half year ago and I am the seventh reviewer.

It is ashort but lovely album which you will listen to with a big smile on your face. It sounds familiar for fans of Genesis but this is of course another, very good band. It contains beautiful melodies, an emotional singstyle and a musical wave of carressing tones. Every song, they are seven, are good but I think some stand out particularly. My favourite is "The Cheating Mountain" which is so lovely and joyful(10/10). The album is full of exuberant melodies such as "Devil's bridge"(9/10) or "Once in a lifetime"(9/10). The average standard is very high and there are no bad tracks even if I of course don't like every minute as much as another one. Rossetti's voice is similar to Peter Gabriel but you hear it's not the same. A little bit of an Italian accent could be heard and that is great. i should be even happier and perhaps given them five stars if they had sung in Italian. Finally I am glad to see that music such this is made even in these pale and modern days. Music was better long time ago but there are glimpses of glory yet. There is hope for humanity.

 Tracks From The Alps by WATCH, THE album cover Studio Album, 2014
3.73 | 109 ratings

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Tracks From The Alps
The Watch Neo-Prog

Review by toilet_doctor

5 stars If old groups don't do that anymore, somebody supposed to do it...

Let everyone ask yourself: How I would rate this album, if it could be Genesis reunion one? People already would peeing with boiling liquid... But, when it done by The Watch, it's no good. Come on, guys, the goal was to extend Genesis catalog and band is doing it with Retro-Prog of highest caliber - every album, piece by piece. What's wrong with that? It's hard mission, as all the time they must to compete with Golden Greats. However, instead off to support the group, we very quick on unfair criticism a wrong judgment. One more time: it's Retro Prog (sub-genre) and it's inappropriate to claim lack of originality here.

About cover song "Going Out to Get You". Sometimes (seldom) covers beat the original or equally good and give us as much pleasure. But this one is the case. As a real actor Simone Rossetti completely reincarnates into Peter Gabriel and give us performance equal only to Live Genesis one and surpass studio version. Those Live versions are rare and bad sounding ones. So he awarded us with excellent and good sounding studio version. What's wrong with that?

Some people complained that album is too short (38min). I know what you mean, guys, it would be nice to have one more Supper's Ready like piece here... You know what, guys, I am thankful and for that. It could be worse - album full of fillers or nothing at all. Please give me 38 min more of Vintage Genesis in Digipak, I'll buy it without hesitation. It will stay on my shelf after Peter Gabriel solo albums alongside with Shaun Guerin (RIP), Agents of Mercy and Unifaun.

5 Vintage Stars from the Book of Genesis.

 Tracks From The Alps by WATCH, THE album cover Studio Album, 2014
3.73 | 109 ratings

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Tracks From The Alps
The Watch Neo-Prog

Review by Aussie-Byrd-Brother
Special Collaborator Rock Progressivo Italiano Team

3 stars "Where I am is so familiar..."

I'm feeling very conflicted over The Watch, and especially their new album `Tracks from the Alps'. I'd briefly heard the band in the past, but this was the first album of theirs I decided to purchase, and I was very keen to explore their music. Knowing full-well the reputation of this Italian group for being devoted to carrying on in the same style of the classic vintage period of Genesis, I was prepared for little similarities here and there, like many of the Neo bands often do. What I didn't really expect, however, was a band almost merely re-using themes and lazy recreations in the manner of that band. The Watch even cover an early Genesis piece, `Going Out To Get You'. I'm sure some listeners of that beloved defining 70's band will be in rapture at the sheer thought of more music in the same manner. There's certainly plenty of musical talent on display here, but like the above mentioned quote that opens the album, I really wish the band displayed their own ideas more often.

It's disappointing that the band focuses on so many melodies and themes that are virtual recreations of the same ones Genesis offered back in the early 70's. But more annoying is that the tunes here jump around far too much, rarely waiting to extend and develop particular musical ideas, instead assembling a rapid-fire collection of brief passages that overlap. Some of the vocal melodies are bland and unmemorable as well, so much of your attention goes to the varied instrumentation. Despite singer Simone Rossetti frequently being compared to Peter Gabriel, I actually was reminded more of Bernado Lanzetti from Acqua Fragile, who fronted P.F.M for two albums in the mid Seventies. Simone's English is sometimes difficult to hear (I found him much easier to understand in earlier band The Night Watch), so eventually attention wanes, but you always have the instrumental passages to enjoy. I suggest listening on a good pair of headphones to really appreciate all the subtle touches the band has carefully placed in their compositions, and you can pay more attention to the words as well that way.

There is plenty that works very well throughout the album. Overall the lyrics are evocative and lavish with detail, full of drama and fascinating characters (I've yet to properly work out the concept so far, though). There's numerous lovely sections scattered throughout the disc. The `Stand, so still, so tall' passage that closes lead track `A.T.L.A.S' is superb, cloaked in Rossetti's glorious and striking Mellotron. The exciting and racing instrumental passage in the final minutes of `Devil's Bridge' is sublime as well. The ballistic Moog and organ frenzy in the middle of `The Cheating Mountain' is very joyous. Over gently blowing winds, `Once In A Lifetime' has a creeping tip-toeing sadness before adopting a blustery fanfare and regal pomp. Giorgio Gabriel gets a cracking electric guitar run during `The Last Mile', which also delivers a passage full of searing Mellotron over dreamy vocals that is allowed time to properly develop. Despite a few eerie synth moments and some marching drumming, `On Your Own' recalls the pleasant and more straight-forward adult rock of Jadis, and I like this one more because Simone slows down and gives a more relaxed performance, and it's also one of the few tracks on the album that feels like a complete piece, as opposed to little bits seemingly strung together.

I know The Watch also masquerades as a Genesis cover band, but with all the wonderful instrumental skills on offer, as well as Simone Rossetti's rich and vivid lyrics and commanding voice, I really think the band are holding themselves back with such a slavish devotion to Genesis. As much as we all love that band and their pioneering sound, many Neo prog bands (frequently - and unfairly - dismissed as desperate and pathetic worshippers of that classic prog band), such as Arena, Pendragon, Marillion and I.Q all found their own distinctive style, so I really hope The Watch challenge themselves and their followers with something proudly their own sometime soon. Maybe next time?

Three stars - but anyone who doesn't mind a simple `more-of-the-same' Genesis band with no attempts at being truly progressive, add a whole extra star. It's definitely easy to listen to, by no means a bad album, and I'm sure those listeners will absolutely adore `Tracks from the Alps'.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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