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GERARD

Neo-Prog • Japan


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Gerard biography
In the Eighties NOVELA was a pivotal Japanese band that gradually turned from heavy progressive into hardrock. Their keyboardist Toshio Egawa left NOVELA to start his own band with a bunch of musicians from which guitarist/vocalist Yukihiro Fujimura was the most important. The first two albums "Gerard" ('84) and "Empty Lie, Empty Dream" ('85) are masterpieces with Toshio Egawa (his mother was a piano teacher) as the Japanese answer to the great keyboardplayers from the UK: he has the androgyn looks from Eddie Jobson, the elegant virtuosity from Rick WAKEMAN and the bombastic approach from Keith EMERSON. An attempt to a description is "a harder-edged mid-GENESIS". Their third LP "Irony of Fate" ('91) was a good effort to create a more original sound but sound less symphonic. That's probalby why GERARD's next album "Save Knight by the Knight" and the mini-CD "Evidence of True Love" (both '94) were presented as Toshio Egawa's GERARD. It contains strong and impressive synthesizerplay but the songs are a bit too predictable. In '96 Toshio Egawa's GERARD returned in the world of progrock with new musicians: Atsushi Hasegawa (bass), Masuhiro Goto (drums) and the hugh Canadian singer Robin G. Suchy. Their strong and compelling album "The Pendulum" ('96) is still highly acclaimed and their next album "Pandora's Box" ('97) is also OK. Then the singer left and down to a trio GERARD released "Meridian" ('98), "Live at Marseille" ('98) with the BANCO cover "La conquista della posizione erretta", "The Ruins of a Glass Fortress" (2000) and "Sighs of the Water" (2002).

The albums "Gerard" and "Empty Lie, Empty Dream" contain all the elements that makes progrock worth listening: good vocals, beautiful keyboards (soft piano, heavy organ, sumptuous Mellotron or flashing synthesizer runs), moving and biting guitar play, a strong and tight rhythm-section, spectacular breaks and alternating compositions with a lot of tension and variation. The longer tracks contain a captivating building up, culminating in moving interplay between guitar and keyboards. The new line-up in '96 impressed with a dazzling rhythm-section as a foundation for the splendid keyboard pyrotechnics by Toshi Egawa, especially when GERARD became a trio after the singer left. The magnificent CD "Meridian" was a special edition with old songs in new versions, loaded with spectacular Eddie Jobson-like synthesizerplay, often so sharp that it sounds like a biting guitar! Altough "Live in Marseille" is great with exciting and spectacular music GERARD gives the impression to run gradually out of ideas, the music sounds less captivating and less creative on "The Ruins of a Glass Fortress" and "Sighs of Water". They need some fresh blood, for example a singer or a guitarplayer, like in the first line-up.

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GERARD shows & tickets


  • Palaverama Festival 2014 on 1 Aug 2014
  • SPEKTRUM 2014 on 2 Aug 2014
  • Open Air Gampel on 14 Aug 2014
  • Nonstock Festival on 15 Aug 2014

GERARD discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

GERARD top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.30 | 21 ratings
Gerard
1984
2.93 | 17 ratings
Empty Lie, Empty Dream
1985
2.42 | 17 ratings
Irony of Fate
1991
3.05 | 5 ratings
Save Knight By The Night
1994
3.68 | 36 ratings
The Pendulum
1996
3.17 | 24 ratings
Pandora's Box
1997
4.00 | 4 ratings
Keyboards Triangle (with Ars Nova)
1999
3.68 | 41 ratings
The Ruins Of A Glass Fortress
2000
3.96 | 19 ratings
Sighs of the Water
2002
4.80 | 6 ratings
Keyboard Triangle II
2002
3.23 | 12 ratings
Power Of Infinity
2004
3.56 | 19 ratings
Ring Of Eternity
2010
3.50 | 6 ratings
Visionary Dream
2011

GERARD Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.55 | 4 ratings
Live in Marseille
1999

GERARD Videos (DVD, Blu-ray, VHS etc)

4.95 | 2 ratings
Chaos Live
2000

GERARD Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.35 | 14 ratings
Meridian
1998

GERARD Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.67 | 3 ratings
Evidence Of True Love
1997
4.00 | 1 ratings
Gap Moe
2012

GERARD Reviews


Showing last 10 reviews only
 Sighs of the Water by GERARD album cover Studio Album, 2002
3.96 | 19 ratings

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Sighs of the Water
Gerard Neo-Prog

Review by kev rowland
Special Collaborator Crossover Team

4 stars Gerard are a Japanese trio from Japan who, on the evidence given by their newest offering on Musea, are very heavily influenced by Emerson Lake & Palmer. Although the band released their debut album as long ago as 1983, they settled into the current line-up in time for their 1996 album 'The Pendulum'. The music is mostly instrumental although drummer Masuhiro Goto provides vocals on two songs, and a guest vocalist is used on another. Although the drumming and bass playing is top quality the focal point of the music is very much keyboard player Toshio Egawa.

With no other melody instrument (not even a guest guitarist), it is very much in his hands to provide all of the musical styles necessary to drive the songs forward. In many ways this is music out of time as it belongs in the Seventies, long passages designed to keep the listener's jaw firmly on the floor as the speed and dexterity of Toshio is designed to amaze. It is not all frenetic stuff though, and there are dreamy interludes to counterpoint the more rampant excesses.

Any fan of ELP will surely enjoy this release as much as I have. Originally released only in Japan, the Musea version contains a bonus track.

Originally appeared in Feedback #69, Aug 02

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 Pandora's Box by GERARD album cover Studio Album, 1997
3.17 | 24 ratings

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Pandora's Box
Gerard Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars With the arrival of Robin Suchy there seemed to be a breeze of fresh air in Gerard's history.Among the many lives the group was performing around mid-90's Gerard found time to enter the studio at the fall of 96' in order to record another bombastic work.This was meant to be ''Pandora's box'', finally released in March 97' on Musea Records.

From the opening self-titled number things are getting really serious.Toshio Egawa is in an absolute orgasm, performing an over-10-min. powerful Symphonic Rock suite with angualr synthesizers, bombastic Hammond organ and loads of Mellotron in a KING CRIMSON vein around the middle.The remaing three out of five tracks follow the same if not heavier lines.Very dense, keyboard-based Symphonic/Hard Rock with tons of virtuosic synth moves, dynamic pyrotechnics and a huge amount of tehnique in a bit abstract but very enegetic arrangements.''Siren in the Mysterious Sea'' is a different story.Based on sampled flutes, Mellotron and harsichord, this instrumental piece is closer to New Age/Symphonic Rock in a much needed interruption between the heavier ideas of Egawa.The closing ''Freedom'' is again on the softer side.It sounds like an AOR ballad with Suchy's vocal in the forefront with a more aggressive section clodsing it in a synth-drenched enviroment.

Mostly instrumental and tremendously bombastic Symphonic Rock is the perfect style for Gerard and the band's leader Toshio Egawa knew this better than anyone else.Good album, maybe some more melodies could be included.Nevertheless, recommended.

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 The Ruins Of A Glass Fortress by GERARD album cover Studio Album, 2000
3.68 | 41 ratings

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The Ruins Of A Glass Fortress
Gerard Neo-Prog

Review by b_olariu
Prog Reviewer

3 stars 3.5 really

The ruins of a glass fortress from 2000 is another worthy release from this japanese band. This time, I mean from previous 2 albums they optain for a distinct direction towards Triumvirat, UK and even Rick Wakeman influences here and there. The influences from the bands mentioned above are more evident here in contrast with early works, because the head of the band Toshio Egawa take out from the arrangements the guitar, no trace of this instrument here, and because of that the passages are keyboard driven prog. Not bad, really, but is not fantastic either, hardly original album and little flat in some parts, but the skills and talent of Egawa make from this album a real pleasent ride, not to mention that the rhythmic section is quite great and solid. Also in some moments I trace some fusion elements specilly in bass/drums category, where the instruments are complex and complicated, I like the bass lines very much. The opening track Labyrinth and Fall Into A Doze are the best from here, instrumental with complex moves, twist lots of layers, speedy keyboards and some dark atmosphere overall, but in the end really good I might say. All album is instrumental minus two pieces where features Jean-Luc "F. Nazaki", and to my opinion his voice is horrible at best, so I will not count this bad section from my rating system. So, even the arrangements and overall sound is more modern then let's say on Empty lie, empty dream from their early works, I prefer that 1985 album face this The ruins, because of the guitar who gives a more melodic , dynamic and overall better atmopshere to my ears. 3 stars rounded to 3.5 , excellent cover art, like on almost all Gerard albums, that romantic aproach very much in vein with the music offered. Good band, I like what I've heared so far from their catalogue, so for sure I will buy more of their albums.

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 Empty Lie, Empty Dream by GERARD album cover Studio Album, 1985
2.93 | 17 ratings

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Empty Lie, Empty Dream
Gerard Neo-Prog

Review by b_olariu
Prog Reviewer

3 stars Actually 3.5 stars

Gerard were one of the leading progressive rock bands from the '80 in Japan together with Novela, Fromage, Pale Acute Moon, Outer Limits or Mugen. They offer a quite good symphonic prog very much in vein of UK or a harder version of Genesis (Trick of the tail era) but with their own twist and with that particular japanese flavour , musicaly speaking that many bands from '80 from this country had. I review so far two of their albums and I liked what I've heared so I've decided to check two more from their catalogue, one of them is Empty lie, empty dream, the second release from 1985. This is enjoyble to me for sure, is to low rated for such music, really. Symphonic prog well played and well performed. The album is mainly instrumental and the keyboards and guitar are great. In their first phase they sounded not very much a la ELP like their later releases, because of the guitar arrangements, this instrument being left aside from Pendulum onwards. So, , forte pieces are the opening instrumental The acts of the Apostles , really awesome pieces where the talent of Toshio Egawa on keyboards and of Fujimura on guitar is obvious. In that darker days of prog mid 80s only japanese school of prog counted on market and the british neo prog who just exploded in Europe around that time, and of course do not forget Rush, the rest of the world were in shadow and the rest of the movement in aderground for sure. So, this release keeps the flag as high as possible for that period, no weak moment but in same time nothing is close to masterpieces status, still enjoyble and good from start to finish.

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 The Pendulum by GERARD album cover Studio Album, 1996
3.68 | 36 ratings

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The Pendulum
Gerard Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars In mid-90's Egawa decided to fully reform Gerard from zero point.He recruited bassist Atsushi Hasegawa and drummer Masuhiro Goto, while for the first time the band had a decent vocalist, who could actually sing in English, Canadian singer/songwriter Robin Suchy.Additionally Egawa managed to sign a good contract deal with French label Musea.The new Gerard era started with ''The pendulum'' album in 1996.

The album contains a couple of reworked Gerard tunes from the previous albums, ''Empty Lie, Empty Dream'' and ''Orpheus'', in which Egawa kept more or less the arrangements, making them far more bombastic and with a clearer production, while Suchy's slightly AOR-ish voice present a non-accented version of the tracks.The rest of the (new) tracks follow more or less the same typical vein of Gerard.Powerful, edgy and muscular Symphonic Hard Rock with strong ELP influences.Egawa's work remain a work for seminars.Bombastic synth flights, massive organ jams, incredible solos and light piano parts show a musician, who's talent was enough to lead alone a whole project.Both Hasegawa and Goto had a strong metal background and thus the rhythm section sounds as dynamic as ever.Suchy's voice is good and fits the style of Gerard, though his voice has sometimes a cheesy tone.However his vocal lines remain actually limited, it is the music who speaks in ''The pendulum'', and this is really nice with tons of breaks and shifting moods.

''The pendulum'' is a keyboard-fan's paradise.Passionate Symphonic Rock with a heavier edge and incredible work on keyboards by Egawa.Nostalgic followers of the 70's may find the album too modern and flashy for their likes, still this one comes easily recommended...3.5 stars.

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 The Pendulum by GERARD album cover Studio Album, 1996
3.68 | 36 ratings

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The Pendulum
Gerard Neo-Prog

Review by Warthur
Prog Reviewer

4 stars Gerard on this album play an intriguing style of symphonic neo-prog - it's got the sort of song structures, influences, production and leaning towards the mainstream much neo-prog has, but keyboardist Toshio Egawa changes the game up by playing in a bombastic and frantic style which reminds me of Keith Emerson and Eddie Jobson - perhaps more towards the Jobson, since Egawa's keys are played to aid the composition rather than the compositions being geared towards showing off his keyboard skills. Robin Suchy also does a great job on vocals, and on the whole the band match the neo-prog greats at their own game on this release.

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 Save Knight By The Night by GERARD album cover Studio Album, 1994
3.05 | 5 ratings

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Save Knight By The Night
Gerard Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars ''Irony of fate'' was undoubtfully the less inspired Gerard album to date and problems begun to show up.Reputedly differences regarding the band's direction led to the departure of original guitarist Yukihiro Fujimura shortly after,quite strange because both Gerard and Fujimura's band Vienna played no more or less the same style of Symphonic Hard Rock around the period.Egawa still recorded a new album with the remaining Gerard members with ex-Moondancer guitarist Taku Sawamura replacing Fujimura,who only contributes on vocals.Because of Fujimura's departure Egawa renamed the band to ''Toshio Egawa's Gerard'' with the new album seeing the light in 1994 on King Records under the title ''Save Knight by the Night''.

Check the front cover to realize how egocentric Egawa was by the time,even giving himself the name ''Geraro'' for the photo-shoot!Musically the album sounds like a mix of the old'n'good Gerard and the newer Hard Rock approach.Tracks like ''Into the dark'', ''Evidence of true love'' and ''Trio'' are absolutely fascinating and bombastic Symphonic Rock arrangements with Egawa's flashy synths on the forefront, sudden breaks, grandiose solos, dramatic atmospheres and excellent bass work.''For piano'', ''The Momorable Melody of the Song'' and the eponymous track are all piano-led compositions with some programmed instrumentation added,which are somewhat spoiled either from the cheap production or the cheesy vocals, with the exception of the last part of ''Save Knight by the Night '', which offers a grandiose Symphonic/Electronic atmosphere.The dull ''Don't Leave Me Now'' is what we all turn our backs on Gerard for: a straight Hard/Glam Rock number for a track with syrup lyrics and funny vocals to say the least.

Reasonable enough, the departure of Fujimura left Egawa alone to lead the Gerard crew and thus his new album is dominated by his work on piano and synthesizers. Despite his egoistic approach Egawa managed to compose some material slightly better than the previous Gerard release with the most symphonic tracks being a great example of his talent.Recommended, especially to all fans of keyboard-driven prog.

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 Irony of Fate by GERARD album cover Studio Album, 1991
2.42 | 17 ratings

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Irony of Fate
Gerard Neo-Prog

Review by apps79
Special Collaborator Neo Prog Team

2 stars With an excellent debut and a quite good follower,Gerard's future seemed bright but surprisingly they decided to call it off,after their label King Records showed no more interest on releasing progressive rock albums.Toshio Egawa went on to hard rock band Earthshaker,but a few years after he re-united Gerard with fellow member guitarist Yukihiro Fujimura.This time they were joined by Toshimi Nagai on bass and Kota Igarashi on drums.Their long-awaited third album ''Irony of fate'' was released in 1991,ironically on King Records again.

On this album it seems that Egawa was influenced by his time with Earthshaker,so the sound is closer to pompous Hard Rock than Symphonic Progressive Rock.Of course there are plenty of symphonic tendencies,complicated breaks and grandiose passages and Egawa's work has a lot of similarities with the previous albums at moments.But the guitars have now a more metallic edge,the compositions are based on hard rockin' groovy rhytms,much of the keyboard work has this cheap 80's sound and the band has lost also much of its way to the epic atmospheres of the past.Another huge problems are now the vocals,especially when Fujimura tries to sing in English.While in ''Empty Lie, Empty Dream'' and ''Geard'' they were somewhat hidden under the instrumental stuff,this time they play a major role and that is a losing point,as Fujimura has one of the most cheesy and atonal voices to be heard around the prog league,the two ballads of the album are actually more funny than inetersting.Significant exceptions are the fantastic eponymous opener,which comes in a bombastic Symphonic Rock style,and the decent complex instrumental ''My Eyes to the Panic''.

The new Gerard era hasn't begun in the best way.The band with a new line-up tries to find the right steps to become solid and consistent again,but hard rockin' tunes is not the solution by any means.''Irony of fate'' contains some good moments and it might be a good album to complete your Gerard collection,but it definitely not the place to start...2.5 stars.

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 Ring Of Eternity by GERARD album cover Studio Album, 2010
3.56 | 19 ratings

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Ring Of Eternity
Gerard Neo-Prog

Review by Cesar Inca
Special Collaborator Honorary Collaborator

3 stars Vigor and stylization are two major assets of Gerard's contributions to the worldwide progressive rock scene since the 80s, and as one can feel in each listen of their 2010 release "Ring Of Eternity", they continue to be. For this new prog-pomp-rock venture, keyboardist maestro Toshio Egawa continues to have bassist Atsushi Hasegawa on his side, with newcomers Kenich Fujimoto (himself an experienced drummer in the areas of art-rock, hard rock and prog) and Yasuo Sasai (a tenor rocker). More than a quartet per se, Gerard behaves and sounds like a keyboard-centered power-trio with an extra vocalist, and that's how I feel that this album should be perceived. "Rong Of Eternity" kicks off with the namesake instrumental, which sound Emersonianly electrifying, somewhere between the "Brain Salad" days and the "Emerson, Lake & Powell" approach. 'Night Before The Revolution' is the next in line, the first sung track: it states a midway between classic saga and first-album Asia with a bit of "1984"-era Wakeman included in the mix. The same line of work is followed in 'Justice And Faith', with the added factor that the bassist's input is more intricate, which in turn helps the band to make a more grandiose statement about their own progressive vision. But again, Egawa's keyboards are the instruments that fill the leading role non-stop throughout the band's excursions. 'Dawn After The War' occupies the next 10 ¾ minutes in the album: the instrumental parts are vibrant and intrepidly full of muscle, while the sung parts are slower. The suite's coda brings an aura of typically progressive distinction to its motto perpetuo, pretty much like the Impressionistic school. This piece has just revealed itself as a highlight. In many ways, the next track 'Long, Long Way To Your Soul' keeps the previous one's dominant solemnity going on, although its melodic structure makes it stand near tracks 2 6 3. The other suite in the album, 'Land Of The Dead', fills a 12 minute space with full symphonic splendor: again, we find an alternation of splendidly ravaging instrumental passages and softer sung sections. The album's closer is 'Love Save The World', a symphonic-related ballad that starts with interesting cosmic synth layers and a brief bass guitar solo, and then focuses in a Toto- meets-Asia main body. All in all, "Ring Of Eternity" is a modern progressive catalogue that does not turn out to be Gerard's best work, nor it breaks new ground in the realm of symphonic prog, but it is a good album that can be easily enjoyed and appreciated.

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 Ring Of Eternity by GERARD album cover Studio Album, 2010
3.56 | 19 ratings

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Ring Of Eternity
Gerard Neo-Prog

Review by snobb
Special Collaborator Honorary Collaborator

2 stars I am familiar with Gerard some very first bombastic albums as well as with his some more professional and better balanced works from late 90-s. Then I just missed him from my field of musical interest.

This new release of 2010 reminded me about this band, and I was curious how do they sound now? Album's opener " Ring of Eternity " was a real surprise for me - instrumental quite complex and melodic composition full of energy, but well balanced.It reminded me "Birds And Buildings" debut album's opener, and I believe it's a great compliment!

Unhappily, from the very next song I was disappointed a lot: bombastic keyboards maniac Toshio Egawa hardly changed his point of view on his instrument use and importance in band's sound. And even worst - this time main album's sound is AOR, melodic straight-ahead energetic compositions with overbalanced accent on synth sound. Easiest way to imagine how does the band sound is just to remember latest Rainbow albums, where they turned more to American market.

Keyboards' sound is very unpleasant, too "synthetic" , same is with vocals. Somewhere in the end of album compositions turned a bit to later Yes synth-pop influence zone, but in combination with pseudo-dramatic vocals and very simplistic compositions it didn't help.

Album in all sounds as artificial parody-release on some AOR or even symphonic pop-metal bands. Possibly it was better just to stay with my quite good memories from Gerard albums from late 90s-early 00'.

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