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EARTHSTONE

Neo-Prog • United Kingdom


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Earthstone biography
EARTHSTONE began as a Chris Phillips solo project. After the breakup of his latest band, Ranata Spirit, in 1984 he decided the only way to make the music he liked was to do it alone. Over time, he wrote music, and made home recordings. It was almost ten years before the original dream started to become a reality. However, when the deal with Kinesis came through, Phillips realized he needed some help. Chris Bond had been working with Phillips on some other projects, so he became the other official member of the band. "Seed" was released by Kinesis in 1994. Mark Richards does play guitar on one track, but this was really a two-man operation. Phillips did most of the instrumental work, and vocals. Bond provided some keyboards, and co-wrote many of the songs. The drums were programmed, which would become the biggest sore spot for many listeners, especially Phillips. Even though the album was reviewed favorably, and they sold all of the original pressings, Phillips is very disappointed with the final product.

Although the door was open for another EARTHSTONE album, Phillips and Bond realized that their musical vision was too different. The funny thing is, that didn't stop them from collaborating in another (very similar) band. They went on to become members of Stealing the Fire. Some have called the album "Hot Ice and Wonderous Strange Snow" the follow up to "Seed."

Chris Phillips states that EARTHSTONE never disbanded, since it has been an idea in motion since 1984. He has also never ruled out Chris Bond as his partner in crime for a future Earthstone album. However, recent news doesn't make that a likely proposition. The number two spot is currently being filled by Paul Redden, and a new album is in the works. "These Are the Days That Were" is set for release in the summer of 2008.

They are described as a "pagan" music outfit. Their emphasis being earth and water. These themes are prevalent in the music. Other influences range from King Crimson and Atomic Rooster, to Art of Noise and Ozric Tentacles. The new album is to be based on retro instrumentation (Hammond organ, and even valve tape recorders), and modern recording techniques.

H.T. Riekels (bhikkhu)

Earthstone official website

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SeedSeed
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EARTHSTONE discography of albums and videos


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EARTHSTONE Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.50 | 2 ratings
Seed
1994

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EARTHSTONE Music Reviews


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 Seed by EARTHSTONE album cover Studio Album, 1994
3.50 | 2 ratings

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Seed
Earthstone Neo-Prog

Review by progrules
Prog Reviewer

4 stars I finally managed to get my hands on this rare output by Earthstone. At first I thought we were dealing with a very obscure band that had made only one album. But then I checked out the band description and to my surprise Earthstone is a still existing band that is actually planning to make a seconde one. Never mind, a fact is that this is their only release so far and it's pretty hard to get anywhere. The reason I wanted this album is that I more or less fell in love with the stream track here on PA and then it's only logic to want to check out the album. I will reveal more about this track later on but will do the track by track review now.

First in line is the title track Seed, a funny little rocker with as most significant feature a machine gun like keyboard passage like a sort of staccato play. Nice opener but not one the very best yet. 3,5*.

Second tune, E.L.F. is more melodic and therefore more memorable as a song. A very nice instrumental beginning is followed by an equally fine vocal part. Another great instrumental bit makes this track really worth while. 3,75*.

Next is the stream track I was referring to called The Hand of Glory. This is one of the sweetest tunes I've ever heard. Not sweet in a cheesy way but just very lovely. Enchanting keyboard playing gets this track started and these first few minutes already make this excellent song to one of my favorite neo tracks ever. Halfway a sort of repetitive bit almost ruins the track but last few minutes the wonderful keyboard returns to save it in the end. 4,75*.

Unicorn Home starts as a modern pop song but within first minute the progressive leanings are already there. This turns out to be a standard neo progressive song, not very original but nothing really wrong with it either. Same as the opening title track this is not a memorable highlight. A fine guitar solo in the middle is the highlight on this one. 3,5*.

Llid the God is a strange title of a strange gloomy song. A very special alternation on this very neo-prog album. Halfway a mysterious keyboard piece proves the ambient mood of this instrumental track. 3,5*.

The Splintered Sky starts a bit mysteriously as well but gets more regular later on. The special atmosphere remains throughout the song though and I really like this feature. Some dissonances here and there but in the end the melodic neo progressive leanings win the battle proven by a superb guitar solo clocking over a minute. 4,5*.

The Set is fully melodic once again and suddenly my ear detects the typical "drumming" on this album. As I read in the band description, this is in fact "computer drumming" a consequence of the bands line up consisting of only two persons. Then this kind of drumming is to be expected. This seventh track is another very good one but not one of the outstanding tracks still. 3,75*.

This also goes for Whitlingham Lane that can be called the ballad of the album, one of the more quiet tracks. The laid back guitar playing is a caress for the ear and this song seals the excellent status of the album because I can already reveal that the highlight is yet to come. This one makes 4* comfortably.

The mentioned highlight is the closing epical In the Winter of Night. If you already liked the album so far (which I did !) then you're in for a final treat, a true grand finale of this extremely nice album. This final track treats you with all elements that have been shown so far, Brilliant keyboard play with wonderful melodies as well as some excellent guitar passages. The keyboard dominates on this final track. 4,75*.

In conclusion I can only say this is a great album that hides itself for exposure unjustly. This Seed should be a neo progressive classic and not a hidden gem with one or two reviews. As the band description tells this can probably at least partly be blamed to the band leader himself. I hope he will do his PR better in the future. Some maths show that the average is exactly 4 stars so that's what this will get. (Highly) Recommended for true neo fans.

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 Seed by EARTHSTONE album cover Studio Album, 1994
3.50 | 2 ratings

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Seed
Earthstone Neo-Prog

Review by kenethlevine
Special Collaborator Prog-Folk Team

3 stars "Seed" seems to have taken the 70s influences of groups like King Crimson, Pink Floyd, and even FM, and incorporated new age and techno elements of the 80s and the digital age, with mostly impressive results. They are aptly named, because, in spite of all the technology including programmed drums, the lyrical themes are mystical and earth-aware. Everywhere there is delicious darkness and brooding, sometimes bursting out, sometimes ready to explode, sometimes recovering. It's an album I can lose myself in, without the irritation that sometimes accompanies not remembering the last 10 minutes of music.

Several of the tunes simply never drift to the background, in particular "Unicorn Home" and "In the Winter of Night", while "Llid the God" is an imposing instrumental that blows the socks of the new age genre from which it might arguably have sprung. If all tracks had been as good as these three, we might be looking at a classic, but the rest are not bad either, particularly "Hand of Glory", so I really have few complaints except why was there no second album?

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