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jtdotto View Drop Down
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Direct Link To This Post Topic: Mahavishnu Orchestra...Mars Volta
    Posted: January 04 2006 at 02:30
i think that the mars volta are a modern day mahavishnu orchestra. im
basing purely off the only song available on this site from the mahavishnu
and from my extensive knowledge of the mars volta. both awesome
guitarists in their respected styles (similiar a bit though...i can see where
omar got a lot of his inspiration), both bands know how to convey a
feeling...a strong one. awesome drummers in both bands and awesome
keyboards in both. i also know that omar is a huge fan of these guys.
anyone else agree?
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Zac M View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 02:54
Erm, well, I like the Mars Volta but they are nowhere near as great as Mahavishnu Orchestra. I think I have heard that Omar got some inspiration from McLaughlin, but McLaughlin is by far the more innovative, interesting, creative, and overall better of the two. I recommend you get an album by either McLaughlin or MO, great stuff. Like I said, I can see the similarities, but I don't think I'd go to far to say that TMV are the modern day MO. Just my thoughts.
"Art is not imitation, nor is it something manufactured according to the wishes of instinct or good taste. It is a process of expression."

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Direct Link To This Post Posted: January 04 2006 at 03:01

^eh...I'd maybe say that...I see the similarities...but I think TMV is a better/more enjoyable band...while MO was more of an experimental/less emotional effort. About Omar vs. McLaughlin...I like Omar more...but McLaughlin is probably the better player.

All boils down to opinion...just like always

I'm a reasonable man, get off my case
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Someo Therguy View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 03:19

Originally posted by jtdotto jtdotto wrote:

im
basing purely off the only song available on this site from the mahavishnu

Hmmm... I like the Mars Volta a lot, but I think you really should listen to more than one song before you make such a comparison. Yes, Omar may have been influenced by John Mclaughlin, but then John McLaughlin has influenced generations of players... has Omar? And yes, Jon Theadore is a good drummer, but again, Billy Cobham is one of the most influential drummers of the twentieth century. He has played with Miles Davis, John McLaughlin, Peter Gabrial, Jack Bruce, T. Lavitz, Jeff Berlin (God only knows who else), he revolutionized the drumset, introduced four mallet (stick) technique to the kit, and is a profoundly gifted composer as well. The Mars Volta are good, but there's a reason why they name The Mahavishnu Orchestra as an influence.

 

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Direct Link To This Post Posted: January 04 2006 at 03:41
^We musn't forget the keyboard playing of Jan Hammer either. His work with MO is really great. I haven't heard any of his solo material though.
"Art is not imitation, nor is it something manufactured according to the wishes of instinct or good taste. It is a process of expression."

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Phil View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 04:12
Interesting thread. I pretty much agree with what's been said....I like both, but especially am a fan of early Mahavishnu Orchestra. Mahavishnu were really jazz-rock or "fusion" based whereas TMV are less easy to categorise. If it hasn't been said before, the Mahavishnu Orchestra were entirely instrumental, at least in their first (and IMO best) incarnation. John McLaughlin was big into improvisation, especially in the first incarnation of the band, with Jan ("Miami Vice") Hammer on keyboards and Jerry Goodman on violin. Not forgetting the excellent Billy Cobham on drums though it must be said that Jon Theodore is no slouch! I would try to get hold of their first album, "Inner Mounting Flame", which has a looser feeling about it than its more structured follow up, "Birds of Fire".
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Dick Heath View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 09:36
Originally posted by meurglysIII meurglysIII wrote:

^We musn't forget the keyboard playing of Jan Hammer either. His work with MO is really great. I haven't heard any of his solo material though.


Jan Hammer produced a fine range of jazz rock going pop before the fall and Miami Vice (but I guess it pays the pension). The best jazz rock not on CD is Jan Hammer Group's Oh Yeah, but most other stuff is out on CD:

An album which possibile pre-dates MO, issue don the German label BASF.
Early Days  is  sampler of the earlier Nemperor LP recordings by JH
Melodies (Wounded Bird) finds Hammer shifting out of jazz rock into funky pop. (There is an obcure live Melodies album, issued to radio stations origially, which can be found with difficulty)
Black Sheep/Hammer has been just issued remastered by JH  on Wounded Bird - a bit of a demonstration that keys could equal Hendrix style guitar ????!!!! (Colin Hodgkinson on vocals and eventually bass).
Like Children (pop rock, fusion etc.) done immediately after leaving MO with Jerry Goodman, was supposed to have been issued on CD last year but.......
Jan Hammer is on several of the Al DiMeola earlier albums - Tour De Force  and Scenario (some critic suggested this was the last good jazz-rock album of the 70's)  are suggested.
Again strong presence on both Tony Williams' Joy Of Flying and Stanley Clarke's eponymous second album (with Tony Williams and the neglected Bill Connors, a great one-off quartet of jazzrock/funk). Part of the reason for the timelessness of Billy Cobham's Spectrum, (also check out the Tommy Bolin Archive recordings for other unexpected guest appearances by Hammer -e.g.  a great alternative to MO's Sister Andrea on Vol 1 with Bolin/Hammer recording of the demo version)

Replaced Max Middleton as Jeff Beck's jazz mentor during Wired  and then thru' to There & Back. Middleton btw was on 3rd and 4th Jeff Beck solo albums, 3 albums with Hummingbird, and an album with Robert Awai before becoming Chris Rea's keyboardist for 15 years. Toured with Beck last year as it happens.

And last time doing jazz rock fusion on record?? Present on one track of a  Steve Clarke's Network recording made in the late 90's ; also check out the Network compilation - a strange hybrid of death metal and fusion....
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Direct Link To This Post Posted: January 04 2006 at 10:44
There was an interesting article about TMV in Mojo in the last 18 months, which included (in chronological order) a brief discography/review of artists/albums which have influences: KC's  ITCOTCK and MO's BoF were the first two albums listed. Great prog rock which can hybridise such a desparate range of musics into one.... I still have a sneaking regard for the phrase one Amazon.UK writer, who titled his Francis The Mute piece 'The Cuban King Crimson' - works up to a point.
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Direct Link To This Post Posted: January 04 2006 at 19:30
definitely, i will be checking these guys as soon as i get to a record store.
and i would agree mclaughlin is the better player...techinique wise...i
think
omar is a more creative writer...but hey only one song heard (MO) to
literally
everything (TMV) so i can't really say. i'm just saying, i can hear who omar
tries to be, at least live.
by the way jon theodore mentions billy cobham as his top influence. not a
bad one i say.
i would say 'meeting the spirits' has a definite amount of feeling and
depth into the song. i only hope that amount of feeling and depth is put
into the other songs on the album, whichever i get.
taking into account all contemporary music, i think TMV are the closest
thing to MO. and you know omar is gonna be a huge influence on future
guitar players.
just my opinion.
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Direct Link To This Post Posted: January 04 2006 at 20:16

I don't see many similarities in the music for each band.

In playing, maybe.

But I do prefer The Mars Volta at this point. MO are great, but it's all a matter of taste.

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Direct Link To This Post Posted: January 04 2006 at 20:30
TMV is great.. but MO, it is not as neat as  Mahavishnu...
...this is called....BleedingGum ... !
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Direct Link To This Post Posted: January 04 2006 at 20:34

Jon has said Numerous times that he lloks up to Cobham alot.....and Billy did 4 sticks on a set?  Flipping awesome.

 

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Direct Link To This Post Posted: January 04 2006 at 20:48
Eh...sorry i'm not seeing the connection

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FRIPP HOW? View Drop Down
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Direct Link To This Post Posted: January 05 2006 at 00:12
all of this is new and interesting. thanks/nice post!
"Mention this to me.
mention something, anything..
and watch the weather change."
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Someo Therguy View Drop Down
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Direct Link To This Post Posted: January 05 2006 at 03:31

A quick look in the archive shows 10 albums by Mahavishnu Orchestra (I own 4), 5 by John McLaughlin with Shakti are listed (I've got 2) and who knows how many solo CDs he has? I've got at least 8 Billy Cobham albums in my collection and I've seen him in concert 7 times - also a drum clinic. I know I've got 3 Jan Hammer discs, I have Jerry Goodman on the Maha discs as well as 3 Dixie Dregs CDs and I've seen him perform with the Dixie Dregs three times.

There are only three full leangth albums listed of The Mars Volta.

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Direct Link To This Post Posted: January 05 2006 at 07:48
     Let's not forget one of the greatest keyboardists of the 70s,
Jan Hammer...his Moog soloing was probably the best of any of
his compatriots next to Moraz and Emerson, and much more
influential in the fusion world. I'll also plug his brilliant solo
album from 1976 The First Seven Days, IMHO the best multi-
keyboard album ever made.
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Direct Link To This Post Posted: January 05 2006 at 18:13
Originally posted by Someo Therguy Someo Therguy wrote:

A quick look in the archive shows 10 albums
by Mahavishnu Orchestra (I own 4), 5 by John McLaughlin with Shakti are
listed (I've got 2) and who knows how many solo CDs he has? I've got at
least 8 Billy Cobham albums in my collection and I've seen him in concert
7 times - also a drum clinic. I know I've got 3 Jan Hammer discs, I have
Jerry Goodman on the Maha discs as well as 3 Dixie Dregs CDs and I've
seen him perform with the Dixie Dregs three times.


There are only three full leangth albums listed of The Mars Volta.




i don't think anyone is disbuting the fact that MO has more recorded
music than the mars volta. MO started in the 70's, the mars volta started
in 2001. MO has a good 30 years on the mars volta. all i was saying is
that i know MO is an inspiration of the mars volta, and as far as
contemporary music goes, the mars volta are the closest thing to them.

oh wait, i forgot. lets see, i got all of the mars volta's full lengths,
including their live album. i got their ep, and i have singles of live
versions and weird improvisation stuff. i got omar's solo project and am
working on getting his quintet cd, i one of the two de facto records, 2 of
at the drive-in's records, you know, their 'punk' band before the mars
volta, and have been to their key arena show. but i'm gonna count that
show as 8 shows just because i can. i can play all of deloused and frances
on guitar (well) and am in a band that writes awesome music.


just had to list my share of personal accomplishments. cuz you know,
thats what this topic is about. anyone else care to share?



Edited by jtdotto
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Someo Therguy View Drop Down
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Direct Link To This Post Posted: January 05 2006 at 19:09

Originally posted by jtdotto jtdotto wrote:


i don't think anyone is disbuting the fact that MO has more recorded
music than the mars volta. MO started in the 70's, the mars volta started
in 2001. MO has a good 30 years on the mars volta. all i was saying is
that i know MO is an inspiration of the mars volta, and as far as
contemporary music goes, the mars volta are the closest thing to them.

Actually what you said was "i think that the mars volta are a modern day mahavishnu orchestra"

oh wait, i forgot. lets see, i got all of the mars volta's full lengths,
including their live album. i got their ep, and i have singles of live
versions and weird improvisation stuff. i got omar's solo project and am
working on getting his quintet cd, i one of the two de facto records, 2 of
at the drive-in's records, you know, their 'punk' band before the mars
volta, and have been to their key arena show. but i'm gonna count that
show as 8 shows

I think you may have misunderstood here. By listing the various albums Ive heard by MO as well as the number of side projects and other settings I've encountered the members in I was trying to make it clear that I think a statement like your primary thesis is premature. TMV just does not have enough material to make such a statement, IMO.

just because i can. i can play all of deloused and frances
on guitar (well) and am in a band that writes awesome music.
 

I don't see how your ability to play awesome music has any bearing on the topic at hand. 

just had to list my share of personal accomplishments.

Thanks.

 cuz you know,
thats what this topic is about. anyone else care to share?

Boast? No.

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Direct Link To This Post Posted: January 05 2006 at 19:33

I fail to see how quantity holds sway over quality.  Not that I'm denying the talent of those involved with the Orchestra, but the Volta-Mahavishnu link has been stated before.  It's nothing new.

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Direct Link To This Post Posted: January 05 2006 at 20:15
Out of touch (the first comment)
Just BE!
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