Were things really better in the 70s? |
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Svetonio
Forum Senior Member Joined: September 20 2010 Location: Serbia Status: Offline Points: 10213 |
Posted: November 08 2015 at 01:39 | ||
Edited by Svetonio - November 08 2015 at 02:35 |
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Svetonio
Forum Senior Member Joined: September 20 2010 Location: Serbia Status: Offline Points: 10213 |
Posted: November 08 2015 at 02:02 | ||
Then, why the concert-organizers here do not organize more concerts of that kind of music, but of young musicians, instead of constantly brings up garage rock bands? Probably because they do not want to risk at all. |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: November 08 2015 at 02:03 | ||
That's an attitude from 5 to 10 years ago, things have changed since then as more music producers start feeling the same way. They are learning to use the new production tools better, and that is inevitable. You still get the occasional throw-back who believes that can only be achieved using the same equipment that was available in the 1970s but they are few and far between. It is not the tools that produce homogenised productions, it is the people who use them. Even in 1970s Prog there were bands that strived for studio perfection and other bands that couldn't give a rat's arse. Back then there were bands who wanted to replicate the studio sound on stage and other's that did not (or could not). What we should try avoiding is using our personal tastes as a meter and we must avoid comparing apples with orang-utans. We have to ignore generic pop music of today just as we ignored it in the 1970s - and that goes for all other styles of music around today that we would have never in a million years listened too back in the 70s. Pop music is bland crap today, but it was no more or no less bland crap back in the 70s. Just because someone tolerated or even enjoyed mainstream rock in the 70s it does not mean they can compare it to the mainstream rock that is being released today because it's not the same kind of mainstream rock. |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: November 08 2015 at 02:09 | ||
I agree. |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: November 08 2015 at 02:44 | ||
Another thing to think about: If you were around in the 1970s you would not have been able to hear all the great music from the 1970s that you can hear today.
That may sound like a contradiction but it is a sad reality. Today I can buy any album that was released in the 1970s, I may have to pay a lot for a very rare album, but in general I can get practically any 1970s album delivered to my door in a few days for a few quid. You couldn't do that in the 1970s. Record stores had limited shelf space and so only stocked latest releases and high-selling albums. Low-selling albums had one production run and were deleted from the label's catalogue, some unsold albums were sold-off at discount prices but after the fuel crisis of 1973 most unsold vinyl was recycled. Very few stores sold import albums and their stocks of those were small. Mail-order existed but the range of music available through them was very limited and the postal costs for an LP were often more than the cost of the album itself. You may have been able to find one or two albums by a particular band but their entire back-catalogue would be very difficult to find - this applied to all artists, not just obscure or lesser-known ones. I can be nostalgic about the hours I spend trawling through every record store in every town I ever visited because that was the game back then, that was what being a music fan entailed. However, I cannot be nostalgic about all those albums I never managed to find but can now order with one-click online, or all those albums that I'd never even heard of back then that I can see at a glance on this website...
Edited by Dean - November 08 2015 at 02:46 |
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Atavachron
Special Collaborator Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 64353 |
Posted: November 08 2015 at 03:02 | ||
In other words the Who sold a lot of records and tickets and Mr. Papathakawakanaka not so much. He's pissed-off and resentful. The guy should write all struggling musicians an open letter apologizing for his childish, unappreciative temper tantrums, thank the universe for his inexplicable success, and shut the f*ck up. |
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"Too often we enjoy the comfort of opinion without the discomfort of thought." -- John F. Kennedy
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 19626 |
Posted: November 08 2015 at 03:13 | ||
Some good points here, though I'd shed a different light angle It is the information about those rare or import releases that lacked us back then - and of course the cash to afford them in case you did hear and wanted them. In Toronto, I had an import store (called Record Peddler) where Gong and Magma and Banco were available, but it was at 20.00 a pop, sealed (and therefore not availble for a listen)... and 20.00/pop for newspaper dekivery routes money was just too expensive. But it was available, as were all these strange Vertigo, Neon, Dawn label releases. So yeah big stores like Sam The Record Man had huge spaces (including jazz & classical music), but maybe not a wide import selection, but most of 70's music could bemore or less easily found if you knew about it Yup as well: I still think a lot about my weekly saturday afternoons taking the train downtown and hitting quasi all the record store (including my two fave second-hand ones) on the way uptown and all the way back downtown and coming back by train, unwrapping mot of my acquisitions in front of disapproving grown-ups;... Nostalgie, quand tu nous tiens... But to be honest, I'm a bit appalled (and slightly ashamed) at the amount of hours wasted in those spending spree trips, as I must've had an awful lot of time to waste then. Something I simply can't afford the time (or the patience)... or even have the wish to do so if I did have the time to spare... I mean, i get quickly bored looking through stacks of albums (vinyls or CDs) after some 20 minutes... My best music buddy who is still going on strong through whatever record shops still around every second week or so. And he's going to the world-famours three-days Utrecht record fair this month (only his third time though). Whereas I'm already tired (bored, actually) after a morning of the Ghent record fair - which is rather small scale, compared to Utrecht anyway. Edited by Sean Trane - November 08 2015 at 03:16 |
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BaldFriede
Prog Reviewer Joined: June 02 2005 Location: Germany Status: Offline Points: 10261 |
Posted: November 08 2015 at 05:17 | ||
That's not true, Dean. In Cologne, where I live, there was a record store named Saturn (it still exists). You could get any album there; they prided themselves for that and even advertised with it. It usually even was in stock, but if you told them of an album which they did for some reason not have they would get it for you. My oldest brother, who is ten years older than me, bought his whole huge collection there. |
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BaldJean and I; I am the one in blue. |
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Mascodagama
Collaborator Honorary Collaborator Joined: December 30 2006 Location: United Kingdom Status: Offline Points: 5111 |
Posted: November 08 2015 at 05:42 | ||
Negatives:
Being asked whether you were a mod, rocker or punk at school. Getting punched regardless of answer. Holidays in Cumbria where it has rained every day since 1066. My entire record collection consisted of a 7" single of Puff the Magic Dragon. Being sent to bed before The Professionals came on TV. Elvis died, causing much consternation to my pal Carl, who used to come to school wearing a bootlace tie aged nine. Positives: School trip to Natural History Museum. Outstanding scenic beauty of the Leeds/Bradford conurbation. 50p a week pocket money. Buying 4 Mojos for a penny. Parents owned one rock album. Osibisa's Woyaya, since you ask. Blondie on Top of the Pops. Confusing but not unpleasant sensations vis a vis Debbie Harry. On the whole, no.
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bucka001
Forum Senior Member Joined: November 16 2005 Location: United States Status: Offline Points: 864 |
Posted: November 08 2015 at 05:48 | ||
This, totally. Double bills of bad exploitation Flix = heaven Running around the streets on warm summer nights, racing home to watch Twilight Zone or an evening Godzilla movie (hey, I was just a kid in the 70s) = nirvana. MHartman and F2Nite were two of my faves. SNL was new (I remember watching the first one w/G Carlin, thinking how awesome it was; shortly after I discovered SCTV and that was better, like something from another planet). Saw my first concert (Genesis) back then. But kids today have their own stuff going on that they'll be nostalgic for as well. Maybe things aren't the same for "prog" music, but there is still stuff going on that has depth and quality if one looks for it. I just have a wife, kids, mortgage, full time job, etc. The only new music I know is the Barney and Elmo songs! But I work with younger kids (20 somethings) who ain't stupid and are pretty sharp. They love their generation's musc, see shows, and will probably be just as defensive and nostalgic for this era when they're older. So, it was great back in the 70s but I don't know if it was better. Edited by bucka001 - November 08 2015 at 05:50 |
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jc
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Sean Trane
Special Collaborator Prog Folk Joined: April 29 2004 Location: Heart of Europe Status: Offline Points: 19626 |
Posted: November 08 2015 at 05:55 | ||
I suppose you're not speaking of the Saturn downtown (very disappointing selection), but the one on the Blvd with the subway station (let's call it midtown). OK, I've been going to it since the mid-90's, but it's now hardly the shadow of its former self (which is why I haven't been there in three years). Yes, back in the 90's their offer was fairly impressive, but Saturn is a big chain store selling household appliances as well - bit like Mediamarkt was doing a decade ago. Did it (that Saturn store) exist in the 70's or even the 80's, though?? |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: November 08 2015 at 06:00 | ||
Just because you knew of one record store where your brother could get "any album" does not mean that what I said was not true. There are exceptions to everything, there wasn't a 'Saturn' in every city in Germany or every place in the world where record stores existed, not every album ever released went through distributors so you couldn't get them everywhere, least of all in a record store in Cologne. It beggars belief to have to say any of this - every album ever released in the 1970s was available to buy at some time in the 1970s but if the album had been deleted, which many of them where, then finding it would be more difficult, if not impossible. There were even deletion specialists you could go to in the hope of finding a long-deleted album but that was no guarantee you would actually find what you were looking for.
Edited by Dean - November 08 2015 at 06:04 |
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WeepingElf
Forum Senior Member Joined: August 18 2013 Location: Germany Status: Offline Points: 373 |
Posted: November 08 2015 at 06:10 | ||
I think the basic mechanism behind the "things were better back then" sentiment is selective memory. Unless your childhood was traumatic, you'll fondly remember the music that reminds you of it. Or the music that was playing in the café when you first kissed your great love. Etc. No matter how cheesy those songs really were.
Each time had its good music, and its awful music. But everyone likes to remember the good stuff, and forget the bad stuff. Like, you often pull your Yes records from the cabinet, but not your Osmonds records (if you had any). In the end, it seems as if music was better back then. The fallacy lies in comparing the music you like of a past age with the music that's on the market today, and in such a skewed comparison, the old music will always win. In the year 2050, people may remember Dream Theater and Spock's Beard (or Muse and Coldplay, to draw examples from more mainstream music), but Justin Bieber will probably be forgotten. And they'll say, "Oh, how much better was the music of the '10s!". And what regards the state of the world, the 70s weren't any better than our time. Just look at it: half of Europe under the Soviet yoke. Apartheid in South Africa. Military dictatorships in South America. All these things are now gone. Of course, there are other troubles today, but I don't think they are worse. |
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BaldFriede
Prog Reviewer Joined: June 02 2005 Location: Germany Status: Offline Points: 10261 |
Posted: November 08 2015 at 06:32 | ||
As long as an album was still in print you could get it at Saturn, Dean. And in the 70s those albums usually were in print. There may have been odd exceptions, but those were certainly rare. You have no idea who huge that store was, and it has even grown to double the size meanwhile. What's more, each artist had a cubicle of his own in the shop, with the name an a list of his/hers/its albums on an acrylic glass screen. If the album was not in that cubicle you could go to the store shelves an look it up there. If it still wasn't there you went to one of the employees and told them about it, and they would order it for you, even if an album was not listed in their store. They would get it for you then and add it in their shelves. By the way, the HMV store in London was quite similar. My brother even found it some way superior to Saturn after he had been there (though not in the number of albums sold there), and that really meant something. The Virgin Megastore, located quite near HMV in the same street, was another shop like this; you could certainly not only get albums of the Virgin label there. http://en.wikipedia.org/wiki/Saturn_%28store%29 Edited by BaldFriede - November 08 2015 at 07:00 |
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BaldJean and I; I am the one in blue. |
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Blacksword
Prog Reviewer Joined: June 22 2004 Location: England Status: Offline Points: 16130 |
Posted: November 08 2015 at 07:01 | ||
Well, music was better IMO especially prog which is probably why so many contemporary prog bands try to imitate that classic sound.
Beyond that, the 70's were fairly bleak IIRC. I was only a child but I seem to remember skinheads everywhere, and spending many evenings without electricity. |
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Ultimately bored by endless ecstasy!
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: November 08 2015 at 07:16 | ||
I really couldn't flying fart how big 'Saturn' was or is, or how they displayed their stock or whether you could order stuff they didn't stock or not. You've missed the whole point by a wide country mile it really does matter one jot. Not everyone could shop there, or at either of the large record stores in London - today everyone on the planet can shop on-line and buy - that's the difference. One or even ten exceptions are wholly irrelevant, it is only the general rule that has any relevance. However... An album would have one production run, of say 10,000 copies - those would be sent to distributors and from there on to record stores. To overcome the reluctance for disty's and stores to stock unknown artists the labels operated a sale or return policy, so any unsold albums could be returned, and many were. Because of the oil crisis in the 1970s the vinyl in those returned albums was recycled to make new albums, needless to say, the label would not produce a second pressing for that album and they would delete it from their catalogue. The total number of copies in circulation was therefore considerably less than 10,000 and what few there were remaining had already been sold or were still sitting in the remainder bins of record stores who hadn't bothered to return them. Within less than a year of an album being deleted the chances of finding a copy would be small. Production-runs were always in the thousands, they certainly would not print a few hundred copies to feed a diminishing demand. If at some later date there was an upsurge in popularity for that artist, then the album could be re-issued. For example this happened in 1972 for David Bowie when RCA re-issued his out-of-print back catalogue, so your presumption that those albums were usually in print is unfounded, many were not, it most definitely was not "certainly rare". I was a regular shopper at HMV on Oxford Street (and the later Virgin Megastore, which didn't exist until 1979!) and you certainly could not buy every album ever released in the 1970s there, irrespective of how big the store was. I also shopped at the original Virgin shop at the Marble Arch end of Oxford St. in the early 70s when it sold mainly German imports alongside records of, (shall we say), dubious origin. Edited by Dean - November 08 2015 at 07:17 |
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BaldFriede
Prog Reviewer Joined: June 02 2005 Location: Germany Status: Offline Points: 10261 |
Posted: November 08 2015 at 07:36 | ||
i just phoned my brother about this. He said there certainly were albums that were out of print, and you could not get them then. But anything that was in print could be bought there, and that was as he says the majority.
He also says that even if albums were out of print there were ways you could get them. There were two big 2nd hand record stores in Cologne, and twice a year there was a record fair where you could get rare albums. He said he bought many a gem there. He also mentioned that the albums that came out on the label "Mood Records" were exclusively sold at so-called 2001-shops. 2001 had shops in Cologne, Hamburg, Frankfurt and a fourth city he can't recall. The albums of the "United Jazz and Rock Ensemble", a band that is in the archives, were for example published by Mood Records. He also said that Saturn was and still is is the biggest record shop he has ever seen. So at least in Cologne it was quite easy to get most records. Edited by BaldFriede - November 08 2015 at 07:36 |
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BaldJean and I; I am the one in blue. |
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Dean
Special Collaborator Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
Posted: November 08 2015 at 07:54 | ||
I'll take that as an apology.
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Nogbad_The_Bad
Forum & Site Admin Group RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 20205 |
Posted: November 08 2015 at 08:08 | ||
From personal experience living in rural England with a small number of record stores the selection was small, add to that the fact you could only find out about this stuff from reading the music press, it difficult to know you were even missing it. Now someone on a music forum mentions a band you've never heard of and you can have fully researched them and listened to their albums within hours. The music in the 70's was great but frankly I was unaware of 90% of it until the internet.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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lazland
Prog Reviewer Joined: October 28 2008 Location: Wales Status: Offline Points: 13249 |
Posted: November 08 2015 at 08:17 | ||
I think this is a marvellous post |
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Enhance your life. Get down to www.lazland.org
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