YouTube vs Prog |
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miamiscot
Forum Senior Member Joined: April 23 2014 Location: Ohio Status: Offline Points: 3432 |
Topic: YouTube vs Prog Posted: January 25 2018 at 08:27 |
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Similar to he Spotify debate, artists are getting the shaft here but what we're talking about are peanuts for most bands. Very sad state of affairs. Perhaps it's best to just put it all out there and hope for the best. I don't know the answer. But I know I don't like it...
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tboyd1802
Forum Senior Member Joined: June 01 2012 Location: USA Status: Offline Points: 898 |
Posted: January 24 2018 at 12:52 | ||
For those interested, here is the link to the DGM Wiki page: https://en.wikipedia.org/wiki/Discipline_Global_Mobile
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He neither drank, smoked, nor rode a bicycle. Living frugally, saving his money, he died early, surrounded by greedy relatives. It was a great lesson to me -- John Barrymore
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Frenetic Zetetic
Forum Senior Member Joined: December 09 2017 Location: Now Status: Offline Points: 9233 |
Posted: January 24 2018 at 10:04 | ||
This thread should be retitled "Fripp vs YouTube".
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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Thatfabulousalien
Forum Senior Member Joined: October 27 2016 Location: Aussie/NZ Status: Offline Points: 1409 |
Posted: January 22 2018 at 00:59 | ||
Woah, didn't know that But what about the reviews? is Fripp afraid of bad publicity??
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Classical music isn't dead, it's more alive than it's ever been. It's just not on MTV.
https://www.soundcloud.com/user-322914325 |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14122 |
Posted: January 21 2018 at 16:54 | ||
Fripp may be more annoyed about other people making money from his work without contributing much than about the fact that he personally doesn't make enough.
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ForestFriend
Forum Senior Member Joined: February 23 2017 Location: Canada Status: Offline Points: 680 |
Posted: January 21 2018 at 12:12 | ||
King Crimson does have a few of their songs already on their Youtube channel - while it might not be satisfying for some to listen to individual tracks rather than a full album, I do feel like they've picked some good tracks that might entice listeners to go out and get an album to hear what else they have to offer. Personally, I think if I've never heard King Crimson, listening to something like Starless or LTiA pt 1 (which are on their channel in full) would get me interested in buying an album or two. Then again, I feel like I get more of my money's worth if I buy an album with music I haven't heard before, rather than something I've pirated and already heard a million times.
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twseel
Forum Senior Member Joined: December 15 2012 Location: abroad Status: Offline Points: 22767 |
Posted: January 21 2018 at 08:53 | ||
It's just unfortunate I think, I don't listen to them anymore because it's just not worth the money if I can't even tell from recent memory how much I liked them. If I want to properly explore their discography it'll cost me 100-150€ instead of zero, so that really takes away most of the motivation. And still, if he uploads all those KC songs to YT on his own terms, wouldn't he still be making thousands in ad revenue? It would seem so, going off from their popularity and the income that other Youtubers gain... And it would probably only increase sales, younger listeners these days simply expect the possibility of streaming before buying, and then there's the loads of listeners who discover music primarily through clicking links and autoplay on Youtube, and if KC isn't there many people won't even know of their existence.
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Frenetic Zetetic
Forum Senior Member Joined: December 09 2017 Location: Now Status: Offline Points: 9233 |
Posted: January 21 2018 at 03:08 | ||
No idea Fripp is the label. That's actually extremely legit, and something more artists should strive for. I believe Gentle Giant did the same (they are Alucard records).
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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tboyd1802
Forum Senior Member Joined: June 01 2012 Location: USA Status: Offline Points: 898 |
Posted: January 20 2018 at 21:22 | ||
Fripp is the label. He spent years fighting to wrest control of the King Crimson back catalog from the majors, and I believe that all of the back catalog now is published through DGM - his label. As for how he chooses to distribution and promote KC, who am I to second guess him. It's his music, published on his label, more power to him. As for KC no longer being relevant, as was mentioned in a previous comment, I beg to differ. They recently completed a significant tour of the US and are now embarking on a European tour. Reviews have been overwhelmingly positive, shows have been sold out. Shows include new interpretations of old standards, first-time live versions of classic studio repertoire, and new compositions. While they are definitely old geezers, they are not resting on their laurels.
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He neither drank, smoked, nor rode a bicycle. Living frugally, saving his money, he died early, surrounded by greedy relatives. It was a great lesson to me -- John Barrymore
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Thatfabulousalien
Forum Senior Member Joined: October 27 2016 Location: Aussie/NZ Status: Offline Points: 1409 |
Posted: January 20 2018 at 20:09 | ||
I've heard 2nd-hand that their label is very 'anal' towards youtube/youtubers. They where even having a witchhunt of people reviewing their albums about 2 years about (not that this stuff would even cross Fripps mind)
Edited by Thatfabulousalien - January 20 2018 at 20:09 |
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Classical music isn't dead, it's more alive than it's ever been. It's just not on MTV.
https://www.soundcloud.com/user-322914325 |
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 16175 |
Posted: January 20 2018 at 15:01 | ||
I agree, however, I think that we have to take history into account here ... RF did not have any control of much of KC's music for ... maybe 30+ years? ... and in that time, he was fine, but the fact/idea that he got seriously ripped off, was a problem, that almost EVERY ARTIST out there, will take to heart and find a way to control it ... he almost had to wait for the rights to expire so he could take it back ... and now that he has it, I would think that he is conscientious with the older stuff (SW redo's and such) however, I am not sure that he has the time to think about it right now ... not to mention that he also has to make sure the other folks in the albums also get their rightful dues. As for new bands ... it may be tougher, but in many ways, it is WAY EASIER than it was in the mid 1970's ... you should have seen the amount of records that never got played at the station, which my roommate actually took the time to check out, specially if they were from Europe. And the insults that he got about the music he played (AWB, GE, GG, RB, EBB, KA, RH and we haven't even touched the other Europeans yet!!!!!), because it was not listed somewhere on a chart of top ten. His blog has a lot of that discussion and moments about it. It was, horrific to say the least to get something done, and no one was going to pay attention to you if there was not an article or two ... ohh wow ... you must be good! Today, this is different. The number of bands listed here on PA, I have not even heard, and I do not wish to just hear 1 minute (like the station folks used to do in those days!), and decide I do not like this band or that band. That's not how I listen to music, or enjoy music at all! I give them all a listen ... to be fair and honest. But they are listed ... and that was something that you could not get done 40 years ago ... even if the good old college radio station had some fans that played ... nearly all the odd stuff that no one ever heard ... there just were not enough hours in the day for it all. Same today ... just a different time and place. However, any band today, has an advantage. The material is out there and can be heard and some folks can write about it ... like they do here so well, and with the most amazing dedication. Think about that!
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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Nogbad_The_Bad
Forum & Site Admin Group RIO/Avant/Zeuhl & Eclectic Team Joined: March 16 2007 Location: Boston Status: Offline Points: 20219 |
Posted: January 20 2018 at 07:30 | ||
Absolutely nothing wrong with that as long as it's the artists choice to promote that way and not someone not associated with the band in any way. I've seen it work well for several good young bands. Listening the KG&TLW on bandcamp now. Nice stuff will certainly explore more.
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Ian
Host of the Post-Avant Jazzcore Happy Hour on Progrock.com https://podcasts.progrock.com/post-avant-jazzcore-happy-hour/ |
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I prophesy disaster
Forum Senior Member Joined: December 31 2017 Location: Australia Status: Offline Points: 4596 |
Posted: January 20 2018 at 05:36 | ||
A couple of months ago, King Gizzard & the Lizard Wizard released Polygondwanaland as free download and I've been a huge fan ever since. I've bought other CDs of theirs and promoted them within my sphere of influence. So it can be beneficial to an artist to allow free access to their music.
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No, I know how to behave in the restaurant now, I don't tear at the meat with my hands. If I've become a man of the world somehow, that's not necessarily to say I'm a worldly man.
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Frenetic Zetetic
Forum Senior Member Joined: December 09 2017 Location: Now Status: Offline Points: 9233 |
Posted: January 20 2018 at 02:39 | ||
Not to be cynical or defeatist, but it already sucked for artists, now it's straight up lose-lose if you try and resist sharing of your music IMHO. KC will be fine either way as they are indeed one of the few kings on the mountain, but for up and coming acts you're basically screwed.
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"I am so prog, I listen to concept albums on shuffle." -KMac2021 |
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PanzerTarkus
Forum Newbie Joined: January 18 2018 Location: Dayton, OH Status: Offline Points: 11 |
Posted: January 19 2018 at 05:58 | ||
I'm right there with you. I was only presenting the duality of his/their approach to this, from a business / artist stand point. Everyone on this thread has made some very valuable points, however, I ultimately feel like it's not really benefiting anyone, Us or Them (ha-ha) at all when an artist hoards, or even bans their product from easy access. You can find entire albums from bands like Rush, Yes, Genesis, Pink Floyd, etc, and they seem to be doing just fine, either way. I understand the blood, sweat, and tears (including all the time and money to record) that went into his craft, and KC and Fripp are from a time where record sales would make or break you. Since the Napster v. Metallica fiasco, things diametrically changed in the music industry. Contemporary artists and bands know that you can appeal to a niche market, still make money through a cult-following, and proper endorsement. Needless to say, I just wish that more artists and groups weren't so stingy about sharing music, but I'm 100% aware that it's not our choice. |
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 16175 |
Posted: January 19 2018 at 05:35 | ||
I believe that Robert Fripp, now has complete control of the total King Crimson catalogue and if he does not wish to share something with the tube ... so be it ... he has that right. I would prefer to see more videos of the KC, specially the latest versions, but until that comes up, we will have to be happy with just a few things here and there ... but I'm not sure we're going to see many of these "videos" (as in complete shows) until such a time as RF is no longer with us ... and I'm OK with his choice ... like his suggestion, I just close my eyes and listen ... and it is fantastic that way! No distractions.
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com |
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lazland
Prog Reviewer Joined: October 28 2008 Location: Wales Status: Offline Points: 13274 |
Posted: January 19 2018 at 00:20 | ||
It has nothing to do with relevance. Fripp does not allow recording at the gigs, and there is a very strict policy enforcing this. Fripp also keeps a very tight control on all things streaming. |
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Enhance your life. Get down to www.lazland.org
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zachfive
Forum Senior Member Joined: November 13 2005 Location: Kitsap WA Status: Offline Points: 770 |
Posted: January 18 2018 at 22:58 | ||
There is a similar conversation in the Micro Library thread.
If I recall correctly, people were uploading Ayreon albums to YT, which would only last for so long before the record label/YT would take them down. So Arjen himself uploaded his entire discography. Hell of man Mr.L is. I discovered him on YT and have since purchased everything he has ever touched. |
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Dellinger
Forum Senior Member VIP Member Joined: June 18 2009 Location: Mexico Status: Offline Points: 12608 |
Posted: January 18 2018 at 21:27 | ||
Lately the music I have discovered I have checked out on YouTube to know if I like it. Usually, if it's an artist I don't know or even one I know but am unsure about liking the new albums, I'll check them out on YouTube... if it's not available I will most likely not buy it at all. I discovered and loved Soup's new album through YouTube, and ordered the album on CD after that... but then I wanted to hear their previous one and wasn't available, and so haven't got that one.
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siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic Joined: October 05 2013 Location: SFcaUsA Status: Offline Points: 14734 |
Posted: January 18 2018 at 20:35 | ||
YouTube is a place to get discovered not really an OMG musical experience. King Crimson hardly needs any publicity so it's not a bad choice to keep away. Other prominant artists such as Prince played the same game. However, YouTube is excellent for the lesser knowns. I own all KCs albums anyways and so should everyone so not a biggie for moi
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https://rateyourmusic.com/~siLLy_puPPy |
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