Popular Prog Albums that Aren't Really Prog |
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TCat
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I don't have a problem with artists like David Bowie and Queen being in the Prog-related sub-genre, as they are also considered glam rock. There is an argument out there whether glam rock part of progressive rock, but in reality, some glam rock bands were formed in retaliation to prog rock, so that argument doesn't always hold water. However, there are glam bands that are prog, as in Roxy Music for example. RM's music was very progressive in their earlier years, and Bowie definitely ventures close to prog in some cases.
Queen is a different argument though. Even though it is glam rock, I have always felt that Queen was progressive, not necessarily because of complex music though, but because they always ventured into territory not always explored extensively by regular rock music, by adding songs that were influenced by broadway songs, jazz standards, ragtime, classical and such, but also venturing into punk, heavy metal, and electronic at times. I guess I consider them progressive because of their scope and diversity, but that is my own personal opinion. I really think they were more progressive than most of Alan Parsons Project's albums, not counting "Tales of Mystery and Imagination" of course. At least these bands are in the archives under prog-related, so they are recognized.
Edited by TCat - September 09 2019 at 10:57 |
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Lewian
Prog Reviewer Joined: August 09 2015 Location: Italy Status: Offline Points: 14110 |
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The first thing to realise is that being prog rock (in the sense of qualified for being listed here) and being progressive are two quite different pairs of shoes. Arguably quite a number of prog bands if not the majority didn't progress music very much, and surely much progressive music is not prog. Now are you saying Aqualung is not prog, or not progressive, or both? I'd think the album is in the top 20% on this site at least for being progressive (surely it's mightily original) and for its "progginess" I'm not an expert as I think labels are constructed artificially and "prog" is a misnomer anyway. I can grasp what is meant by prog and why Aqualung's credentials are seen as controversial in this respect, but I don't mind much. One album that is very progressive and surely not prog rock is Tangerine Dream's Zeit. But I don't mind that one either - I don't think I'd ever object against a great album being here, be it Miles's jazz classics. If this rules me out of taking part in the decision making on who deserves to be here, so be it.
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Logan
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It's not a problem to me even if some people so see Queen II as a Prog album. There are albums in Prog Related that are Prog to me, and there are acts that have been moved from prog Related into Prog categories. One shouldn;t see out categorisations as monolithic, immutable, infallible or definitive. We have an issue of complete discographies under a category instead of categorising individual albums, which I don't like, a lack of multitagging which is also a limitation that I don't like, and we have individuals who make the calls who bring their own biases (that is unavoidable). Rateyourmusic tags the album Queen II as Hard Rock, Glam Rock and Progressive Rock, Art Rock. I have seen various writers, also in the forum, refer to it as a Prog album, and some who say that it's partially Prog. Sometimes Prog can be in the ear of the behearer, people expect different quotients, make different associations, have different parameters/ working definitions. I like it when we can appreciate different perspectives even if we disagree and avoid dogmatic statements and overly black-and-white thinking (that's my liberal, non-absolutist philosophy). It's good to keep an open mind, just not so open that one's brains fall out, as the saying goes. In PA, I'll just choose the earliest review that was made, but various reviews speak of prog and progressive credentials of the album: See http://www.progarchives.com/album-reviews.asp?id=8207
As for Kind of Blue, while it ranks high and is progressive in a sense, I've never heard of anyone who called it Progressive Rock (I have heard many who were confused by its addition to PA and why it would be in top 100 Prog albums list, as it isn't Prog, so then one has to explain how the lists are generated and complete discography policies, and the fact that artists get categorised here as opposed to individual albums). It's "modal jazz", and not even a "progressive jazz" album. Of course Miles Davis was included in JRF for his late 60s through mid 70s "electric Miles" albums, and were it not for our complete discography policy, Kind of Blue would not be at the site. As for David Bowie, to me he's great in Prog Related and I'd be happy enough with his Berlin trilogy, as well as various other music pieces by him, in Crossover. A lot of Progressive Electronic and JRF would not be considered Prog by various purists. I wouldn't call Zeit Prog myself, but that has no impact on my enjoyment of the album, and I'm glad that so much variety is covered in PA. Dark Side of the Moon has been mentioned, and I hadn't considered it to be Prog proper, but many call it a masterpiece of Prog (I'd say a masterpiece of rock, which I see as a bigger accolade even if it's not an album I turn to much anymore). As for regressive Progressive Rock/ retro Prog, or gorP (backwards prog) as I like to call it, Progressive Rock (noun) need not be progressive (adjective) to be considered part of the Prog genre. I don't consider myself to be a fan of Prog, but there's a lot of music under that umbrella that I love. A huge amount of what I like in PA I might not consider strictly Prog or primarily Prog, or use the Prog word to describe it (some of it is more like progressive music and lacks a rock element, even if it has some relation to rock music). Edited by Logan - September 09 2019 at 12:47 |
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Just a fanboy passin' through.
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Catcher10
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And there lies an issue with the word "prog". The word "prog" as a descriptor easily fits in regard to KoB. Miles was taking jazz to another level and actually perfected modal jazz with KoB. He did not want to follow the same path of bebop jazz music, that is progression or prog. Pink Floyd = psychedelic/art rock Genesis = symphonic/art rock JTull = folk rock Are these 3 bands progressive rock? Sure are as they carry some/many of the attributes that define progressive rock, they fall under the umbrella of progressive rock. But specifically I describe their music as I listed them. |
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Logan
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A problem I've had is that I think we often tend to talk too much of bands and artists as Prog, rather than individual albums and individual pieces. I use Prog as shorthand for Progressive Rock, so I would not consider Kind of Blue to be Prog. Davis was always progressive to my knowledge, and I think later albums of his should be included in our JRF category. From a purist standpoint, I wouldn't use the term Prog for him.
Pink Floyd = Psych/ Experimental Rock early on later on it progressed in different directions. On the whole, I am fine with calling Pink Floyd a Prog band, or an Art Rock band, but one can get much more descriptive on the album level going through Psychedelic Rock, Experimental/ Experimental Rock, Space Rock, Art Rock, Progressive Rock, Musique concrete, Concept Album Rock, "New Age".... Edited by Logan - September 09 2019 at 13:08 |
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Just a fanboy passin' through.
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Grumpyprogfan
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Me too. Prog = progressive rock. Mr. Davis plays jazz not rock. Would we consider someone like Chet Atkins a prog player just because he takes country to another level? No. What about other genres besides rock, such as classical, rap, disco. No. Doug, you were correct. This thread is heading downhill.
Edited by Grumpyprogfan - September 09 2019 at 13:18 |
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Catcher10
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Agree.....That's what I was saying, people use the term as short for progressive rock, which clearly KoB is not. But it is a progressive work but in the jazz category. The whole idea of progressive music IMO has been dead for many, many years........The glory years of creating a different type of music is no more. Calling anything by Porcupine Tree, Marillion, Riverside, Haken, DT and so many others progressive rock is a bad label. What is more accurate to me is describing what methods are being used to create this music, which are in the definitions of progressive rock, but these styles are not new nor progressive anymore. The thread is not going down hill.
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Logan
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^ Gotcha, and glad to see that you don't think it's gone downhill.
But I would argue that some of Davis' albums/ music could be described as jazz-rock. If this thread is going downhill it would be because there are many slippery slope arguments being made. Plenty of topics at this forum start downhill and then go underground. Hopefully there's room for some thought-provoking comments yet. That said, I wouldn't have thought it was going downhill, but what do I know? Edited by Logan - September 09 2019 at 14:08 |
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Just a fanboy passin' through.
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Cristi
Special Collaborator Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Offline Points: 41344 |
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please don't stop posting, thread is going downhill?! maybe it was not such a great idea in the first place...
Edited by Cristi - September 09 2019 at 15:41 |
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dr wu23
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This thread is basically the same as many that discussed the topic of 'what is actually prog rock'.
It's fair to bring up an album or band and get into it. Doug's original idea is a good point imho. As always the question that 'why are some bands and albums prog and others not'...is a valid observation.
Edited by dr wu23 - September 09 2019 at 15:42 |
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One does nothing yet nothing is left undone.
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cstack3
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I love prog-related, it is a fantastic way to include some amazing music that only lightly touches on progressive rock! Quite honestly, I see the boundaries as more blurry than black & white. Queen certainly tipped the scales of progressiveness with their amazing vocal harmonies, song arrangements, excellent instrumental skills etc.
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I am not a Robot, I'm a FREE MAN!!
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AFlowerKingCrimson
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Does anyone consider 80's King Crimson to be prog? If those albums are prog then wouldn't the Talking Heads be prog too.
Before anyone answers maybe I should change my avatar. Edited by AFlowerKingCrimson - September 09 2019 at 16:30 |
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dougmcauliffe
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Welp my IQ isnt high enough to partake in this discussion any longer
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moshkito
Forum Senior Member Joined: January 04 2007 Location: Grok City Status: Offline Points: 16165 |
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With my only observation being that we are running into situations where one band's album is "prog" and the next album of theirs is "not" ... and this was one of Ian Anderson's jokes with a CD in his hand ... this is prog ... and this is not prog! My take is that a lot of this discussion dies down when we DEFINE THE ARTIST, not each album ... a group/band, either is "prog" in the life of their work, or it is "not". And this would help this discussion better, while also helping define the totality of the band's work a lot better than the confusion that we have here, where all the choices which are in essence well thought out, however, the conceptual nature of the band's work is completely ignored. For me, Ian and JT is not "prog" at all ... it might even be considered some "art rock" when looked at its totality, but when you look at the history of the band, it has for the most part tailored things to radio format's and not specifically to a "prog" format, with the exception of one album ... but that is one piece of work in the middle of what ... 25 albums? Ciao "prog" definition on that one! The main issue with the definitions of it all is that they do not recognize the "art form" as important and valuable. AND, if they do it is for one piece of work, and the rest of the band is not as well defined at all. This brings us about to GENESIS, where we might consider defining their earlier material as "prog", even though it fits more as "art rock" than it does "prog", and then, later, of course, the formulaic music that amounted to hits in albums that had nothing resembling "prog" whatsoever ... but it was much better work than the average band ... thus, for me, it should be in an area called "art rock" for its complete catalog, which better defines the band and its complete line of work. PF was never "prog" for me. It was much more of a trip band early (witness the incredible amount of redo's by many ambient folks of the PF early material ... !!!), and a lot of the rest based on a simple definition of what rock, blues and folk music would be. And it's complete catalog, even though a couple of albums fit into the concept thing, would make this more artistic than prog. I am not sure that I like Jon Anderson's definition of a "stone around his neck" ... about the word "prog" when all they had to say was, easily, that they did not think in those terms, but within an artistic context that included lyrics, not just a piece of music ... and this would probably satisfy a lot of RW's comments, trashing a lot of the earlier work for what it supposedly is, but it is merely an issue with the definition being "album oriented" and not "artist oriented", as it should be! In this situation, YES would also fit more into "art rock" a lot more than it ever did in "prog" ... and many of their pieces are actually "symphonic" in nature and design ... when you might even consider that in their early days the pre-show music was ... classical music! You can even hear it on a couple of albums! I just find that the use of the terms, in general, are not "descriptive" of the music at all ... and that is the issue for Jon's comments, and it makes sense, because even here, the definition, and sometimes, discussions like this, are just incredible much doggy doo doo about nothing ... even when RF tells you that KC's music is not "prog" and we sit here, like that idiot Italian guy talking down to Gary Green about what GG was supposed to be, and finally GG says ... "we never wrote anything, we just played and played." ... and the worst part of it all is ... we STILL completely ignore their comments. There never "was" a definition, for a lot of these bands and what they did ... and re REFUSE to credit them for that work, by only deciding on this or that album, and I find it a shame that we even have a discussion or poll about which of their albums is more prog ... I guess Stravinsky is some kind of prog ... but which kind? Coffee and donuts prog? |
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 26171 |
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So we are now round to what is 'prog rock'? Well it existed in 1972 and probably does not really exist anymore. Tool made a genuine prog album about 20 years ago and have just repeated it for the 4th time. Bands like Anglagard and Anekdoten updated it in the early 90's. Indie bands decided they wanted a bit of the action so Tea Club and the like do long complex tracks that don't sound a bit like classic prog rock. They could be progressive for a zillionth of a second before they just do what everyone does and repeat themselves. So 'prog' is not really about progression in my book but about a general stylistic approach. Longer complex peices that are not for radio consumption as Mosh suggest is probably fair. Shorter tracks that are unusual and original could be 'Art rock' while plain commercial music has nothing to do with what any of us are really interested in. Its not an exact science. I do think 'Rock' has to be part of it so I've never really understood why Miles Davis has ever been listed here. But then we have electronic music which is an entirely different world although Tangerine Dream then totally confused things by ignoring these rules , damn them! Anyway I think it was intended to be a fun thread hijacked by the hundredth re-tread of what is prog rock. Ultimately none of us really knows but some idiot coined the phrase and we have been stuck with it ever since!
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moshkito
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While many of the folks here have never heard anything like it, I can tell you that "length" was never a problem for SPACE PIRATE RADIO for over 25 years and the reason why so many artists ended up saying hello to Guy and the show, and did a myriad of promos. It was never an issue for Guy to play the complete side of Klaus Schulze's new album, or Tangerine Dream, something that you probably have NEVER ever heard on any kind of radio, including all the fake progressive shows on the net. And we're talking starting 1974, not yesterday ... when this discussion came about!
A lot of folks, do their work, because they want to do something different ... Edgar Froese would be one of them, and that is the reason why in his book there is so much about Salvador Dali ... probably one of the last artist rebels we have ever seen or heard. People that were so out there, that it was impossible to even say hello to them! Edgar is not that, as he was very well aware of the media side of his band and work, but as luck would have it, he was able to carve out his own individual side of things ... and musical experiments ... that allowed even more rules to get broken and thrown in the trash where they belong! And the proof of the quality of his work is in the continuation of the band ... a mere electronic repetition, completely without the "movie" and "visual" side that Edgar stuck to in order to be able to compose his work ... by comparison, TD today, is just a metronome and a machine, not really "music". In other words, not even prog in any sense!
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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miamiscot
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It's not complicated. Jazz is Jazz. Metal is Metal. And Prog is Prog.
I hope that helps.
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dr wu23
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^ There ya go..the final word...close down the thread now.
;)
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One does nothing yet nothing is left undone.
Haquin |
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Catcher10
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Yes, but prog isn't prog anymore.......
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richardh
Prog Reviewer Joined: February 18 2004 Location: United Kingdom Status: Offline Points: 26171 |
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I guess you are right about modern TD although for my sins I am enjoying the Particles album. OK its an imitation but not a bad one and it does have the Stranger Things theme tune which is excellent in it's own right. Edgar's solo work is indeed great. Epsilon In Malaysian Pale is as good as anything TD did imo.
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