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Topic ClosedNew Phideaux album "Number Seven" now out

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Buried in Green View Drop Down
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Direct Link To This Post Posted: July 11 2009 at 11:02
I recieved my copy of Number Seven from Amazon about a week ago, and I've been listening to it ever since. It's fantastic! I've been working on a creative project of my own comprised of seven short found footage films in the style of 60's public education films, but dealing with really absurd concepts in a deadpan way. The documentary-style narration at the start of "The Search for Terrestrial Life" inspired me to come up with a similar style of narration I'll be using in one of the films. That's a great song by the way, can't get enough of it.
 
Thanks Phideaux!
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Direct Link To This Post Posted: July 11 2009 at 12:49
Buried, I'm so glad you are finding inspiration and especially that you like Search.  That's the song that is the most atypical "non-progressive rock" track, so I was worried folks might find it a put off.  Please let me know when your project is done, I'd love to see it.

The interesting thing about that narration is that it is done by Molly and Linda, who are identical twins.  We forced them to read the text simultaneously and it's pretty freaky since their voices are so similar.  I look forward to hearing them do it live - if we play that song live, that is...  ;-)
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Direct Link To This Post Posted: July 11 2009 at 13:00
Exists already a "date" for the release of 7 1/2 ?
ClapBig smileClap
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Direct Link To This Post Posted: July 11 2009 at 14:12
The Search for Terrestrial Life was the real tough grower for me. Who is the chick (I don't know how else to say it, but she kind of sounds kind of like a cross between Jon Anderson and Stevie Nicks) singing there? I don't really recognize her from the rest of Phideaux'sstuff. I would check what lines she's got, but I've got to go...
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Direct Link To This Post Posted: July 11 2009 at 14:35
So Phideaux, any live DVDs in the plans? Big smile

Edited by Slartibartfast - July 15 2009 at 15:38
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Direct Link To This Post Posted: July 11 2009 at 16:35
It would be great to do a live DVD, but we needed to be well rehearsed, which we now are and will be after 3RP, so hopefully we will think of doing a show and recording it for DVD.  The singer on Search is named Linda Ruttan Moldawsky and her sister Molly does all the harmonies.  Valerie sings the second section.  Linda and Molly have been on the albums since 313.  We used to play, with Valerie, in a band called Sally Dick & Jane (which was a bit more punk/pop) in the 80s (high school).

You may recognize their voices from "Satan's Angels Fly" section of Doomsday, or "Through the eye of time go I"...   This was her first step into the lead vocals on a Phideaux album.  She's done a lot of singing on my stuff in the past, and I think she has a bit of a Grace Slick sound.

Cheers
PX
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Direct Link To This Post Posted: July 11 2009 at 21:04
Looking back, I can hear that. You should let her do more solo spots. She sounds great!
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Direct Link To This Post Posted: July 13 2009 at 04:22
Number Seven is a very good album. Congratulations! Clap
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Direct Link To This Post Posted: July 13 2009 at 06:02
Originally posted by Phideaux Phideaux wrote:

Please do write some reviews.  I noticed that two of the reviewers only have ever reviewed 2 albums, each on this years docket.  Additionally, some of the raters vote seemingly every album they've ever heard as 5 stars.  As much as I'd love our new album to be rated 5 stars, I'd rather see what people really think.  Luckily, nobody that I know has rated it yet...


This post maked me a little sad.

I really love music, it's a very important part of my life.
But I never wrote any review. Why?
1. My English is very poor.
2. I don't think, it's necessary to talk about the music. Listening music i have some feelings, impossible and needless to explain with words.
So I don't write reviews and I don't rate albums. Even so, sometime it happens to be very impressed by an album (5 times in 3 years) and I decide to rate it with 5 stars (sign of my gratitude). That's what's happened also with this album.
("some of the raters vote seemingly every album they've ever heard as 5 stars"... hm. I'm not resentful, I understand your reasons.)

I think this is without any doubt (for me), the best album of the last years.
Sincerely congratulations! (And excuse me for my English.)
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Direct Link To This Post Posted: July 13 2009 at 08:31
Um, 6Degrees, all that post, and you hardly made any mistakes with your English. You're better than plenty of native speakers. Honestly, the excuse that you're bad at English is a pointless one, at least that's how it looks from here. Also, really, if you write a review but are not certain about its grammar and stuff, send it first to me or someone else, and we'll happily fix any errors for you. Also, as far as your opinions go, ratings are probably fine. But a review is for other people, for people unsure about a band or an album, and it's your chance to let them know. Also, reviews carry a lot more weight than simple ratings, so you would be gracing those albums much more than you are now with your high ratings. Anyways.
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Direct Link To This Post Posted: July 13 2009 at 08:51
Six degrees, You are right to be sad.  I seem full of ingratitude by my post.  I am not.  I am humbled and overwhelmed by people giving my album 5 stars.  It really does mean a great deal to me.  I guess I let the outside voices get to me where people say I've had all my friends sign up to vote for the album. 

I am grateful for every person who buys the album and takes the time to listen to it.  I guess, like a kid with a new toy, I just want to know what people think about it -- if they like the transitions, if they notice the way certain themes recur, if they notice the bit of lyrics from Doomsday, if they like the instrument sounds we used for this album.

I wonder if people pick up on the geometric keyboard patterns in "Prequiem" that pay homage to the geometric keyboards of "Candybrain".  All these types of questions one can find out from a review or a buzz.  One spends months/years making an album and then you release it to the world and there isn't all that much feedback (unlike a live performance).  When a band is as unknown and low as we are, there isn't a lot of media attention or reviews at the beginning.  It starts to trickle down through word of mouth.

Anyway, Six Degrees, that's where I was coming from, but I should rephrase it so I don't seem an ungrateful git.
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Direct Link To This Post Posted: July 13 2009 at 08:58
Do you recommend that I pick up The Great Leap first, then Doomsday Afternoon, before grabbing your latest venture?

(I guess I'm wondering if these albums should be heard in that order).

Also, a Chupacabras review is forthcoming. Wink
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Direct Link To This Post Posted: July 13 2009 at 09:17
And wait a minute...you direct General Hospital (and other assorted soap operas)?  Shocked
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Direct Link To This Post Posted: July 13 2009 at 09:31
Pignose, Number Seven exists independently of the trilogy that The Great Leap and Doomsday Afternoon belong to. My advice is to go with Doomsday Afternoon. It's pure brilliance, all the way through, while The Great Leap is, as I understand it, less a prog record and more an art rock sort of venture, along the lines of (though probably plenty different from) 313. I don't think there should be anyone in this thread who does not have and play regularly Doomsday Afternoon. Wink

Also, the CD artwork says the album is called "Number Seven." The majority of listeners on last.fm, however, have put it down as "Number 7." I'm trying to decide myself. Is 7 1/2 going to be called "Number 7 1/2"? Or is it just going to be "7 1/2"? I'm not sure entirely why I care. Okay. Anal retentive, that's the term. THAT'S why I care...

Also, I don't do math very well, so I didn't catch the correlation between Candybrain and Prequiem. However, I felt that Darkness at Noon (which I think I read was an outcast Doomsday tune anyways) seemed to hearken back towards the melodies of that previous album. Especially when the line "...I was separated from you" is sung.


Edited by LiquidEternity - July 13 2009 at 09:33
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Direct Link To This Post Posted: July 13 2009 at 09:48
Originally posted by LiquidEternity LiquidEternity wrote:

Pignose, Number Seven exists independently of the trilogy that The Great Leap and Doomsday Afternoon belong to. My advice is to go with Doomsday Afternoon. It's pure brilliance, all the way through, while The Great Leap is, as I understand it, less a prog record and more an art rock sort of venture, along the lines of (though probably plenty different from) 313. I don't think there should be anyone in this thread who does not have and play regularly Doomsday Afternoon. Wink

Also, the CD artwork says the album is called "Number Seven." The majority of listeners on last.fm, however, have put it down as "Number 7." I'm trying to decide myself. Is 7 1/2 going to be called "Number 7 1/2"? Or is it just going to be "7 1/2"? I'm not sure entirely why I care. Okay. Anal retentive, that's the term. THAT'S why I care...

Also, I don't do math very well, so I didn't catch the correlation between Candybrain and Prequiem. However, I felt that Darkness at Noon (which I think I read was an outcast Doomsday tune anyways) seemed to hearken back towards the melodies of that previous album. Especially when the line "...I was separated from you" is sung.


I was going to get Doomsday Afternoon, but I got Chupacabras at a cheaper price.  Embarrassed  However, that's a good thing since it invites me to acquire other works by this gentleman.
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Direct Link To This Post Posted: July 13 2009 at 12:28
If you're going a catalog raid the order probably doesn't matter.  I got The Great Leap about a week before Doomsday.  I like Doomsday a little better.  But as it goes, I have yet to try a Phideaux album I didn't like.

Still drooling in anticipation for the day when I open up my mailbox when I get home after work and the new one has arrived.

It's here, it's here.  Just getting into it.  Excellent CD booklet art.  The music will take a few days to sink in.


Edited by Slartibartfast - July 13 2009 at 20:26
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: July 14 2009 at 12:38
Phideaux,

Number Seven is fantastic.  There will be a review coming, though I need to give it a few more listens before I can do the album justice.  I'll say this, I've loved Doomsday since I picked it up, but Number Seven may even be better.  This is great stuff Phideaux.

Thank you,
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Direct Link To This Post Posted: July 15 2009 at 15:33
Got it today and listened to it ~ 5 times, this is really marvellous. Expectations were high after Doomsday afternoon and reading reviews/comments here but they're fully met. Outstanding album. I'll surely checkout the rest of your catalog after hearing this. Congrats to you and the band ClapClapClap.

Hans from Progwalhalla who sold me the album was impressed too and thought it the best Phideaux album sofar, he may well be right.


Edited by Dirk - July 15 2009 at 15:34
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Direct Link To This Post Posted: July 16 2009 at 12:58
Got my disc today and... Wow, PX, this is some fantastic piece of music you and your band put together. The arrangements and the compositions are so well executed along the story it actually leaves me empty at times. I won't go as far as saying this is better than Doomsday Afternoon (it's close to impossible, being one of my all-time favourite records) but a few more listens and I may have to revise that statement.

IMO, you and your band are one of the (if not 'the') most accomplished acts in prog rock today. NEVER quit!
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Direct Link To This Post Posted: July 25 2009 at 19:40
Phideaux,

Congrats, not only on a fantastic album, but the fact that it keeps climbing slowly up the charts of all time best albums on the Prog Archives.  I realize that it's still early in the life cycle of the CD, but 43 of the 51 people gave it five stars, including everyone who took the time to accompany the review with a rating.  Strong work Phideaux.

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