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Joined: April 29 2006
Location: Atlantais
Status: Offline
Points: 29625
Posted: July 02 2010 at 14:53
If I had a favorite band, I could answer this question. If you expose yourself to enough artists, the question will become irrelevant. Have fun with it.
Cheers!
Released date are often when it it impacted you but recorded dates are when it really happened...
Joined: April 05 2006
Location: Vancouver, BC
Status: Offline
Points: 32754
Posted: July 02 2010 at 22:58
UndercoverBoy wrote:
Logan wrote:
But I thought you liked that album?
I do like the album, but that song is.... Okay, I do even like that one as I get perverse pleasure out of the track. Funny stuff. What a way to start an album. Most of the music from the album I really like and is not a perverse pleasure at all. I think various people who hate Merci just stop at the first track.
Joined: November 26 2009
Status: Offline
Points: 1217
Posted: July 03 2010 at 12:03
Slartibartfast wrote:
If I had a favorite band, I could answer this question. If you expose yourself to enough artists, the question will become irrelevant. Have fun with it.
Cheers!
I agree!
Continue the prog discussion here: http://zombyprog.proboards.com/index.cgi ...
Joined: April 05 2006
Location: Vancouver, BC
Status: Offline
Points: 32754
Posted: July 03 2010 at 19:21
The Runaway wrote:
The Night We Died? Are you kidding me?
Erm, I had no intention to kid you. I find it truly lovely. I like the way it works with "I Must Return", and find it a very nice way to close the album. Why did you wonder if I was kidding you?
Wondring again, Up the pool, For later, Lifes a long song, Dr Bogenbroom being my favorite tull songs from 1971 not even featuring on Aqualung
Rainbow blues, Paradise steakhouse, Sealion 2, Glory row, Saturation, Quartet, Warrchild waltz, March the mad scientist being my favorite tull songs from 1974 not even featuring on Warchild
Now when you make an album, you put your best ideas on that album. Why record some blande songs and put them on the album instead?
Joined: November 26 2009
Status: Offline
Points: 1217
Posted: July 03 2010 at 20:35
progman2010 wrote:
Tull:
Not using their best material for albums.
eg.
Wondring again, Up the pool, For later, Lifes a long song, Dr Bogenbroom being my favorite tull songs from 1971 not even featuring on Aqualung
Rainbow blues, Paradise steakhouse, Sealion 2, Glory row, Saturation, Quartet, Warrchild waltz, March the mad scientist being my favorite tull songs from 1974 not even featuring on Warchild
Now when you make an album, you put your best ideas on that album. Why record some blande songs and put them on the album instead?
Most bands have it the other way around! The stuff Tull put on their albums was still fantastic, though.
Continue the prog discussion here: http://zombyprog.proboards.com/index.cgi ...
Joined: May 28 2009
Location: London
Status: Offline
Points: 3144
Posted: July 04 2010 at 01:02
Logan wrote:
The Runaway wrote:
The Night We Died? Are you kidding me?
Erm, I had no intention to kid you. I find it truly lovely. I like the way it works with "I Must Return", and find it a very nice way to close the album. Why did you wonder if I was kidding you?
Actually, I hadn't heard the song yet, but the name, god!
RUSH: "Grace..." was typical of the time; it's production was slicker than a fresh snot bubble. But that wasn't/isn't my problem with it. My problem is that some of the lyrics are incredibly moronic and dunder-headed (IMO, a first for Neil). Someone wanna explain to me what "Red Lenses" is all about? I cringe when I hear it.
GENESIS: "Invisible Touch" has to be the WORST record in history, aside from Billy Joel's ill-fated attempt at metal with Attilla in the early 70's. Less drum programming, better songwriting and more melodic vocal tone would've raised the bar. Sadly, ever time I hear this musical abortion, I also hear the bar fall with a thud.
DREAM THEATER: "Falling...": HUGE MISTAKE! Desmond Child wrote songs for Cher and Bon Jovi, not to mention friggin' RICKY MARTIN! Also another problem that tends to plague DT is that, while their instrumental sections are quite challenging, they're also a challenge to listen to. Sorry; I can't take more than 7 minutes of noodling while Petrucci and Rudess try to find the plot they lost.
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