The Italian Prog Appreciation den

IL TEMPIO DELLE CLESSIDRE                                       THE TEMPLE OF HOURGLASSES

INSOLITA PARTE DI ME                                                    UNUSUAL PART OF ME

Falce di luna, insolita parte di me,                                 Sickle moon, unusual part of me,

la strada buia precipita nella realtà,                             the dark road suddenly falls into reality,

singolo volo di un’anima in lotta quaggiù,                   single flight of a soul fighting downhere,

tengo il respiro per quello che non è già più.              I hold my breath for what there is no more.

Cerchi ripetuti in modo alternato                                    Repeated alternate circles,

gocce d’assenzio per un mondo ritrovato                    absinth’s drops for a recovered world

sta aspettando me, ora aspetta me,                              which is waiting for me, now waits for me,

con la vaga percezione di quello che non c’è.              with vague perception of what there is not.

Come se la mente corresse con la luce                        As if mind was running with light

supero il presente, m’inoltro nell’ignoto,                       I cross the present (time), I enter the unknown,

tutto ciò che trovo è filtrato dall’inganno                       all I find is filtered by deception

di un’intelligenza ambigua e misurata.                          of an ambiguous and measured intelligence.

Senza guardare mai inizio a raccontare                        Without even looking around I start to tell

quel che negli occhi altrui riesco a vedere                    what I manage to see in other people’s eyes;

ma l’incomprensione s’impadronisce di me                 but misunderstanding takes possession of me

tutto svanisce in sguardi spenti e nulla più.                  all vanishes in dull looks and nothing more.

Così tutti i miei sforzi non mi hanno fatto sapere          So all my efforts haven’t let me know

mentre avrei voluto solo stare ad aspettare                  while I only would have liked to stay and wait

perché chi non vive non può essere felice,                     because who doesn’t live can’t be happy,

s’allontana invano dall’umana condizione,                     drifts aways in vain from the human condition,

spinto da una malsana fame della mente                       driven by mind’s unwholesome hunger

a filosofeggiare, perso nel suo centro.                            to philosophize, lost in his own center.

Studio Album, 2010

Review by Ivan_Melgar_M
Special Collaborator Symphonic Prog Specialist

A few months ago I found about the release of "2010 AD - La Buona Novella", a Prog Opera by PFM based in the conceptual album composed by Fabrizio de Andre in 1970 and performed by him and PFM. "La Buona Novella" a musical version of an apocryphal Gospel which confers the same importance to the Divine and human nature of Christ, reason why it was not well received in a Catholic country as Italy.

In 2010, Premiata Formería Marconi hasn't only resurrected the album to make a cover version of it, but make a new release, modifying all the arrangements and adding complete songs and new sections to the tracks, for this reason is a new album completely different to the original.

As we know, PFM had to face two problems, the legendary keyboardist "Flavio Premoli" had to leave the band due for health reasons that go back to 2005, but his place is covered by "Gianluca Tagliavini" (who has been playing with the band since 2006), and does an excellent job.

The second problem I find relies in the vocals, "Franz di Cioccio" takes the lead and strangely not even "Franco Mussida" sings, and being that Franz range is very raspy, becomes an acquired taste, but after a few minutes the listener gets used being that "Di Cioccio" puts the soul in all his performances.

"2010 AD" begins with "Universo e Terra" (Universe and Earth), a very elaborate prelude written by PFM not only to introduce the listener into the concept, but also to recreate the sound of 1970 (The Hammond organ is delightful), with Franco Mussida making an amazing work in the guitars.

"L'infanzia di Maria" (The Childhood of Mary) is an incredibly beautiful song where "Lucio Fabbri) gives a fantastic violin performance that blends perfectly with the nostalgic lyrics sung by "Di Cioccio", a strong beginning with an extra section added by PFM called "La Tentazioni" (The Temptation), written by PFM.

"Il Ritorno di Giuseppe" (Joseph's Return) is much more dramatic than the previous song, even when they don't loose their fascination for a strong melody, again PFM adds a new section called "Il Respiro del Deserto (The breath of the Desert) to the already excellent original work.

"Il Sogno di Maria" (Mary's Dream) surprised me, because I expected a more oneiric and dreamy song, but instead the band presents a folksy tune based in "Di Cioccio's" vocals and the acoustic guitars by "Mussida" and apparently by "Fabbri".

"Ave Maria" is a chance for "Franco Mussida" to demonstrate his skills with the electric guitar, well supported by "Di Cioccio" and Patrick Djivas" in the drums and bass. Again PFM gives priority to the melody rather than to complexity, but this doesn't affect the Prog nature of the album and track. PF adds a new section called "Aria per Maria" (Aria for Mary).

"Maria Nella Bottega di un Falegname" (Mary in a Carpenter's Workshop) is simply fantastic, the instrumental sections with flute, violin percussion and synthesizers are simply breathtaking, the most elaborate track of the album at this point. Again "Mussida, Djivas and Di Cioccio" ad a new section to "De Andre's" work called "Rumori di Bottega" (Rumours from a Workshop).

"Via de la Croce" (The Route of the Cross) starts with a narration supposedly made by Pontius Pilate and when the singing section starts seems that at last "Franco Mussida" has taken the lead vocals (not sure though) and of course we can expect an absolutely dramatic song due to the nature of the lyrics. Again PFM added a new section called " Scintille di Pena" (Sparks of Sadness).

"Tre Madri" (Three Mothers) is a very sad song that reflects the pain of the mother of a crucified son, the arrangements are just perfect mixing Blues based Rock with some Classical and Italian ethnic influences, the touch of the crying violin by "Fabbri" are heartbreaking. As usual PFM added a new section called "Canto delle Madri" (Chant of the Mother), amazingly beautiful and radical changes around the fourth minute with a killer drumming and violin.

"Laudate Hominem" (Praise to the Man) is a song that Fabrizio de Andre made from his perspective of Christ as the first revolutionary, to honour his human essence. PFM decided to close the album with an incredibly complex and elaborate song and added a new section called "Oda all'Uomo" (Ode to the Man) wit specially radical arrangements.

After reading the previous review I can't do anything else than respectfully disagree, in my opinion 2010 AD - La Buona Novella" is a perfect masterpiece, well composed and with even better arrangements than the original album by "Fabrizio de Andre", I would be dishonest with myself if I didn't rated this magnificent album with less than five solid stars.