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Direct Link To This Post Topic: Prog vs. Punk: What was the nature of this?
    Posted: April 22 2012 at 01:58
Originally posted by clarke2001 clarke2001 wrote:

Punk rock and prog rock - and any subgenre for that matter - are essentially the same.

Both early ELP and Pistols on Never Mind The Bollocks were young, furious, biting and clutching, wanted to change something and move forward.

I don't care if music is simple or complex - I appreciate honesty.

I don't care for "prog for the sake of being prog" and modern, diluted pop-punk.

There was a time when jazz was excellent, furious and daring. These days, God save me from the another boring combo of Berklee Scholars.


Great post, you've pretty much nailed it. So many books on the subject rely on a Marxist analysis blah blah blah, etc, and really... that can all be tossed, it just comes down to honesty in the music and doing it for the right reasons.
Originally posted by timburlane timburlane wrote:

And many punk artists were secret prog fans; Rotten/Lydon was a fan of Can and Van Der Graaf and later Kate Bush but they didn't talk about it because of the year zero thing.

 
I enjoyed your post as well and agree with just about everything you say. To be clear, though, Johnny Rotten did talk about his love of Can and VdGG as early as '77 on a legendary Capitol Radio broadcast interview. The fact that Rotten loved VdGG, Can, & Beefheart and played their music during the broadcast was as shocking as anything (and mortifying to Malcolm McClaren, who didn't want Rotten to 'expose' himself as a lover of this sort of music). Of all the classic-era major prog bands, VdGG is probably the one that has the most 'punk cred', with members of The Fall, The Dead Kennedys, The Germs, The Sex Pistols, and others, coming out of the closet as major PH/VdGG admirers (but, as you say, many didn't do so at the time, it was only years later that they acknowledged it).
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Direct Link To This Post Posted: April 18 2012 at 10:47
Originally posted by OT Räihälä OT Räihälä wrote:

Originally posted by clarke2001 clarke2001 wrote:

There was a time when jazz was excellent, furious and daring. These days, God save me from the another boring combo of Berklee Scholars.

Forget about the Berklee, have you checked out the contemporary Nordic jazz scene? That's where it happens ATM.
Nu jazz man, Nu jazz, Approve arctic jazz, and pinguine jazz LOL
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Direct Link To This Post Posted: April 18 2012 at 10:29
Originally posted by TODDLER TODDLER wrote:

the ones I knew who had worked in higher corporate circles were angered, depressed, and took their own lives over this crap.

Depressed? Took their own what?
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Direct Link To This Post Posted: April 18 2012 at 01:50
Originally posted by clarke2001 clarke2001 wrote:

There was a time when jazz was excellent, furious and daring. These days, God save me from the another boring combo of Berklee Scholars.

Forget about the Berklee, have you checked out the contemporary Nordic jazz scene? That's where it happens ATM.
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Direct Link To This Post Posted: April 17 2012 at 21:46
Most working original/cover prog or rock bands touring small theatres in the 70's were pressured by managers, agents, and corporate staff to mend their ways,,,,(so to speak), at least that was the experience I had being part of that scene. That was in the United States and closer to the end of 79' when this all came about. Great musicians that had been playing the music scenes since the 60's....the ones I knew who had worked in higher corporate circles were angered, depressed, and took their own lives over this crap. It seems farce and too extreme for a majority of people in society to comprehend....so you had to be there like I was to understand exactly how and why on earth this could have happened in high numbers. I survived because I settled for playing good rock music and good prog in my chambers and remaining in the fast pace music business towing the line and selling out to what was relevant then. That was in the 80's when progressive rock bands were still performing in small theatres as I toured, but it sizzled out by the late 80's and sunk further to the underground when punk changed into "New Wave".
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Direct Link To This Post Posted: April 17 2012 at 19:54
Originally posted by clarke2001 clarke2001 wrote:

Punk rock and prog rock - and any subgenre for that matter - are essentially the same.

Both early ELP and Pistols on Never Mind The Bollocks were young, furious, biting and clutching, wanted to change something and move forward.
Excellent point


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Direct Link To This Post Posted: April 17 2012 at 19:13
Punk rock and prog rock - and any subgenre for that matter - are essentially the same.

Both early ELP and Pistols on Never Mind The Bollocks were young, furious, biting and clutching, wanted to change something and move forward.

I don't care if music is simple or complex - I appreciate honesty.

I don't care for "prog for the sake of being prog" and modern, diluted pop-punk.

There was a time when jazz was excellent, furious and daring. These days, God save me from the another boring combo of Berklee Scholars.


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Direct Link To This Post Posted: April 15 2012 at 09:45
Originally posted by octopus-4 octopus-4 wrote:

A good analisys.  Thumbs Up There's only one error: PFM didn't stop but released its own "Love Beach"es during the 80s but if you don't know those albums I'm happy for you. LOL 
Should have checkedEmbarrassed. I assume they stopped sometime around 1978 , its seems unthinkable they could do Love Beach style music (in ELP's case at least it made some twisted senseTongue)
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Direct Link To This Post Posted: April 15 2012 at 02:36
A good analisys.  Thumbs Up There's only one error: PFM didn't stop but released its own "Love Beach"es during the 80s but if you don't know those albums I'm happy for you. LOL 
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Direct Link To This Post Posted: April 15 2012 at 02:27
Originally posted by lucas lucas wrote:

I think it is childish to claim that punk killed prog. Prog, similarly to jazz-rock, killed itself by showing-off too much and lacking a melodic approach to their music. Prog and jazz-rock tried to re-surface in the eighties by providing a more melodic dimension to the music (cf Mike Stern, Steps Ahead, Marillion...).  
I don't believe prog 'killed itself by showing off too much'. In reality prog was at odds with the radio/tv driven culture that became more prevailent towards the end of the seventies. MTV was going to happen regardless.Punk was more about style and fitted in a lot easier.They had shorter tracks that could be played on radio and they had 'a look' and knew how to present themselves. Prog was all about the music although the bands had a  theatrical approach that worked in the live environment but this also opened themselves up to criticism of form over substance (ironic considering punk was the same).
The most successfull prog bands that propped up the genre simply ran out of steam and there were few new bands good enough to replace them (excepting perhaps UK who had a decent stab at changing the genre into the more melodic approach that you mention but they were alone). Some bands just imploded  (like ELP) or decided it was easier to bend to the changing times and do more commericial stuff (Genesis,Yes and Kansas). Some like VDGG and PFM just stopped. There was vacuum that had to be filled and punk bands took their chance.
 
 
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Direct Link To This Post Posted: April 14 2012 at 17:43
Originally posted by lucas lucas wrote:

I think it is childish to claim that punk killed prog. Prog, similarly to jazz-rock, killed itself by showing-off too much and lacking a melodic approach to their music. Prog and jazz-rock tried to re-surface in the eighties by providing a more melodic dimension to the music (cf Mike Stern, Steps Ahead, Marillion...).  

 
Punk didn't have the strength to kill anything. What I claim is that in that period every sector of the culture have been manouvred so to give birth to the 80s as we know them. Do you remember the TV trash of that time? Do you remember how all the media tried and achieved to manipulate our minds? Why every singer in the 80s was mimic of Bowie and every keyboardist was using the fairlight? Do you remember all the hair gel and how all the "artists" were dressing?

Prog has the demerit of committing suicide by becoming elitarist once the initial wave was exhausted. The 80s didn't come because of prog or punk.
 
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Direct Link To This Post Posted: April 14 2012 at 16:54
I was around back then and I think we were united in our disdain fo de disco. Tongue
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: April 14 2012 at 16:41
I think it is childish to claim that punk killed prog. Prog, similarly to jazz-rock, killed itself by showing-off too much and lacking a melodic approach to their music. Prog and jazz-rock tried to re-surface in the eighties by providing a more melodic dimension to the music (cf Mike Stern, Steps Ahead, Marillion...).  

Edited by lucas - April 14 2012 at 16:42
"Magma was the very first gothic rock band" (Didier Lockwood)
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Direct Link To This Post Posted: April 14 2012 at 08:49
I started my first band in 1979, and in Finland punk movement was going through its strongest period. For a youngster (I was 15), it was natural to start a punk band, because that was the only way we could really do things our own way. Not for a moment did I think it would be to protest against prog bands (I kind a liked all kinds of music, including jazz and classical), but to just to do our own thing.
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Direct Link To This Post Posted: April 14 2012 at 07:54
Originally posted by richardh richardh wrote:

Originally posted by octopus-4 octopus-4 wrote:

Originally posted by richardh richardh wrote:

Originally posted by octopus-4 octopus-4 wrote:

Originally posted by richardh richardh wrote:


 
Its all 'Showbiz' folks. Don't take it too seriously! 

No. It was more than this. It was shobiz in Rotten's head maybe. At the end of the 70s every sector of culture, popular and not was attacked by a wave of restoration. Punk was just a tool. One of the many. The outcomes were the yuppies.
prog in its original form had blown itself out. 1977 was the end of an era for many bands.
change always happens .Its the nature of things
I agree with this. As well as flower-power, Maoists, and newagers have blown themselves out in the same way.  What I say is that as soon as the first weaknesses appeared somebody was ready to cancel all the freedoms conquered by the previous generation. Punk was a weak tool, heroin was a powerful one. 
Punk definetly produced a more narrow minded approach to making rock music although thankfully there were artists (ie Kate Bush) that just ignored them and forged ahead regardless.
On the wider point of society isn't there part of a quotation along the lines of 'freedom is something that cannot be taken for granted'. We make the world we live in. Its never been perfect has it?
The problem is in the word "we". I've never been in the "majority", but I think it's a common destiny for proggers.


Kate Bush was and is still great Clap
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Direct Link To This Post Posted: April 14 2012 at 07:46
Originally posted by octopus-4 octopus-4 wrote:

Originally posted by richardh richardh wrote:

Originally posted by octopus-4 octopus-4 wrote:

Originally posted by richardh richardh wrote:


 
Its all 'Showbiz' folks. Don't take it too seriously! 

No. It was more than this. It was shobiz in Rotten's head maybe. At the end of the 70s every sector of culture, popular and not was attacked by a wave of restoration. Punk was just a tool. One of the many. The outcomes were the yuppies.
prog in its original form had blown itself out. 1977 was the end of an era for many bands.
change always happens .Its the nature of things
I agree with this. As well as flower-power, Maoists, and newagers have blown themselves out in the same way.  What I say is that as soon as the first weaknesses appeared somebody was ready to cancel all the freedoms conquered by the previous generation. Punk was a weak tool, heroin was a powerful one. 
Punk definetly produced a more narrow minded approach to making rock music although thankfully there were artists (ie Kate Bush) that just ignored them and forged ahead regardless.
On the wider point of society isn't there part of a quotation along the lines of 'freedom is something that cannot be taken for granted'. We make the world we live in. Its never been perfect has it?
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Direct Link To This Post Posted: April 14 2012 at 03:33
Originally posted by richardh richardh wrote:

Originally posted by octopus-4 octopus-4 wrote:

Originally posted by richardh richardh wrote:


 
Its all 'Showbiz' folks. Don't take it too seriously! 

No. It was more than this. It was shobiz in Rotten's head maybe. At the end of the 70s every sector of culture, popular and not was attacked by a wave of restoration. Punk was just a tool. One of the many. The outcomes were the yuppies.
prog in its original form had blown itself out. 1977 was the end of an era for many bands.
change always happens .Its the nature of things
I agree with this. As well as flower-power, Maoists, and newagers have blown themselves out in the same way.  What I say is that as soon as the first weaknesses appeared somebody was ready to cancel all the freedoms conquered by the previous generation. Punk was a weak tool, heroin was a powerful one. 
Curiosity killed a cat, Schroedinger only half.
My poor home recorded stuff at https://yellingxoanon.bandcamp.com
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Direct Link To This Post Posted: April 14 2012 at 02:41
Originally posted by octopus-4 octopus-4 wrote:

Originally posted by richardh richardh wrote:


 
Its all 'Showbiz' folks. Don't take it too seriously! 

No. It was more than this. It was shobiz in Rotten's head maybe. At the end of the 70s every sector of culture, popular and not was attacked by a wave of restoration. Punk was just a tool. One of the many. The outcomes were the yuppies.
prog in its original form had blown itself out. 1977 was the end of an era for many bands.
change always happens .Its the nature of things
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Direct Link To This Post Posted: April 14 2012 at 02:39
Originally posted by richardh richardh wrote:


 
Its all 'Showbiz' folks. Don't take it too seriously! 

No. It was more than this. It was shobiz in Rotten's head maybe. At the end of the 70s every sector of culture, popular and not was attacked by a wave of restoration. Punk was just a tool. One of the many. The outcomes were the yuppies.
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Direct Link To This Post Posted: April 14 2012 at 02:34
I was a fan of early punk but hated 'New Wave' which was just a commercially bland equivalent in my eyes. I loved the Sex Pistols and their energy. The Stranglers were a very inventive band as were Siouxsie and The Banshees . Used to listen to John Peels show a lot and enjoyed. By complete coincidence I stumbled across ELP at the same time and found their music entralling and had much more broadness and depth. Punk was always dealing with small things. My mind and ears wanted bigger things.
Anyway to the discussion at hand. Was their a conflct? Not really. Punk needed Prog . It needed something to rebel against. Johnny Rotten and his 'I hate Pink Floyd T- Shirt'. Yep really rebellious.
 
 
Two amusing asides:
 
A few years ago Johnny Rotten and Keith Emerson 'did lunch' and they didn't try to throttle each other
 
Phil Collins was in an airport (not sure how many years ago) . A certain punk drummer delightfully called 'Rat Scabies' came up to him. Collins was a bit concerned for his well being as Scabies put his hand out to him. He just wanted to shake the hand of a drum legend.
 
Its all 'Showbiz' folks. Don't take it too seriously! 


Edited by richardh - April 14 2012 at 02:36
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