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Joined: January 06 2009
Location: Denmark
Status: Offline
Points: 4287
Posted: November 02 2012 at 16:45
Regarding GG i would recomand Octopus - Im not sure it the best album, but it represents very well what they can do, stands out for me as the album that best shows typical GG at their prime, like Wish You Were Here or Selling England.
Prog is whatevey you want it to be. So dont diss other peoples prog, and they wont diss yours
Absolutely Camel. I love Gentle Giant and Van der Graaf Generator (even if I don't know them as well as the other two), but Camel wake up some emotions that I can't find anywhere else in music.
Joined: January 24 2012
Location: Behind the Sun
Status: Offline
Points: 12859
Posted: November 02 2012 at 18:20
irrelevant wrote:
I think the whole 1st tier and 2nd tier thing is merely to do with popularity. I wouldn't get too upset about it.
Yeah, actually, I think it's about nothing but popularity. Saying they're second tier doesn't mean that they're not as good as the first tier bands, 'cause if you think they are, they are. It's an individual thing, and it's all about preferences.
Honestly, I seem to be the only one who has always found Gentle Giant very accessible.
What are you so confused about? You really think the weird
vocals on and the sound of tape rolling at the end of "Valedictory" is
something a girlfriend of a fellow progger could put up with?
Well,
you picked an example that I actually think is among their least
accessible songs, but as far as the "girlfriend of a fellow progger"
thing goes: Very little prog passes that test anyway, and I think it's
irrelevant because accessibility to someone who is familiar with prog is
often a different than accessibility to someone who isn't. Gentle Giant
are a group that carry a certain 'weirdness' and 'density' with them in
their sound. If you can't deal with that, you will find them very hard
to get into, that much is true. But if you can, then you will find that
GG can be extremely catchy. As someone who has been listening to Frank
Zappa albums from the age of four, the sound of GG didn't shock me and I
gobbled up their entire discography in no time. By contrast, it can
take quite a long time for me to get accustomed to a VdGG song because
their melodies are usually rather longwinded and harmonically complex. I
can memorize a GG melody in no time, but I needed to listen to, say,
"Undercover Man" about five times before I could actually remember
anything. Even today that I'm familiar with much of their output, I find
it hard to assimilate new songs of theirs because many of their
melodies are not immediately memorable.
In short: Accessibility
depends very much on whether you're new to the general sound of the
artist or not. You may find it hard to get into the catchiest band if
their sound is new and radical to you. If you're familiar with Ramones
albums, you might find Never Mind the Bollocks quite accessible. If
you're completely new to punk, you might think it's a lot of noise.
Logan wrote:
and found bombastic noodlings in parts hard going, but there were more than enough pay-offs in the music to keep listening..
I still find the album too be too harsh and noisy for my liking, and I doubt it will ever change. A lot of the arrangement for "Lemmings" for example is made up of lots of gratuitous noises that seem to be there for no other reason than to irritate. I can appreciate short bursts of chaos for the purpose of contrast, but this goes too far. Which is sad because I like the 'main' parts "Lemmings", but the noisemaking ruins it for me. The same holds true for Plague. I like quite a few of the moments, but there is just so much noise and so little coherence in the track. I vastly prefer the 1975-1976 albums, which are a lot cleaner instrumentation-wise.
Joined: September 03 2006
Location: .
Status: Offline
Points: 9869
Posted: November 02 2012 at 22:45
I find VDGG rambling and that, combined with Hammill's somewhat overwrought style of delivery, doesn't make it very enjoyable for me. I love chaos and dissonance in music but only when it's both memorable and when there is some underlying method in the madness. The combination of dissonance and theatrical rock doesn't work for me, ultimately.
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12609
Posted: November 03 2012 at 13:00
Logan wrote:
^ For what zero value it's worth, and despite my echoing the Power and the Glory sentiments, I found the Power and the Glory one of the weakest of GG's first eight albums. I like the earlier ones much more. I really like the first three albums.
Given my short experience with this band, I may check out just this 3 albums, plus Octopus, first.
Joined: June 18 2009
Location: Mexico
Status: Offline
Points: 12609
Posted: November 03 2012 at 14:00
The Bearded Bard wrote:
Funny Ways! One of my favourite prog tunes ever! Check out this one, Dellinger, if you haven't already. This is mind blowing stuff, IMO:
Indeed this is the very song I liked best from "Playing the Fool" on my first listen, though is this version still with Phill on the line-up? I think I liked this one just a bit better than the one on PtF. Any other music similar to this by GG, that I may try to check out next?
Joined: February 23 2008
Location: Lebanon
Status: Offline
Points: 934
Posted: November 03 2012 at 23:52
that's not fair ! i'm voting Camel to make some equivalence , VDGG & GG , cannot be listed with Camel in the same poll , different styles & different mood ! the three of them are amazing & perfect !
Yesterday I had a listen to Camel's Mirage, Van Damme's Alt and Gentle Giant's Three Friends. I am happy to say, that I still can't choose between the three of them...
“The Guide says there is an art to flying or rather a knack. The knack lies in learning how to throw yourself at the ground and miss.”
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