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verslibre View Drop Down
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Direct Link To This Post Posted: March 14 2014 at 23:19
{Richard will appreciate this...)

Tangerine Dream: too many to list!
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Triceratopsoil View Drop Down
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Direct Link To This Post Posted: March 14 2014 at 23:21
I stand corrected.


Several people are into turds.


<this post is 100% serious and you should be offended k>


Edited by Triceratopsoil - March 15 2014 at 00:02
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Direct Link To This Post Posted: March 15 2014 at 00:00
Usually people are nice(r) and say "_______ is overrated."
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Direct Link To This Post Posted: March 15 2014 at 02:49
I wonder if anyone actually may think their opinion could ever be wrong (subject to insular group thought) and perhaps taking another view of music which is not created and recorded with the idea of being awful (Metal Machine Music possibly excepted.)

I did this with The Final Cut. Never liked it and figured out why. It is largely not a rock album, it certainlly does not start that way. Ignoring the politics behind it's creation I found it to be highly intelligent but not a welcoming listen. DG gets quite a lot of solos (well five which is at least as many as TDSOTM but I've not counted those.

It's not really a sequel to The Wall but more of a focus on the least pop oriented aspects - the personal (George Waters), the new (Falklands War and the relationships we have with violence, conflict and balanced if always temporary resolution. So I find the music austere but interesting and well crafted. 

Like I say not the usual top 40 pop prog fans claim to dislike. But it's easier to dislike something that isn't a challenge than to like something that is.

Not sure why the dislike for Big Generator - oh wait - it's not CTTE Pt30 is that it. Lot's of hate and hype but no reason.

Same with And Then There Were Three... what's wrong with that? No Steve Hackett? Franky I thought Rutherford and Banks did an excellent job of creating and recording some very imaginative and well depicted (lyrically) poems with plenty of atmosphere. Collins was only starting to get going but his singing and playing are exemplary. They headlined Knebworth with this album as well. They didn't get replacements but created from within. That's a bit different and worthy of some respect I think.

However....I'm always in the market for someone to convince me I'm wrong about Yes' Yesshows (maybe 2 stars from me) compared to the universe I shower on Yessongs.

Open Your Eyes is still the only Yes studio album I have not heard, again lots of wind around but no water in the criticisms usually. Do I have to wade through more reviews before I can find someone who can give a reasonable analysis of the content?

Oh, as for the overrated bit... hw does that make the music better or worse? (Verslibre, I'm not getting at you - this over rated / under rated thing is universal). This is largely people talking about their reaction only but gives little in the way of a precis for the potential punter. If one wants to taatck and like praise needs to be justfied. Just put oneself in the place of the artist and consider how you'd like some of the

Oh one thing about albums ruining a discog - if one album is so bad exactly how is the discog ruined? Has the "bad" music tricked across and infected other albums of music?

Yes, a bit of a negative thread, been a bit of that here recently. Still, it's nowhere near as bad as the Vote for your least favourite sub genre. The OP there claims it gets people to think about music. original idea and not exactly sure how that  is supposed to work. Some back-pedalling by saying it's "fun".  It's not, it is cruel, insensitive just sophistcated juvenile attacks on people whose being went into making music for the benefit of the fans. The lack of respect shows how low fans can go. There were one or two protests at this poll but many happily waded in. I think Pink Floyd made some observations about this mentality on Sheep (Animals, 1977).

With all the good these bands and artists do the least we can do is wave back at them, yes?
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Direct Link To This Post Posted: March 15 2014 at 06:05

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Direct Link To This Post Posted: March 15 2014 at 07:22
Not that it ruins a discography per se, but Giant For A Day was pretty weak coming from our beloved counterpoint Kings, Gentle Giant.
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Direct Link To This Post Posted: March 15 2014 at 07:35
Originally posted by Xonty Xonty wrote:


The Velvet Underground - Squeeze (compared to the others, terrible)


Probably because it wasn't actually a VU album, it was a Doug Yule solo album.  His label made him put the VU name on it in the hopes of scoring a few extra bucks.

The band Squeeze was allegedly named after that album.....

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Direct Link To This Post Posted: March 15 2014 at 07:39
Originally posted by Tom Ozric Tom Ozric wrote:

Not that it ruins a discography per se, but Giant For A Day was pretty weak coming from our beloved counterpoint Kings, Gentle Giant.


A decent enough ambitious pop/rock album but like Tom says, hardly the sort of thing we expect from Gentle Giant. Sometimes we have the unrealistic expectation that artistic integrity can be exchanged for food vouchers but everyone has to pay the rent and everyone has a shelf life in the fickle and volatile tides of popular music.
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Direct Link To This Post Posted: March 15 2014 at 07:40
Originally posted by uduwudu uduwudu wrote:

I did this with The Final Cut. Never liked it and figured out why. It is largely not a rock album, it certainlly does not start that way. Ignoring the politics behind it's creation I found it to be highly intelligent but not a welcoming listen. DG gets quite a lot of solos (well five which is at least as many as TDSOTM but I've not counted those.

It's not really a sequel to The Wall but more of a focus on the least pop oriented aspects - the personal (George Waters), the new (Falklands War and the relationships we have with violence, conflict and balanced if always temporary resolution. So I find the music austere but interesting and well crafted. 
 


I've often said that TFC is basically a dry run for Waters' solo career.


"Democracy is the theory that the common people know what they want, and deserve to get it good and hard." -- H.L. Mencken
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Direct Link To This Post Posted: March 15 2014 at 10:49
Originally posted by uduwudu uduwudu wrote:



However....I'm always in the market for someone to convince me I'm wrong about Yes' Yesshows (maybe 2 stars from me) compared to the universe I shower on Yessongs.

Open Your Eyes is still the only Yes studio album I have not heard, again lots of wind around but no water in the criticisms usually. Do I have to wade through more reviews before I can find someone who can give a reasonable analysis of the content?

Yessongs has so much good material.  Yesshows has clearly substandard material, but it is played so well.  I would take just about every Yesshows track over their studio versions.

As for Open Your Eyes, just go ahead and listen to it already.  Fortune Seller has some darn good keyboard work by Khoroshev.  He wasn't officially member yet but it's really good.  Open Your Eyes is another good track, and listening to Universal Garden will at least prove to you this is authentic Yes for better or worse.  As for the rest,ummm... well... how did you feel about the second half of Union?
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Direct Link To This Post Posted: March 15 2014 at 10:51
Originally posted by Svetonio Svetonio wrote:


If I was going to name an album that ruined Pete's discography, I would probably choose the second one.  Sure I hate Sledhammer and Big Time, but the rest of So is pretty good.
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Direct Link To This Post Posted: March 15 2014 at 11:07
As a hypothetical discussion, at least one rank turd could be suggested for many artists who have released more than a half a dozen or so albums and perhaps some who have released fewer.  But really, do they ruin a discography?  I don't think so.  I would rather remember great bands for the great albums they made which gave me joy rather than lament that they made ones that didn't satisfy me.  Yes, there have been albums of my favourite bands that disappointed me but I don't regret that they had to make them.

Edited by rogerthat - March 15 2014 at 11:08
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Direct Link To This Post Posted: March 15 2014 at 11:26
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Direct Link To This Post Posted: March 15 2014 at 15:16
Hi,
 
NONE.
 
Even Beethoven had his bagatelles, so that's that!
 
No one is perfect and not every piece is loved by everyone, and as it has been said, someone's garbage is someone else's gold!
 
We don't sit around and say that Picasso's blue period is crap.
 
We don't sit around and say that Michelangelo's this or that is crap.
 
I don't see why we should start now with discographies for musicians, be they "pop" music or not.
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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Direct Link To This Post Posted: March 15 2014 at 15:41
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Direct Link To This Post Posted: March 15 2014 at 16:11
I agree with all who've said Love Beach. I'd go with Conquest for Uriah Heep. For Budgie i'd go with Impeckable.

Edited by Kentucky_Hawkwindage - March 15 2014 at 16:18
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Direct Link To This Post Posted: March 15 2014 at 16:43
I think it's been said already, but I think it's pretty much impossible to ruin a good discography.
"Market value is irrelevant to intrinsic value."

Arnold Schoenberg
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Direct Link To This Post Posted: March 15 2014 at 16:56
Originally posted by Svetonio Svetonio wrote:



That's a pretty awful pick. 
Crushed like a rose in the riverflow.
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Direct Link To This Post Posted: March 15 2014 at 20:15
Originally posted by Horizons Horizons wrote:

Originally posted by Svetonio Svetonio wrote:



That's a pretty awful pick. 

That's a real head-scratcher, certainly. One of the best albums of the 80s. The only album better would be MeltWink

I would choose:

Jethro Tull -- Under Wraps (although the tendencies were clearly there in A)


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Direct Link To This Post Posted: March 15 2014 at 22:32
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