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Direct Link To This Post Posted: August 05 2014 at 19:37
Originally posted by SteveG SteveG wrote:

^I'm also doing an A/B with old vinyl versus new and I agree with C-10, the new vinyl sounds great. A friend who has the 2014 CD's says that they sound great also. Either format is a sure bet.

Thanks for the feedback. Smile
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Direct Link To This Post Posted: August 05 2014 at 19:36
Originally posted by Catcher10 Catcher10 wrote:

Originally posted by Mirror Image Mirror Image wrote:

I would be very interested to know what people think of the new 2014 remasters compared to the early 90s remasters? I own The Complete Studio Recordings set and this set was released in 93 and contains the most recent remasters done at that time.


Like anything in the 90's from a "remaster" view...there are haters and lovers. Seems everything I read about the Complete Studio Recordings is almost 50/50.

I don't have any of those issues, only have original vinyl and some of the other CD issues which are bad.

I can only speak to the A/B I have been doing with original vinyl and these 2014 reissues, which are glorious.

Thanks for the feedback, Catcher. Once IV and Houses of the Holy are released in October, I might go ahead and buy those Deluxe CD Editions, but, honestly, I'm happy with these 90s remasters. They sound good to my ears.


Edited by Mirror Image - August 05 2014 at 19:36
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Direct Link To This Post Posted: August 05 2014 at 15:12
^I'm also doing an A/B with old vinyl versus new and I agree with C-10, the new vinyl sounds great. A friend who has the 2014 CD's says that they sound great also. Either format is a sure bet.
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Direct Link To This Post Posted: August 05 2014 at 12:24
Originally posted by Mirror Image Mirror Image wrote:

I would be very interested to know what people think of the new 2014 remasters compared to the early 90s remasters? I own The Complete Studio Recordings set and this set was released in 93 and contains the most recent remasters done at that time.


Like anything in the 90's from a "remaster" view...there are haters and lovers. Seems everything I read about the Complete Studio Recordings is almost 50/50.

I don't have any of those issues, only have original vinyl and some of the other CD issues which are bad.

I can only speak to the A/B I have been doing with original vinyl and these 2014 reissues, which are glorious.
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Direct Link To This Post Posted: August 05 2014 at 10:32
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Direct Link To This Post Posted: August 05 2014 at 09:50
Originally posted by LSDisease LSDisease wrote:

Maybe these reissues will finally include the complete credit lists. Jimmy Page never wrote a single original song, all ripped off.

Complete BS of course. As others have mentioned, he did steal a riff or two, but the way he developed the songs were completely his own and no one else could emulate him. He had a unique vision and I think the music speaks for itself. There's always people like you saying negative things, but history has been quite kind to Zeppelin and there's a reason why: they were all amazing musicians.
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Direct Link To This Post Posted: August 05 2014 at 00:33
^ I think there's some discussion of that on pages 1 and 2 of this thread
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Direct Link To This Post Posted: August 04 2014 at 23:03
I would be very interested to know what people think of the new 2014 remasters compared to the early 90s remasters? I own The Complete Studio Recordings set and this set was released in 93 and contains the most recent remasters done at that time.
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Direct Link To This Post Posted: August 02 2014 at 08:17
Originally posted by Atavachron Atavachron wrote:

Originally posted by SteveG SteveG wrote:

^Agree about the lyrics of Whole Lotta Love but the killer riff was from Page and that's what's important to me.The lemon song was another dug up blues but as Dr Wu said, that was common with sixties blues rock bands at the time and Zeppelin was quickly moving away from the blues so they needed their own material from then on.

The killer riff was indeed Page's but it is clearly a standard blues riff that is repeatedly used by old and new bluesmen alike; root ~ minor three ~ four, with that chunky mute, a bit of swing in the right hand, and amp tone that would go on to define metal for the next twenty years .   But nothing special in the notes or pattern, it was what Page did with it that mattered,

I agree that  it was Page's take on the riff that made it special. Good point.
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Direct Link To This Post Posted: August 01 2014 at 21:16
Originally posted by SteveG SteveG wrote:

^Agree about the lyrics of Whole Lotta Love but the killer riff was from Page and that's what's important to me.The lemon song was another dug up blues but as Dr Wu said, that was common with sixties blues rock bands at the time and Zeppelin was quickly moving away from the blues so they needed their own material from then on.

The killer riff was indeed Page's but it is clearly a standard blues riff that is repeatedly used by old and new bluesmen alike; root ~ minor three ~ four, with that chunky mute, a bit of swing in the right hand, and amp tone that would go on to define metal for the next twenty years .   But nothing special in the notes or pattern, it was what Page did with it that mattered,

"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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Direct Link To This Post Posted: August 01 2014 at 14:49
^The deal with early American blues music, like early American folk music was that performers lifted riffs and melodies or lyrics from each other and changed them to suit their particular songs and needs. This was a known fact and that's why no one threw a fit when a blues tune got clipped. After all, people thought, who really created the original to begin with? When blues rock became big business obviously this attitude changed but Zeppelin was operating in between those two opinions at the time the band took off. That's why no one jumped all over Zep at the time. Now in our retro world, people look back and say 'Oh, how terrible they were.' But it's all been taken out of context now. Again, Zep still originally produced the majority of their music. The last time I was in a southern Delta blues club (quite awhile ago, btw), I don't recall the lone artist playing anything that resembled Kashmir.

Edited by SteveG - August 01 2014 at 15:48
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Direct Link To This Post Posted: August 01 2014 at 11:57
Originally posted by Atavachron Atavachron wrote:





Jimmy Page was an enormous talent who also purloined a huge quantity of material that he then altered enough to sound original.   And not just the old blues cats, I can hear everyone from Tim Harden to Stevie Wonder in Page's, Plant's and Jones' contributions.   But I'm afraid Dr Wu's comments only scratch the surface; recorded music is often a collage of previous musics come together in an individual way.   The Beatles did this masterfully, pretty much imitating early American songcraft as a medium by which to exercise their own writing, it's just that they hid their thievery better than most.This was one of the reasons progressive rock progressed, it was, especially earlier, an extension of other peoples' music not an alternative to it, a product that came from within the rock community rather than an outside intrusion.   And the apple didn't fall that far from the tree.


I was thinking the same thing about the Beatles and this Zeppelin topic of "stealing" music.
All this music comes from very early blues, soul and R&B...throw in the new found distorted guitar, rougher vocals and in your face rhythm section now you have Cream, Yardbirds, The Who and Zeppelin..

Spot on Atavachron
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Direct Link To This Post Posted: August 01 2014 at 10:26
^Agree about the lyrics of Whole Lotta Love but the killer riff was from Page and that's what's important to me.The lemon song was another dug up blues but as Dr Wu said, that was common with sixties blues rock bands at the time and Zeppelin was quickly moving away from the blues so they needed their own material from then on.


Edited by SteveG - August 01 2014 at 10:41
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Direct Link To This Post Posted: August 01 2014 at 10:10
Originally posted by SteveG SteveG wrote:

Originally posted by chopper chopper wrote:

Originally posted by SteveG SteveG wrote:

Correct Chop. On every album from Zep 2 through to Coda. Some prople get tunnel vision and miss the bigger picture.
Not Led Zep 1?
 
 
  It is the album with the disputed songs so for the sake of simplicity I moved on the 2nd album. Eight albums of original material with one being a double album is enough to make the point.
Fair point, although LZ II has a few disputed old blues songs as well (Whole Lotta Love was "borrowed" from Willie Dixon, also The Lemon Song is Killing Floor I believe by the same artist.
 
I guess by the time they got to LZ IV they'd realised the error of their ways as "When the levee breaks" has always had a joint credit as far as I know..
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Direct Link To This Post Posted: August 01 2014 at 09:25
Originally posted by chopper chopper wrote:

Originally posted by SteveG SteveG wrote:

Correct Chop. On every album from Zep 2 through to Coda. Some prople get tunnel vision and miss the bigger picture.
Not Led Zep 1?
 
 
  It is the album with the disputed songs so for the sake of simplicity I moved on the 2nd album. Eight albums of original material with one being a double album is enough to make the point.


Edited by SteveG - August 01 2014 at 09:42
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Direct Link To This Post Posted: August 01 2014 at 09:19
Originally posted by SteveG SteveG wrote:

Correct Chop. On every album from Zep 2 through to Coda. Some prople get tunnel vision and miss the bigger picture.
Not Led Zep 1?
 
 
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Direct Link To This Post Posted: August 01 2014 at 09:15
Correct Chop. On every album from Zep 2 through to Coda. Some people get tunnel vision and miss the bigger picture.

Edited by SteveG - August 01 2014 at 09:41
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Direct Link To This Post Posted: August 01 2014 at 06:59
Originally posted by LSDisease LSDisease wrote:

Originally posted by dr wu23 dr wu23 wrote:

 
Ermm
If Page is a 'talentless f**k ' then so is Clapton, Beck, Hendrix, and all the other older blues rock players ,etc  since they have all stole riffs ,chords , and songs from old black blues artists....and then we can go on to Perry, Slash, Jack White and every other modern blues rock guitarist who have stolen from Page, Clapton, Hendrix , etc.  I will agree that in several cases Zep did not give credit where it was due., but that was a common problem in the rock community back in the day and has nothing to do with guitar playing ability or anything else.


They at least didn't steal whole songs just single riffs and chords. Find me another band who took whole songs (with the lyrics) and claimed it was their stuff. That brazen attitude and inability to write their own original material make Led Zeppelin the most overrated band of all time.
I think you'll find plenty of "original material" amongst their albums.
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Direct Link To This Post Posted: August 01 2014 at 05:52
^I must admit they were powerful cos they fooled so many people but that makes them overrated too.
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Direct Link To This Post Posted: August 01 2014 at 05:12
^ It's that brazen attitude that made them so powerful, few others had the audacity to go out and play others' music so brilliantly.

"Too often we enjoy the comfort of opinion without the discomfort of thought."   -- John F. Kennedy
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