Tomb Mold & Afterbirth - The Meadows - 2/23/24

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After four long years Tomb Mold have returned to NYC. Over the course of those many moons they have evolved significantly, with Derrick Vella talking before their set with some of us in the audience about how the masterful The Enduring Spirit was written more or less hot on the heels of Planetary Clairvoyance and drawn from their usual stylings yet evolved over the long course of rehearsal and recording into a distinctly progressive and even beautiful record in a way that felt natural to the band. Originally set to go down at Greenpoint's St. Vitus Bar, a controversial shutdown of that venue forced the show to be moved to The Meadows a couple miles south, with the one upside being the extra fans that could now fit and experience the majesty of Tomb Mold.
Ahead of that was a crushing set by the suburban death metal legends Afterbirth. While lacking in the synths and the lighter Opeth-esque cuts they had on the back half of last year's excellent In But Not Of the power and technicality on display more than made up for it. Vocalist Will Smith (no relation) was an active and charismatic frontman, losing himself (and for a spell his glasses) in the music.

At heart Tomb Mold's set was a demonstration of their artistic ascent and the stylistic thread that connects their LPs. Planetary Clairvoyance's title track opened the performance and was a fairly light beginning that could've fit on the new album. The weight and speed picked up thereafter and remained high over most of the set, first running through older cuts before entering a three song run taken directly off TES - "Will of Whispers", "Fate's Tangled Thread", and "Flesh As Armor" - in the zenith of the show. Not a track or note felt out of place, unified and played with utmost skill and ardor. Vella was particularly excited and impassioned, jumping and practically dancing in his part of the stage. The energy from both artist and crowd increased across the set and made for a thrilling experience.

Tomb Mold have truly outdone themselves, bringing power and progression alike and bringing out the kind of moshers whose denim jackets include Opeth and Ne Obliviscaris patches. Unfortunately I wasn't able to make their second show earlier today where they played Manor of Infinite Forms in full but footage from that set ought to be a treat.

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LearsFool Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Prog Reviewer Joined: November 09 2014 Location: New York Status: Offline Points: 8625	Post Options Post Reply Quote LearsFool Report Post Thanks(0) Quote Reply Topic: Tomb Mold & Afterbirth - The Meadows - 2/23/24 Posted: February 24 2024 at 16:45
	After four long years Tomb Mold have returned to NYC. Over the course of those many moons they have evolved significantly, with Derrick Vella talking before their set with some of us in the audience about how the masterful The Enduring Spirit was written more or less hot on the heels of Planetary Clairvoyance and drawn from their usual stylings yet evolved over the long course of rehearsal and recording into a distinctly progressive and even beautiful record in a way that felt natural to the band. Originally set to go down at Greenpoint's St. Vitus Bar, a controversial shutdown of that venue forced the show to be moved to The Meadows a couple miles south, with the one upside being the extra fans that could now fit and experience the majesty of Tomb Mold. Ahead of that was a crushing set by the suburban death metal legends Afterbirth. While lacking in the synths and the lighter Opeth-esque cuts they had on the back half of last year's excellent In But Not Of the power and technicality on display more than made up for it. Vocalist Will Smith (no relation) was an active and charismatic frontman, losing himself (and for a spell his glasses) in the music. At heart Tomb Mold's set was a demonstration of their artistic ascent and the stylistic thread that connects their LPs. Planetary Clairvoyance's title track opened the performance and was a fairly light beginning that could've fit on the new album. The weight and speed picked up thereafter and remained high over most of the set, first running through older cuts before entering a three song run taken directly off TES - "Will of Whispers", "Fate's Tangled Thread", and "Flesh As Armor" - in the zenith of the show. Not a track or note felt out of place, unified and played with utmost skill and ardor. Vella was particularly excited and impassioned, jumping and practically dancing in his part of the stage. The energy from both artist and crowd increased across the set and made for a thrilling experience. Tomb Mold have truly outdone themselves, bringing power and progression alike and bringing out the kind of moshers whose denim jackets include Opeth and Ne Obliviscaris patches. Unfortunately I wasn't able to make their second show earlier today where they played Manor of Infinite Forms in full but footage from that set ought to be a treat.