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Topic ClosedJoni Mitchell for Fusion or Crossover

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Evolver View Drop Down
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Direct Link To This Post Posted: April 20 2013 at 06:39
Originally posted by Dean Dean wrote:

^ Steely Dan is in Jazz-Rock/Fusion, not Crossover.
 
Folk-Jazz is not Jazz-Rock/Fusion (just as Jazz-Pop is not Jazz-Rock/Fusion) and it isn't Prog-Folk (just as Folk-Rock is not Prog-Folk). The addition of Mitchell into any Prog subgenre would be stretching the definitions of those genres beyond breaking-point. There is a line past which being inclusive becomes too inclusive. Mitchell is way beyond that line.
In my opinion, we've crossed that line many times.  That doesn't make it right to do it again.
Trust me. I know what I'm doing.
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Direct Link To This Post Posted: April 20 2013 at 06:42
Originally posted by Evolver Evolver wrote:

Originally posted by Dean Dean wrote:

^ Steely Dan is in Jazz-Rock/Fusion, not Crossover.
 
Folk-Jazz is not Jazz-Rock/Fusion (just as Jazz-Pop is not Jazz-Rock/Fusion) and it isn't Prog-Folk (just as Folk-Rock is not Prog-Folk). The addition of Mitchell into any Prog subgenre would be stretching the definitions of those genres beyond breaking-point. There is a line past which being inclusive becomes too inclusive. Mitchell is way beyond that line.
In my opinion, we've crossed that line many times.  That doesn't make it right to do it again.
agreed.
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Direct Link To This Post Posted: April 20 2013 at 07:35
Originally posted by Dean Dean wrote:

^ Steely Dan is in Jazz-Rock/Fusion, not Crossover.
 
Folk-Jazz is not Jazz-Rock/Fusion (just as Jazz-Pop is not Jazz-Rock/Fusion) and it isn't Prog-Folk (just as Folk-Rock is not Prog-Folk). The addition of Mitchell into any Prog subgenre would be stretching the definitions of those genres beyond breaking-point. There is a line past which being inclusive becomes too inclusive. Mitchell is way beyond that line.
 
I presume that the Steely Dan  was "way beyond that line" also LOL
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Direct Link To This Post Posted: April 20 2013 at 07:48
Originally posted by Dean Dean wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

Then I only wonder why Pentangle and Bert Jansch are here. Ermm
While you're at it, wonder why Fairport Convention and Fotheringgay (and Steeleye Span to a lesser extent) are in Prog Related then perhaps you'll get some measure of where the line between Prog-Folk and Folk-Rock lies. Smile
Actualy, that's the scandal that Fairport Convention and Steeleye Span are not in Prog Folk section.
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Direct Link To This Post Posted: April 20 2013 at 13:37
Originally posted by Svetonio Svetonio wrote:

Originally posted by Dean Dean wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

Then I only wonder why Pentangle and Bert Jansch are here. Ermm
While you're at it, wonder why Fairport Convention and Fotheringgay (and Steeleye Span to a lesser extent) are in Prog Related then perhaps you'll get some measure of where the line between Prog-Folk and Folk-Rock lies. Smile
Actualy, that's the scandal that Fairport Convention and Steeleye Span are not in Prog Folk section.
No it isn't.
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Direct Link To This Post Posted: April 20 2013 at 22:16
Originally posted by Dean Dean wrote:

Originally posted by Svetonio Svetonio wrote:

Originally posted by Dean Dean wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

Then I only wonder why Pentangle and Bert Jansch are here. Ermm
While you're at it, wonder why Fairport Convention and Fotheringgay (and Steeleye Span to a lesser extent) are in Prog Related then perhaps you'll get some measure of where the line between Prog-Folk and Folk-Rock lies. Smile
Actualy, that's the scandal that Fairport Convention and Steeleye Span are not in Prog Folk section.
No it isn't.
Oh yes, it really is.. Same with Vangelis who is in PR section with The Who and Queen LOL
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Direct Link To This Post Posted: April 21 2013 at 03:06
Originally posted by Svetonio Svetonio wrote:

Originally posted by Dean Dean wrote:

Originally posted by Svetonio Svetonio wrote:

Originally posted by Dean Dean wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:

Then I only wonder why Pentangle and Bert Jansch are here. Ermm
While you're at it, wonder why Fairport Convention and Fotheringgay (and Steeleye Span to a lesser extent) are in Prog Related then perhaps you'll get some measure of where the line between Prog-Folk and Folk-Rock lies. Smile
Actualy, that's the scandal that Fairport Convention and Steeleye Span are not in Prog Folk section.
No it isn't.
Oh yes, it really is.. Same with Vangelis who is in PR section with The Who and Queen LOL
No, it isn't.
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Direct Link To This Post Posted: April 21 2013 at 08:59

Yes it is

No it isn't
Yes it is
No it isn't
Yes it is
No it isn't
 
I'm beginning to regret my role in re-awakening this thread
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Direct Link To This Post Posted: April 21 2013 at 09:06
LOL

Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.
Quote No it isn't.
Quote Yes it is.


Tongue
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Direct Link To This Post Posted: October 05 2016 at 06:42
Noting that Shelagh McDonald (who was heavily influenced by early Joni) is here, can someone explain to me what qualities make Shelah McDonald a prog folk artist, and how those qualities are absent from Joni's music?



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Direct Link To This Post Posted: October 05 2016 at 10:34
Originally posted by sl75 sl75 wrote:

Noting that Shelagh McDonald (who was heavily influenced by early Joni) is here, can someone explain to me what qualities make Shelah McDonald a prog folk artist, and how those qualities are absent from Joni's music?





I refer the honourable gentleman to his last post of 21 April 2013, in which he expressed regret at reopening this thread.

In particular, he might wish to reacquaint himself with the meaning of Groundhog Day.

However, to answer the question, it is because the specialists on the site do not regard her as being so. I love Joni Mitchell's music, and have a fair bit of it. She is, though, as prog folk as my dog's anus. I love my dog very much as well, but prog she ain't.

I would drop this.
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Direct Link To This Post Posted: October 05 2016 at 12:57
If most of her albums had a similar musical approach as Hejira and Don Juan's Reckless Daughter (+ Hissing of the Summer Lawns - to some extent) there shouldn't be any reason not to support Joni's inclusion for jazz-rock fusion. But I guess as with many bands and artists already included here, she doesn't really fit - most of the time.  
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Direct Link To This Post Posted: October 05 2016 at 13:07
Originally posted by lazland lazland wrote:


She is, though, as prog folk as my dog's anus.
Congratulation to you and the level of prog-folkyness of your dog's anus! Even if its anus isn't 100 % prog folk, I'm still impressed.  
 

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Direct Link To This Post Posted: October 05 2016 at 14:18
Originally posted by Saperlipopette! Saperlipopette! wrote:

Originally posted by lazland lazland wrote:


She is, though, as prog folk as my dog's anus.
Congratulation to you and the level of prog-folkyness of your dog's anus! Even if its anus isn't 100 % prog folk, I'm still impressed.  
 



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I would, though, generally stay away from said anus. Not a pretty sight........
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Direct Link To This Post Posted: October 05 2016 at 18:25
Originally posted by lazland lazland wrote:



I refer the honourable gentleman to his last post of 21 April 2013, in which he expressed regret at reopening this thread.



I guess I thought this time around there might be some reasoned discussion with intelligent use of musical examples. Silly me, I should have known I'd get canine anatomy instead.

I ultimately don't care if Joni is here or not, I've got plenty of other places to celebrate her music, and other artists I can think of whose exclusion here seems more shocking to me. It's more trying to understand what definitions are being applied. Both times I've come to this thread, it's because of finding another artist on here whose music is similar to (at least one period of) Joni, and not to my ears any more Prog-like, and wondering why X is accepted but Y is not. (This time the case in point in Shelagh McDonald, who I've just begun to love, but whose apparently easy acceptance here as prog-folk genuinely perplexes me when the comparisons I hear are mostly Joni, mixed with a bit of Judy Collins, Nick Drake and Sandy Denny/Fotheringay - nothing like Spirogyra or Trees. What am I missing?)
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Direct Link To This Post Posted: October 05 2016 at 18:28
Originally posted by Evolver Evolver wrote:

Originally posted by Dean Dean wrote:

^ Steely Dan is in Jazz-Rock/Fusion, not Crossover.
 
Folk-Jazz is not Jazz-Rock/Fusion (just as Jazz-Pop is not Jazz-Rock/Fusion) and it isn't Prog-Folk (just as Folk-Rock is not Prog-Folk). The addition of Mitchell into any Prog subgenre would be stretching the definitions of those genres beyond breaking-point. There is a line past which being inclusive becomes too inclusive. Mitchell is way beyond that line.
In my opinion, we've crossed that line many times.  That doesn't make it right to do it again.


If it's the general feeling that the site has erred on the side of being too inclusive in the past, the correct solution would be to do a big cull.

Otherwise, your forums are going to be forever jammed with people arguing that if X is here, why not Y?


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Direct Link To This Post Posted: October 06 2016 at 02:54
Originally posted by sl75 sl75 wrote:


If it's the general feeling that the site has erred on the side of being too inclusive in the past, the correct solution would be to do a big cull.

Otherwise, your forums are going to be forever jammed with people arguing that if X is here, why not Y?

If PA does that a lot of valuable info/work/reviews will get lost - which would be unfair to everyone who has invested time and thought into it. 

Firstly I think the best would be to look at the Prog-Related section more literally. Its only related to prog (except Vangelis who is full blown) and any artist you'll find there is never an argument for inclusion of others. You will have to do better. 

-Also in this case if you dig up an obscure artist such as our Scottish Shelagh McDonald and her two 70's folk albums. Both obviously inspired by a small section of the works of the international star with a 50 year long career in question: Joni Mitchell. This isn't nessecarely a valid argument for the inclusion of the latter artist. If it were we would have Sun Ra here because of Gong, Karlheinz Stockahausen because of Can and Kraftwerk, Bela Bartok because of all R.I.O etc... 

Shelaugh, unlike Joni in her folk-period had an all-star UK-folksters backing band (on Stargazer which is the album I own) who lifts about a handful of her songs into more ambitious compositions. Not by using complex time signatures - most prog-folk isn't about that anyway. But in a patiently building, mini-epic kind of day that you can hear in Dowie Dens Of Yarrow, Odyssey, Stargazer and The Road to Paradise in particular. When Joni starts experimenting with her arrangements she has already moved on from folk to jazz-pop/vocal jazz.

Also just accept that PA exist because some folks are willing to do a lot of work here for free (I don't, I'm just a parasite like most of us). Sometimes small "mistakes" happen and suddenly some overblown metal act with an occasional pseudo-classical synth-fanfare slips in. Also opinions differ in between the group that does all this free work for us and that's another reason the X and Y argument doesn't do the trick.  
 


Edited by Saperlipopette! - October 06 2016 at 03:48
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