AMONG SERVANTS

As a seasoned metal enthusiast who has witnessed the evolution of the genre from its inception with iconic bands like Black Sabbath, through the emergence of the NWOBHM, the vibrant fusion of speed metal and punk in the 1980s, and the subsequent rise of progressive metal, the decades have brought both immense pleasure and moments of stagnation to the metal landscape. Navigating through the vast sea of imitations and unapologetic mimicry has become a daunting task, making it increasingly rare to discover artists carving out their unique creative space within the metal paradigm, free from redundant clichés. However, the diligent fan willing to sift through the masses may stumble upon a creative gem like Köln, Germany's COLONEL PETROV'S GOOD JUDGEMENT, whose sophomore release, Among Servants, marks a significant leap in creativity from their sludgy debut, Moral Machine.

While undeniably rooted in metal, this album boldly ventures into experimental territory, presenting a dark and dystopian fusion of organized anarchy. The instrumentation immediately stands out, driven by the inclusion of well-placed saxophone parts skillfully played by vocalist Leonhard Huhn. The second track, Resistor, features a wild and rangy sax solo that breaks away from the song's initial hardcore punk-sounding intro. Sebastian Müller's guitar tones defy the ubiquitous "djent" delivery prevalent in much of today's metal, incorporating a diverse range of influences from punky overdriven power chords to RIO-ish atonal chord structures and heavily reverbed psychedelia.

The band's experimental prowess extends to various rhythmic devices uncommon in metal, notably showcased in the instrumental piece Ascension. This track unfolds with a drunkish slow-to-fast progression, textured by minimalist guitar and bass phrasing, accompanied by eerie ambient saxophone reverb backgrounds. Additional delirium-laced passages emerge in songs like Bad Shepherd (featuring vocals from Valborg and OWL's Christian Kolf), characterized by a descending chromatic run emanating from a droning chant intro. Among Servants continuously shifts between the familiar and an endless pool of the unorthodox, embracing unrepentant experimentation. The album's lyrical themes delve into political and psycho-social subjects, adding depth to the sonic exploration.

This album stands as a formidable choice for those seeking a departure from the conventional. While it may not claim the title of a masterpiece, Among Servants confidently treads the path towards it. It's an album destined to find a lasting place in my playlist, and I eagerly anticipate COLONEL PETROV'S GOOD JUDGEMENT's continued creative exploration along this captivating trajectory.