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LES MOUETTES S'BATTENT

Gwendal

Prog Folk


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Gwendal Les mouettes s'battent album cover
3.05 | 3 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1979

Songs / Tracks Listing

1. Les mouettes s'battent (5:08)
2. Diney's O'Brien (3:29)
3. Le reggae gai de Guéret (4:12)
4. My Love Is a Band Boy (3:16)
5. Je pars à Noyac (7:40)
6. The Lucky Lover (3:25)
7. Bee New (5:36)

Total Time 32:46

Line-up / Musicians

- Roger Chaub / bass
- Arnaud Rogers / drums (3)
- Olivier Pedron / drums & percussion, organ, electric guitar, mandolin
- Youenn Le Berre / flute, saxophone, bagpipes, bombard
- Jean-Marie Renard / guitar
- Jacques Mercier / percussion (3)
- Bruno Barré / violin

Releases information

LP Pathé - 11C 076-14841
LP Pathé - 2C 068-14841
CD Odeon Label Group - 855 653 2
CD Chrysalis - 07243 8381752 8
CD Chrysalis - CDP 8381752

Thanks to kenethlevine for the addition
and to projeKct for the last updates
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GWENDAL Les mouettes s'battent ratings distribution


3.05
(3 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(33%)
33%
Good, but non-essential (67%)
67%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

GWENDAL Les mouettes s'battent reviews


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Collaborators/Experts Reviews

Review by kenethlevine
SPECIAL COLLABORATOR Prog-Folk Team
3 stars Perhaps the GWENDAL equivalent of MALICORNE's "Almanach" in terms of venerability, "Les Mouettes s'Battent" sees the group fully embrace the inclinations that would make them singularly irritating, specifically the overuse of ostinatos in an effort to extract significance, and wrapping a 4 to 7 minute track around them. What saves, justifies, and even elevates this particular release is the nature of the arrangements that lasso those obstinate figures, effortlessly whipping jazz, reggae, and hard rock into the trad Celtic mix, even if I've never understood the point of live drum solos longer than 15 seconds. While I think GWENDAL would have been far more effective if the group had any personnel who could or would sing, I can't rebuff the mesmerizing escalation of the title cut, the audacity of "Le Reggae gai de Gueret", the pastoral grace of "My Love is a Band Boy", and the occasionally overdone sprawl of "Je pars a Noyac" which leaves little doubt of Youenn Le Berre's leadership through this phase. You can almost see and hear the seagulls fighting over the delectable scraps strewn about here with near joyous abandon.

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