WARA

At times the elasticity of the lengthier and more ambitious pieces of the earlier albums was tested and found a bit lacking, as enjoyable as they were, but here the shorter track lengths retain an appealing blend of intricacy and accessibility. I admit that the vocal styles, rhythms and song structures seem more mollified for these Anglo/North American raised ears, and that might be seen as a flaw. But honestly, it would be hard to find fault with the lovely and uplifting instrumental "Encuentros", the charango propelled "Indio Joven", and the electro acoustic "Siento" with its subtle sparkly keyboards. And if you really crave the earlier days, you always have the live version of "Fiesta Aymara" to tie an 11 minute ribbon around this gift.

It's fascinating to consider that "Alturas" was a contemporary of this release, LOS JAIVAS propelling themselves above and beyond the converging walls of drum machines and synthetic keyboards at such a late date and WARA buying themselves more time by simply pushing back ever so gently. A different path yes, but, based on their longevity, equally successful.

WARA was one of the first Progressive Rock bands that I've ever heard and for many years I didn't understand why it wasn't registered in ProgArchives; two months ago I made the recommendation and finally WARA was added and now I feel that it is my responsibility to write the first review of "El Inca (música progresiva boliviana)". There is not a big music scene in Bolivia; when we talk about Latin-American rock the major countries are always Mexico, Argentina, and Chile, then maybe Peru, Colombia, and even Venezuela but not Bolivia (that is not exclusively to Progressive Rock but to all kinds of Rock), well, take a look of this.

Before changing their style to a very folky Andean one, WARA recorded "El Inca (música progresiva boliviana)" which had more elements of Progressive and Hard Rock with bluesy riffs and nice bass and drums lines than their following albums. The lyrics of the album are in Spanish, so to me, it was easy to learn them since it is my mother tongue and as I said before: I've been listening to this album for a very long time.

The line-up of the band was a basic rock quintet: bass, guitar, keyboards, drums, and vocals (all of them making great performances on the album) but the collaboration with musicians who played more orchestral instruments such as violins, cellos, oboes, bassoons, and flutes gave the album a very homogeneous sound; the album reminds me a lot to DEEP PURPLE's first albums (the ones before GILLAN and GLOVER). My favorite track of the album is definitely "Canción para una niña triste" ("Song for a sad girl") because I find really relaxing to listen to such a soft delicate song right in between the other four more rocky ones.

As I said before: in the following albums of WARA their music turned to a much more folky and Andean kind of music but that doesn't suggest this album doesn't have folk elements, maybe they are very subtle, but there are; however, the hard bluesy symphonic rock is the main plate on this table. I would highly recommend this album to fans of Latin-American Prog Rock bands such as LOS JAIVAS, MAGMA (Argentina), CHAC MOOL, OS MUTANTES or ARCO IRIS, but also to fans of Hard Rock (Progressive or not) rock bands such as DEEP PURPLE, ATOMIC ROOSTER, URIAH HEEP or WISHBONE ASH.

This is an album that everyone could enjoy.