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Topic ClosedWho Invented Prog Styles

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Djebel View Drop Down
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Direct Link To This Post Posted: February 28 2006 at 15:23
I would say Pink Floyd and King Crimson...
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Direct Link To This Post Posted: February 28 2006 at 15:52
Originally posted by razifa razifa wrote:

Zappa: RIO

Wait a minute. Isn't RIO (Rock In Opposition) an invention by Henry Cow? Is Zappa RIO at all?

Pythagoras invented music...

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Direct Link To This Post Posted: February 28 2006 at 17:31
King Crimson invented them all.  end of discussion.
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Direct Link To This Post Posted: February 28 2006 at 17:32
Originally posted by GoldenSpiral GoldenSpiral wrote:

King Crimson invented them all.  end of discussion.


nah... The Beatles... the root of ALL prog.
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Direct Link To This Post Posted: February 28 2006 at 17:47
My vote goes to Vanilla Fudge (rock, jazz, soul and classic), Colosseum (jazz and rock), The Nice (rock and classic), The Moody Blues (pop and symphonic), Pink Floyd (pop and psychedelia) and Genesis (folk, rock and classic). But I have to admit that it's subjective!
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Direct Link To This Post Posted: February 28 2006 at 19:19

Saying who started this style and that style is more or less impossible.  Like many things and trends, there isn't a clear cut starting point with any style.  There's usually a trend towards something.  A lot of people seem to obsess over organizing / labelling / categorizing, but music styles aren't that black and white.  There's tons of grey (and many colors!) in progressive music.  That's part of what makes it so appealing!

 

 



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Direct Link To This Post Posted: February 28 2006 at 19:57
Originally posted by GoldenSpiral GoldenSpiral wrote:

King Crimson invented them all.  end of discussion.


you got that right

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Direct Link To This Post Posted: February 28 2006 at 20:00

Originally posted by micky micky wrote:

Originally posted by eugene eugene wrote:

There is one thing everybody can be sure of: Magma invented Zheul




and Soft Machine for Canterbury

To precise, it was really the Wilde Flowers.

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Direct Link To This Post Posted: February 28 2006 at 20:41

Originally posted by micky micky wrote:


great post as usual Ivan...

Thanks

if talking pure folk-prog.. I agree with you. However as Dick Heath said, Traffic and it's music is not black and white (then again when is anything musical black and white), it was never 'pure' anything hahahah.

Wasn't that what I said in my first post and you contradicted me?

I wrote in my first post:

Quote Traffic IMO are the borderline of many genres and sub-genres, like Psychedelia, Art Rock, Proto Prog, POP and a slight touch of folk, but maily Psychedelic/Art Rock.

And now you agree when Sean correctly says they were not black and white

Traffic's first was, we all agree psychedelic (and those psychedelic tendencies to my ears are gone by the second album)  but I see it as psychedelic folk. Being that prog is just an extention of psychedelia it is not a stretch in my mind to at least consider Dear Mr. Fantasy, and strongly consider Traffic's 1968 2nd album (Traffic) folk-prog.

That0's why I believe the fathers of Folk Prog are The Strawbs, they were the ones that clearly defined the genre with their music.

Iván



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Direct Link To This Post Posted: February 28 2006 at 21:45
Originally posted by ivan_2068 ivan_2068 wrote:

Originally posted by micky micky wrote:


great post as usual Ivan...

Thanks

No problem... you know I love ya..

if talking pure folk-prog.. I agree with you. However as Dick Heath said, Traffic and it's music is not black and white (then again when is anything musical black and white), it was never 'pure' anything hahahah.

Wasn't that what I said in my first post and you contradicted me?

of course I contradicted you hahahah..  I was trying to make the point that just because because Traffic may not have been 'pure' doesn't mean that they weren't folk.  As usual we are arguing over nothing.  trying to place or label Traffic as or not as  is rather futile since they are so hard to nail down...   I get the impression you are very much a 'black and white' person.  If it isn't 'pure' than it doesn't count.  Traffic weren't exclusively folk.. or psychedelic, or jazz.  That's what I find so interesting about them.  Is 'Dear Mr. Fantasy' folk... depends on how you look at it.. same with Traffic.  Both have strong folk influences thus I see them as folk-prog.  How you see them... is how you do.

I wrote in my first post:

Quote Traffic IMO are the borderline of many genres and sub-genres, like Psychedelia, Art Rock, Proto Prog, POP and a slight touch of folk, but maily Psychedelic/Art Rock.

And now you agree when Sean correctly says they were not black and white

hahah the difference is in the interpetation.  My view, and if I read Sean's correctly is that Traffic is a cross of many muscial forms.. in your lexicon.. it becomes borderline. I detect a hint of 'disrespect' in that hahhah. Not to mention Traffic had anything BUT a slight touch of folk. Many of there best known and loved songs were straight up folk such as 40000 Headmen, John Barleycorn, and Rainmaker.   Anyway just bringing in another opinion into the mix... you know there is no ones opinion I hold higher than yours... so don't worry your place in my esteem is safe for now. Erik might give you a run for your money.

Traffic's first was, we all agree psychedelic (and those psychedelic tendencies to my ears are gone by the second album)  but I see it as psychedelic folk. Being that prog is just an extention of psychedelia it is not a stretch in my mind to at least consider Dear Mr. Fantasy, and strongly consider Traffic's 1968 2nd album (Traffic) folk-prog.

That0's why I believe the fathers of Folk Prog are The Strawbs, they were the ones that clearly defined the genre with their music.

Iván

and of course I disagree,  IMO Traffic set the stage in '67 for getting it together in the country and getting back to their english musical roots... it may have been in the velvet glove of psychedelia but couched in english folk music. Probaly more apparent on the 2nd album than the first.  The Stawbs may have defined it.. .that was never the question... Traffic were the fathers of it.



and to follow up on my point let me offer an example,  to say that Traffic wasn't 'pure folk-prog' thus could not be a father of prog-folk  is the same as saying that a group like Uriah Heep wasn't a father of prog-metal because.... they weren't metal... which is crap and I think (hope)  you'd probably agree.


Edited by micky
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Direct Link To This Post Posted: March 01 2006 at 09:16
Originally posted by micky micky wrote:

Originally posted by andYouandI45 andYouandI45 wrote:

The Can for Kraut Rock, I think.

No i invented music



Amon Duul II... and they coined the moniker 'kraut rock' .

I think you'll find that it was the Brits that coined this derogatory term about German rock. This was later turned around and used to their "advantage" by Faust.

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Direct Link To This Post Posted: March 01 2006 at 09:27
"Krautrock" become a quality sign ("Made in Germany") in certain circles.


BaldJean and I; I am the one in blue.
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Direct Link To This Post Posted: March 01 2006 at 11:26
In the late Seventies and early Eighties I bought many albums from German bands like Jane, Grobschnitt, Hoelderlin, Ramses and Novalis on which labels were put with 'Krautrock', later I discovered that the genuine Krautrock is bands like Can and Amon Duul, confusing!
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Direct Link To This Post Posted: March 01 2006 at 11:39

Originally posted by erik neuteboom erik neuteboom wrote:

In the late Seventies and early Eighties I bought many albums from German bands like Jane, Grobschnitt, Hoelderlin, Ramses and Novalis on which labels were put with 'Krautrock', later I discovered that the genuine Krautrock is bands like Can and Amon Duul, confusing!

It is confusing indeed. The bands like Novalis and Grobschnitt (I like both of them very much) have nothing in common with Krautrock, which I still cannot enjoy really (well, with few exceptions)....

 

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