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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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Looked like a fun debate and one I would have enjoyed - unfortunately I was a mere lurker in those days.
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18993 |
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Actually I agree ... that too much of the stuff discussed here is more "fan" and "fame" related than otherwise ... and it is not difficult to see. You don't see many discussions on Art Bears or Heldon, or Faust ... and that pretty much tells you that the majority of folks are still stuck on the "best of" or "favorites" ... or as I prefer to say .,.. the "itunes" mentality ... it's all "songs" ... there is no music!
It's bad enough trying to discuss "music" here, when some folks have never heard Albinoni, Bach, Beethoven, Mahler, Puccini, Stravinsky ... and then consider themselves experts on prog ... and yes, the history of music should not matter, and sometimes it doesn't (krautrock is the perfect example in its early free form experimentations) ... but I would imagine since many of these people weren't there, and have never heard of "The Living Theater" and so many other arts and schools of arts (any of them) ... that it would be pretty obvious they would only know their favorites ... and this was what the psychedelic days did ... that nothing has done since ... it was not just about the music ... it was also about the art and literature ... and this is what they are missing ...
You have to love the previous discussion here on KC's Epitath ... and the total and what I felt was a lack of disregard for the IRA and VietNam events and protests in America and London ... and there were a lot of people that were sick of it ... and KC wasn't the only band that was outspoken about that by the way ... not even close ... even the Rolling Stones were avid attackers of it all ... even if in a tilted way ... don't think that "Sympathy for the Devil' was just another intro for Ozzy and Black Sabbath!
Prog is ... all about changes and different things ... and we're not talking a chord change with a different effect on the guitar ... makes it prog! It doesn't!
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Ivan_Melgar_M ![]() Special Collaborator ![]() Honorary Collaborator Joined: April 27 2004 Location: Peru Status: Offline Points: 19557 |
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Thanks Dean, didn't noticed. But the point is that there awas a huge debate among the Collab and Adms about moving Pink Floyd and Jethro Tull to Eclectic (Art Rock was the equivalent oif Eclectic + Crossover + Heavy Prog), some agreed (a good number) others like me disagreed......Not because we deny the influences, but because Pink Floyd is already a symbol of Psyche/Space Rock. So this story has a long time here (that thread is from 2007 if I'm not wrong) and I'm sure will restart in some time again. Iván
Edited by Ivan_Melgar_M - September 08 2009 at 12:44 |
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18993 |
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It's been done ... Robert Schroeder's first album was originally released on Klaus Schulze's label and could be played at 33RPM and 45PM ... the funny thing is that it sounded WAYYYYYYYYYY better in the slower form, and much heavier and moodier, than if you ran it at 45 RPM which was the designed speed it was recorded for apparently.
Amon Duul 2 backwards is a treat and a half ... most music that is syncopated and timed is not as good at fooling around like this, so music that is freer in form, will always sound way better.
You should really listen to the early experimentations of Ralf and Florian, and Roedelius and Rother and Faust ... some of that sound effect and strage stuff seems awfully silly and simple now, and it was simple then, but the sound spheres that they created were nifty and a lot of fun to listen to ...
But the master of backwards'ness was in the radio show Space Pirate Radio ... no one assaulted and had more fun with music and effects than Guy Guden! You should have heard some of those dandies ... and I can tell you that Tangerine Dream backwards is insane ... as is so much other stuff ... but you can't do that today ... the CD technology stinks by comparison to the freedom and fun that a turntable gave us ...
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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^^ your link is CZ only Iván,
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18993 |
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If there are any, it is only in a compositional sense ... most of the stuff they do tends to start with a theme and end with the same theme ... and that tends to be called something like ... a sonata ... in most classical music ... in fact ... isn't that the single biggest thing about the majority of the music mentioned here?
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Ivan_Melgar_M ![]() Special Collaborator ![]() Honorary Collaborator Joined: April 27 2004 Location: Peru Status: Offline Points: 19557 |
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I believe the style of Pink Floyd changed in a radical way after a couple albums with Gilmour, most of their Psyche jamming start being leaved behind in favour of a more elaborate and structured sound mainly space Rock oriented but with a blend of everything, even The Wall is closer to a Rock Opera than to Psyche or Space Rock and the Rock Opera is mainly Symphonic . There was a huge discussion in http://www.progarchives.com/forum/forum_posts.asp?TID=28816&KW=Pink+Floyd&PN=2 about moving them to Art Rock (Art Rock understood as Eclectic today) Along with Jethro Tull because the Symphonic influence of other early Prog bands. Honestly I never agreed with that position, but that all the bands of the early 70's exchanged influences between them, I believe it's obvious. And yes, it's an opinion and also a feeling I get, when you work in a team so much time, feelings also have to be considered. Iván
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Cinderella Man ![]() Forum Newbie ![]() Suspended Joined: September 06 2009 Location: Cygnus X-1 Status: Offline Points: 26 |
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Sorry i don't rily know (if i ro rely Rong please Tall me)
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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Big Ears ![]() Forum Senior Member ![]() ![]() Joined: February 08 2005 Location: Hants, England Status: Offline Points: 727 |
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If you don't believe 'that' was meant in the opening post, why mention 'it' at all?
Edited by Big Ears - September 08 2009 at 03:50 |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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Big Ears ![]() Forum Senior Member ![]() ![]() Joined: February 08 2005 Location: Hants, England Status: Offline Points: 727 |
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Influence is cyclical. 'Classical' music influences many genres of music including progressive rock, but was influenced itself by folk music.
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Quasar ![]() Forum Groupie ![]() Joined: February 20 2009 Location: London/San Fran Status: Offline Points: 47 |
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ok, I assume you mean Symphonic leanings?
I'm not trying to be picky here, I am genuinely interested in your opinion.
So to clarify this:-
What do you mean by Symphonic leanings?
What specifically in their music makes you say that?
Are you talking about Symphonic form or do you mean that it sounds similar to some section of a specific Symphony? Or is it Just a feeling you get?
Keith
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Quasar ![]() Forum Groupie ![]() Joined: February 20 2009 Location: London/San Fran Status: Offline Points: 47 |
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Yes, you're right about the situation now, of course, but you didn't say currently, you said ;
So I took you at your word that you were talking about the "Pioneers" of Prog. I understood that to be a different issue.
You're right, I can't change what they write either.
Keith
Edited by Quasar - September 07 2009 at 21:08 |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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All topics are qualified by the OT, to clear up any ambiguity in the thread title, and so does deafmoon in his opening post of this topic:
...specific examples of observed structural forms in Prog Music relating to specific bands that are percieved to be of classical origin - not generalisations.
1. Yes, I am aware that the colloquial term "Classical Music" refers to the full spectrum of "concert hall" music and not just the music of the Classical Period, which is why we usually use the term "Classical Period" or "Classical Era" when referring to music from (1750-1820)
2. When referring to the Sonata form I prefixed it with the phrase "such as" indicating that I was giving an example, one that I assumed would forgo need to give examples of all the other structural forms used in classical music. And I do not see the need to itemise the characteristics of every era looking for a match or mismatch with Progressive Rock. However, if Classical Music was such a direct influence then "sonata" would probably be sufficient, since at some point in the history of Prog someone somewhere would have produced a Prog Sonata that followed the rigid structure of at least one of the eras since that is a very common structure in classical music of every era.
3. If by "Modern Music" you mean 20th Century and Contemporary then I have already acknowledged that in connection with a specific branch of Prog Rock in my 2nd post in this thread (http://www.progarchives.com/forum/forum_posts.asp?TID=60861&PID=3366374#3366374)
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Ivan_Melgar_M ![]() Special Collaborator ![]() Honorary Collaborator Joined: April 27 2004 Location: Peru Status: Offline Points: 19557 |
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Of course. Prog has been influenced by other genres, starting with Rock & Roll as the main influence and Jazz, Folk etc ein lesser degree.
Again, Rock is the main influence, that's undenuable, but Classical is also an important component.
The main question of this thread wasn't "Is Classical the main influence of Prog?" In that case I would reply no, there are other influences in Prog.
The question is literally: "Did Classical influenced Prog?"...In this case I must reply, absolutely, Classical influenced Prog.
Iván
BTW: Dean, you know that when we talk about Classical music, we are not talking about Classical era (1750 - 1820) exclusively, we are talkimg about music from the Medieval, Renaissance, Baroque. Classical, Romantic and Modern Music,
In spanish we use twoterms to separete concepts, we use clasico only for a determined period and Musica Selecta for all the eras, as far as I know there's not such a term in English, soo the Sonata form reference is insufficient. Edited by Ivan_Melgar_M - September 07 2009 at 16:03 |
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Ivan_Melgar_M ![]() Special Collaborator ![]() Honorary Collaborator Joined: April 27 2004 Location: Peru Status: Offline Points: 19557 |
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Edited by Ivan_Melgar_M - September 07 2009 at 16:15 |
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Quasar ![]() Forum Groupie ![]() Joined: February 20 2009 Location: London/San Fran Status: Offline Points: 47 |
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You are undeniably correct in this.
Classical music is what it is because of it's form, which virtually none of the prog bands used or currently use.
I think most people assume that classical music is what it is because it sounds like an orchestra, but that was purely coincedental, as they were the only musical instruments around at the time. Most prog bands do not use any form at all. In fact the only modern music where composers write within a strict form is probably pop music, albeit a simple form (i.e. intro, verse, chorus, mid8, verse chorus, chorus, coda).
I think the debate goes on because many people here think of "classical influence" as having some similarity in the sound, melody and counterpoint that they hear in classical music played by an orchestra.
But the fact is, you could take 200 guitar players and have them play all the parts of a Haydn, Beethoven, Mozart work, and it would still be the Sonata, Symphony or Concerto that it always was because of it's form, but it would definately not sound the same, of course.
In contrast, if you had an orchestra play Supper's Ready, it might sound interesting, but there would be nothing classical about it.
However, there are a small amount of prog bands that have use a condensed Sonata form, where the 4 movements are combined into 1 piece, and almost follow the required developement for each movement, but it's most uncommon and probably unnoticed.
It also bugs me a bit when prog bands are called Symphonic rock, when there is no reference to the Symphonic form in their music at all.
Keith
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Quasar ![]() Forum Groupie ![]() Joined: February 20 2009 Location: London/San Fran Status: Offline Points: 47 |
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This is not a fact!
I don't regard Pink Floyd as a Prog band, They were a Psychadelic band from the 60s and really nothing changed for them.
And why ELP and not The Nice? The Nice came first, and they were both virtually the same thing, if you're talking "pioneers" surely The Nice should get the credit, not ELP.
And why not Van der Graaf Generator, or Amon Duul II, or even The Moody Blues?
I think you picked the most successful, and not neccessarily the pioneers.
Keith
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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By your interpretation you are 100% correct. By using vague generalisations Prog can be said to have been influenced by just about anything, as your Blues example so aptly demonstrates (though Progressive Blues is still a bit of a no-go area as far as Progressive Rock is concerned).
However, I do not believe that such a generalisation is in the spirit of the OT, which infers a more direct, one-degree of separation, connection between Prog and Classical Music, and was qualified by distinct examples by individual bands and not as a catch-all of the entire genre. I also think that the six pages of discussions that followed tend to support my interpretation, even if they have been sidetracked by the discussion of qualifications and musical training which I maintain has little or no bearing on the music that musicians create and cannot be used as an indication of musical influence.
And I disagree with this idea that classical music was such a primary influence, even in the Big-6. Any influence of classical music on Prog has been in the most part secondary or even tertiary.
The problem I have is that the if influence of the Classical Period had been so great and so direct, then it would show in more rigid and more easily identifiable structures within the compositions such as those found in the sonata form (or even as sonatas themselves) and other strict classical forms - Prog is more free-form than that - to me it shows an unstructured, "make it up as we go", approach that typifies the free-form jams that preceded it in Psyche Rock but as improvised composition rather than improvised playing. Also the classically inspired ornamentation that was present in Baroque Pop of the 60s (Procol Harum, Moody Blues etc) carries on into the Prog era, embellishing the music with pastiches of classical motifs, many simply lifted wholesale from popular classical pieces without the accompanying development of that motif throughout the piece. In retrospect the end result may appear to look structured and therefore influenced by classical techniques, it rarely follows classical "rules". Just because it sounds Classical doesn't mean it is Classical in derivation.
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