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tszirmay View Drop Down
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Direct Link To This Post Posted: June 21 2012 at 11:12
Dissing prog is NOT a new phenomenon, it was also very powerful back in the 70s as well because most rock reviewers (Lester Bangs, Chris Welch, Mike Clifford,  the morons at NME and Melody Maker, as well as newspaper critics) loved to heap insult on talent , coining terms such as Jethro Dull, Out of Focus, No, Emerson, Lake and Puddle, etc...). Being frustrated non-musicians they felt complexed by the Wakemans of the world and thus bashed them insanely while propping up HUGE (snort) talents like Sid Vicious, Ian Dury, the Ramones, etc...
So I am glad that many people hate prog because it's the only guarantee that it will live and prosper ! Nothing is worth defending more !
I never post anything anywhere without doing more than basic research, often in depth.
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Direct Link To This Post Posted: June 21 2012 at 11:12
One of the songs that opened the floodgates to prog for me.  Curiously, there are some aspects that I don't like about it as much as I did then.  But that solo still forgives much, man is it awesome.  
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Direct Link To This Post Posted: June 21 2012 at 11:51
No, you're not overrating it at all.
 
If the w*****s on the other forum don't appreciate it, that's their tough luck and bad taste. I think it's one of the perfect prog tracks, no - one of THE perfect music tracks.
 
Keep telling it how you see it and don't back down.
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Direct Link To This Post Posted: June 21 2012 at 12:18
Originally posted by tszirmay tszirmay wrote:

Dissing prog is NOT a new phenomenon, it was also very powerful back in the 70s as well because most rock reviewers (Lester Bangs, Chris Welch, Mike Clifford,  the morons at NME and Melody Maker, as well as newspaper critics) loved to heap insult on talent , coining terms such as Jethro Dull, Out of Focus, No, Emerson, Lake and Puddle, etc...). Being frustrated non-musicians they felt complexed by the Wakemans of the world and thus bashed them insanely while propping up HUGE (snort) talents like Sid Vicious, Ian Dury, the Ramones, etc...
So I am glad that many people hate prog because it's the only guarantee that it will live and prosper ! Nothing is worth defending more !

Welch was a massive Genesis & Yes fan, in fact of prog in general. He was one of its biggest supporters in the music press.

With regard to previous comments, Firth of Fifth is a great piece of music, and I also think that the Seconds Out version is magnificent.
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Direct Link To This Post Posted: June 21 2012 at 12:58
Originally posted by lazland lazland wrote:

Originally posted by tszirmay tszirmay wrote:

Dissing prog is NOT a new phenomenon, it was also very powerful back in the 70s as well because most rock reviewers (Lester Bangs, Chris Welch, Mike Clifford,  the morons at NME and Melody Maker, as well as newspaper critics) loved to heap insult on talent , coining terms such as Jethro Dull, Out of Focus, No, Emerson, Lake and Puddle, etc...). Being frustrated non-musicians they felt complexed by the Wakemans of the world and thus bashed them insanely while propping up HUGE (snort) talents like Sid Vicious, Ian Dury, the Ramones, etc...
So I am glad that many people hate prog because it's the only guarantee that it will live and prosper ! Nothing is worth defending more !

Welch was a massive Genesis & Yes fan, in fact of prog in general. He was one of its biggest supporters in the music press.
 
 
And Pink Floyd. He was a friend of a friend in the early 70s and I went to some gigs with them; he loved good prog. Indeed, Melody Maker was certainly supportive of prog in general, as was Sounds. NME hated it in general,
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Direct Link To This Post Posted: June 21 2012 at 13:07
Originally posted by Hercules Hercules wrote:

Originally posted by lazland lazland wrote:

Originally posted by tszirmay tszirmay wrote:

Dissing prog is NOT a new phenomenon, it was also very powerful back in the 70s as well because most rock reviewers (Lester Bangs, Chris Welch, Mike Clifford,  the morons at NME and Melody Maker, as well as newspaper critics) loved to heap insult on talent , coining terms such as Jethro Dull, Out of Focus, No, Emerson, Lake and Puddle, etc...). Being frustrated non-musicians they felt complexed by the Wakemans of the world and thus bashed them insanely while propping up HUGE (snort) talents like Sid Vicious, Ian Dury, the Ramones, etc...
So I am glad that many people hate prog because it's the only guarantee that it will live and prosper ! Nothing is worth defending more !

Welch was a massive Genesis & Yes fan, in fact of prog in general. He was one of its biggest supporters in the music press.
 
 
And Pink Floyd. He was a friend of a friend in the early 70s and I went to some gigs with them; he loved good prog. Indeed, Melody Maker was certainly supportive of prog in general, as was Sounds. NME hated it in general,

Yep, precisely how I remember it (aside from the gigs with Welch!).
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Direct Link To This Post Posted: June 21 2012 at 13:47
everybody is talking about the godly guitar solo in the song, but Phils drumming during the solo is the best drumming (finesse) he have ever done IMO; so freaking subtle, stil extremely crazy in its unpredictabilaty, and constantly changeing, never hitting the same symbal twice or tam-tam twice always moving while Steve is sonoring his guitar,

try to only listen to the drums in the solo, it is spectavular. take note to the simple yet magnificent drumfill at 7:48 - 7:50, in the song, it is one of the best drum fills i have ever heard
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Direct Link To This Post Posted: June 21 2012 at 13:52
Originally posted by lazland lazland wrote:

Originally posted by Hercules Hercules wrote:

Originally posted by lazland lazland wrote:

Originally posted by tszirmay tszirmay wrote:

Dissing prog is NOT a new phenomenon, it was also very powerful back in the 70s as well because most rock reviewers (Lester Bangs, Chris Welch, Mike Clifford,  the morons at NME and Melody Maker, as well as newspaper critics) loved to heap insult on talent , coining terms such as Jethro Dull, Out of Focus, No, Emerson, Lake and Puddle, etc...). Being frustrated non-musicians they felt complexed by the Wakemans of the world and thus bashed them insanely while propping up HUGE (snort) talents like Sid Vicious, Ian Dury, the Ramones, etc...
So I am glad that many people hate prog because it's the only guarantee that it will live and prosper ! Nothing is worth defending more !

Welch was a massive Genesis & Yes fan, in fact of prog in general. He was one of its biggest supporters in the music press.
 
 
And Pink Floyd. He was a friend of a friend in the early 70s and I went to some gigs with them; he loved good prog. Indeed, Melody Maker was certainly supportive of prog in general, as was Sounds. NME hated it in general,

Yep, precisely how I remember it (aside from the gigs with Welch!).


Edited by tszirmay - June 21 2012 at 14:08
I never post anything anywhere without doing more than basic research, often in depth.
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Direct Link To This Post Posted: June 21 2012 at 13:55
Originally posted by tszirmay tszirmay wrote:

Dissing prog is NOT a new phenomenon, it was also very powerful back in the 70s as well because most rock reviewers (Lester Bangs, Chris Welch, Mike Clifford,  the morons at NME and Melody Maker, as well as newspaper critics) loved to heap insult on talent , coining terms such as Jethro Dull, Out of Focus, No, Emerson, Lake and Puddle, etc...). Being frustrated non-musicians they felt complexed by the Wakemans of the world and thus bashed them insanely while propping up HUGE (snort) talents like Sid Vicious, Ian Dury, the Ramones, etc...
So I am glad that many people hate prog because it's the only guarantee that it will live and prosper ! Nothing is worth defending more !
I agree with the sentiment in the post but puzzled why you put Chris Welch in the 'anti-prog' camp. He was a big supporter of prog and well known ELP/Yes fan.
EDIT - I should have read the posts that followedLOL

Edited by richardh - June 21 2012 at 13:56
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Direct Link To This Post Posted: June 21 2012 at 13:59
Originally posted by tszirmay tszirmay wrote:

Originally posted by lazland lazland wrote:

Originally posted by Hercules Hercules wrote:

Originally posted by lazland lazland wrote:

Originally posted by tszirmay tszirmay wrote:

Dissing prog is NOT a new phenomenon, it was also very powerful back in the 70s as well because most rock reviewers (Lester Bangs, Chris Welch, Mike Clifford,  the morons at NME and Melody Maker, as well as newspaper critics) loved to heap insult on talent , coining terms such as Jethro Dull, Out of Focus, No, Emerson, Lake and Puddle, etc...). Being frustrated non-musicians they felt complexed by the Wakemans of the world and thus bashed them insanely while propping up HUGE (snort) talents like Sid Vicious, Ian Dury, the Ramones, etc...
So I am glad that many people hate prog because it's the only guarantee that it will live and prosper ! Nothing is worth defending more !

Welch was a massive Genesis & Yes fan, in fact of prog in general. He was one of its biggest supporters in the music press.
 
 
And Pink Floyd. He was a friend of a friend in the early 70s and I went to some gigs with them; he loved good prog. Indeed, Melody Maker was certainly supportive of prog in general, as was Sounds. NME hated it in general,

Yep, precisely how I remember it (aside from the gigs with Welch!).
I know he was positive at first during the 'golden years" but I read that by the early 80s , he was dismissive of prog and felt that is was only a fad and reverted to glorifying the rockers . I may be wrong but I do remember many scribes who went the "other "way.
Welch never did as I remember it. He wrote a positive article about neo prog in the eighties for Kerrang around about 1985. I also saw him at ELP's 25th anniversary convention in 1995 so he was still very interested in the genre.
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Direct Link To This Post Posted: June 21 2012 at 14:05

I am so sorry, I confused Chris Welsh with the reviled Alan Jones, I am getting senile with old age!

Will you all forgive me?
Especially Chris? Please Embarrassed


Edited by tszirmay - June 21 2012 at 14:09
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Direct Link To This Post Posted: June 21 2012 at 14:32
Originally posted by Los_Endos Los_Endos wrote:

Ok. I am in this other forum that has bugger all to do with music...except they have a music section.
Someone posted a game. Name 4 songs, we all review then and add 4 songs.
I added Firth as one of my songs.
It was trashed to f**k by all...
"nice piano intro...turned into generic prog" "boring" etc 3/10 was average
I think its a masterpiece. An absolute masterpiece without question.
Question is. Am I over-rating this track?



Well if you are overrating it, so am i. Its up there as one of my favourite genesis tracks and is a real classic
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Direct Link To This Post Posted: June 21 2012 at 15:06
Originally posted by tszirmay tszirmay wrote:

I am so sorry, I confused Chris Welsh with the reviled Alan Jones, I am getting senile with old age!

Will you all forgive me?
Especially Chris? Please Embarrassed

How could we not forgive you?Hug

Allan Jones was and is a wa***er.
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Direct Link To This Post Posted: June 21 2012 at 15:31
Actually , the perfect word to describe him is Censored"filth" .
 
Thanks for the huggy ! 
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Direct Link To This Post Posted: June 21 2012 at 15:50
"Firth of Fifth". Boring? A prog listener has to be a lifeless human not to dig that piano-then-flute theme. As Jim Garten pointed out, it might be a template for generic prog. A couple of themes and some variations on those themes. Besides, all those negative comments made about the song - that's just a way of not appreciating all the hard work Tony has put into it. He was pleased with it, I am pleased with it.
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Direct Link To This Post Posted: June 21 2012 at 18:55
I really love that song, and indeed I feel it is perfect... just one perfect musical section after another, all perfectly fit together, it's one of those few songs I wouldn't chang any part of it. As for the Seconds Out version, well, I thought it was nice too, and I like Phills singing better, but not having the piano intro is unforgivable, and not having the flute section also damages the song (even it that one is replaced with keybaords).
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Direct Link To This Post Posted: June 21 2012 at 20:25
The part that "ruins" the song for me is the intro. Still a great song, i just skip past it.
Crushed like a rose in the riverflow.
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Direct Link To This Post Posted: June 21 2012 at 20:42
Synonyms of perfection :

Accomplishment
Excellence
Firth of Fifth
Purity
Superiority
Virtue
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Direct Link To This Post Posted: June 22 2012 at 14:28
A perfect song for me too, but it's also one I have tried a few times as introduction to prog for some non-prog people thinking that it would work because it's so beautiful, and it didn't work. Others have said why it may not work with people alien to prog values so I'm not going to repeat here.
 
Too bad but that's just one song, the real sad thing is that most people do not appreciate anything prog at all, even if prog is nowadays such a broad concept.
 
What were the songs those people in that other forum posted?
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Direct Link To This Post Posted: June 22 2012 at 14:49
The song is nothing if not remarkable....Rutherford's bass part is stately, well-measured and the perfect foundation for the rest of the music.  All instrumental performances are sublime.  

I enjoying singing Gabriel's vocals while playing Rutherford's parts on bass....much fun!  

Probably one of the best by Genesis....if a person doesn't like Genesis, well, they won't like FOF.  
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