Pez Live in Buenos Aires, Tribute to Los Orfebres

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   On July 26th, 2025, the Argentine band Pez, which has known how to change genres and lineup from album to album, performed to commemorate their 2007 album, Los Orfebres. There, they cultivated Progressive Rock, Jazz-Rock, Funk, and Psychedelia. Just as it was recorded, without pauses and in real time, the entire album took a lot of practice, as it contains truly complex parts. Ariel Sanzo, their singer and guitarist, has a powerful and unique guitar sound that imposes presence and style, and stands out. The concert was at the Niceto Club in Buenos Aires, and since I was next to the stage, I was able to see and hear everything from a privileged perspective.
At times, the dialogue between the keyboard and the guitar and drums, which were gradually playing out towards the margins, reminded me of the best Van der Graaf.

They then embarked on the premiere of a rather epic and lengthy track that will be featured on their new album, titled "De Buenos Aires," which explores jazz rock alongside tango in the style of Astor Piazzolla. They invited a bandoneon player friend to play the song. The new melodies are truly welcome, especially because they inaugurate a new era in the band, where they will delve deeply into complex compositions, as they have done on albums like "Convivencia Sagrada" (2001), "El Sol Atrás Del Sol" (2002), "Folkllore" (2004), and "Hoy" (2006).

Ariel spoke only a few words, as if he felt an impulse he needed to exorcise through playing.
Then, at the end, some classics from all eras, from his... 31-year career! And they left me wanting to see more.

The tracklist was:

Los orfebres
Spuistraat 249
Último acto
Confuso como un héroe
Ni discos de Bob
¡Salvajes!
(A Alejandro Jodorowsky)
Hay lo que hay
Rey, verdugo y esclavo
Acelera sus latidos corriendo a ningún lado como un toro asustado
Y cuanto más grita menos es escuchado
Existencialismo
De Buenos Aires
(New song)
Muralla china
(Astor Piazzolla cover)
Para las almas sensibles
Busco decir (El festival de la vergüenza ajena)
¡Vamos!
Somos fantasmas habitando un castillo cuyo alquiler ya no podemos pagar
La flecha
Maldición
Desde el viento en la montaña hasta la espuma del mar
Rompe el alba
Lo que se ve no es lo real 

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Fercandio46 Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: September 06 2023 Location: Argentina Status: Online Points: 250	Post Options Post Reply Quote Fercandio46 Report Post Thanks(0) Quote Reply Topic: Pez Live in Buenos Aires, Tribute to Los Orfebres Posted: August 19 2025 at 12:15
	On July 26th, 2025, the Argentine band Pez, which has known how to change genres and lineup from album to album, performed to commemorate their 2007 album, Los Orfebres. There, they cultivated Progressive Rock, Jazz-Rock, Funk, and Psychedelia. Just as it was recorded, without pauses and in real time, the entire album took a lot of practice, as it contains truly complex parts. Ariel Sanzo, their singer and guitarist, has a powerful and unique guitar sound that imposes presence and style, and stands out. The concert was at the Niceto Club in Buenos Aires, and since I was next to the stage, I was able to see and hear everything from a privileged perspective. At times, the dialogue between the keyboard and the guitar and drums, which were gradually playing out towards the margins, reminded me of the best Van der Graaf. They then embarked on the premiere of a rather epic and lengthy track that will be featured on their new album, titled "De Buenos Aires," which explores jazz rock alongside tango in the style of Astor Piazzolla. They invited a bandoneon player friend to play the song. The new melodies are truly welcome, especially because they inaugurate a new era in the band, where they will delve deeply into complex compositions, as they have done on albums like "Convivencia Sagrada" (2001), "El Sol Atrás Del Sol" (2002), "Folkllore" (2004), and "Hoy" (2006). Ariel spoke only a few words, as if he felt an impulse he needed to exorcise through playing. Then, at the end, some classics from all eras, from his... 31-year career! And they left me wanting to see more. The tracklist was: Los orfebres Spuistraat 249 Último acto Confuso como un héroe Ni discos de Bob ¡Salvajes! (A Alejandro Jodorowsky) Hay lo que hay Rey, verdugo y esclavo Acelera sus latidos corriendo a ningún lado como un toro asustado Y cuanto más grita menos es escuchado Existencialismo De Buenos Aires (New song) Muralla china (Astor Piazzolla cover) Para las almas sensibles Busco decir (El festival de la vergüenza ajena) ¡Vamos! Somos fantasmas habitando un castillo cuyo alquiler ya no podemos pagar La flecha Maldición Desde el viento en la montaña hasta la espuma del mar Rompe el alba Lo que se ve no es lo real