.
I do understand that an album review is inherently Subjective by nature...
but I feel that there comes a point when a review can be "TOO subjective"
and, in turn, it actually loses its value as a helpful guide for others.
Anytime a review includes statements like:
"This was the first record I bought with my allowance"
...or...
"The singer couldn't hit the notes in concert"
...or...
"I can never get into this band -- so this album is no different"
...or...
"Joe Blow doesn't sound exactly the same way as original member Bob Slob"
...or...
"Everything So-and-so does is prog perfection"
... etc ...
I tend to discount the opinion of the reviewer because s/he isn't really evaluating the album for the material presented on it. Instead--the album is put in some irrelevant personal context.
Is CLOSE TO THE EDGE really worthy of the "Top Prog Album of All Time" status to people who didn't first hear it in the 70's? To any prog listener under the age of 35, is it even the band's best album?
Is DRAMA really a bad album because Trevor Horn couldn't sing ROUNDABOUT live?
If you know you absolutely can't stand ROGER WATERS, what good is it for you to "review" his album? You've already decided that you're not gonna like like it. How will that help us?
Maybe if you were to put it in some constructive comparative perspective... but you probably won't... So why bother, really?
If CALLING ALL STATIONS was released by some unknown band, would it still get completely killed?
How about if MARILLION or SPOCK'S BEARD released it?
Do ALL those TOOL albums reeealllly deserve 5 stars? C'mon, now... FIVE stars ?!!
Ideally...
We would all only review albums wrapped in nondescript packaging
and we would not factor-in the music's possible nostalgic connection.
However, of course, I do realize that THAT is impossible.