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Why can't I stand most modern prog?

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SteveG View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote SteveG Quote  Post ReplyReply Direct Link To This Post Posted: November 22 2019 at 10:42
Originally posted by Frenetic Zetetic Frenetic Zetetic wrote:

I too don't have an ear for much after the 70's. Most of the modern progressive stuff I'm into is metal.
Probably because prog slowed down to a trickle in the 80s.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: November 22 2019 at 17:33
Originally posted by SteveG SteveG wrote:

Originally posted by Frenetic Zetetic Frenetic Zetetic wrote:

I too don't have an ear for much after the 70's. Most of the modern progressive stuff I'm into is metal.
Probably because prog slowed down to a trickle in the 80s.

The music didn't slow down just the mainstream acceptance of it as a contemporary art form. 


Edited by AFlowerKingCrimson - November 22 2019 at 22:55
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: November 22 2019 at 21:49
Originally posted by SteveG SteveG wrote:

Originally posted by Frenetic Zetetic Frenetic Zetetic wrote:

I too don't have an ear for much after the 70's. Most of the modern progressive stuff I'm into is metal.
Probably because prog slowed down to a trickle in the 80s.

I'm of the opinion that the music did not slow down ... what hurt the most, specially in America, was the fact that FM radio went commercial, with corporate folks buying out all the independent stations, and almost all of them at the start (in America!!!) were independent, which helped a lot of this music. 

When the help faded, we immediately said that "prog" died ... for crying out loud, the arts never die, but paying attention to any of them is important, and since we tend to act like lemmings, and always follow the top ten, of course prog died ... no one else "knew" what to listen to and their favorite band was getting old and tired!

Music, any ART, NEVER DIES ... it's our ability to see it, that dies ... because we are lazy, and often times stuck on one thing ... and can't see/find ... anything that is not only dressed differently, but also sounds different! Or as my mom, often says ... I hate subtitles and won't watch foreign films ... her LOSS!

Modern prog is as good as the older stuff ... we just won't give it a proper/clean, and above all an HONEST listen!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Grumpyprogfan Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 00:44
Originally posted by moshkito moshkito wrote:

Modern prog is as good as the older stuff ... we just won't give it a proper/clean, and above all an HONEST listen!

It is better than the older stuff and there is more variety.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 00:52
Originally posted by moshkito moshkito wrote:

Originally posted by SteveG SteveG wrote:

Originally posted by Frenetic Zetetic Frenetic Zetetic wrote:

I too don't have an ear for much after the 70's. Most of the modern progressive stuff I'm into is metal.
Probably because prog slowed down to a trickle in the 80s.


I'm of the opinion that the music did not slow down ... what hurt the most, specially in America, was the fact that FM radio went commercial, with corporate folks buying out all the independent stations, and almost all of them at the start (in America!!!) were independent, which helped a lot of this music. 

When the help faded, we immediately said that "prog" died ... for crying out loud, the arts never die, but paying attention to any of them is important, and since we tend to act like lemmings, and always follow the top ten, of course prog died ... no one else "knew" what to listen to and their favorite band was getting old and tired!

Music, any ART, NEVER DIES ... it's our ability to see it, that dies ... because we are lazy, and often times stuck on one thing ... and can't see/find ... anything that is not only dressed differently, but also sounds different! Or as my mom, often says ... I hate subtitles and won't watch foreign films ... her LOSS!

Modern prog is as good as the older stuff ... we just won't give it a proper/clean, and above all an HONEST listen!



I believe it's less that the listeners are lazy and more that producers and labels have grown more and more risk averse.

Also, in watching some of David Hoffman's old clips about the 60s, I wonder if the conditions that produced the counterculture movement will return in a long time. Take away large scale addiction to trippy drugs and suddenly prog is not so cool anymore and is music that requires a lot of patience to appreciate.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 06:35
Originally posted by moshkito moshkito wrote:

Originally posted by SteveG SteveG wrote:

Originally posted by Frenetic Zetetic Frenetic Zetetic wrote:

I too don't have an ear for much after the 70's. Most of the modern progressive stuff I'm into is metal.
Probably because prog slowed down to a trickle in the 80s.

I'm of the opinion that the music did not slow down ... what hurt the most, specially in America, was the fact that FM radio went commercial, with corporate folks buying out all the independent stations, and almost all of them at the start (in America!!!) were independent, which helped a lot of this music. 


I agree that this had a lot to do with it, for US audiences...which made the labels stop signing it to sign what was getting airplay and hence, sales.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote SteveG Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 06:58
Originally posted by Snicolette Snicolette wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by SteveG SteveG wrote:

Originally posted by Frenetic Zetetic Frenetic Zetetic wrote:

I too don't have an ear for much after the 70's. Most of the modern progressive stuff I'm into is metal.
Probably because prog slowed down to a trickle in the 80s.

I'm of the opinion that the music did not slow down ... what hurt the most, specially in America, was the fact that FM radio went commercial, with corporate folks buying out all the independent stations, and almost all of them at the start (in America!!!) were independent, which helped a lot of this music. 


I agree that this had a lot to do with it, for US audiences...which made the labels stop signing it to sign what was getting airplay and hence, sales.
It's due to a host of reasons. The primary being that prog artists were coerced by record companies, or of their own volition, into recording more mainstream music, such as Genesis, Renaissance and even Rush. Couple that with many prog artists hanging it up in the late seventies like VDGG and the Strawbs, as examples, and you have a natural drop off. There's no one defining reason.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 07:05
Agreed, sort of a domino effect.  
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Nogbad_The_Bad Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 07:22
Originally posted by moshkito moshkito wrote:

I'm of the opinion that the music did not slow down ... what hurt the most, specially in America, was the fact that FM radio went commercial, with corporate folks buying out all the independent stations, and almost all of them at the start (in America!!!) were independent, which helped a lot of this music. 


Originally posted by rogerthat rogerthat wrote:



I believe it's less that the listeners are lazy and more that producers and labels have grown more and more risk averse.
 

These are both major contributors. I get the feeling in the 60's and 70's the labels had less of a clue on what they were doing and would take a risk. It's now all big data driven like moneyball baseball and they just follow the numbers based on probability.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote micky Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 08:25
good points about the corporate nature of what rock music and the labels helping 'kill' off prog. They found the best way to sell music to pigeon hole bands and music.. and its listeners.

on the flip side.. Napster and its ilk were teh great liberators of prog rock...  sticking a knife in the heart of major labels and their grp on music. So hand in hand with the internet/social media at the turn of millenium the prog underwent a renaissance as the internet was not just a place for fans to meet.. and discover teh oldies.. but a new age of indepent production, promotion and distribution came with it.

with with all being cyclical again man..  was both the seed of its renaissance 20 odd years ago. but also the seed of its decline ...  earlier this decade. The divorce between the prog and progressive camps and the shear glut of music being put out made it difficult for bands to survive, much less actually make anything approaching a living making music, to thrive when everyone and their snake could record and produce prog albums.  
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 08:53
Originally posted by Nogbad_The_Bad Nogbad_The_Bad wrote:

Originally posted by moshkito moshkito wrote:

I'm of the opinion that the music did not slow down ... what hurt the most, specially in America, was the fact that FM radio went commercial, with corporate folks buying out all the independent stations, and almost all of them at the start (in America!!!) were independent, which helped a lot of this music. 


Originally posted by rogerthat rogerthat wrote:



I believe it's less that the listeners are lazy and more that producers and labels have grown more and more risk averse.
 

These are both major contributors. I get the feeling in the 60's and 70's the labels had less of a clue on what they were doing and would take a risk. It's now all big data driven like moneyball baseball and they just follow the numbers based on probability.

Zappa had mentioned something of this sort.  That the new A&Rs were like, "We know this music and we KNOW this will sell" where the older guys used to say,  "I don't know this music but I will take a chance on it".
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 08:59
The music industry is about sales and promotion of music that they think will sell. For the most part prog was always a bit of an odd duck and a "hard sell" so when opportunities came along to market and promote other forms that were more accessible the record labels and music business(including radio)didn't hesitate. For the most part those "other" music forms were disco, punk, new wave and arena rock. There's a common belief that punk killed off prog and while there is maybe some truth to that(in so far as it ushered in a shift in what was considered marketable in the music industry)it wasn't the only thing to take down prog. The music industry basically looks for bands and artists they feel the public will go for. I'm talking about the masses here not just a small niche(ie prog fans). Over the years they have become very good at figuring out what sells and what the majority of people want. There's a reason you hardly ever see any experimental or progressive acts on late night tv as musical guests. The media in general still ignores prog and pretty much any music form that is outside the norm because they don't want to "waste" capital on promoting something when they don't think there will be much of an roi and or an acceptance of something that is left field. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:03
In the early seventies prog sold very well though, and there was a big appetite for more experimental stuff that could make things commercially viable as would never happen again in later years. So even a record company run by commercial interests only would want to publish some prog and out there stuff.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Nogbad_The_Bad Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:06
Originally posted by micky micky wrote:

good points about the corporate nature of what rock music and the labels helping 'kill' off prog. They found the best way to sell music to pigeon hole bands and music.. and its listeners.

on the flip side.. Napster and its ilk were teh great liberators of prog rock...  sticking a knife in the heart of major labels and their grp on music. So hand in hand with the internet/social media at the turn of millenium the prog underwent a renaissance as the internet was not just a place for fans to meet.. and discover teh oldies.. but a new age of indepent production, promotion and distribution came with it.

with with all being cyclical again man..  was both the seed of its renaissance 20 odd years ago. but also the seed of its decline ...  earlier this decade. The divorce between the prog and progressive camps and the shear glut of music being put out made it difficult for bands to survive, much less actually make anything approaching a living making music, to thrive when everyone and their snake could record and produce prog albums.  


Don't give napster and their like credit, they're a big part of the reason people think music should be free.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote micky Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:11
that's not a moral judgement Ian.. just an intellectual one.  Rightly or wrongly.. it changed the way music is made and the prog revival.. the 2nd golden age of prog during the 'oughts' was in large part due to it.  Bands were freed from the majors.. and went directly to the audiences...
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Nogbad_The_Bad Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:14
Id say music being available on the internet did that not pirates giving away big artist music for free to generate advertising revenue.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote micky Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:17
yes what gave rise to that whole notion... Napster....
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:25
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

The music industry is about sales and promotion of music that they think will sell. For the most part prog was always a bit of an odd duck and a "hard sell" so when opportunities came along to market and promote other forms that were more accessible the record labels and music business(including radio)didn't hesitate. For the most part those "other" music forms were disco, punk, new wave and arena rock. There's a common belief that punk killed off prog and while there is maybe some truth to that(in so far as it ushered in a shift in what was considered marketable in the music industry)it wasn't the only thing to take down prog. The music industry basically looks for bands and artists they feel the public will go for. I'm talking about the masses here not just a small niche(ie prog fans). Over the years they have become very good at figuring out what sells and what the majority of people want. There's a reason you hardly ever see any experimental or progressive acts on late night tv as musical guests. The media in general still ignores prog and pretty much any music form that is outside the norm because they don't want to "waste" capital on promoting something when they don't think there will be much of an roi and or an acceptance of something that is left field. 

The shock value of punk is way overestimated.  Prog, albeit in a depleted and diluted form, would have got past the punk phase but when New Wave came along, labels had no appetite left for prog.  I remember a 1979 interview where Renaissance (Annie and John Tout to be specific) speculated that they may have seen off punk.  But then New Wave happened and prog rock bands either lost contracts outright or tried to go New Wave (like Ren) and crashed out anyway.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote AFlowerKingCrimson Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:29
Punk in it's initial and purist form didn't really last that long but it's influence did. It started a new trend in music that allowed for other things like new wave, gothic, alternative etc. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: November 23 2019 at 09:39
Originally posted by AFlowerKingCrimson AFlowerKingCrimson wrote:

Punk in it's initial and purist form didn't really last that long but it's influence did. It started a new trend in music that allowed for other things like new wave, gothic, alternative etc. 

Speaking of which, metal. BECAUSE a lot of progheads, particularly the older ones, don't get or don't like metal, they don't understand how it, at a superficial level, filled the excess and adventure quotient of prog while also being very aggressive and intense music (to hook youngsters).  Good new metal music has gone underground like most rock genres but it survives better than most others because that combination gives it a certain enduring appeal.  It doesn't matter that there aren't any odd time sigs in Rime of the Ancient Mariner, for instance, or even Hallowed for the most part.  That epic structure and long stretches of guitar playing without vocals make it 'bigger' than plain vanilla rock and at the same time, it is kickass in a way prog cannot be.  The need to be kickass also imposes limitations on metal but that doesn't stop it filling in for the superficial need that prog satisfied in the 70s.  In a sense, it's true what the critics say.  It's the pomp and excess that made prog stand out and become popular in the 70s.  Those qualities have been appropriated by metal now.  It's also easier to listen to metal in say a noisy pub because everything is turned up to 11 and the inability to make out subtle dynamics is not an issue.   
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