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Family: Music In A Doll's House |
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Cosmiclawnmower ![]() Forum Senior Member ![]() ![]() Joined: August 09 2010 Location: West Country,UK Status: Offline Points: 4018 |
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![]() ''Strange looking band were we''
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moshkito ![]() Forum Senior Member ![]() ![]() Joined: January 04 2007 Location: Grok City Status: Offline Points: 18572 |
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Hi,
I am of the opinion that FAMILY became a much better band once John Wetton left and they went into a much more rock oriented sound and their work got tighter and stronger, even though we don't consider it "progressive music", at the very least the strong, and very well defined guitar style for this band, was always excellent, and it continued in the STREETWALKERS material and even then after that on Roger Chapman's solo albums (notably HYENAS ONLY LAUGH FOR FUN). Some folks like the earlier material because it was strange and sometimes weird, and it came off kinda drug crazy many times, but I find their last 3 albums much better all around (before they became STREETWALKERS), and for playing it on radio (Guy Guden pretty much tore up many of these albums, that's how much they were played!) around other pieces of music, these made for an excellent amount of material that could be heard time and again. Personally, I liked some of their very explosive pieces, instead of the more recognized sounding stuff. Things like BUFFET TEA FOR TWO, TAKE YOUR PARTNERS, and the like stood out for their individuality, which might have had its inception from within the progressive ranks, however, I really think that these were all intentionally defined around making their rock music design stronger and more appealing than just a piece here and there and a solo right here, kind of thing ... it was not about the solo ... it was about illustrating Roger Chapman's voice, and all the way to Chappo's solos this was very well done. To me, since there were no "solos" to speak off, in many ways that made it for more "progressive" than otherwise. Sometimes people name something "progressive" simply because someone extends the solo much more ... and his name is Howe, or __________ (whoever!). The earlier material was a bit on the stony and weird side, and fun to listen to ... so it can be considered "progressive", being in the early days of PF, later days of Beatles, and the psychedelia craze. Even though it is fun to listen to, it is not my favorite material by this band at all ... which for me has always been about the voice and the guitar explosions ... and Chappo was one of the best at it.
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Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
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SteveG ![]() Forum Senior Member ![]() ![]() Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20617 |
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^ I prefer the "druggy crazy stuff".
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SteveG ![]() Forum Senior Member ![]() ![]() Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20617 |
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The.Crimson.King ![]() Forum Senior Member ![]() ![]() Joined: March 29 2013 Location: WA Status: Offline Points: 4596 |
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I've had this album for a couple years and have given many listens. I like it, but it's never risen to the level of other late 60's psych/protoprog I love like the 1st Floyd album, Nazz Nazz, Procol's debut, S&Garfunkel's Bookends, Zappa's Absolutely Free, Giles Giles & Fripp, etc. In a lot of ways, it reminds me of the Small Faces "Ogden's Nut Gone Flake" without the silly voices and narration.
OTOH, the Streetwalkers 1976 song, "Decadence Code" is my fave Roger Chapman song ever. Here's a bizarre fact, I was just looking the album "Red Card" up on wiki and the drummer was Nicko McBrain...soon to find world stardom as Iron Maiden's drummer
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