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Topic ClosedCarl Palmer as a drummer?

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spleenache View Drop Down
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Direct Link To This Post Posted: December 27 2006 at 16:52
Originally posted by Snow Dog Snow Dog wrote:

If anyone thinks that Slipper is not for real I found this, but he calls himself Slipperman


http://www.badmuckingfastard.com/sound/slipperman.html



 
I find SlippingFig very amusing. I wish he dropped in more often. He is bit of a philosopher too. I think that is great. Everyone needs insight.
 
Getting back to Carl versus others. I think others win.
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Tony R View Drop Down
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Direct Link To This Post Posted: December 27 2006 at 17:06
Hmmm,I think some people should stay within four walls and not interact with other people....

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Ivan_Melgar_M View Drop Down
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Direct Link To This Post Posted: December 27 2006 at 17:52
Originally posted by alan_pfeifer alan_pfeifer wrote:

I've not studied Palmer by any means, but form what I've heard he's a pretty good guy.
 
Ivan, I belive earlier you stated that Jazz drummers sometimes are weaker with basswork.  I have to disagree on that front abit, as there's plenty of Jazz-Based drummers out there such as Lenny White and Billy Cobham (who was one of the drummers at the forefront of doube-bass drumming.) who have exclent bass techniqe. 
 
Alan, I clearly stated weaker with their bassdrums in comparison with their own snares and cymbals:
 
Quote For example the Jazz drummers are normally much better with the cymbals and snares but weaker with the bass drum
 
Also used the word NORMALLY, not in all the cases, when I listen Jazz, the first thing I listen are cymbals and snares, so they develop their skills more, this doesn't mean each and every Jazz drummer will have exactly the same characteristics.
 
Quote
Originally posted by SlipperFink

You can squirm Ivan.

But you can't hide.
 
I don't need to hide from you pal, I'm here every day, you only talk about how great your work is going to be, how our sad little lives are going to be illuminated by your wonderful opus (From which nobody knows a thing yet).
 
But at least in this place you done nothing.
 
I never praised my work, but the day you write 10% of the bios and the reviews I written in Prog Archives and when bands as Magenta or stores selling stuff by Rick Wakeman or Pavlov's Dog take your reviews and include them in their site or translate them to japanese, then tak.
 
You only proved you're an arrogant who are basing your existence in a future project that you haven't even started.
 
I have never received a 70,000 bucks check from Robert Fripp or a 200,000 from another one but a real producer wouldn't brag about this in a public forum because nobody is stupid enough, and even if it's true, that doesn't make you better than anybody.
 
I have read the Slliperman page and it's full of technicall terms i don't claim to understand and a lot of profanities trying to make you sound more inetersting but which I honestly find pathetic.
 
Iván
 
EDIT: Is also interesting to see how you avoid answering specific questions, you just reply with a bunch of insults.
 
The real confident person who things this poor site is too amateur for him, would simply avoid it, not come back again and again trying to receive approval from people who supposedly are not in your level. 


Edited by Ivan_Melgar_M - December 27 2006 at 18:16
            
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Direct Link To This Post Posted: December 27 2006 at 18:54
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

 
I don't need to hide from you pal, I'm here every day, you only talk about how great your work is going to be, how our sad little lives are going to be illuminated by your wonderful opus (From which nobody knows a thing yet).
 
But at least in this place you done nothing.
 
I never praised my work, but the day you write 10% of the bios and the reviews I written in Prog Archives and when bands as Magenta or stores selling stuff by Rick Wakeman or Pavlov's Dog take your reviews and include them in their site or translate them to japanese, then tak.
 
You only proved you're an arrogant who are basing your existence in a future project that you haven't even started.
 
I have never received a 70,000 bucks check from Robert Fripp or a 200,000 from another one but a real producer wouldn't brag about this in a public forum because nobody is stupid enough, and even if it's true, that doesn't make you better than anybody.
 
I have read the Slliperman page and it's full of technicall terms i don't claim to understand and a lot of profanities trying to make you sound more inetersting but which I honestly find pathetic.
 
Iván
 
EDIT: Is also interesting to see how you avoid answering specific questions, you just reply with a bunch of insults.
 
The real confident person who things this poor site is too amateur for him, would simply avoid it, not come back again and again trying to receive approval from people who supposedly are not in your level. 
 
Ivan, way to go man. You scared the SlippingFig off this site.
I will be surprised if he shows up ever again. Maybe under a new pseudoname.
Likes of SlippingFig usually have very thin skin. One thing they cannot stand is being mocked. Keep that in mind for next duel of the words.
 


Edited by spleenache - December 27 2006 at 18:56
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Direct Link To This Post Posted: December 27 2006 at 19:40
Hmm, at risk of sucking up to anyone, this is one of the best debates I've read on PA for a long time....
 
....this may sound shallow but whilst overall I prefer to listen to Bruford's drumming, I love CP's drumming on e.g the DVD "ELP - Masters from the Vault" - it's some of the most breathtaking stuff I've ever seen. OK at times it may be a little like watching an Olympic event rather than a music concert, (ditto Emerson) but it is to my mind truly amazing stuff.
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Direct Link To This Post Posted: December 27 2006 at 19:46
I asked this question in another thread but so far no one replied. Maybe someone can help me here.
 
Does anyone know if Carl Palmer tunes his drums. If yes to what key


Edited by spleenache - December 27 2006 at 20:56
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Direct Link To This Post Posted: December 27 2006 at 19:47
Originally posted by spleenache spleenache wrote:

I will be surprised if he shows up ever again.

    you must know him very well......
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Direct Link To This Post Posted: December 27 2006 at 19:54

Sorry for my mistake earlier, thanks for correcting me Ivan.  You seem a pretty knowledgeable person, I guess I was just being nitpicky for no reason.

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Direct Link To This Post Posted: December 27 2006 at 21:55
Originally posted by spleenache spleenache wrote:

 
Ivan, way to go man. You scared the SlippingFig off this site.
I will be surprised if he shows up ever again. Maybe under a new pseudoname.
Likes of SlippingFig usually have very thin skin. One thing they cannot stand is being mocked. Keep that in mind for next duel of the words.
 
 
Thanks Spleenache, but the last thing I want is to scare péople and scape to debate, I learn more from the people I disagree with than from the ones I agree with and sometimes I'm mistaken because I'm human.
 
I believe more in people who admit the chance they may ne wrong than from those who feel they own the holy Grail of knowledge, in music as in any form of art, there are no absolutes, most of the members of his forum know this and we agree to disagree.
 
I have my perspective, maybe I can't understand most of the terms this guy uses (I would understand some more in my native language which is Spanish), but I say what I believe and what I feel.
 
When you learn to play drums with little help of hired teachers, you have to follow the great ones, my teachers were Phil Collins, Carl Palmer, Bill Bruford and Phil Ehart (The hardest one to follow), and when you follow them you notice the moments in which the timming is wrong or if his snares sound better than than his bass drums because you have npt onkly listened the song 1,000 times but with special emphasis in the drums and what is harder, trying to follow them.
 
I'm sure Slipperfink knows about engeneering but I doubt he's as important as he's trying to convince us he is, and probably hasn't heard the drums specifically as many times as a kid trying to learn until his LP's are so scratched that almost can't be listened repeating a hard section in which he constantly fails.
 
 
Richardh disagrees in 2 out of the 6 points I mentioned about Palmer but he did it in a polite way, I respect that, but when you loose the patience is probably because you're not so sure about what you're saying.
 
Iván
            
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Direct Link To This Post Posted: December 27 2006 at 22:26
Ummm, about Carl Palmer's lack of snare drum skills:

http://www.youtube.com/watch?v=Gn9fkAGwJcM
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Direct Link To This Post Posted: December 27 2006 at 22:42
Originally posted by Sasquamo Sasquamo wrote:

Ummm, about Carl Palmer's lack of snare drum skills:

http://www.youtube.com/watch?v=Gn9fkAGwJcM
 
For God's sake and for thenth time, NOBODY HAS SAID CARL PALMER LACKS OF SKILLS WITH THE SNARES, that's what a determined person  pretended to make believe I had said.
 
Saying that IMO his bass drums skills are stronger than with the snares, doesn't mean he's bad with the snares, only that I believe (I may also be wrong) he's better wih the bass drum.
 
Nobody reaches the peak of musicianship (as I said repeatedly about him) without being extremely good.
 
I'll give you a different example, I work with Civil law but mostly with trademarks, for that reason I feel I'm better working with trademarks but this doesn't mean I'm bad in the rest of the Civil field, Volvo hired me for several years to collect a heavy portfolio of US$ 60'000,000, and this Swedish company wouldn't hire a person who is bad in that field, but still I feel more comfortable with copyright laws.
 
The same is with Palmer, I like the power of his bass drum a lot, his speed is amazing but I don't have the same feeling for his snare work and timing, but he's still a top ten and tob reach that level you have to be extremely good.
 
Iván


Edited by Ivan_Melgar_M - December 27 2006 at 22:44
            
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Direct Link To This Post Posted: December 28 2006 at 02:16

The opposite of modesty is arrogance and nobody likes that.

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Direct Link To This Post Posted: December 28 2006 at 05:59
Originally posted by Tony R Tony R wrote:

Hmmm,I think some people should stay within four walls and not interact with other people....

 
probably true of about 80% of prog fansWink
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Direct Link To This Post Posted: December 28 2006 at 06:03
Let me make Ivans point clear before anyone else posts.

He says Palmer is an excellent drummer, better than many of his contempories.

As a great drummer though he is a little less good in his snare technique and timing etc...


Is that right Ivan?Tongue
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Direct Link To This Post Posted: December 28 2006 at 09:19
^^^
 
Not as good with the snares, cymbals far from perfect and IMHO not very good keeping times.
 
That's exactly what I said in my frst post.
 
Ivan wrote:
Quote
  1. Fast, strong and loud (Power trios need loud drummer).
  2. Great bass drum work
  3. Not as good with the snares
  4. His use of the cymbals is far from perfect
  5. Not very good keeping times
  6. Spectacular and a great sense of showmanship

Still Palmer is a top drummer compared with anybody.

 
 
Quoted literally from my post to avoid misunderstandings. this almost inopcuos statement cause all the problem.
 
Iván


Edited by Ivan_Melgar_M - December 28 2006 at 09:29
            
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Direct Link To This Post Posted: December 28 2006 at 10:36
Really interesting debate here. I saw those two drummers this year. I met both of them backstage, and I have my picture taken with each of them. I even worked for Carl for one night saling his items. I don't know much about drumming, even if I went two times at the Montreal DrumFest. I learned about it a little.

I don't think that we can really compare those gentlemen; Bill is more on the jazz way, more on groove, while the other is more agressive and punchy. Both are technically good, and both give drum clinics and like to teach.

It's like skiers. Some skiers are good on slalom while others are good on giant slalom and fast down hill skiing. We can not say that one skier is better than the other if they don't ski the same event. It's the same with Bruford and Palmer. They don't play the same way, and the same kind of music. If you like Jazz, maybe Bruford is the drummer for you, but if you like the more agressive and fast way to play, than Carl is the drummer for you.

Drumming is not just a technical way; if you can not transmit to the people your joy of playing and good feelings, even if you are technically good, it's not enough.

One thing I noticed; Bill is more relaxed on drumming, while Carl seems to play on a more physical way, more punchy and faster. Carl is also nice on the snare drum like on the video on you tube. Today, IMHO, Carl does try and show new tricks on the drums and snare drums, things that he never did while he was playing with ELP. So, Carl innovated in his way of drumming. For me, he is the more interesting one to watch, the one who blows me away.       
C'est la vie
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Direct Link To This Post Posted: December 28 2006 at 10:41



Mr.Bill Bruford at the Montreal Drum Fest. Very cool and relaxed. Very interesting. A good teacher.



Backstage. A gentleman.

Edited by Prog.Sylvie - December 28 2006 at 10:44
C'est la vie
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Direct Link To This Post Posted: December 28 2006 at 10:47


Carl with his band at the Medley in Montreal. Technically pretty good and very agressive. He still likes to play hard.
C'est la vie
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Direct Link To This Post Posted: December 28 2006 at 10:50


Carl with me at his table. It's midnight, and he does not seem tired. Carl is somekind of hyperactive, believe me. A gentleman too and very talkative.    
C'est la vie
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Direct Link To This Post Posted: December 28 2006 at 11:03
Thanks Sylvie...great photos!
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