EAT ME BABY I'M A JELLY BEAN

Daevid Allen

•

Canterbury Scene

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Daevid Allen Eat Me Baby I'm A Jelly Bean album cover

3.00 | 7 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1998

Songs / Tracks Listing

1. So What (5:05)
2. Gold Top (4:16)
3. I Can't Get Started (6:12)
4. Slow Boat (5:49)
5. It Ain't Necessarily So (5:55)
6. My Funny Valentine (7:27)
7. Au Privave (4:16)
8. St. Petersburg Cafe (4:17)
9. Salt Peanuts (2:56)

Total time 46:13

Line-up / Musicians

- Daevid Allen / vocals

With:
- Eugene Maslov / piano
- Didier Malherbe / alto saxophone
- Larry Steen / bass
- Ndugu Chancler / drums

Releases information

Sub-titled "Daevid Allen sings jazz"

Artwork: David Gregson

CD GAS Records ‎- AGAS CD016 (1999, UK)

Thanks to snobb for the addition
and to Quinino for the last updates
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DAEVID ALLEN Eat Me Baby I'm A Jelly Bean ratings distribution

3.00
(7 ratings)

Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(29%)
Good, but non-essential (43%)
Collectors/fans only (29%)
Poor. Only for completionists (0%)

DAEVID ALLEN Eat Me Baby I'm A Jelly Bean reviews

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Collaborators/Experts Reviews

Review by snobb
SPECIAL COLLABORATOR Honorary Collaborator

This album is recorded by 60- years old Australian beatnik and Gong founder Daevid Allen. He doesn't play guitar or other instruments there, just sings. And he sings jazz!

Musicians (including Gong fame sax player Didier Malherbe) play bop and cool jazz, and Daevid sings, mostly jazz standards, but one original composition as well. Some jazz standards have Allen's lyrics there!

Music is competent, but almost authentic be-bop, Allen has his characteristic voice timbre (even if ne isn't great jazz singer for sure). Main this recording's value is its atmosphere. Nostalgic, but with lite humour.

This album musically is no way connected with Canterbury, fusion or any form of progressive rock music form, but could be a pleasant memory for Daevid Allen as a great figure from late 60-s - early 70-s.

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